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A mahogany crossbanded oak eight-day longcase clock early 19th century the four-pillar rack and bell striking movement with 13in white painted Arabic numeral break-arch dial with subsidiary seconds dial and arch calendar aperture to centre with fan painted spandrels beneath panel painted with a ruin to arch the swan neck pedimented case with reeded pilasters to hood above shaped-top trunk door and conforming panel fronted plinth base 231cm high

An oak longcase clock hood mid 18th century for 12in square dial with moulded cornice above integral door pilasters 54cm high

A George III figured mahogany eight-day longcase clock with moonphase circa 1780 the four-pillar rack and bell striking movement with 14in brass break-arch dial with subsidiary seconds dial and calendar aperture to the matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes the angles with female mask and scroll cast spandrels beneath rolling moon to arch the upper edge signed William Barker Wigan the case with swan neck pediment and double fluted pilasters to hood above blind fret throat and shaped-top trunk door with raised parquetry banded border flanked by reeded quarter columns the panel fronted plinth base with canted angles and ogee bracket feet 233cm high William Barker is recorded in Baillie G.H. Watchmakers & Clockmakers of the World as working in Wigan circa 1760

Robert Allam London. A George III figured mahogany eight-day longcase clock circa 1760 the five-pillar rack and bell striking movement with 12in brass break-arch dial with recessed silvered seconds dial arched nameplate signed Robert Allam London and sweep calendar hand to the matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes the angles with finely cast foliate scroll spandrels beneath strike/silent dial flanked by conforming mounts to arch the case with pagoda pediment and panelled break-arch frieze above brass stop-fluted pilasters to hood the trunk with shaped-top door on raised panel fronted plinth base on moulded skirt incorporating bracket feet 242cm high. Robert Allam is recorded in Baillie G.H. Watchmakers & Clockmakers of the World as working in London 1742-65

A William III arabesque marquetry eight-day longcase clock circa 1700 the four finned pillar inside countwheel bell-striking movement with an 11in square brass dial with subsidiary seconds dial ringed winding holes and engraved calendar aperture to the matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes stylised sword hilt half hour markers and signed Mat. Bunce London to lower edge the angles with winged cherub head and leafy scroll cast spandrels in a case with bird and crown inlaid caddy above blind fret frieze and leafy scroll decorated hood door with integral pilasters the 24in walnut veneered trunk door with lenticle and three shaped panels of figural and arabesque strapwork marquetry on an ebonised ground the plinth with conforming rectangular panel and moulded skirt base 228cm high This clock is illustrated in Robinson Tom The Longcase Clock Antique Collectors Club Woodbridge Suffolk 1981 p.105 figure 5/24. Matthew Bunce is recorded in Britten F.J. Old Clocks and Watches & their Makers as working in London circa 1698

A William III floral marquetry eight-day longcase clock circa 1700 the five finned pillar inside countwheel striking movement with an 11in square brass dial with subsidiary seconds dial ringed winding holes and engraved calendar aperture to the matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes stylised sword hilt half hour markers and signed Tho. Bridge Londini Fecit to lower edge the angles with winged cherub head and leafy scroll cast spandrels now in a case with later ogee shaped caddy above blind fret frieze and floral trail decorated hood door with integral twist turned pilasters the 42in walnut veneered trunk door with lenticle and three shaped panels of figural bird and flower marquetry on an ebonised ground within leafy scroll inlaid surround the plinth with conforming rectangular panel and border on moulded double skirt base 226cm high. Thomas Bridge is recorded in Baillie G.H. Watchmakers & Clockmakers of the World as working in London circa 1700

Two brass thirty-hour longcase clock dials 18th century each 12in the first with dummy winding holes and subsidiary seconds dial applied Roman numeral chapter ring signed France Warrington and Indian mask pattern spandrels the second lacking spandrels and signed Rob t Sampson Warrington to centre. From the collection of the late Mr J Morley

Two thirty-hour longcase clock movements and dials early 19th century each with plated outside countwheel bell-striking movement and square white painted Roman numeral dial the first 11in with floral spray painted centre indistinctly signed Galward... the second 12in with subsidiary seconds dial and signed Tho’s Tite Daventry both requiring restoration. From the collection of the late Mr J Morley

Two thirty-hour longcase clock movements and dials early 19th century each with plated outside countwheel bell-striking movement and square 11in white painted dial the first with Arabic numerals arched calendar aperture and signed W. Drury Banbury to centre the second also with arched calendar aperture and signed J.S. Scobell to centre each with shell painted spandrels both requiring restoration. From the collection of the late Mr J Morley

Two thirty-hour longcase clock movements and dials early 19th century the first with posted countwheel bell-striking movement and 11in square white painted Roman numeral dial with arched calendar aperture and signed Thorne South Molton to centre with floral painted spandrels the second with similar 12in dial with polychrome bird and floral spray painted centre indistinctly signed both requiring restoration. From the collection of the late Mr J Morley

A quantity of assorted cast iron and lead longcase clock weights and related items. From the collection of the late Mr J Morley

A joined oak provincial longcase clock case part late 17th century the hood with moulded cornice above 9in square glazed dial aperture and later(?) long trunk door with panelled sides and reduced integral plinth 190cm high. Evidence on the internal surface of the backboard suggests that this case housed a hook and spike clock. From the collection of the late Mr J Morley

A walnut veneered longcase clock case 20th century in the early 18th century style for a 12in square dial with stepped caddy foliate pierced frieze and integral pilasters to the hood above quarter veneered trunk door with lenticle and conforming plinth base with moulded skirt 230cm high. From the collection of the late Mr J Morley

A pine thirty-hour longcase clock early 19th century the posted countwheel bell-striking movement with 11in white painted Roman numeral dial with blue ground floral painted spandrels in a case with moulded cornice above integral pilaster to hood rectangular trunk door and rebuilt plinth base requires restoration throughout 208cm high. From the collection of the late Mr J Morley

Five various oak and mahogany longcase clock cases early 19th century one for 11.5in square dial the others for break-arch dials ranging from 12in to 14in wide all in distressed condition 228cm high and smaller. From the collection of the late Mr J Morley

Luke Wise Reading. A walnut eight-day longcase clock early 18th century the five finned pillar inside countwheel bell-striking movement with 12in square brass dial with subsidiary seconds dial ringed winding holes and foliate engraved calendar aperture to the matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes fleur de lys half hour markers and signed Luke Wise Reading to lower edge the angles with cast twin cherub and crown pattern spandrels now in a herringbone banded walnut case with ogee moulded cornice and blind fret frieze to hood above integral hood pillars and rectangular trunk door on conforming plinth base with moulded skirt 198cm high. Luke Wise is recorded in Baillie G.H. Watchmakers & Clockmakers of the World as working in Reading 1686-1710 however Loomes records him as moving from London to Reading by 1691 and dying in 1735. From the collection of the late Mr J Morley

Charles Loundes London. A walnut eight-day longcase clock early 18th century the five finned pillar inside countwheel striking movement with 12in square brass dial with subsidiary seconds dial ringed winding holes and foliate engraved calendar aperture to the matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes stylised sword hilt half hour markers and signed Cha. Loundes Pall-Mall London to lower edge the angles with cast twin cherub and crown pattern spandrels now in a line inlaid walnut case with moulded cornice above integral pilasters to hood quarter veneered trunk door on conforming plinth base with moulded skirt movement dirty lacking hands and bell 210cm high. Charles Loundes is recorded in Baillie G.H. Watchmakers & Clockmakers of the World as working from Pall Mall 1682-1724. From the collection of the late Mr J Morley

Langley Bradley London. An ebonised eight-day longcase clock early 18th century the five finned pillar outside countwheel bell-striking movement with 12in square brass dial with subsidiary seconds dial ringed winding holes and floral engraved calendar aperture to the matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes stylised sword hilt half hour markers and signed Lang: Bradley London to lower edge the angles with twin cherub and crown cast spandrels within wheat-ear engraved border the case with domed caddy and moulded cornice above foliate fret frieze and integral pilasters to hood long trunk door with lenticle on reduced plinth base with moulded skirt case part restored 227cm high overall. Langley Bradley is recorded in Baillie G.H. Watchmakers & Clockmakers of the World as working in London 1695-1738 the author describing him as A famous maker who made clocks for St Paul’s Cathedral London and was master of The Clockmakers Company 1726-38. From the collection of the late Mr J Morley

Windmills London. An arabesque marquetry eight-day longcase clock early 18th century the five finned pillar inside countwheel bell-striking movement with 12in square brass dial with subsidiary seconds dial ringed winding holes and calendar aperture to the matted centre within an applied Roman numeral silvered chapter ring with stylised fleur de lys half hour markers and signed Windmills London to lower edge the angles with later Indian mask pattern spandrels within a wheat-ear engraved border now with a distressed case with moulded cornice above integral pilasters to the inlaid hood door with 43in trunk door profusely inlaid with Hoho bird inhabited stylised strapwork within repeating foliate surround the reduced base with conforming decoration 206cm high overall. As this clock is signed Windmills London it was almost certainly made after Thomas Windmills joined his father in partnership which according to Neale J.A. in his book Joseph & Thomas Windmills Clock and Watchmakers 1671-1737 was probably by 1702. Despite the case being in particularly distressed condition the marquetry is essentially intact with the exception of the lower portion of the plinth. From the collection of the late Mr J Morley

An early 19th century oak and mahogany eight day longcase clock, with painted dial, marked for Kalabergo of Banbury, Oxon, the movement chiming on a single bell, the hood with scroll pediment, 207cm (81 1/2in)

A late 18th century brass faced 30 hour longcase clock, chiming on a single bell, the dial with applied spandrels and chapter ring marked in Roman numerals, inscribed “Pat Cock Nottingham”, the case with some later adaptations, 197cm (77 1/2in) G. H. Baillie records a Cock working in Macclesfield in the late 18th century

A Georgian longcase clock, the hood with half turned pilasters and scrolled broken pediment having brass eagle and ball finial and roundels, the trunk door with oval shell inlay and stringing, the whole on bracket feet, the thirty hour striking movement with a brass dial having chased spandrels and silvered chapter ring, inscribed Jno. Smallwood, Lichfield, 7 ft 31/2 inches high

An early 19th Century mahogany and inlaid longcase clock, the arched hood with rampant crest and scroll carved decoration over spiral reeded pilasters the case with a long trunk door and box base on bracket feet, the brass dial with Roman and Arabic numerals, subsidiary seconds dial and date aperture supporting an eight day movement to an anchor escapement striking on a bell, signed Thomas Field, Bath

THOMAS MASTERS, CHATHAM; a pine longcase eight day clock with striking movement the arched twelve inch brass dial with name plate to the arch, subsidiary seconds dial and date aperture and cast spandrels

Fourteen novelty items constructed entirely of matchsticks and card and including a longcase clock, a bus, a byplane, a shop front and a room interior

A Longcase Clock Eight Day Movement, striking on a bell, the 36 cm diameter brass dial with Roman numerals, and two subsidiary dials, pendulum, and weights

A Longcase Clock, the 34 cm square painted dial signed John Beringer, Penzance, having Roman numerals, subsidiary seconds and calendar aperture, fitted an 8 day movement, in an oak and mahogany case, 227 cm

A Longcase Clock, the 25 cm brass square dial, signed William Rusbridger Dorking, with silver chapter ring, with Roman numerals, fitted a 30 hour movement, striking on a bell, in an oak case, 205 cm high

A Longcase Clock, with a 28 cm square painted dial, signed Joseph Cottell Crewkerne, with date aperture, and Roman numerals, fitted a 30 hour movement striking on a bell, in an oak case, with mahogany cross banding, 196 cm high

A Longcase Clock, the 31 cm painted square dial signed Matt Murch Honiton, with Roman numerals, seconds dial, date aperture and shell painted spandrels, fitted an 8 day movement striking on a bell, in an oak case with mahogany crossbanding, 210 cm

19th Century crossbanded oak longcase clock, the hood with swan neck pediment and ring turned pillars - square painted dial signed J Cousens, Langport, subsidiary seconds dial and fan shaped calendar aperture - eight day striking movement, 200cm high

19th Century crossbanded mahogany and oak longcase clock, the hood with swan neck pediment and turned pillars - square painted dial signed R. Roberts Bangor, the centre with seconds subsidiary dial and fan shaped calendar aperture - eight day striking movement, 225cm high

18th Century mahogany longcase clock, the hood with arch shaped moulded pediment and reeded frieze, reeded pilasters, the trunk with arch shaped long door - the square dial with silvered chapter ring signed James Whittaker, engraved matted centre with calendar aperture, crown and cherub spandrels - 30 hour striking movement, 203cm high - see illustration

An oak longcase clock the white enamelled 30cm dial with rustic vignettes to spandrels the arch with fox-hunting scene Roman chapter ring subsidiary seconds dial calendar aperture inscribed Bothamley Boston eight day movement striking on a bell the arched mahogany veneered hood with brass mounted swan neck pediment and freestanding fluted pillars the chamfered trunk with an arched door outlined with mahogany crossbands and boxwood stringing 212cm high

An oak longcase clock the white enamelled 32cm circular dial with floral painted centre Roman and Arabic chapter ring calendar aperture inscribed Wainwright Nottingham thirty hour movement striking on a bell the mahogany veneered hood with swan neck pediment and freestanding fluted pillars the trunk with an arched door flanked by fluted quadrant pillars outlined with mahogany crossbands and boxwood stringing 207cm high

A mahogany musical longcase clock the arched brass and silvered 31cm dial with winged infant mask spandrels Roman and Arabic chapter ring the matted centre with subsidiary seconds dial the arch with Chime-Silent dial and dolphin supporters chapter ring inscribed Barnsdale 18 Brunswick Place London no. 3116 three-train movement striking on a bell and chiming on eight bells mercury pendulum brass sleeved weights the arched hood and case of architectural design carved with panels of flowers and leafy spirals to the barrel cornice frieze and base flanked by freestanding fluted pillars with leafy capitals the trunk with a glazed door on a plinth inscribed Presented to Sir Samuel Scott Bart by the members and farmers of the Grafton Hunt on his retirement from the Mastership May 1913 224cm high

An oak cottage longcase clock the square white enamelled 27cm dial with floral spandrels and Roman chapter ring inscribed Cook Whitchurch thirty hour movement striking on a bell the square hood with moulded cornice and brass mounted fluted pillars ovolo moulded door to trunk skirted base 199cm high

An oak longcase clock the brass 30cm dial with eagle and urn spandrels Roman and Arabic chapter ring the matted centre with subsidiary seconds dial and calendar aperture inscribed Jno. Thomas Crewkerne the arch with sunburst boss and dolphin supporters eight day movement striking on a bell the hood with barrel cornice and blind fretwork frieze the trunk with an arched door inlaid with a star 208cm high

An oak eight day longcase clock the enamelled square 33cm dial with painted shell spandrels and Arabic chapter ring subsidiary seconds dial and calendar sector inscribed Jno. Minshull Bangor striking on a bell the square hood with a panelled frieze and freestanding brass mounted fluted pillars the trunk with a mahogany banded door flanked by quadrant pilasters skirted base 199cm high

A figured mahogany eight day longcase clock the arched enamelled 36cm dial painted to the arch with a country girl and a dog crossing a stream the spandrels with rustic vignettes Roman chapter ring subsidiary seconds dial calendar sector inscribed Wilkinson Sheffield striking on a bell the arched hood with draught moulded swan neck pediment above freestanding tapering lotus turned pillars the canted trunk with an arched door the base inlaid with a circular banded panel 236cm high excluding brass finial

An oak and mahogany eight day longcase clock the enamelled 36cm dial with painted and gilt fruit spandrels pavilion and birds to arch Roman chapter ring subsidiary seconds dial calendar sector striking on a bell the arched hood with brass mounted swan neck pediment the trunk with a re-entrant door flanked by reeded quadrant pilasters planted panel to base banded and boxwood strung throughout 214cm high

A small walnut longcase clock the square brass 26cm dial with leaf scroll and infant mask spandrels the centre engraved with stylised tulips silvered Roman chapter ring inscribed Sam Hammond Battell eight day movement striking on a bell calendar aperture the rectangular crossgrained hood with integral spirally turned pillars the crossbanded trunk and base with applied mouldings and feather banding enclosing burr panels the door with lenticle 184cm high

A George III mahogany longcase clock, the hood with swan neck pediment having rose terminals flanking a carved bird, the arched glazed panel door flanked by fluted columns and opening upon a handpainted enamel dial decorated with floral motifs, the case with fluted pillasters and canted corners raised on bracket feet, by James Galloway, 216cms high

18th Century Longcase Clock, with square brass dial, 28cms, (11"), inscribed, "Thos Davies, Monmouth", with cast and pierced spandrels, thirty-hour movement, contained within a mahogany and crossbanded case, with plain hood above a rectangular door, plain base, 193cms, (6'4").

A late 18th Century oak and mahogany 8 day Longcase Clock, Jno Drumond, the arched hood with swan neck pediment, over freestanding columns to a moulded throat and shaped long trunk door, to a plinth base, the 12” painted first period dial surmounted by a hunter and a hound, to a Roman and Arabic chapter ring, enclosing subsidiaries for seconds and date, with pierced steel hands, to a signed false plate and movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 78”

A late 18th Century mahogany cased 8 day Longcase Clock, Tho Chester, of Grattworth, the hood with overhanging cornice to a plain frieze and three quarter columns, to a convex throat and long trunk door, raised on a plinth base, to a 11” square brass dial with cast and pierced scrolling foliate and mask spandrels, to a Roman and Arabic chapter ring, with outside minute track and inside quarter track and fleur de lys half hour markers, and engraved centre with pierced steel hands, with day and date apertures, to a movement with plates united by four knopped pillars and anchor escapements, strike on a bell, (associated), height 78 ½”

George III oak 8-day striking longcase clock with arched hood & painted dial with subsidiary calendar dial, inscribed 'W. FRY / ODIHAM', 83ins. high (including centre finial)

C19th carved oak 30-hour longcase clock, the engraved brass square dial with subsidiary calendar dial, inscribed 'JOSEPH RICHMOND, THORNTON', 82.3ins. high (overall)

Oak and mahogany cross banded longcase clock with weights and pendulumOak longcase clock banded in mahogany, the painted metal broken arch face with subsidiary date and seconds, floral spandrels and painted landscape, two train movement striking the hour in swans neck hood flanked by brass capped Corinthian columns over shell inlaid door flanked by quarter columns on set out plinth. Height 213cm (key, two weights and pendulum)

Oak longcase clock complete with pendulum and 2 weightsOak long cased clock, the case heavily carved with Florentine style scrolls and vines, square brass face named Thomas Lister, Halifax, brass chapter ring, moon and date apertures and engraved field, two train movement striking the hour on a bell with two weights and pendulum. Overall height 220cm.

30 hour long case clock with 1 weight and pendulumOak longcase clock named James Green, Nantwich, the square brass face with silvered chapter ring, single finger and date aperture (width 10in), 30 hour movement striking the hour on a bell in a flat top hood with moulded cornice and integral columns on narrow trunk with full length double D moulded door on set out base. Height 197cm. (pendulum, weight)

An early 19th century mahogany 'apprentice piece' longcase clock, decorated with inlay and with a painted dial signed J Hughes, Carnarvon, fitted with a fusee lever watch movement by Josh Sewill, Liverpool, 44cm

A oak longcase clock by Thos. Bones, Maldon, part 18th century, the hood with plain columns, brass dial with subsidary seconds and calendar aperture, the eight day rack striking movement with anchor escapement, the trunk with arched door, pendulum and brass weights, 210cm.

A oak longcase clock, the hood with fret work frieze and brass capped columns, the circular enamel dial with eight day rack striking movement, the trunk and panelled plinth with fluted canted corners, 220cm high.

A red lacquer longcase clock, part early 18th century, the 10" brass dial signed W. Smith Bardfield, with foliate engraved centre, the open frame thirty hour lantern clock movement, the case painted and gilt decorated with chinoserie, 212cm high.

A George III mahogany and inlaid longcase clock by S. Hill, Sheffield, the hood with swan neck pediment inlaid corinthian capitals and enamel dial with moon faces in the arch, eight day Birmingham movement, the trunk and plinth with canted corners and line inlay, pendulum and two weights, 243cm high.

A Regency mahogany longcase clock, circa 1815, with circular brass dial, the eight day rack striking movement with anchor escapement, the trunk with flame mahogany door and plinth, one weight, 220cm high.

An early 19th century mahogany longcase clock, with swan neck hood enclosing an arched enamel dial, the eight day rack striking movement with anchor escapement, the trunk with arched door over crossbanded plinth, pendulum and two weights, 209cm high.

An early 19th century mahogany longcase clock by W Radford, Leeds, the swan neck hood with corinthian capitals, the enamel dial with moon faces in the arch, the eight day rack striking movement with anchor escapement, the inlaid trunk with reeded quarter columns, shaped door and on crossbanded plinth, pendulum and two weights, 225cm high.

An 18th century oak longcase clock by Benj. Reed, London, the hood with plain columns and carved frieze, the 12" brass dial with calendar aperture, the thirty hour movement with count wheel strike, the trunk door with moulded edge, pendulum and one weight, 197cm.