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Arch dial and eight day longcase clock movement, twin fusee, complete with weights and pendulum, seconds dial and date ring, Arabic markers marked Saunders, Wal....ford, a/f

Oak longcase clock case, swan neck hood with circular glazed window, reeded columns with ornate capitals, the trunk with reeded and canted corners, arched door, crossbanded in mahogany, the base with crossband panel and on bracket plinth, movement not related, stand 88"

An oak cased longcase clock by Charles Henson, Market Deeping, the arch above the dial hand painted with a river and bridge, the case cross banded with mahogany.

Lot of longcase and other clock parts

Lot of longcase and other clock parts

Victorian oak drumhead longcase clock, the brass dial inscribed 'William Hendrie / Airdrie' over a glazed trunk door, 80in (203.2cm) high

A George III oak longcase clock, by John Whitehurst II of Derby, the 13 inch diam brass dial signed Whitehurst Derby, with arched date aperture and engraved arrow hand, ringed winding holes, roman chapters and pierced hands, having eight day (formerly 30 hour) movement in crossbanded case with swan neck pediment, inlaid paterae, 'keystone' and fluted pillars, the trunk enclosed by a shaped door flanked by fluted pilasters, on panelled base, 213cm h

A William IV mahogany longcase clock, the 13 inch painted dial with twin subsidiary dials signed clare manchester, with floral spandrels and lunar work to the arch, having eight day movement in figured case with swan neck pediment and spiral columns, the trunk enclosed by an arched and panelled door in matched veneers, flanked by pilasters, 224cm h

A George III oak longcase clock, the 12 inch brass dial signed in a cartouche Nathal:Kirk Kibworth, with subsidiary seconds dial, date aperture and foliate engraving, having mask spandrels, lunar work to the arch and eight day movement, the case with a high swan neck pediment and turned pillars, the trunk enclosed by a break-arch crossbanded door, on ogee feet, 226cm h

An oak longcase clock, the 12 inch brass dial signed on the chapter ring Thos Blundell dublin and with matted centre, ringed winding holes and subsidiary seconds dial, having mask spandrels and eight day movement, the case with swan neck pediment and turned pilasters, the trunk enclosed by a break-arch door, 232cm h

A George III mahogany longcase clock, the 12-inch painted dial signed Tho B... Bath, with arched date aperture, subsidiary seconds dial, roman chapters and gilt spandrels, a medallion of a shepherdess to the arch, having eight day movement in figured and line inlaid case with 'pagoda' top and fluted pillars, the door inlaid with an oval between hollow fluted pilasters, 210cm h

A George III mahogany longcase clock, the 12 inch painted dial signed Kimber Uxbridge, with date aperture, subsidiary seconds dial, brass winding holes and rose spandrels, a basket of flowers to the arch, having eight day movement in break-arch case with brass stop- fluted columns, the trunk enclosed by a curl veneered door, on conforming base and bracket feet, 232cm h

A George III oak longcase clock, the 13 inch brass dial with engraved centre, subsidiary seconds dial and mask spandrels, a medallion engraved with an eagle and Tempus Fugit to the arch, having eight day movement, the case with swan neck pediment and fluted pillars, the trunk enclosed by a shaped door between pilasters, on panelled base and bracket feet, 230cm h

A George III mahogany longcase clock, the finely engraved 11.5 ins brass dial signed Thomas Field bath, with date aperture, subsidiary seconds dial and festoons, the seated figure of Pomona to the arch, having eight day movement in figured case with swept cavetto pediment and fluted pillars, the trunk enclosed by a break-arch door, 224cm h

An oak longcase clock, the 11.5 inch painted dial with date arc and subsidiary seconds dial, painted to the centre with rustics and livestock and having gilt spandrels, signed to the arch jarvis chapman barton, eight day movement, the case with swept cavetto pediment and turned pillars, the trunk enclosed by a break-arch door, 206cm h

A George IV mahogany longcase clock, the 13 inch painted dial with raised centre signed Cooke & Co Nottingham, with date arc and subsidiary seconds dial, pierced hands and roman chapters, the spandrels with young women emblematic of the Seasons and with lunar work to the arch, having eight day movement in crossbanded case with swan neck pediment and turned pillars, the trunk enclosed by a figured door, on panelled base and bracket feet, 228cm h

An early Victorian oak longcase clock, the 12 ins brass dial signed on a silvered tablet to the matted centre John Carr swaffham, with subsidiary seconds dial and silvered chapter ring, pierced spandrels and eight day movement, the case with swan neck pediment and fluted pillars, the trunk enclosed by an arched door, 196cm h

A mahogany longcase clock, the brightly painted dial signed C Roberts Leeds, with subsidiary dials and the figures of the Evangelists to the spandrels, the Sacrifice of Isaac to the arch, having eight day movement in figured and inlaid case with swan neck pediment, shaped door and bracket feet, 240cm h, second quarter 19th c. *The sale of lot 920A is subject to VAT on the hammer price.

An oak longcase clock, early 19th century, the broken swan neck pediment above a round glazed door flanked by turned mirrored balusters, the 11" circular brass dial with Roman numerals and marked 'Stripling, Lichfield', new date wheel, eight-day movement striking on a bell above a cushion moulded frieze and Gothic arched top, three-quarter length trunk door flanked by turned mirrored balusters, canted base with an oak panel with concave corners, raised on ogee bracket feet, 87" high

A mahogany boxwood and ebony strung longcase clock, early 19th century, the broken scroll swan neck pediment above a square glazed door flanked by fluted brass capped pilasters enclosing a 14" square enamel dial with Arabic numerals, subsidiary seconds dial and date aperture and marked 'Joseph Cornforth, Macclesfield', florally painted black ground corners, eight-day movement striking on a bell above a double pointed arched top, three-quarter length trunk door flanked by reeded uprights over an ogive moulding and crossbanded base board with canted corners and raised on ogee bracket feet, 85.5" high

A George III ebonised oak longcase clock, late 18th century, the broken scroll swan neck pediment surmounted by gilt brass ball and spire finials above an arched glazed door flanked by Corinthian columns and enclosing a 13" silvered brass dial with Roman numerals, subsidiary seconds dial and date aperture, rolling moon phase in the arch marked 'Benjamin Barlow, Oldham', eight-day movement striking on a bell above a shaped top trunk door flanked by quarter pilasters over an ogive moulding and baseboard and raised on shaped bracket feet, later ebonised and carved, 87" high

An oak and mahogany crossbanded longcase clock, early 19th century, the ogive cornice above a square hood flanked by stepped brass capped pilasters enclosing a 12" white enamel dial with Roman numerals, 30-hour movement striking on a bell and date aperture painted with flowers to the corners over a full length crossbanded trunk door, ogive moulding and baseboard set in a later plinth and on turned feet, distressed

A George III oak longcase clock, late 18th century, the square hood surmounted by three urn and spire finials above a square glazed door flanked by turned pilasters enclosing 11.75" square brass dial with Roman numerals, pierced foliate spandrels to the corners and engraved 'Thomas Chune, Shiffnall', 30-hour movement striking on a bell above a bevelled rectangular trunk door, ogive moulding and plain base board and raised on bracket feet, lacking hands, 77" high.

A crossbanded mahogany longcase clock, second quarter 19th century, the arched hood with broken scroll pediment above a glazed door flanked by turned pilasters enclosing a 13" painted enamel dial with Roman numerals, subsidiary seconds and date dials and marked indistinctly 'Newcastle', painted with a peacock and roses in the arch and to the corners, eight-day movement striking on a bell above a cushion moulding, an ogee arch top, three-quarter length trunk door flanked by half pilasters and further cushion moulding, the base board also flanked by pilasters, 87" high

A George III mahogany longcase clock, the square painted dials with arabic numerals and subsidiary date dial inscribed "Kellett, Bradbury", with moon phase in the dial, painted with various scenes figures depicting the four continents to each corner and fitted eight-day striking movement, the ornate inlaid case surmounted by scrolling swan neck pediment and brass ball finials, decorated all over with crossbanding, boxwood and ebony stringing with arched panel door flanked by reeded pilasters and inlaid lozenge shaped motifs, on canted base, 22in. x 85in. high.

A late George III mahogany longcase clock, the swan-neck pediment surmounted by gilt painted figure of Atlas flanked by females, white painted dial below inscribed "Cox Tipton", with eight-day movement flanked by fluted pilasters, inlaid boxwood and ebony stringing to the trunk and single panel door flanked by fluted brass mounted pilasters, raised on bracket feet, 21.5in. x 101in. high.

A late George III oak longcase clock, the painted dial inscribed "John Charlton, Durham", moon phase to the arch and flowers to each corner fitted eight-day striking movement, panel door below raised on a plinth base, 21in. x 83.5in. high.

A large late Georgian oak longcase clock case scrolling swan-neck pediment above a glazed panel door flanked by fluted pilasters, a mahogany crossbanded door under, also flanked by fluted pilasters raised on a crossbanded base with bracket feet, 19in. x 86in. high.

A 19th Century mahogany longcase clock, patent dial with roman numerals, subsidiary seconds and date dials, indistinctly inscribed, the arch and spandrels decorated with painted spaniels and shooting scene, the hood with later fret carved pediment, flanked by turned pilasters, a single panelled door to the trunk, 21in. x 89.5in. high.

A late Georgian oak and mahogany crossbanded longcase clock the circular brass dial with subsidiary seconds dial and date aperture inscribed "Torkington, Newcastle", the hood with flared cornice above a blind fret carved glazed panel door flanked by brass mounted fluted pilasters, the trunk with a single panel door and ornate brass lock escutcheon flanked by turned pilasters, raised on a later cut-away plinth base, 18.5in. x 83.5in. high.

A George IV mahogany longcase clock the arched pediment above the white painted dial inscribed "W Barr, Hamilton", fitted subsidiary seconds and date dials with eight-day striking movement, the arch painted with a male and female figure titled "The Passion Disclosed", with crossbanded panel door below raised on a box base, 20.5in. x 86in. high.

A George III oak longcase clock, the white painted dial inscribed "Will. Robson, North Shields" to the arch with a painted roman numerals and inner state dial, painted with flowers in the corners, fitted eight-day striking movement, the hood with dentil cornice and glazed panel door flanked by fluted pilasters with arched panel door to the trunk raised on bracket feet, 19.5in. x 85.5in. high.

A Victorian mahogany longcase clock with scrolling pediment above the arched panel door enclosing the eight-day striking movement with a painted dial, roman numerals, subsidiary seconds and date dial inscribed "G. Steele, Chester-le-Street", the arch painted with a scene depicting the last supper, and biblical figures to the corners with crossbanded panel door below flanked by turned pilasters, raised on turned feet, 23.5in. x 90in. high.

A George III mahogany longcase clock with brass dial and roman numerals, subsidiary seconds and date dials, inscribed J. Weatherstone, London, fitted eight-day movement, the hood with flared cornice above brass-mounted corinthian pilasters, the arched panelled door to the trunk decorated with inlaid satinwood crossbanding, flanked by further corinthian pilasters, fielded panel below raised on a cut-away plinth base, 19in. x 91.5in. high.

A mid 18th Century walnut longcase clock, the arched dial and silvered chapter ring engraved "James Joyce, Whitchurch", decorated with spandrels and sunburst motif, fitted an eight-day movement, the hood with arched pediment and ebonised pilasters, the feather banded panelled door below, raised on bracket feet, 18.5in. x 74in. high.

A 20th Century oak longcase clock with arched dial and silvered chapter ring fitted roman numerals, with continental chain driven movement striking on eight gongs, the glazed panel door below enclosing three brass-cased weights, raised on bracket feet, 15.5in. x 77in. high.

An oak eight-day longcase clock, the arched painted dial with subsidiary second dial and date aperture with a strike silent dial to the arch, the arched hood with three painted wooden orbs, turned columns, trunk with an arched door and bracket feet, 32in. (234cm) high.

A late 18th Century oak eight-day longcase clock with an arched silvered dial inscribed ''Jas Scott, Leith'' with a subsidiary second dial, date aperture, the arch with a painted oscillating peacock and with acanthus painted decoration to the spandrels, the hood with a broken arch pediment, cylindrical mahogany columns, the trunk with an arched door and on bracket feet, 87in. (221cm) high.

EDWARD MARTIN, Dover. A mahogany longcase clock the eight day striking movement with 12 inch silvered arched dial with engraved decoration, Roman numerals, subsidiary seconds dial and date aperture the arched hood with reeded pilasters the case enclosed by a shaped panel door with quarter reeded and brass filled columns on a panelled base with bracket feet, 82inches

A 19TH CENTURY NORTH COUNTRY MAHOGANY LONGCASE CLOCK, with arched painted dial, signed in script Cheadle, painted with a desert scene over, having cross banded and boxwood line inlay to the case

An 18th Century Longcase Clock with square brass dial inscribed Fras Redshall, Overton, 30 hour movement, in oak case

An antique Longcase Clock with eight day movement, brass and silvered dial, date aperture and moon movement by John Lawson, in oak case with corner pilasters, stepped square hood and vase finials

A George III longcase clock, John Taylor, Petworth, the hood with glazed door and column sides, the trunk with plain door on square base, the 10in square brass dial with single hand and silverised chapter ring with Roman numerals and urn and flower spandrels, the centre engraved with four flying birds, the thirty hour movement striking on a single bell, 213cm high

A Georgian style miniature mahogany longcase clock, 19th century and later, the painted arch dial over arched door, with inlaid boxwood stringing, on stepped base bracket feet (a/f) fitted with modern quartz movement, 68 cm tall.

A Georgian mahogany longcase clock, later shortened and adapted to a wall clock, the swan neck pediment over glazed door enclosing painted white circular dial, with door to pendulum below, 125cm tall x 43cm wide.

A longcase clock, by Thomas Best, Lewes, the later carved 18th century oak case with a eight day rack striking movement, the brass break arch dial with a boss in the arch portraying a ship with engraved name plinth to the matt centre, 220cms high.

An early 19th century oak and mahogany longcase clock by John Matthews, Leighton, the hood with swan neck pediment and turned columns, flanking a square dial with eight day rack striking movement, (205cms high).

An early 19th century mahogany longcase clock by Cassera, Stowbridge, the hood and tray with reeded columns, the painted enamel dial with an eight day rack striking movement, 235cms high.

George IV mahogany longcase clock, the arched hood with swan neck pediment flanked by spiral columns, above a single moulded panel door and bracket feet with shaped frieze, the painted dial with Roman numerals and subsidiary seconds dial and with two train striking movement

George II walnut longcase clock, the broken arch hood with broken pediment above a rectangular panelled door with glass bull's eye above a conforming plinth base, the gilt brass dial with silvered chapter ring, Arabic and Roman numerals, subsidiary seconds dial and date aperture with strike silent selector in the arch, signed Francis Wells, London. The two train movement with anchor escapement striking on a bell

A mahogany longcase regulator clock, the 8 day striking movement with a dead beat escapement to a square brass dial, with subsidiary seconds dial and date aperture, the chapter ring inscribed Brownless Staindrop, the hood with turned columns, a waist door housing the wooden shafted pendulum, the base on bracket feet, 5ft 8.25in (173. 5cm) high.

An early 19th century oak and mahogany banded longcase clock, the 8 day movement striking on a bell to a painted 12in square dial with subsidiary seconds dial and calendar aperture inscribed W. Stephenson, Dorchester, (one hand broken), the hood with a swan neck pediment turned columns waist door, the base with a shaped apron and bracket feet, 6ft 8in (203cm) high

A 19th century mahogany longcase clock, the 8 day movement striking on a bell, to a painted arch dial with a European river landscape, churches and houses, a subsidiary seconds dial (no hand) and a date aperture, inscribed Stevenson, Leicester, the arched hood and case veneered and inlaid stringing, canted corners to the trunk, the base on bracket feet, 7ft 1in (216cm) high.

A walnut veneered longcase clock, the 8 day movement striking on a bell to a arched brass dial with silvered chapter ring, subsidiary seconds dial and date aperture, inscribed Joseph Stephens, London, the boss engraved a bird, urn and griffin corner spandrels the case with a glazed lenticle to the waist door, the base crossbanded, 6ft 11in (211cm) high.

An Early Victorian Mahogany Eight Day Longcase Clock, swan neck pediment, the case with turned columns, herringbone inlaid and marquetry decorated, the enamel dial with seconds dial and date aperture, painted with Shipping, Maker S. Furtwengler, Llanelly, 91ins.

JAMES WILSON ASKRIGG - 18th Century 8 Day Striking Longcase Clock having arched brass dial with calendar, having fish and figurehead spandrels in oak case with turned supports, 2m 44cm high overall

Webb & Son, Hembury, an oak and mahogany banded longcase clock, the hood with swanneck pediment, brass ball finials and fluted pillars, the trunk with inlaid canted corners, on a rectangular plinth, the retouched 12inch arched dial with floral basket painted to the arch, leaf spandrels, seconds dial and calendar aperture, Finnemore & Son falseplate, restored 8 day movement, (associated), 212cm high

An oak 30hour longcase clock, the square hood with 12inch floral painted dial, indistinctly inscribed, the trunk with quarter columns flanking the long door, the plinth with replaced skirting, circa 1800, 216cm high

Chas Cornell, Royston, a mahogany longcase clock, the hood with swanneck pediment and fluted pillars, the 12inch arched dial painted with fruit and foliage, gilt floral spandrels, Roman numerals, seconds dial, calendar aperture, with 8 day movement, Finnemore & Son falseplate, the trunk with canted corners, (striking train removed, lacks skirting) 196cm high

James Smith, Oxford Street, a George III mahogany longcase clock, the pagoda top break-arch hood with fret panel, ball finials and stop fluted columns, the 12inch brass dial inscribed above the silvered strike-silent dial, also with silvered chapter ring, seconds dial and date aperture, matted centre, rococo spandrels, the break-arch trunk door flanked by stop-fluted brass capped quarter columns, above a stepped plinth with shaped front panel and skirting, with 5 pillar bell-striking movement, 250cm high