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An Edwardian Sheraton style mantel clock in inlaid mahogany case, with French drum movement; a modern miniature longcase clock

A rare William III walnut and Arabesque marquetry eight-day longcase clock William Bilsbrough, Gargrave, circa 1695-1700 The four thick finned pillar inside countwheel bell striking movement with anchor escapement regulated by seconds pendulum and tall plates, the 11.25 inch square brass dial with subsidiary seconds dial, ringed winding holes and calendar aperture to the fine foliate scroll engraved centre within applied silvered Roman numeral chapter ring with stylised sword hilt half hour markers, Arabic five minutes to narrow outer track and signed William Bilsborrow, Fecit to lower edge, with pierced blued steel hands and angles applied with winged cherub mask and foliate scroll cast spandrels, in a case with ogee moulded cornice and floral trail pierced fret to frieze above conforming foliate strapwork scroll inlaid glazed hinged dial surround applied with Solomonic three-quarter columns to front angles, the sides with rectangular windows and later baluster turned half columns applied next to bargeboards at the rear, the trunk with convex marquetry veneered throat moulding centred with a grotesque mask over 41.5 inch rectangular door centred with a circular lenticle and with three shaped marquetry panels decorated with bird inhabited strapwork scrolling foliage enveloping grotesque masks incorporating pewter inlaid eyes on a fruitwood ground within a walnut field, the sides veneered in walnut, the base with stepped ogee top moulding and conforming rectangular marquetry panel within further crossbanded surround over shallow mounded skirt, 202cm (79.5ins) high. William Bilsbrough is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as born in 1669 the son of Richard Bilsbrough of Moorber, Yorkshire. His children were baptised between 1695 and 1709 with two of his sons (one also named William) also becoming clockmakers. William Bilsbrough senior is recorded as repairing long Preston church clock in 1707-09, in 1737 he made a new clock for Gisburn Park and died in 1750. Loomes also refers to a marquetry longcase clock by Bilsbrough which could well be the current lot.

A George III oak and mahogany longcase clock, the 28cm brass dial with silvered chapter ring inscribed Ashton, Ashburn (sic) Roman numerals, date aperture, 30-hour movement striking on a bell, the case with swan neck pediment, shaped rectangular door to waist centred by an oval shell patera, bracket feet, 207cm high, c.1800The signature is that of Samuel Ashton the younger born at Macclesfield 1828, apprenticed to father at Tideswell 1742-49, and moved to Ashbourne c. 1750, leaving his brother Aaron to succeed to their father's business at Tideswell. The two son,s Thomas and Martin, the former working from Tideswell and the latter in partnership with his father from 1791 and his successor until his own death in 1829 [Craven, M & Hughes, R G 'Clockmakers & Watchmakers of Derbyshire' (Mayfield 1998) 57-58.] Condition Report: Generally good. Dial and movement associated with case.

An early 19thC Scottish longcase clock, by Nielson Love, Anderston, the arched dial painted with a battle scene of the Duke of Wellington at Waterloo and titled to the centre of the dial Lammie of Glasgow, with spandels painted with emblems of the continents, etc., 8 day four pillar movement in a tall mahogany case with swan neck pediment and boxwood stringing, 233cm H.

Various books on antiques, to include The Longcase Clock by Robinson (Tom), books on pottery, porcelain, embroidery, fashions, etc.

An early 19thC mahogany and oak longcase wall clock, the circular dial signed R. Holt Newark, with eight day striking movement, the door with inlaid figured oval flanked by canted reeded pilasters, possibly adapted, 166cm H.

A longcase clock, the 18thC dial signed Hadwen, Kendall, with an eight day dial, four pillar movement, in early 20thC mahogany case, veneered in specimen timbers etc., 250cm H overall.

A mid 19thC longcase clock, the arched dial painted with a country house beside a river, possibly Chatsworth House, and with maidens emblematic of the seasons to each spandrel, with eight day four pillar movement in an oak and mahogany crossbanded case in laid with shells, 242cm H.

An early 19thC longcase clock, the arched painted dial signed Lowseby Leicester, decorated to the arch with a hunting scene above floral spandrels, with an eight day four pillar movement, in oak and mahogany case, 215cm H.

Peck Wellingbro; an early 19th century mahogany boxwood strung ebony banded longcase clock, the arched moulded hood with broken swan neck pediment, brass orb and eagle finial, free standing turned cylindrical tapering columns, long moulded arched trunk door flanked by quarter rounded pilasters, on bracket feet, the 12" painted dial with Roman and Arabic numerals, subsidiary seconds and date aperture, the twin train movement striking on a bell,220cm high.Illustrated

A Tempus Fugit longcase clock

A TILLEY & SON, DORCHESTER DIAL CLOCK, with Ansonia movement (examine), a collection of cuckoo clock pinecone weights, and two longcase clock bells

George III eight day longcase clock by Cavell of Ipswich, the 12" square brass dial with subsidiary seconds and date with engraved decoration depicting figure and pagoda, in oak case (weights and pendulum present)

George III eight day longcase clock by Thorndike of Ipswich, the painted arched dial with subsidiary seconds and date, with domed top, bulls eye glass pane to the door, mahogany veneers and stained pine case (weights and pendulum present)

Late 18th / 19th century Scottish longcase clock with eight day movement, 12 inch brass break arch dial with scroll and foliate spandrels, engraved centre, secondary seconds dial and calendar aperture, signed in the arch - James Greig Perth, in an oak case with shaped door, fluted side panels and tall plinth, arched with fluted columns, swan-neck pediment, gilt metal rosettes and a ball and eagle finial, 209cm overall height (weights, pendulum, door key and winding key present)

George III eight day longcase clock by Thomas Stocker of Martock, the 11" square brass dial with subsidiary seconds and date, in elm and stained wood case (pendulum and only one weight present)

A Georgian oak cottage longcase clock, the square cut hood beneath a swan necked cornice, enclosing a painted square cut dial with 30 hour striking movement, subsidiary calendar and secondary dial by Cousens of Langport

A Regency mahogany longcase clock, the case with trailing inlaid brass bands, the hood with column supports and swan neck frieze enclosing a broken arch painted dial with floral spandrels, to the arch a painted water mill with characters and fowls, with eight day striking movement, subsidiary calendar and secondary dials by Eames of Bath

A Georgian mahogany longcase clock, the case with string inlaid detail, the hood with ionic capitals, beneath a swan necked cornice, enclosing a broken arch painted dial, the arch showing a hunting scene with floral spandrels, subsidiary calendar and secondary dial and eight day striking movement

A 19th century mahogany longcase clock with spiral column supports beneath an arched frieze, enclosing a broken arch painted dial, with landscape and ruined building detail, with eight day movement, subsidiary calendar and secondary dial, painted Joseph Rothschild, Union Street Bristol

A small Georgian oak longcase clock, the square cut painted dial with 30 hour striking movement and subsidiary calendar and secondary dial by John Pitt, Tetbury

A Georgian oak longcase clock, the trunk with full length door, the arched hood with column supports, enclosing a broken arch painted dial, with eight day striking movement with subsidiary calendar and secondary dials, by Thomas Baker of Malling

A Georgian oak longcase clock, the shaped door cross banded in walnut, the square cut hood set beneath swan necked cornice, enclosing a square brass dial with subsidiary calendar and secondary dials, cast brass spandrels and eight day striking movement

A 19th century French longcase clock, the pine case with original mahogany grained and decorated finish, the square cut hood enclosing an embossed brass arched cased dial with wheatear and fruit detail, the circular concave enamel dial by E Crosse A Doll De Bretange

A Georgian longcase clock, the pine case with original simulated mahogany grained moulding, the square cut hood enclosing a square painted dial and 30 hour striking movement by Mark Harding of Dursley

A bright cottage longcase clock, the square painted dial with exotic pheasant and shell spandrels with calendar aperture and thirty hour striking movement by H Rickard, High Street, Exeter

A Georgian longcase clock, cross banded within rosewood and further string inlaid detail, the hood with reeded columns supports, set beneath a swan necked frieze enclosing a broken arch painted dial with rolling lunar phase, painted spandrels representing the four seasons, with eight day striking movement, subsidiary calendar and secondary dials by George Hancock, of Mid Somer Norton

A Regency mahogany longcase clock case with string banded detail, the trunk with reeded column supports, the door with Gothic tracery outline, the hood with further column supports and set beneath a swan neck cornice

A Georgian oak longcase clock, the trunk enclosing a full length arched door, the hood with arched outline and wavy moulded detail, enclosing a broken arched silver dial with subsidiary calendar and secondary dials, and eight day striking movement, the dial with further chased detail and applied cast brass spandrels, by Oldfield of Watton

A late 19th century tin glazed earthen ware Delft type watch case in the form of a longcase clock, with blue and white painted decoration incorporating a male musician, canal scenes, etc, 31.5cm tall approx

A reproduction chiming mahogany longcase clock with silvered dial, by Richard Broad of Bodmyn Cornwall, with glazed door to front and three weights

An oak and mahogany eight-day longcase clock, the arched painted dial decorated flowers to the arch and spandrels, the dial with Roman numerals signed T Waite, Cheltenham and with subsidiary seconds dial and date aperture, 202cm high

A 19th Century eight-day oak longcase clock, the painted dial with aperture and subsidiary dial, the hood with broken swan neck pediment, 222cm high

A Scottish mahogany eight-day longcase clock, the circular dial with Arabic numerals, subsidiary seconds and date dials, fitted four-pillar movement, the arch top hood above a long case door on box base, the dial 33cm diameter

A 19th Century oak longcase clock, the brass dial inscribed Webster, Salop, 191cm high

GLENGOYNE 2000AD LIMITED EDITION 30YOA wonderfully presented bottle of Glengoyne 30 Year Old Single Malt Scotch Whisky bottled to celebrate the Millenium. 70cl. 51.3% abv. Presented in miniature longcase clock with certificate of authenticity and pendulum. Bottle number 0418 of 2000. Level mi-low neck. Excellent condition. 1 bottle

Richard Boxall of Godalming. A chinoiserie red lacquer 8-day longcase clock W.47cm

William Gill of Hastings. A George III oak 30-hour longcase clock W.43cm

A mid 19th century mahogany 30-hour longcase clock W.49cm

An Edwardian Maples oak cased quarter chiming longcase clock

A Victorian oak 30 hour longcase clock with painted dial 58cm

Oak longcase clock by George Parker of Wisbech

Early 19th century oak and mahogany banded longcase clock, triple arched trunk door with inlay, eight day movement with enamel dial painted with cattle and castle scene signed 'Wrangles Scarboro', H221cm Condition Report Click here for further images, condition, auction times & delivery costs

Early 19th century oak and mahogany longcase clock with walnut burr frieze, 30-day movement with enamel dial, painted with lady with a sickle, H233cm

Early 20th century oak longcase clock, brass Roman dial with three train movement chiming the quarter hours on rods, H169cm

Early 19th century oak and mahogany longcase clock, eight day movement striking on bell with enamel painted dial decorated with country scenes, H226cm Condition Report Click here for further images, condition, auction times & delivery costs

An Oak Longcase Clock having a square brass face with cast spandrels and silvered chapter ring with Roman numerals and Arabic minute numerals, inset date window, the face engraved to the central reserve "Thos. Holmes, Cheadle", the eight day movement striking on a bell, keeping surprisingly good time, 87 3/8" tall.

An old 30 hour longcase Clock movement having a single hand, the painted face with Roman numerals marked "Preece, Hereford", the external countwheel movement striking on a bell. Pendulum and weight absent. The 10" square face decorated to the corners with stylised flowers.

An Oak Thirty Hour Longcase Clock, signed Jonas Barber, Number 14, circa 1749, flat top pediment, wavy shaped trunk door, 10-1/4-inch square brass dial with chapter ring signed, date aperture, single hand, four pillar movement with anchor escapement and outside countwheel striking on a bell, two latched movement pillars, movement front plate with engraved number 14, 199cm high see illustration 18.10.18, Case with chips, dents and cracks in parts, left hand side throat moulding below the hood is loose, base with loose moulding joints, later skirting wooden dial surround is missing, dial is discoloured, movement needs cleaning, with pendulum and weight.

A Good Oak Eight Day Longcase Clock, signed William Barnard, Newark, circa 1735, flat top pediment, arched trunk door with moulded borders, glass lenticle, 12-1/4-inch square brass dial with a silvered chapter ring signed, date aperture and seconds dial, four pillar movement with an anchor escapement, rack striking on a bell, 208cm high, This clock was purchased from Brian Loomes in 2008 and is sold with the invoice see illustration William Barnard (1707-1784) was one of the best-known Newark clockmakers. He was apprenticed to Nottingham clockmaker Daniel Tantum in 1724. This example is a pre-numbered clockwhich dates it to circa 1735. 18.10.18, Case is clean, hood with slight repairs to the column capitals, plinth skirting is later, silvered chapter ring with minor discolouring, movement is clean, movement in going order, with pendulum and two weights.

A 19th century French walnut cased longcase clock, of large proportions, with a shaped case, the enamelled brass dial with Roman hours, 267cm high

An 18th century oak cased eight day longcase clock, the eleven inch broken arch brass dial with strike/silent selection and pierced brass spandrels, the chapter ring showing Roman hours and Arabic minutes, surrounding a subsidiary seconds dial, showing Arabic seconds, with date aperture, signed Thompson, Bury, the case with fret carved cornice, the dial flanked by fluted columns, on a plinth base, 220cm high

An oak dwarf longcase clock

A George III inlaid mahogany 8-day longcase clock, the 14 inch arched dial with moonphase rolling dial and painted with Highland figures, signed H. Richardson, Tarporley

A 1920s oak musical longcase clock, striking on gongs, 188.5cm high, with pendulum.

An early 19th century oak eight day longcase clock, the painted arched dial inscribed 'Jas Douglas, Chertsey', 216cm high, with pendulum (no weights). 

A George III oak eight day longcase clock, the 12in square brass dial 'James Roper, Shepton Mallet', 219.5cm high, with weights and pendulum. 

A REPRODUCTION LONGCASE CLOCK, with arched brass dial, in a mahogany case

An early 19th century Channel Islands mahogany longcase clock, by Thomas Naftel, the case with swan's neck pediment with three fir tree finials on turned columns, the base with swept feet united by a serpentine apron, the painted Roman dial signed 'T. A. Naftel Guernsey', with subsidiary seconds and date dials within floral painted spandrels, the arch with painted shell roundel, the eight day twin train movement striking the hours on a bell, 81¾in. (207.5cm.) high.

A rare 18th century oak Channel Islands longcase clock, the case with flared cavetto pediment over an arched glazed door flanked by turned pilasters, on plain plinth base, the brass arched dial signed ' Matthew Barbert, GUERNSEY', with Tempus Fugit roundel to the arch with dolphin spandrels, Roman chapter ring with Arabic outer minute track, subsidiary seconds dial and crescent date aperture within a foliate engraved cartouche, with foliate scroll spandrels, the eight day twin train movement striking the hours on a bell, 80½in. (204.5cm.) high.