We found 41737 price guide item(s) matching your search

A 20th century oak longcase clock, with barley twist supports

Charles Vaughan, Pontpool 1757, an 18th century oak longcase clock, the 30hr movement with square brass dial, provincial engraved and unusually dated (case and movement associated), 195 cm high

A 19th century mahogany longcase clock by Jonathan Hancock of Yeovil with hand painted face, weights and pendulum (af)

A George III oak cased eight-day longcase clock the 12" brass dial signed J N Haley, Wrexham with chapter ring of Arabic and Roman numerals, date aperture and subsidiary centred seconds dial within scrolling leaf engraving, pierced corner spandrels moulded with flower and scrolling leaves. The four pillar movement strikes on a single bell, the hood with swan neck pediment and later parcel gilt turned finials, in working order and keeping good time, 220 cm high. Note: recently refurbished; the aperture date is not connected to the mechanism and apparently never has been.

A Regency mahogany longcase clock, the hood with Corinthian caps, set below a swan neck cornice, the 31 cm broken arch painted dial with subsidiary calendar and secondary dial, to the arch a lunar phase with eight day striking movement, signed Thomas Morgan of Bristol (Thomas Morgan is recorded as working in Bristol 1787 and dying in 1838)

A Georgian mahogany longcase clock, the hood with reeded column supports set beneath a swan neck cornice enclosing a 31 cm broken arch brass dial with cast brass spandrels, subsidiary calendar and secondary dials, to the arch a lunar phase and high water at Bristol quay by George Strickland of Bristol

An 18th century oak longcase clock, the trunk with full length door with marquetry starburst decoration, the hood with simple column supports enclosing a 30 cm square brass dial with silvered chapter ring, with applied spandrels, the centre engraved with a merrymaking scene with harlequin upon a violin, a further entertainer and a single female dancer, the secondary dial engraved with a hanging candelabra with pierced tulip flower detail and 30 hour striking movement by Samuel Quarman of Temple Cloud (near Bristol)

A small 19th century mahogany longcase clock, the hood with turned column supports and swan necked cornice enclosing a 31 cm broken arch painted dial, to the arch a parrot amongst strawberries and roses, to each spandrel a seashell, with subsidiary calendar and secondary dials, with eight day striking movement, signed John Pitt of Tetbury (John Pitt is recorded as working in Tetbury between 1820 and 1859)

A George III figured mahogany, 8 day longcase clock, the 12in convex painted circular dial faintly inscribed 'James McCabe, Royal Exchange, London', with ringed five pillar bell striking movement, 201cm high, with weights and pendulum.

A 1930's oak chiming longcase clock with silvered dial and triple weight driven movement

An oak longcase clock, the silvered dial stamped foreign, above a glassed door, with three brass covered weights, 197cm high.

James Tudman, London. A longcase clock, the square dial with gilt rococo style spandrels, silvered chapter ring, eight day four pillar movement, in a black and gilt japanned case, 192cm high, Provenance: Butterfields, Thoresby Park, Nottinghamshire.

Simon Thorne, London. A longcase clock, the arched dial with silvered chapter ring, date aperture and seconds hand with strike silent, in an oak case with Corinthian gilt metal capitals, a carved door on plinth base, movement and case associated, 222cm high

Greenhill, Saint Albans. An early 19thC longcase clock, the arched silvered dial with Roman numerals, with an eight day, four pillar movement, in a mahogany case, 236cm high

J W. Gantlett. Didmarton, an early 19thC longcase clock, the arched brass dial with an eight day four pillar movement, rococo cast spandrels and a silver chapter ring in a crossbanded oak case, 180cm high.

A late 19th/early 20thC oak and gilt metal mounted miniature longcase clock, with a part enamelled dial on square feet, 34cm high.

A 19TH CENTURY OAK EIGHT DAY LONGCASE CLOCK, the painted face with date aperture and subsidiary seconds dial, maker's name indistinct, the hood with swan neck pediment, the case of plain form, twin weights, pendulum, H 220 cm, A/F¦++The base of the trunk has been replaced.¦

Arched brass longcase clock dial and movement, signed Henry Rogerson, London

George III oak and mahogany banded eight day longcase clock having square brass and silvered dial, signed John Smith, Chester

George III oak thirty hour longcase clock having square brass and silvered dial signed Bodle, Reigate

Silver mounted clock in the form of a longcase clock, with watch movement

Late 19th century oak and mahogany inlaid longcase clock with swan neck pediment, painted dial, by "JNO Oldham, Southam" (Warwks) with 30-hour movement, chequered and shell inlay, inset reeded quadrant fore-pillars, plinth base, 213cm high

George III inlaid oak longcase clock with swan neck pediment by "R Baker, Tamworth", with painted moonphase and eight-day movement, the case with stringing decoration, cross-banding and line inlay, with pendulum and weights

Edward Barnsley walnut regulator longcase clock, the hood with angular arched pediment, the circular steel dial with subsidiary seconds and hours dials and inscribed "Dent, 41 Pall Mall and 4 Royal Exchange, London", no.62959 behind octagonal glazed door, the trunk having door with two fielded panels, brass label to interior engraved "Sir William Waters Butler bequeathed certain monies to his friend Arthur Mitchell and this clock and case were commissioned therefrom, to commemorate 40 years friendship and work together. The regulator movement was made by Dent & Co of London and the English Walnut Case was designed by Edward Barnsley and made by him and his chief assistant H Upton in 1940", similar panels to the base, all with holly and ebony chequered stringing and wavy line ebony beading, on plinth base, 207cm high This collection comes from the late Arthur Mitchell from the brewers, Mitchell & Butler, who commissioned many of the pieces directly from Gimson, Barnsley and Peter Waals. He was a strong supporter of the Cotswold School and a good friend of Edward Barnsley, son of Sidney Barnsley. Arthur Mitchell lived in Cheltenham at Glenfall House and pieces from his collection are also to be found at the Cheltenham Wilson Art Gallery Museum in the Arts and Crafts Department

Late 18th century mahogany eight-day longcase clock with swan neck pediment, painted broken arch dial, subsidiary seconds and date dials, inset quadrant fore-pillars, plinth base, 213cm high

A 19th French provincial painted pine cased Comtoise longcase clock, the dial marked for Bolain A Loheac. The movement having enamel face with gilt bimetallic repousse surround having twin weights , swing pendulum. The decorative case with glazed front having swing pendulum and inlaid stud detailing elsewhere. Measures: 233cms high x 46cms wide x 25cms deep.

A George IV mahogany eight day longcase clock, circa 1825, made by 'W Nicholas, Birmingham' the hood with a swan neck pediment, the glazed door enclosing a white painted dial with black Roman numerals, seconds hand, moonphase mechanism, the case door set between turned columns with Corinthian capitals and plain terminals, 235cm high, complete with key

An early Victorian mahogany eight day longcase clock, the dial inscribed 'John Juler, North Walsham', the hood with a swan neck pediment, the glazed door opening to reveal a dial having a silvered chapter ring and black Roman numerals, three winder holes, moonphase mechanism, the single case door enclosing movement, the base with rustication, 230cm high

A George III oak and mahogany eight day longcase clock, by Torkington of Newcastle, the hood having a broken pediment and a ball finial, fitted with a circular glazed face door enclosing a silvered dial with Roman numerals and a subsidiary dial, set with two winder holes, the body with a single door over a projected base, 217cm high, complete with weights and pendulum, complete with key

A GEORGE III MAHOGANY LONGCASE CLOCK, with eight-day movement, arch dial with subsidiary strike/silent dial, seconds dial, silvered chapter ring, the dial signed James Ivory, Dundee.7ft 4ins high.

A George III oak and walnut eight day longcase clock, painted Roman numeral dial with subsidiary seconds and date aperture, signed John Hayes Wrexham, with movement striking on a bell - the bell cast 'Gainsworth Warr', with broken swans neck pediment and serpentine top trunk door, on bracket feet, 214cm

A George III stained pine provincial 30 hour longcase clock, with painted Roman numeral dial and movement striking on a bell, and hood with architectural triangular pediment top, 193cm (hands not original)

A George III oak and mahogany banded inlaid 8-day longcase clock, with painted arched dial signed T Brentnall - Sutton, with Arabic numerals and subsidiary seconds, with broken swans neck pediment and serpentine top trunk door, on bracket feet, 225cm

A LATE VICTORIAN TUNBRIDGE WARE WATCH HOLDER, formed as a longcase clock, parquetry inlaid, complete with a white metal cased POCKET WATCH suspended in the hood, 24cm high

A GEORGIAN OAK LONGCASE CLOCK, with plain painted dial and date aperture, having 30-hour movement, the case with swan neck top over pilaster sides, the carcass having inlaid decorative shell motif with quarter column sides, 214cm high (with pendulum and weight)

An 18th Century oak longcase clock, Chaz Philpot, Bromyard With a moulded cornice above a ten inch brass dial the dial painted with Roman numerals and flanked by gilt metal scrolling leaf and cherub mask spandrels, the thirty hour movement with a single finger dial over a plain rectangular moulded door and front board on a later plinth base, 197cm. CONDITION REPORT: Case has been restored at some point, along with dial. The movement has been mounted on a later board, indicates movement and clock are a marriage. Board behind the clock dial missing and glass from hood door missing. Has weight and pendulum. Working condition unknown.

A Late 18th early 19th Century oak and mahogany longcase clock, W. Hewson, Lincoln The case with a twin swan neck pediment above two tapering reeded columns flanking the break arch 12" painted dial, the dial painted with a hunting scene and Arabic numerals with a subsidiary second dial and date aperture the eight day movement striking on a saucer bell, the case with a crossbanded door flanked by canted corners above a panelled base raised upon a shaped apron and bracket feet complete with pendulum and two weights, height of clock 206cms

An Art Nouveau silver mirror, with stylised floral and foliate decoration, London 1903, 35 x 25 cm, a gentleman's gold coloured metal wristwatch, a miniature longcase clock, a brass adjustable table lamp, a Fortnum & Mason cheese knife, boxed, assorted coins, ceramics and items (qty) Condition report Report by NGMirror onlySilver hallmarked London 1903. Several holes in silver. Silver lifted away from velvet frame at top. Velvet worn and faded. Strut loose to reverse. Glass is beveled.

A longcase clock, the 24 cm square brass dial signed Jackson, Henley, fitted a 30 hour movement, in an oak case, 192 cm high Condition report Report by RBWith trunk door key, pendulum and a weight

A longcase clock, the 29 cm square brass dial signed J Stratton, Hampton, with Roman numerals, subsidiary seconds dial and calendar aperture, fitted an eight day movement, in an oak case, 199 cm high See illustration Condition report With pendulum, trunk door key and two non matching weights.

A longcase clock, the 30 cm arched square brass dial having Roman numerals, the matt centre with subsidiary seconds dial and calendar aperture, fitted an eight day movement, in a black lacquer case, with chinoiserie style decoration, 240 cm high See illustration Condition report ReportNo pendulum, keys or weights, no glass to hood.

A musical longcase clock, the 30 cm arched square silvered dial signed Edward Hopkins, Bradford, Wilts, fitted an eight day movement striking on nine bells, in a mahogany case, 242 cm high (overall) See illustration Condition report ReportWith trunk door key, winding key, three weights and pendulumReport by MWThe clock is from a private client. The clock has been previously restored. The silvered dial would appear to have been re-silvered and the chapter ring numerals re-painted. The movement appears unaltered but is very dusty and would benefit from a clean and service. The case has been restored and has a polished surface, the trunk door appears unwarped. The case has some warping, which is most noticeable when a hand is passed over it. The back boards have several holes drilled into them.Overall the clock appears clean and the dial fits quite well to the hood aperture

Oak case longcase 8 day clock (Chaplins, Bury) Condition report: see terms and conditions

An oak longcase clock with painted 'shooting scene' dial

A George III oak eight day longcase clock, the dial inscribed 'Sam Smith, Stamford', the hood with a broken pediment and ball finial, fitted with glazed door opening to reveal a silvered chapter dial and brass centre with two winder holes, gilt metal spandrels, two weights, raised on bracket feet

A George IV mahogany eight day longcase clock, the white enamelled dial inscribed 'Richards, Uttoxeter', the hood with a swan neck pediment, the glazed door set between turned columns, the case door set between quarter round columns

EARLY VICTORIAN MAHOGANY LONGCASE CLOCK maker indistinct, the painted dial representing the seasons, with Roman numerals and subsidiary seconds and calendar dials, the two train movement striking on a bell, arched hood, the case has been shortened, 213cm high

A George III mahogany 8-day moon phase longcase clock, silvered dial, date aperture with Roman and Arabic numerals to outer dial, striking on the hour, subsidiary seconds hand, engraved maker's name 'Rudd Warminster' enclosed by an elaborately carved and blind fretwork designed hood. 244 cm H, in working order.

A 19th century black lacquered chinoiserie longcase clock, the hood with pagoda top above an arched glazed door flanked by columns, the dial with arched top section engraved Thomas Kefford Royston above a strike silent dial, the chapter ring with Roman numerals and Arabic numerals to the exterior with central seconds dial and date aperture. The case with all-over scroll and shell decoration, the door depicting an oriental scene with pagodas and figures to the foreground, on a stepped plinth base. Est £250-400

A 1940s longcase clock, eight day movement striking and chiming, Arabic numerals, dome-top oak case, (AF)

A George III oak longcase clock, the 30 cm square painted dial inscribed 'Shelgill. Salford.', Roman numerals, poppies painted to spandrels, subsidiary seconds dial, date aperture, twin winding holes, eight-day movement striking on a bell, the hood with stepped moulded cornice and Doric column, rectangular fielded panel door to waist, plinth base, 193 cm tall

A George III mahogany longcase clock, the 33 cm arched enamel dial inscribed 'Hallam. Nottingham.', Arabic numerals, the arch painted with a young lady in a rural setting, spandrels painted with shells, stallion-shaped hinged brass finial, swan neck pediments with brass roundels, date aperture, bird cage movement striking on a bell, turned pilasters, shaped door to waist, plinth base, boxwood stringing throughout, 210 cm tall

A modern Tempus Fugit longcase clock, with an oak veneered case.

A late 19thC oak longcase clock by Thomas Armstrong & Brother, Manchester, the engraved silvered break arch dial with chapter ring bearing Roman numerals, chime silent subsidiary dial, eight day movement with quarter Westminster chimes, the case with architectural hood bearing Doric capitals, trunk door inset bevelled glass raised on a plinth base, 213.5cm high.

A 19TH CENTURY OAK LONGCASE CLOCK BY CLARKSON OF WOLVERHAMPTON, the arched brass dial having Roman and Arabic numerals, eight day movement, subsidiary seconds dial and date aperture, bearing maker's name to a circular cartouche within the arch, the case of plain form, the hood with fluted pillasters, pendulum and twin weight, H 205 cm

AN UNUSUAL 19TH CENTURY SINGLE FUSEE LONGCASE CLOCK BY JOHN BAGNALL OF DUDLEY, the brass and silvered dial with Roman and Arabic numerals, gilt cherubic spandrels to each corner, aperture bearing maker's name and second aperture with unusual painted detail, the chinoiserie case decorated with typical Oriental designs, pendulum and key, H 219 cm

A 19TH CENTURY OAK AND MAHOGANY INLAID EIGHT DAY LONGCASE CLOCK BY JOHN CHAMBLEY OF WOLVERHAMPTON, the painted face with date aperture and subsidiary seconds dial, maker's name to the arch, the case with inlaid detail, H 215 cm A/F, twin weights and pendulum

Late 18th C oak longcase clock, eight day movement by Hill of Chester, dial with silvered chapter ring, subsidiary dial, date aperture and signed Thos Brown Chester to centre, C-scroll spandrels, the oak case with moulded top above turned columns, trunk with ogee moulding flanked by quadrant pilasters, 206cm h

A George III mahogany longcase clock, the eight day movement to an arch top painted dial,217cm high

A George III 8-day longcase clock, 12in. painted, arched dial signed Argdnt, Colchester, bell-striking movement with anchor escapement, oak case with fret-carved pediment, with key, pendulum and weights