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An 8 day walnut marquetry longcase clock, the 11 inch brass dial signed beneath silvered chapter ring John Farwell, London, subsidiary seconds and date aperture in the matted centre, the spandrels divided by engraved foliage, the five pillar movement with latched plates and dial feet, in an arabesque marquetry case, the trunk door inhabited by birds, glass lenticle, panelled sides, the flat hood flanked by barley twist pilsters, 7ft (213cm).
An 8 day mahogany longcase clock, 14 inch painted dial signed A. Wilson, Kilmarnock; subsidiary seconds and calendar, spandrels decorated with Scottish heroes, the 4 pillar movement in a break arch case with canted corners and panelled plinth, the whole crossbanded, turned wood finials, 87in (221cm) h.
A black Japanned longcase clock of month duration, the 12 inch arched brass dial signed Thos. Quick, London, on a plaque in the matted centre with subsidiary seconds and date aperture, the arch containing Strike/Silent, the 6 pillar movement with 2 centre pillars latched, rack striking, in a distressed case with gilt chinoiserie designs against a black ground, caddy top, 7ft 8in (234cm) h.
An 8 day mahogany longcase clock, quarter striking on two bells with a 14 inch painted arch dial with subsidiary seconds dial and pierced crescent date aperture, signed Ifaac Court HENLEY, with a painted fly between IIII and V, the arch painted a rondel of Father Time, the hood with stop fluted columns with gilt brass corinthian capitols, the trunk door crossbanded and with chevron stringing, canted corners to a marquetry base on ogee bracket feet, 88.5in (225cm) h.
19th Century mahogany Longcase Clock, the hood with an architectural pediment above a gilt glass frieze, turned supports, long door with three-quarter columns, on ogee bracket feet, square brass dial, with cast spandrels, silvered chapter ring, with Roman numerals, inscribed, Jno. Yates, Liverpool, subsidiary seconds dial and date aperture, eight-day movement, striking on a bell, 230cms, (7`6").
Late 18th Century Longcase Clock, the painted square dial inscribed, "Deacon Barton", with secondary date dial, painted with an exotic pheasant and fruits and flowers in the spandrels, thirty-hour movement, contained within an oak inlaid case, with break-arch pediment, with dentil cornice, the hood with inverted turned columns, crossbanded door with central inlay and bracket feet, 214cms, (7`).
18th Century and later Longcase Clock, with painted arched dial inscribed, "Wm. Clarke - Long Buckby", with secondary seconds dial and date aperture and rolling moon phase in the arch, eight-day movement, chiming on a bell, contained within an oak case, the hood with swan-neck pediment, with turned columns, above a crossbanded door and flanked by fluted quarter columns and on plain base, 224cms, (7`4").
Longcase Clock, the brass arched dial inscribed, "Wm.Coulton - York", silvered chapter ring, secondary seconds dial and date aperture, eight-day movement, striking on a bell and contained within a Dutch marquetry case, the hood with arched glazed door and turned pilasters, above an arched door fitted with a lenticle, the whole decorated with birds, vases, flowers and scrolls, in various stained woods, with a bombé base and bun feet, 224cms, (7`4").
Mid eighteenth century eight day longcase clock by Giffin Rayment, Bury St Edmunds with brass arched dial with automaton Old Father Time in arch `Tempus edax Revum`, ornate dolphin and rococo spandrels, engraved and fielded dial with subsidiary seconds and date aperture in oak case with spine top and brass ball and eagle mounts, 236cm high
CLOCKS - "(JOHN) GARTLY, ABERDEEN A PART 18TH/19TH CENTURY MAHOGANY LONGCASE CLOCK having period mechanism with anchor escapement and count wheel strike, faced by an arched brass dial with strike silent, subsidiary seconds and calendar, with silvered enumerat" - ed Roman and Arabic calibrated chaptering, in a probably later mahogany case with swan neck pediment, flank pilasters with cast gilded capitals, figured waist panel door, on box base with later bracket feet, 2.25m high
CLOCKS - "THOMAS WARNER, LONDON AN EARLY 19TH CENTURY OAK AND MAHOGANY LONGCASE CLOCK having swan neck pediment, flank columns, arched painted dial with moon phase subsidiary seconds and calendar spandrels, painted with roses, 8-day four pillar mechanism with" - anchor escapement and rack bell strike, fancy shaped trunk door with quarter pilasters and chamfered fronted box base on later feet, 2.25m high
A LONGCASE CLOCK, the 25 cm arched square brass dial with a silvered chapter ring having Roman numerals, the matt centre with subsidiary seconds dial, and with silent / strike to IX and chime / silent to III, the arch with St Michael / Whittington and Westminster dial, fitted an eight day movement striking on nine gongs, in a mahogany case, the trunk door having a bar glazed panel, 206 cm high See illustration
Addison, Liverpool, an early 19th Century mahogany longcase clock having arched hood with phoenix and ball finials over painted frieze containing moonphase and subsidiary dials, supporting an eight day movement, the three quarter length cross banded door within quarter turned pilasters on box base and bracket feet. 240cms.
A mahogany cased eight-day longcase clock, the hood with brass eagle finial above an arch glazed panel door flanked by two free standing reeded columns, the canted trunk with inlaid rectangular door over bracket feet, the painted dial signed John Spurrier, Tewkesbury to the arch and with Roman numerals, the subsidiary seconds dial with Arabic numerals, fitted a four pillar movement, the dial 33cm (13") wide
Roberts, Bangor, an oak eight day longcase clock circa 1830, the arched hood with Prince of Wales` feathers motif to the swanneck, the 14 inch dial well painted with four figures to the spandrels emblematic of the Continents, a hunting scene to the centre, rolling moonphase dial above, the trunk with short ropetwist columns, the plinth with canted corners, 233cm high
Early 19th century mahogany Scottish eight day longcase clock, by Robert Stewart of Glasgow, with three turned finials and scroll carved decoration to the hood, the twin train movement striking on a chime, the white enamelled dial with Roman numerals, subsidiary date and seconds dials, and glazed front panel, on plinth base, dial 12" diameter, 87.50in. (222.25cm)
A 19TH CENTURY MAHOGANY EIGHT DAY LONGCASE CLOCK, having domed hood with circular aperture, shaped and inlaid arched panelled door flanked by quarter reeded pilasters, on a crossbanded panel base. The face now re-painted with Roman numerals seconds dial and date dial. Two train movement strikes on one bell. Possibly Scottish. The dial 12" Diameter now 78" High
AN EARLY 20TH ENTURY OAK EIGHTDAY LONGCASE CLOCK IN CONTINENTAL TASTE, having one piece case with arch moulded hood having applied foliate and "C" scroll decoration, above arch aperture flanked by twist turned columns, the waist with applied arch foliate moulding`s and canted angles on a baluster shaped base with foliate and "C" scroll moulded panel standing on bun feet. Arch face with relief gilt foliate decoration and silver chapter ring having Roman numerals. Two train movement striking on eight gongs. The face 17" x 12". 90" High overall
AN EARLY 18TH CENTURY OAK COTTAGE THIRTY HOUR LONGCASE CLOCK BY STEPHEN WILMSHURST OF ODIAM, the case having flat hood above square aperture flanked by three quarter turned pilasters, the waist with plain panel door on a panelled base with platform support. Square brass face with pierced mask foliate spandrels and having Roman numerals with single finger. Single train movement striking on one bell. C1720. Dial 10" Square. 80" High overall
AN EARLY 19TH CENTURY WELSH OAK LONGCASE CLOCK, marked E.Evans Cribin, having arched hood with broken swan neck pediment above glazed door flanked by spirally turned columns, the waist with panelled and inlaid door flanked by spirally turned pilasters on a panelled base with bracket feet. Painted face with milk maid to the arch. Roman numerals and arched date aperture. 30 hour single train movement striking on one bell. 84" High. Dial 14" Wide x 20.5" High
A 19TH CENTURY OAK EIGHT DAY LONGCASE CLOCK BY WILLIAM WILLIAMS OF ABERYSTWYTH, the case with broken swan neck pediment above arch aperture flanked by turned pillars, the waist with pointed arch door flanked by quarter pilasters on a panelled base with original bracket feet. Painted face with rural scene, foliate spandrels, seconds dial and date aperture. C1840. The face 19" x 13.5". The case overall 90" High
AN 18TH CENTURY THIRTY HOUR LONGCASE CLOCK BY HARPER OF SALOP, the later embellished and altered case now comprising flat hood over pierced and moulded freize, square aperture flanked by half turned pilasters, the waist with molded arch panel door above a plain base on bracket feet. Brass face with pierced foliate spandrels and Roman numerals, single finger and date aperture strikes on one bell. The face 11" Square x 82" High overall
AN EARLY 19TH CENTURY OAK EIGHT DAY LONGCASE CLOCK, marked "Loseby Shiffnall", having broken swan neck pediment above circular aperture flanked by reeded turned columns, the waist with crossbanded arched door flanked by reeded pilasters on a circular panelled base with reeded angles. Lacks original feet. Circular painted dial with Arabic numerals. 15.5" Diameter. 82" High. (Shiffnall Shropshire, now spelt Shifnal). C1800
AN 18TH CENTURY OAK EIGHT DAY LONGCASE CLOCK BY J PEARSON OF NEWCASTLE, the case with flat hood over arched aperture flanked by turned columns, the waist with arch panelled door on a blind panel base now with platform support. Arch brass face with pierced foliate spandrels, Roman and Arabic numerals foliate engraved centre field with seconds dial and date aperture. Two train movement strikes on one bell. The face 17.5" x 13" x 83" High overall
A mahogany eight-day musical longcase clock, basically 19th century with modifications, arched dial with inset oil painted automaton, not connected, dial centre with subsidiary seconds, date aperture and engraved scrolls, three-train movement with five pillars, anchor escapement between thick brass pillars, striking on hour bell and eight musical bells, strike-silent and Cambridge chimes options, the hood with brass corinthian capitals, flame veneered trunk door, 7ft. 10in. SEE ILLUSTRATION
An early 19th Century oak and mahogany banded longcase clock by W. Hepton of Northallerton, the 13ins arched painted dial with Arabic numerals, subsidiary seconds dial and date aperture, the arch painted with a shepherdess and the spandrels with flowers to the eight day two train movement striking on a bell, contained in oak and mahogany banded case inlaid with ebony stringings, the upper part with moulded scroll pediment and plain turned pillars to hood, shaped trunk door flanked by half round quarter columns, on bracket feet, 90ins high Note : William Hepton (and Sons), Northallerton, recorded working 1822-1840
An early 19th Century oak longcase clock, the 12ins painted arched dial with Roman numerals and showing face of the moon to the arch, subsidiary seconds dial and date aperture to the eight day two train movement striking on a bell, contained in oak and mahogany banded case with moulded scroll pediment and turned pillars to hood, crossbanded doors framed by quarter fluted columns, on bracket feet, 88ins high
A mahogany longcase clock, the 18th Century movement with 12ins arched brass dial by Giles Coates of Chedworth, the wide silvered chapter ring with Roman and Arabic numerals, the matted dial centre with subsidiary seconds dial and date aperture, the arch with automaton "Father Time" and inscribed "Tempus Fugit" to the eight day two train movement striking on a bell, contained in figured mahogany case with moulded cornice and plain turned pillars to hood, the shaped trunk door inlaid with boxwood stringings and with cant corners, on bracket feet, 84ins high (case and movement associated)
An 18th Century stained pine cased longcase clock by Richard Rooker of London, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture in matted and engraved dial centre to the eight day two train five pillar movement striking on a bell, contained in later stained pine case with moulded cornice and plain turned pillars to hood, the plain trunk door with circular brass framed lentical, 86ins high (movement and case associated) Note : A Richard Rooker recorded working London, apprentice 1685, clockmaker 1694-1735, and also his son clockmaker 1729-1759
A George III mahogany longcase clock by William Leadbetter of Portsmouth, the 12ins arched brass dial with silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture and strike/silent dial to arch to the eight day five pillar movement striking on a bell, contained in mahogany case with shaped pediment and arched and moulded cornice with key pattern frieze, turned and fluted columns to hood and shaped trunk door, 91ins high (cresting altered with later finials, plinth reduced in height and surface generally cleaned back)

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44425 item(s)/page