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Mahogany eight day longcase clock, the 13" painted arched dial signed Jas. Slater, Uttoxeter to the centre with subsidiary seconds dial and calendar aperture, the case with long moulded panelled door, the hood inlaid with boxwood lines surmounted by a moulded swan neck pediment, 87" high (pendulum, two weights, winding key)
Ebonised eight day longcase clock with five pillar movement, the 12" brass arched dial signed Joseph Stephenson, London on a circular silvered boss to the arch, over a silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, within a re-painted chinoiserie decorated case with moulded arched door and the hood surmounted by a flat stepped pediment, 84" high (pendulum, door key and two weights)
Mahogany eight day longcase clock, the 13" painted arched dial signed Evans, Armagh, no. 121, with subsidiary calendar dial, the case with medium length rounded arched door flanked by quarter fluted columns and the hood surmounted by a moulded swan neck pediment and brass ball and spike finial, 90" high (pendulum, two weights and winding keys)
Oak eight day longcase clock, the 12" brass arched dial signed Benjamin Lautier, Bath, with strike/silent subsidiary dial to the arch over subsidiary seconds dial and calendar aperture, the case with long beaded moulded rounded arched door fitted with a lenticle, the ornate hood surmounted by a carved swan neck pediment, 89" high (pendulum, two weights, winding key)
Small ebony veneered eight day longcase clock with latched movement, the 9" square brass dial signed Johannes Fromanteel, Londini, Fecit below silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, the later veneered case with long moulded door, the hood surmounted by a triangular moulded pediment, 78" high, (two weights, pendulum). Request full condition report*
Small walnut eight day longcase clock with latched movement, the 10" square modern brass dial spuriously signed Joseph Knibb, London beneath the silvered chapter ring enclosing a subsidiary seconds dial and calendar aperture, the later veneered case with beaded long door, the hood with barley twist supports surmounted by a swan neck pediment with central carved motif above a pierced fretwork panel, 78.5" high (two weights, pendulum). Request full condition report*
Mahogany eight day longcase clock, the 12" arch brass dial signed Thomas Utting, Yarnmouth to the matted centre with subsidiary seconds dial, calendar aperture and strike/silent dial to the arch, the case with long moulded door and the hood surmounted by a swan neck pediment with turned finial, 82.5" high (pendulum and two weights)
Pine thirty hour longcase clock, the movement with outside countwheel, the painted arched dial signed Js. Truscott, St Colomb above a calendar aperture, the case with rounded arched moulded door flanked by gadrooned pilasters, the hood surmounted by a moulded arched cornice, 79" high (pendulum, weight)
Oak crossbanded eight day longcase clock, the 13" square brass dial signed Jn. Roberts, Holyhead to the foliate engraved centre with subsidiary seconds dial and calendar aperture, the crossbanded case with a serpentine arched moulded long door flanked by reeded pilasters, the hood surmounted by a stepped moulded cornice, 82" high (pendulum, winding key, two weights)
Good Mappin & Webb mahogany musical three train longcase clock, the substantial movement with 11" cylinder and striking on nine tubular bells, the 12" arched brass dial signed Mappin & Webb, 172 Regent Street. W. on a silvered plaque to the finely engraved foliate fret centre with subsidiary seconds dial within a silvered chapter ring beneath subsidiary chime/silent and Westminster/Whittington/St Michael dials, the case with bevelled glazed long door and the hood surmounted by a swan neck pediment, 91" high (pendulum, three weights, winding key)
Mahogany inlaid eight day longcase clock, the painted arched dial with subsidiary seconds dial, inside calendar dial (hand missing) and moon phase to the arch, the case with short wavy door flanked by turned baluster tapering pillars and inlaid overall with geometric and conch shell panels, the hood surmounted by a solid moulded swan neck pediment, 94" high
Good English mahogany eight day longcase clock, the 12" brass arched dial signed James Chater, London on a silvered engraved plate to the arch over an unusual lunar indication aperture, with silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, the rack and bell striking movement with five knopped pillars and trip repeat, the case with long reeded moulded rounded arched door flanked by ormolu mounted quarter fluted pillars, the hood surmounted by a moulded arched wavy top cornice with three ball and spire brass finials, 94.5" high (pendulum, winding key, two weights and two door keys)
Good walnut month going longcase clock with five pillar movement, the 12" brass arched dial signed John Helot, London on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, also with strike/silent dial to the arch, the case with long moulded arched door and the hood with moulded wavy pediment and three ball and spike brass finials, with brass cased lead weights, 89" high (pendulum, two weights, door key and two winding keys)
Fine English walnut marquetry eight day longcase clock with five pillar movement, the 11" square brass dial signed Christopher Gould, Londini, Fecit beneath the silvered chapter ring enclosing a matted centre with subsidiary seconds dial, calendar aperture and ringed winding holes, the case with long door fitted with a lenticle, the front inlaid overall with birds amidst flowering foliage and the hood with moulded stepped cornice over a pierced fretwork panel, 81" high (pair of brass cased weights and pendulum)
Mahogany inlaid two train lancet mantel clock, the movement striking on a gong, the 3.5" white dial within a shaped case inlaid with boxwood lines and a central paterae, 10.25" high, (pendulum); together with an Ansonia clock timepiece in the form of a longcase clock, 11" high and a German brass torsion clock, 12.5" high (pendulum) (3)
James Hewitt - Sunderland. A mid 18thC longcase clock, the arched dial with gilt metal spandrels, surrounding a silvered chapter ring with engraved centre, with an eight day, four pillar movement striking a bell, in figured mahogany case with blind fret decoration, on ogee bracket feet, 220cm high
James Hardy & Co., Aberdeen, a Scottish inlaid mahogany cased 8 day longcase clock, the 12" brass and steel dial, signed in the arch, with subsidiary seconds and date calendar, engraved with scrolling foliage and with spandrels cast with masks, mythical beasts and scrolls, the urn topped hood with swan neck pediment above free standing tapering fluted pilasters, the trunk with fluted quarter columns flanking a figured door centred by a floral motif, the base with shaped apron and raised on bracket feet, with weight, pendulum and case key. 2.12m
J. Lawson, Bradford, a George III oak cased 8 day longcase clock, the 13" brass dial engraved with a bird and sprigs of acanthus, scroll and acanthus cast spandrels, rolling moon mechanism, the hood with swan neck pediment and brass sphere finial, the case with reeded quarter columns flanking a trunk door over a fielded panel base. 2.30m to top of sphere
A seven foot Welsh eight day oak longcase clock circa 1830 commemorating a visit by the Prince of Wales. Having a circular brass dial with silvered chapter ring featuring the Prince of Wales feathers. The case is profusely carved, the hood featuring oak leaves and acorns surmounted by the Prince of Wales feathers, his crown and the motto Ich Dien German for I SERVE. The door featuring the Princes coat of arms and the statement "Honi soit qui mal y pense" which is a French phrase meaning: "Shamed be he who thinks evil of it", and the base a depiction of Saint George and the dragon. The movement possibly earlier than the case. The movement has extended barrels.
A GEORGE III OAK LONGCASE CLOCK by John Smith, Bungay, the case with long arch door above a rectangular plinth, the hood with turned tapering pilasters surmounted by a fretwork frieze, the brass arch dial with silvered chapter ring, with Roman and Arabic numerals, inscribed `I Mark Time Doest Thou` with a subsidiary seconds dial and date aperture, with a two-train movement striking on a bell, 87" high
A GEORGE III OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, with brass dial signed `Richardson Weverham`, the silvered chapter ring surrounding a central subsidiary seconds dial and date dial, with an eight-day two-train movement striking on a bell, the flat top hood with a painted wooden panel, signed `J. French, Cabinet Maker, Weaverham`, the dial flanked by turned fluted columns, the tall trunk with an arch topped door between quarter recessed columns, on a conforming base, 79" high
A GEORGE III OAK LONGCASE CLOCK, the brass dial beneath a tablet inscribed `James Greene, London` the dial with subsidiary seconds dial and date aperture, with a two-train eight-day movement striking on a bell, the arch top with scrolling cornice, the door flanked by turned columns, the trunk door with a central inlaid panel of a bird amongst foliage, 84" high
A GEORGE III MAHOGANY LONGCASE CLOCK by Nathaniel Brown of Manchester, the silvered chapter ring with Roman numerals enclosing a subsidiary seconds dial and date aperture, the arch with a moon phase, with a two-train eight-day movement striking on a bell, the hood with swan-neck pediment above painted panels, the door flanked by fluted columns, the trunk with similar quarter recessed stop-fluted columns and tall arch topped door, 90" high

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44425 item(s)/page