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A VICTORIAN MAHOGANY NEO ROCOCO LONGCASE CLOCKthe gilt brass dial with silvered chapter ring and subsidiary seconds dial, three subsidiary dials to the arch, engraved on a tablet T ARMSTRONG & BROS LTD MANCHESTER and applied with rocaille, the movement chiming on eight tubular bells and with three brass sleeved weights, in richly carved case with inlaid panels of floral marquetry, the glazed door applied with trellis and floral swags, the sides conforming, on ogee feet, 274cm h++Complete and in entirely original condition although heavily encrusted with dust. In need of thorough clean. The movement complete but with heavily build up of dust and oil over time. Small breaks in part of the applied mahogany scrollwork to the glazed door, the nickel plated tubular bells with some surface corrosion.

A Georgian mahogany Longcase Clock with square brass dial having silvered chapter ring inscribed Afselin, London, subsidiary seconds dial and date aperture, cherub spandrels, 8-day movement, the case with fluted columns to hood, finely figured door and base on bracket feet, 7ft 2in H

EDWARD HARRISON, WARRINGTON, A George III mahogany longcase clock, the hood with swan neck pediment, gilt flower bosses, blind fret cornice and fluted columns above a blind fret frieze and waist panel door enclosed by three-quarter fluted corners on panelled plinth and bracket feet. The brass dial with painted sun and moon phase and sporting scenes, the arch engraved, "The Moon Is Appointed For Seasons", the pierced spandrels and signed chapter ring enclosing a second subsidiary dial, the 8-day four pillar movement striking on a gong, 226cm high.

18TH CENTURY MAHOGANY EIGHT DAY LONGCASE CLOCK, by John Wayborne, having moulded cornice above strapwork freize, square aperture flanked by 3/4 turned pilasters, plain waist door with satin wood strung outline on a similarly strung panelled base with platform support. 10.5" Square dial with silvered chapter ring, having Roman numerals, silvered seconds dial, date aperture and gilded and pierced cherub spandrels. Five pillar two train eight day movement striking on one bell. 82" High approx overall.

19TH CENTURY OAK EIGHT DAY LONGCASE CLOCK, having broken swan neck pediment with brass ball and spike finial above arched aperture flanked by wrythen columns, the waist with inlaid moulded door flanked by canted angles on a panel base with bracket feet. Painted face with Roman numerals and indistinct name. 17.5" x 12.5" overall. 85" High.

EARLY 19TH CENTURY OAK EIGHT DAY LONGCASE CLOCK, by William Isaac, Swansea, having broken swan neck pediment above arched aperture flanked by turned columns, the waist with plain inlaid moulded door flanked by canted angles on a panel base with bracket feet. Painted face with Rolling Moon, 17" x 12". Roman numerals, seconds dial and date aperture. Eight day two train movement striking on one bell. 86" High.

LATE 18TH CENTURY THIRTY HOUR OAK LONGCASE CLOCK, H Baker of Appledore, small proportions with flat hood above square aperture flanked by reeded columns, crossbanded waist door flanked by quarter moulded pilasters on a panel base. 12" Square painted face with Arabic numerals and date aperture. Thirty hour movement striking on one bell. 74" High.

EARLY 19TH CENTURY INLAID OAK THIRTY HOUR LONGCASE CLOCK, having broken swan neck pediment above square aperture flanked by moulded columns, the waist with crossbanded door flanked by quarter pilasters on panel base with bracket feet. Painted face with Roman numerals and floral decoration. 11.5" Square. 84" High overall.

LATE 18TH CENTURY OAK 30 HOUR LONGCASE CLOCK, by J Sanders of Brackley, having swan neck hood with brass urn shaped finial above square aperture flanked by boarded columns, plane moulded waist door on panel base with bracket feet. 12" Square painted face with Roman numerals and shell decorated spandrels. 30 hour movement striking on one bell. 85" High approx.

Oak longcase clock, early 19th Century, square painted dial, signed - Wm. Aris, Uppingham, with fan spandrels, thirty-hour movement.

James Green, London. A George III longcase clock, the arched silvered dial with subsidiary strike/silent dial, seconds dial and date aperture, with an eight day striking movement, the mahogany case with reeded pillars and pilasters, with an arched door to the trunk, on bracket feet, 243cm high

A George III longcase clock, signed Robert Skelton, Malton circa 1750-1775, of eight day striking movement, the arched brass dial with a silvered chapter ring, an in a figured mahogany case with reeded pillars and brass Corinthian capitals and a swan neck pediment on bracket feet, 226cm high overall

CLOCKS - KENDRICK - DROITWICH A VICTORIAN OAK, MAHOGANY CROSSBANDED AND FIGURE VENEERED LONGCASE CLOCK, having 30 hour mechanism with locking plate bell strike with false plate, faced by an arched painted dial with subsidiary seconds, the case with swan neck hood and pilasters, waist door and plinth, 2m high

Quantity of longcase and other clock arched, circular and square dials

Quantity of longcase clock painted arched dials

Quantity of square and circular longcase clock dials

Two pairs of longcase clock weights and various other single weights (14)

Eight day longcase clock movement, the 10" square brass dial signed Benjamin Gray, London on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture

Thirty hour longcase clock movement signed Richard Drake, Beaminster, with subsidiary seconds dial and calendar aperture; also an eight day movement with 13" painted arched dial and another thirty hour movement with 13" painted arched dial (3)

Thirty hour longcase clock movement, the 11" square brass dial signed Morgan, Monmouth on the matted centre; also three other thirty hour longcase clock movements in need of restoration (4)

Thirty hour longcase clock movement, the 12" painted arched dial with subsidiary seconds dial and calendar aperture, painted with a hare coursing scene to the arch; also another thirty hour longcase clock movement, the 12" painted arched dial signed Rowe, Oakhampton, with subsidiary seconds dial and calendar aperture (2)

Thirty hour longcase clock movement, the 12" painted arched dial indistinctly signed, with arched calendar aperture; also an associated oak hood

Eight day longcase clock movement, the 12" painted arched dial indistinctly signed ... Camborne with subsidiary seconds dial and calendar aperture; also a thirty hour longcase clock movement, the 11" arched dial with calendar aperture (2)

Eight day longcase clock movement, the 12" brass arch dial signed John Waldron, London with subsidiary seconds dial, calendar aperture and strike/silent dial to the arch

Contemporary longcase clock movement, the 13" square brass dial with subsidiary seconds dial over a shield engraved with three crowned lions heads

Oak longcase/lantern clock case with aperture for a 9.5" square dial, with long moulded door over a stepped base, 83" high (a.f)

Contemporary mahogany longcase clock, with 11.5" silvered circular dial, the movement striking on eight rods attached to the inside back of the case, with long arched glazed door, the hood surmounted by a swan neck pediment, 82" high

Pine and faux walnut thirty hour longcase clock, the 11" square brass dial signed Sam Barrow, Harmitage, London on the silvered chapter ring enclosing a matted centre, the case with long beaded moulded door fitted with a lenticle, the hood surmounted by a stepped moulded cornice, 79" high *This clock is sold with some information about the maker Samuel Barrow attached to the inside of the front door*

Mahogany eight day longcase clock, the 12" painted arch dial signed Summerhayes, Taunton with subsidiary seconds dial over an arched calendar aperture, the case with short door inlaid with boxwood and ebony lines and the hood surmounted by a wavy rounded arched cornice, 84" high

Good oak thirty hour longcase clock, the 11" square painted dial signed William Harris, Witney, the case with long door and the hood surmounted by a flat stepped moulded cornice, 80" high

Mahogany eight day longcase clock, the 13" brass arched dial with silvered chapter ring enclosing a foliate engraved centre signed John Telford, Bellingham, with subsidiary calendar dial, centre seconds and moon phase to the arch, the case with long plain crossbanded pointed arched door and the hood surmounted by a swan neck pediment and brass ball and spike finial, 94" high

Oak and mahogany eight day longcase clock, the 12" painted arch dial signed Richard Wilson, Lincoln, with subsidiary seconds dial and calendar aperture, the case with long pointed arched crossbanded door flanked by fluted pilasters, the hood surmounted by a moulded swan neck pediment, 81" high

Oak and mahogany eight day longcase clock, the 12" painted arch dial signed Jonathan Smith, Marsh, with subsidiary seconds dial and calendar aperture, the case with long mahogany crossbanded door flanked by inlaid canted corners, the hood surmounted by a moulded swan neck pediment, 83" high

Mahogany thirty hour longcase clock, the 11" square painted dial with arched calendar aperture, the case with short door and hood surmounted by a moulded flat stepped pediment, 81" high

Walnut thirty hour longcase clock, the 12" square painted dial indistinctly signed with arched calendar aperture, the case with long door and hood surmounted by a moulded flat stepped cornice, 76" high

Welsh oak and mahogany eight day longcase clock, the 13" painted arched dial signed Kern & Co. Swansea on the raised dial plate with subsidiary seconds dial and calendar aperture, the case with short door and surmounted by a swan neck pediment, 82" high

Oak and mahogany crossbanded eight day longcase clock, the 13" painted arched dial signed Webb & Son, Frome, with subsidiary seconds dial, calendar aperture and moon phase to the arch, the case with long rounded arched crossbanded door and the wavy edged hood door surmounted by a swan neck pediment and brass ball and spike finial, 90" high

Scottish mahogany eight day longcase clock, the 12" brass arched dial signed Taylor, Dumfries on a silvered boss to the arch over a silvered chapter ring enclosing a foliate engraved centre with calendar aperture, the flamed case with long arched door and the hood surmounted by a swan neck moulded pediment, 83" high

Novelty wooden pocket watch display stand in the form of a longcase clock, 11" high; inset with a silver pair cased fusee verge pocket watch, signed Birch of Tenterden, no.11185

Nine various longcase clock movements (9)

Eight various longcase clock movements (8)

Good pair of brass cased longcase clock weights of good patina

A 19th century French stained pine longcase clock of typical pot-bellied form, the white enamel dial signed "Callandreau a Montaigu", height 240cm.

A 19th century broad mahogany longcase clock, the broken swan neck pediment above arched painted dial with rolling moon and inscribed J Oakes Oldham, with eight day movement above a short arched door and large plinth base, height 238cm (for restoration).

A 19th century mahogany and inlaid longcase clock, the hood with broken swan neck pediment above arched painted dial set with rolling moon and inscribed "Tos Richardson, Weaverham" and with eight day movement flanked by fluted square cut pilasters, the case with short arched door flanked by fluted uprights to a moulded plinth and ogee bracket feet, height approx 235cm.

A 19th century mahogany longcase clock, the hood with broken swan neck pediment above arched painted dial with rolling moon inscribed "N. Dumvile, Stockport" with eight day movement and flanked by fluted pilasters, the case with long arched door flanked by quarter cut fluted pilasters above a stepped plinth and ogee bracket feet, height 225cm.

A 20th century oak longcase grandmother clock with arch top 8" dial, the hood with flanking barley-twist columns resting on a plinth base, 156cm high.

A Regency mahogany eight day longcase clock, the circular dial signed `James Gorham, Kensington`, the hood with pierced brass corner spandrels over arch trunk door and plinth base, with two weights and pendulum, 207cm high.

A modern Jonxan eight day longcase clock

A 19th century thirty hour longcase clock

MAFSY, NANTWICH LONGCASE CLOCK, MAHOGANY CASE WITH OVAL PAINTED DIAL, 8 DAY MOVEMENT, DATE APERTURE AND SUBSIDIARY SECONDS, APPROX. 90 INS.

A 19th Century oak and mahogany longcase clock by W. Williams of Llannadock, the 13ins arched painted dial with country scenes to arch and corners and with calendar aperture to the thirty hour movement striking on a bell, contained in case with scrolled cresting, with turned pillars to hood and trunk, on splayed front legs, 88ins high (extensively faded to case and worn to dial)

A late 19th Century oak longcase clock, the 12ins square painted dial with Roman and Arabic numerals to the subsidiary seconds dial to the thirty hour movement striking on a bell, contained in plain oak case with shaped cresting and turned pillars to hood, 82ins high

An early 19th Century oak longcase clock by James Last of Stalham (Norfolk), the 12ins arched painted dial with Roman numerals and subsidiary seconds dial and date aperture, the arch and spandrels decorated with shells to the eight day two train movement striking on a bell, contained in plain oak case with shaped cresting and turned and fluted pillars to hood, arched trunk door, 82ins high (case reduced in height and dial in need of cleaning), complete with pendulum, two cast iron weights, crank winding handle and door key Note : James Last record working Stalham 1796 and there is also recorded a clockmaker of the same name working 1836 (possibly father and son). The painted dial is by Walker & Hughes, Birmingham, who were in partnership from 1811 to 1835, and thus the clock will date circa 1820

A late 18th/early 19th Century mahogany longcase clock by Robert Woollan of Glastonbury, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals and date aperture, the arch showing phases of the moon, and with silvered name plaque to the border to the eight day two train movement striking on a bell, contained in mahogany case inlaid with figured panels, crossbanding and ovoid shell motif, the upper part with moulded scroll pediment and turned and fluted columns with Corinthian capitols to hood and with conforming quarter columns to trunk, 85ins high

An early 19th Century mahogany longcase clock by C. Heizman of Canterbury, the 12ins arched painted dial with Roman numerals and subsidiary seconds dial and with painted romantic landscape to arch, to the eight day two train movement striking on a bell, contained in plain mahogany case with arched and moulded cornice and plain turned pillars to hood, arched trunk door and on bracket feet, 80ins high Note: Charles Heitzman recorded working Canterbury 1832-1847

LONGCASE CLOCK, mid Victorian mahogany, with brass finialed swan neck pediment and circular enamelled dial with seconds hand inscribed Heny Gunton Norwich, eight day movement and canted corner trunk, 228cm H x 59cm W x 25cm D.

A fine walnut and floral marquetry longcase clock first quarter of the 18th century, the oak lined case with walnut veneered sides inset with stringing and cross banding, the front profusely decorated with floral marquetry on a background of ebony veneer, the hood with wide overhanging cornice supported on turned fruitwood columns to the front and quartered columns to the rear, all with gilded capitals and bases, the inlay of the long trunk door panel in varicoloured woods displaying birds, flowers in an urn supported by winged mythical figures and leafy foliage, surrounding a glass `bull`s eye` aperture with further birds, flowers and figures below, the base with an ogee moulding above another panel of floral inlay on a walnut plinth, the 12 inch square brass dial with subsidiary seconds dial, square date aperture and finely matted centre, mounted with spandrels of pairs of cherubs supporting crowns, engraved in the Roman chapter ring with minute track, `Clark Preston London`, maker of the movement which strikes on a single bell, 82½in. (209.5cm.) high, the trunk 12¾in. (32.5cm.) wide, plinth moved up and reaffixed to the bottom edge of the floral panel to shorten clock, original base of the case believed to remain behind plinth. See Illustration.

An oak Arts and Crafts longcase clock, with an eight day movement

Skelton, Malton, an early 19thC longcase clock, the arched dial painted with a gentleman on horseback with hounds, 30 hour movement, in an oak and mahogany case, 224cm high.