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Lot 1
Mahogany eight day longcase clock, the 13” arched painted dial signed Kern & Co, Swansea and with subsidiary seconds dial and calendar aperture, the case inlaid with boxwood and ebony lines, the short door flanked by cabled pillars, the hood with waved door surmounted by an arched pediment, 86” high
Lot 1
MAHOGANY THREE TRAIN LONGCASE CLOCK with later quarter chime on tubular bells and nest of bells, the 12” brass dial with strike-silent and seconds dials, the arch with added chime indicator - Westminster-Eight on bells or tubes, the case with ogee door and surmounted by a fret work swan neck pediment, 93” high (illustrated inside back cover)
Lot 1
DUTCH MARQUETRY LONGCASE CLOCK, the eight day movement with pull alarm, the 12” square brass dial signed A. Vermeulen, Amsterdam, the matted centre with subsidiary seconds dial and apertures for moon phase, month, day and date, the case with bombe base, long door and pedimented hood, inlaid overall with trailing flowers, birds and classical vases in coloured woods, 94.5” high
Lot 1
MARQUETRY ALARM LONGCASE CLOCK, five pillar movement, the 12.75” brass dial signed Thomas Chilton, London, with moon phase to the arch over subsidiary seconds dial, calendar aperture and central alarm disk, the Dutch walnut case inlaid overall with flowers and foliate motifs and surmounted by a broken arch pediment, 96” high (illustrated inside back cover)
Lot 1
Mahogany eight day longcase clock, the five pillar movement with latched front plates, the 12” square brass dial signed Richard Gilks, London, with subsidiary seconds dial and calendar aperture to the matted centre, the associated case with long shaped door flanked by fluted quarter pilasters and surmounted by a swan neck pediment, 94” high
Lot 1
MARQUETRY EIGHT DAY LONGCASE CLOCK the five pillar movement with 11” square brass dial with subsidiary seconds dial, calendar aperture and ringed winding holes to the matted centre, the walnut case with marquetry door inset with a lenticle, the square hood with barley twist pillars, 83” high (repairs and alterations) (illustrated inside back cover)
Lot 1
LACQUER THREE TRAIN LONGCASE CLOCK, striking on six bells, the 11.25” square brass dial signed Henry Richardson, the matted centre with ringed winding holes and calendar aperture, the black lacquer case decorated with chinoiseries, the long door inset with a lenticle and the hood surmounted by a caddy top, 89” high (repairs and alterations) (illustrated inside back cover)
Lot 1
FINE MAHOGANY THREE TRAIN QUARTER CHIMING LONGCASE CLOCK, the five pillar movement striking on eight bells, the 12” brass dial signed Eardley Norton, London no.1162 to the arch with strike-silent, seconds dials and calendar aperture and chinoiserie spandrels, the mahogany case with stepped long door flanked by corinthian quarter columns and surmounted by a square hood, 88.5” high. It is thought that the chime may be St. Petersburg
Lot 1
A good quality walnut eight day striking longcase clock with a stepped brass inlaid pagoda shaped hood having brass grills to each side, above a rectangular door and stepped base. The 12" brass dial signed Underwood Lee Fecit with a second dial and a calendar with brass bound weights 97" tall.
Lot 1
A longcase clock, having eight day movement with brass dial inscribed Thomas Armstrong and Brother, Manchester, silvered chapter ring and pierced foliate spandrels in dark oak case with moulded pediment and blind fret carved frieze on wrythern turned columns, panelled door, on plinth base, 78 1/2" high.
Lot 1
A late 18th Century longcase clock, by Booth, Hull, the painted arched dial depicting a castle and allegorical figures to the spandrels, with eight day movement having seconds and date dials, in oak and mahogany cross banded case with swan neck pediment, on fluted columns, shaped door flanked by quarter pilasters, panelled base and bracket feet, 89" high.
Lot 1
A 19th Century longcase clock, the arched dial painted with female allegorical figures to the spandrels and a female playing a harp to the arch, having eight day movement, date and seconds dial, in mahogany case, with swan neck pediment on turned columns, panelled door flanked by further columns on similar panelled base with scroll feet, 97" high.
Lot 1
A LONGCASE CLOCK, the eight day movement with arched brass dial, moonphase painted with coastal scenes, the spandrels with allegorical figures, secondary dials and calendar aperture, in mahogany case crossbanded with stringing, scrolled cornice on fluted columns, panelled door flanked by similar columns, canted panel base and bracket feet, 92 high
Lot 1
A LONGCASE CLOCK by G W Radford, Leeds, the eight day movement with arched dial painted with a basket of flowers and fan spandrels, secondary dial and calendar aperture, in oak case, the scrolled pediment with turned finial on turned columns, arched door flanked by quarter columns, on panel base, 65 1/2 high
Lot 1
A LONGCASE CLOCK, the eight day movement with anchor escapement, white enamel dial with secondary dials, unsigned, in mahogany case, the circular top with scrolled leaf and fruit carved surmount, canted tapering trunk with carved brackets and arched panelled door, panel base and bracket feet, 19th century, 79 3/4 high
Lot 1
A LONGCASE CLOCK by Joseph Stancliffe, Barkisland, the thirty hour movement with anchor escapement, square brass dial chased with cornucopia, secondary dial and painted half penny moonphase, in oak case, the scrolled pediment on turned columns, arched door flanked by quarter column, panel base on plinth, 88 high
Lot 1
A LONGCASE CLOCK by Peter Grimalde, London, the eight day movement with anchor escapement having circular white dial with secondary dials, in mahogany case with brass reeding, the arched hood with moulded cornice having waisted surmount and turned finials, arched door, panel base, shaped apron and bracket feet, 85 high
Lot 1
An early 19th century mahogany and oak cased 8-day longcase clock, the arched dial painted with floral corners and scene in the arch, also indistinctly marked for the maker and Huntingdon, the case fitted with swan neck pediment above a trunk, canted corners and inlaid decoration, 216cm (86in) (see shared illustration)
Lot 1
G. Pain of Stow, an early 19th century thirty hour longcase clock, flat pediment, column mounted hood, square 11in dial painted with floral spandrels and sporting dog in pursuit of a pheasant, Roman numerals and date aperture, inscribed 'Geo. Pain Stow', 203cm (80in) high (see shared illustration)
Lot 1
Johnson of St. Ives, a 19th century oak longcase clock, broken swan neck pediment column mounted hood, case with brass mounted quarter columns, the painted arched dial with garden bird decoration, Roman and Arabic numerals, secondary dial and date aperture, having eight day movement with anchor escapement, 215cm (84 3/4in) high (see shared illustration)
Lot 1
Robert & Peter Higgs, London A mahogany and “faux mulberry” longcase clock, with an eight day, three train musical movement. The arched brass dial with a minuet/march dial and a strike/not over a seconds dial, calendar aperture and name plaque within unusual spandrels. The massive movement with sixteen hammers striking the quarter hours on a nest of eight bells and the hours on a single bell, dial 13", case 87"/221cm high
Lot 1
Thomas Cruttenden,Yorke A late 17th Century marquetry and walnut month going longcase clock. The square brass dial with cherub spandrels, a silvered chapter ring, seconds dial and calendar aperture, inscribed “Tho. Cruttenden, Yorke, Fecit”. The rising hood, with spoon lock, remnants of original latch and twist turned columns. The trunk and hood with marquetry cherubs, birds, flowers including tulips and scrolls, dial 10" case, 82" high/210cm. Thomas Cruttenden (fl. 1668-1698) was apprecticed to Robt. Seignior on 6 July 1668, he was then passed over to Jno. Fromantle on 5 November 1677. In 1680 he moved to York to establish one of the first important clock workshops in the north of England. He died in 1698.
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44425 item(s)/page