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19th c. brass-faced arch-topped 8-day longcase clock in mahogany case, by James Kirkland of Glasgow

A GOOD 18TH CENTURY WALNUT LONGCASE CLOCK, with eight-day movement, the arch shape brass dial with silvered chapter ring, subsidiary strike/silent dial, seconds dial and date aperture, signed John Davis, London, in a well figured case. 8ft 1ins high.

AN 18TH CENTURY MAHOGANY LONGCASE CLOCK, with eight-day movement striking on five bells, the painted arch shape face signed Nicholas, Daventry. 7ft 5ins high.

A VICTORIAN MAHOGANY AND LINE INLAID EIGHT DAY LONGCASE CLOCK THE PAINTED DIAL INSCRIBED HALLAM NOTTINGHAM, 210CM

A GEORGIAN LONGCASE CLOCK, 8 day movement, square brass face with silvered chapter ring, the case later painted/ebonised (sd), approximate height 202cm (key, two weights and pendulum)

AN OAK LONGCASE CLOCK, the 12' square brass dial, having Roman and Arabic numeral rings with Bell Uttoxeter under, corner spandrels, hood with swan neck cornice, bobbin supports either side door, quarter pilaster supports to body, stepped base, bracket feet, pendulum

A MODERN MAHOGANY CASED LONGCASE CLOCK, face marked 'Charles E Short, Brighton' (two weights)

A large and impressive Edwardian mahogany 8-day musical longcase clock,with a 12" arch-top brass dial, a superb quality movement striking on tubular bells, with Westminster Whittington & St. Michael chimes, silver chapter ring and subsidiary dial, height 7'8".

A longcase clock, the 33 cm arched square painted dial with subsidiary seconds and calendar dials, fitted an eight day movement, in an inlaid mahogany case, approx. 240 cm high Condition report Hood swan neck finials detached. Two weights, pendulum (broken and in parts), lacks feet, backboard replaced, in need of repair and restoration overall.

E J Goodfellow, Wadebridge, a reproduction mahogany longcase clock with eight day gong striking movement

A small mixed lot of ornamental brass and other items, including miniature longcase clock, pestle and mortar, bell, chestnut roaster etc

William Barker, Wigan, a moonphase longcase clock: the eight-day duration movement striking the hours on a bell, the fourteen-inch brass break-arch dial having a raised silvered chapter ring engraved with black Roman numerals with Arabic five-minute numerals to the outer aspect, the silvered dial centre engraved with c-scroll decoration and having a subsidiary seconds dial, and sweep date to the inner aspect of the chapter ring, with cast-brass c-scroll spandrels to the four corners, the arch having a moonphase disc set within the arch above, with the adjustment wheelwork from behind the dial in typical Barker fashion, and engraved above with the maker's name Will. Barker, Wigan, the globe area having two applied silvered mounts engraved with the motto Time is Valuable, the mahogany case having a shaped moulding to the top of the trunk door, fluted columns standing on fret-work blocks to the trunk corners, the hood flat fluted columns to the door and further turned fluted columns to the corners, a fretwork panel to the swan-neck pediment and cast-brass finials, the base having canted corners, a shaped raised panel and standing on bracket feet, height 230 cm.* Biography; William Barker was a well-known maker working in Wigan, Lancashire, with a whole chapter devoted to him in The Clockmakers and Watchmakers of Wigan by Arthur J. Hawkes published in 1950. A member of the Barker family of clockmakers, William was believed to have come to Wigan with his father Thomas in circa 1737 and established himself not only as a clockmaker, but also a gunsmith and petitioned to be made a Freeman in March 1748 stating that having 'married a wife there, is desirous to obtain his Freedom and to exercise his trade therein…' being finally admitted in 1751. He quickly became very active in the town and was at the forefront of a number of petitions stopping others from plying their trade without the requisite Freedoms, often to stop competition from those of equal ability. Thomas Hatton, an 18th century London watchmaker and author on clocks wrote in his Introduction to the Mechanical Part of Clock and Watch Work, published in 1773, that William Barker can be put 'in the front rank' of makers. Barker's masterpiece, a longcase clock with various complications, including moon-phases and state of sunrise and sunset along with calendar work for the Old Style and New Style that came into use in 1752, was made circa 1780. William Barker fell ill in July 1786 and died some months after, with his son Daye Barker continuing the business for a short while.

Peter Bower, Redlynch, an oak longcase clock: the associated thirty-hour birdcage movement striking on a bell, the ten-inch square brass dial having a raised chapter ring engraved with black Roman numerals, fleur-de-lys half-hour markings and signed either side of VI o'clock Peter Bower, Redlynch, with cast-brass c-scroll and shell corner spandrels, the dial centre engraved with a depiction of a castle flying a flag, with a steel single hand and date aperture, the oak flat-topped case having a long trunk door, plain base with restorations and tapered three-quarter columns to the hood with wood capitals, height 213cm.* Biography Peter Bower is recorded as a fine and prolific maker working in the west-country from circa 1710.

Davie Steward, Newport Pagnell, a quarter-chiming longcase clock: the eight-day duration movement striking the hours on a bell and the quarters on a nest of eight bells, the twelve-inch square brass dial having a raised silvered chapter ring engraved with black Roman numerals, Arabic five-minute numerals to the outer aspect, fleur-de-lys half-hour markings and signed either side of VI o'clock Davie Steward, Newport Pagnell, the matted dial centre having engraved decoration to the date aperture, with a pair of birds below the subsidiary seconds dial, with cast-brass female head spandrels to the four corners and blued steel hands, the arch having a round silvered boss engraved with a basket of fruit sat on a table, with cast brass c-scroll spandrels either side, the mahogany case having a pagoda top, with fluted canted corners to the hood and surmounted by three brass ball-and-spire finials, height 234 cm (inc. finial).

Jas. Coffin, Barnstaple, a mahogany longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch brass break-arch dial having a raised silvered chapter ring engraved with black Roman numerals and Arabic five-minute outer numerals, the dial centre having a seconds dial, large date aperture and engraved with rococo decoration and the name Jas. Coffin, Barnstaple, with decorative blued steel hands, female-head cast-brass spandrels to the four corners, a round silvered boss to the arch engraved with an eagle above a ribbon engraved tempus Fugit, with cast-brass dolphin spandrels to either side, the mahogany case with crossbanding to the base, shaped trunk door, the flat-topped hood with tapered pillars having cast-brass capitals, height 214 cm.* Biography; James Coffin is recorded as having been apprenticed in 1752 to William Upjohn of Exeter at a premium of £12 12s. It is known that he looked after the Barnstaple parish church clock for five years from the 7th of June 1764.

John Ebsworth, London, a marquetry longcase clock: the associated eight-day duration movement having finned pillars and striking the hours on a bell with an inside countwheel, the ten-inch square brass dial having a raised silvered chapter ring with Fleur-de-lys half-hour markings and a thin outer aspect engraved with Arabic five-minute numerals, the dial centre engraved with tulip style decoration and signed above VI o'clock John Ebsworth, Londini fecit, within a ribboned cartouche, with cast-brass cherub-head spandrels to the four corners and blued steel hands, the walnut case with panelled bird-and-flower marquetry inlay to the trunk door, with further inlay to the base, the flat-topped hood with barley-twist columns, floral inlay, fret-work to the top frieze and glazed panels to the sides, height 197 cm.* Biography John Ebsworth was a pre-eminent and important early clockmaker who was apprenticed to Richard Aymes on the 23rd of February 1657, becoming free on the 3rd of April 1665. He was an assistant to the Worshipful Company of Clockmakers in 1682 becoming a warden between 1694 and 1696 and finally Master in 1697. He worked at the Cross Keys, Lothbury, London and may well have succeeded the famous lantern clock maker Thomas Knifton. He died in 1699 with his will proven in September of that year.

John Sampson, Truroe, a walnut longcase clock: the eight-day duration, five-pillar movement striking the hours on a bell, the twelve-inch brass break-arch dial having a raised silvered chapter ring engraved with black Roman hour numerals, Arabic five-minute numerals to the outer aspect, the matted dial centre with a subsidiary seconds dial and date aperture, with cast-brass bird-and-urn spandrels to the four corners, decorative blued-steel hands and a silvered boss to the arch engraved with the name Jno. Sampson, Truroe, the flat-topped walnut case with double cross-banding to the trunk door and base, the hood having turned tapered columns with cast-brass capitals and wooden fret-work above the dial, all standing on a double-plinth to the base, height 221 cm.* Biography; John Sampson is known to have made clocks of 'superior quality' with one known longcase example dated circa 1750, which also has the name of Truro spelt with the additional 'e'.

A 19th century oak longcase clock, the arched dial painted with flowers and signed 'J Davis, Leominster', the brass pendulum bob embossed with flower design

Late 20th century oak longcase clock, arched dial with silvered chapter ring, applied with figural spandrels, height 192cm

Thomas William Hay, Shrewsbury - 18th century oak longcase clock, the crossbanded door with inlaid shell motif, the 30 hour square painted dial with calendar, 81 ins tall (A/F)

A mid 19th oak longcase clock with eight day painted dial

A mahogany cased longcase clock by Meritt of Canterbury, approx 207cm.

William IV oak and mahogany longcase clock (grandfather clock) by Broadhead, Belper, with painted dial, roman numerals and arch depicting a scene of a fisherman on the shoreline, 8 day striking movement (bell) requires servicing, key and pendulum include

A 19th Century Mahogany eight day longcase clock with silvered dial and subsidiary hands, marked Neale, London

Burleigh 10x50 binoculars and miniature carpet bowls, a miniature longcase clock and a Victorian Mahogany box etc

GEORGE III LONGCASE CLOCK, the 11" brass dial inscribed McGeorge, Dumfrs beneath a moonphase, subsidiary seconds dial and on an eight day hourly striking movement, in an oak case, height 216cm

A longcase clock, the 33 cm arched square painted dial with subsidiary seconds and calendar dials, fitted an eight day movement, in an inlaid mahogany case, approx. 240 cm high Condition report Hood swan neck finials detached. Two weights, pendulum (broken and in parts), lacks feet, backboard replaced, in need of repair and restoration overall.

A gentleman's yellow coloured metal wristwatch, assorted coins, a miniature longcase clock, and other items (box)

EARLY 19TH CENTURY MAHOGANY LONGCASE WALL CLOCK the 14" enamelled dial inscribed Wm. Corke, Stourport on a twin train movement with anchor escapement striking to a gong, circular glazed hood above a trunk with arched cross-banded door and panelled base, height 183cm.

MAHOGANY LONGCASE CLOCK, the 12" painted dial with subsidiary seconds dial and date aperture beneath an arch with sailing ship automaton and coastal castle flying the Union Flag, the brass eight day movement striking to a bell, height 205cm

An early 19th century mahogany longcase clock, the hood with broken swan neck pediment above arched painted dial above rolling moon phase, subsidiary seconds hand, date aperture and eight day movement inscribed "Bond, Abingdon", above a short door flanked by wrythen twist pillars and a plinth base, dial and movement associated to case, height 244cm.

SMITH OF ABERFORD; an early 19th century mahogany and boxwood strung 30 hour longcase clock of small proportions, the arched painted dial with Roman numerals inscribed with maker's name, flanked by wrythen twisted pilasters above a short door and plinth base, height 200cm.

SAMUEL WRIGHT OF NORTHWICH; an 18th century oak and mahogany crossbanded eight day longcase clock with caddy top above square brass face with silvered chapter ring set with Roman numerals, with second subsidiary dial and date aperture flanked by two columns above single domed door and plinth base on bracket feet, height 195cm. CONDITION REPORT: The dial is 12". The dial is associated to the case, the freeze above the dial has been damaged and restored, and possibly a latter addition. Plinth has a crack to the centre, it also has some veneer replacement. Pendulum and weights present but no key.

An early 19th century mahogany eight day longcase clock with broken swan neck pediment above moon phase enamel dial set with Roman numerals, subsidiary second dial and date aperture, above single domed door flanked by two columns, on plinth base and bracket feet, height 248cm.

A late George III mahogany thirty hour longcase clock with broken swan neck pediment above circular enamel dial set with Arabic numerals and with date aperture flanked by two fluted columns above single domed door and plinth base on bracket feet, height 215cm.

A George III oak and mahogany longcase clock, eight day, the dial inscribed 'Edward Morris Stone', with pendulum

A George III oak and mahogany eight day longcase clock, white enamelled dial inscribed Pybus Castors

A George III oak and mahogany cased longcase clock, the dial inscribed indistinctly, plus parts

A collection of clocks, including wall clocks; carriage clock; miniature longcase; a box of metalware; etc (two boxes and two clocks)

Reproduction oak longcase clock. Condition report: see terms and conditions

A 19th century Welsh moonphase mahogany longcase grandfather clock the dial marked for Rider. Believed to be William Rider, Welshpool. The painted face with moonphase top having roman numeral chapter ring set with faceted hands. Complete with weights and pendulem. Set within a mahogany trunk and hood ( see multiple illustrations ).

A late 18th century mahogany cased cottage longcase clock with swan neck pediment and turned reeded side pillars to the hood, square painted dial and 8 day striking movement by Jno Warry, Bristol

A late 18th century figured mahogany longcase clock with Sheraton style inlay, swan neck pediment and turned pillars to hood, quarter turned pillars to full length door, bracket feet, square painted dial with inset moon phase

An early 19th century oak and mahogany longcase clock with swan neck pediment, square reeded pillars to the hood and trunk, painted square dial, and weight driven striking movement

An early 20thC oak watch stand, modelled in the form of a longcase clock, inset with a Lemonia silver plate pocket watch, 11cm high overall

A miniature oak Continental longcase clock, inset with various bronzed metal panels, with German brass movement, 50cm high.

AN UNUSUAL 19TH CENTURY SINGLE FUSEE LONGCASE CLOCK BY JOHN BAGNALL OF DUDLEY, the brass and silvered dial with Roman and Arabic numerals, gilt cherubic spandrels to each corner, aperture bearing maker's name and second aperture with unusual painted detail, the chinoiserie case decorated with typical Oriental designs, pendulum and key, H 219 cm

A mid 18th century oak longcase clock, with later carving to the matched case, the brass dial with gilt mask spandrels, silvered dial, matted centre and date aperture, inscribed Stapylton, Richmond, the 30 hour movement striking on a bell, 11 inch dial, 215cm high

An oak miniature longcase clock with brass dial and lead glazed door, the three train movement striking on gongs, 175cm high

An early 19th century crossbanded mahogany broad longcase clock, the swan neck pediment on turned supports enclosing a painted arch dial with lake scene to the arch and buildings to the spandrels, subsidiary seconds dial and date aperture, inscribed L.Koos Merthyr Tydvil, turned supports to the trunk and bracket feet, the 8-day movement striking on a bell, 13 inch dial, 222cm high

A modern triple weight driven longcase clock in the 18th century style

Three longcase clock weights and two pendulums (5).

A modern mahogany longcase clock, the square brass dial marked E J Goodfellow Wadebridge, the hood with twin columns, brass mounts, glazed central door.

A modern reproduction longcase clock

A George III oak longcase clock, eight day chiming movement, circa 1790, date and second subsidiary dials, signed Thomas Dickenson, Boston, painted domed arch face, chased brass hands, the case cross banded oak with brass finials, 45 by 22 by 210cm high.

A mahogany inlaid eight day longcase clock

A pine thirty hour longcase clock

W Scales of Kendal oak and mahogany thirty hour longcase clock

An oak thirty hour longcase clock

A carved striking longcase clock, enamel dial signed Lemonnier a Dinan, two eights, pendulum and key