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AN EARLY 19TH CENTURY CARVED MAHOGANY EIGHT DAY LONGCASE CLOCK, THE BRASS BREAKARCHED DIAL SIGNED W. HOLLAND CHESTER, WITH LUNAR WORK ABOVE

AN OAK EIGHT DAY LONGCASE CLOCK, 18TH C AND LATER the brass dial signed on the chapter ring Jno Smallwood Litchfield, the matted centred with subsidiary seconds dial and date aperture with wheatear engraving, 202cm h

A Victorian longcase clock with painted dial. H224cm

A 19th century oak longcase clock, with square painted dial, 'W Shakeshaft, Preston', now with movement

A 19th century eight day strung mahogany longcase clock, the painted arched dial with a ship portrait over seconds and calendar dials, dial 12½in, case 220cm high

An 18th century Longcase Clock, the brass arched dial inscribed "Richard Stonehouse, Whitby" with date aperture and thirty hour striking movement, in oak case with domed top, plain turned pilasters and crossbanded long door, on bracket feet, 6' 7" (200cms) high.   (not eight day)

An early 19th century Longcase Clock, the painted arch dial with floral spandrels and inscribed "John Richardson, Bubwith" with seconds and date rings, eight day striking movement, in oak and mahogany case with swan's neck pediment, quarter round pilasters and bracket feet, 7' 4" (224cms) high.

A mid 19th century Longcase Clock, the arched dial inscribed "Kirby, Malton" with seconds ring, date aperture and painted with sporting scenes. With eight day movement, in mahogany and oak case with swan's neck pediment and baluster turned pilasters, the trunk with quarter round mouldings and inlaid decoration, on bracket feet. 7' 6" (229cms) high.

An early 19th century Longcase Clock, the arched dial painted with figures and inscribed "George Nesbitt, Sunderland", with eight day striking movement, seconds and date rings, in domed mahogany case with plain turned pilasters, arched crossbanded door and bracket feet, 7' 3" (221cms) high.

An 18th Century oak and crossbanded longcase clock of neat proportions having a square hood with turned pillars and a square brass dial with thirty hour movement by a Honiton maker

An 18th Century oak longcase clock with square painted dial, thirty hour movement, marekd Stripling, Lichfield

A Victorian oak and mahogany longcase clock with 14 ins painted arched top dial, Roman numerals with subsidiary seconds dial and date aperture and painted spandrels, signed Griffith Owen, Llanrwst, before a twin weight driven movement with anchor escapement striking on a bell, pendulum and weights included, the hood with broken swan neck pediment, arched top door with flanking turned wooden pillars, oak and mahogany crossbanded single door with matching flanking pillars on a chamfered stepped base, the trunk base and door centre inlaid with diamond shaped floral motif, 231 cms high

A Victorian mahogany and inlaid longcase clock, the hood with broken swan neck pediment with capped finials above a painted frieze, the arched glass door flanked by square reeded pillars before a painted rolling moon dial, painted numerals with subsidiary seconds dial and date aperture, painted figural spandrels, the dial marked 'J Cooke, Runcorn', twin weight driven movement with anchor escapement striking on a bell, pendulum and weights included, the main trunk with triple arch single door with boxwood stringing flanked by half cut reeded pillars on a stepped base raised on bracket feet, 237 cms high

A late 18th Century Irish mahogany longcase clock, the hood with broken architectural pediment and brass ball and eagle finial, a blind fret frieze with single glazed door below flanked by reeded columns, the 13.5 ins square brass dial set with numbered and Roman numerals, subsidiary seconds dial and chased twin winding holes, cast pierced spandrels, signed Bainbridge, Dublin, twin weight driven movement with anchor escapement striking on a bell, pendulum and weights included, the single trunk door with shaped chamfered top flanked by quarter cut reeded columns on a stepped crossbanded mahogany trunk base with blind fret side decoration, raised on corner bracket feet, 240 cms high

A 1930's oak cased longcase clock with circular silver metal dial, three train movement striking on gongs with pendulums and weights. 200cm x 49cm.

A late Victorian inlaid rosewood miniature longcase clock case having broken arch pediment, fan spandrels to the circular white enamel dial, inlaid swag and urn trunk flanked by four slim turned pillars, the base inlaid with urn and flowers, 41cms high (now fitted with modern battery movement)

An oak longcase clock, by Gill of Bennethe, dated 1727, the hood with an arched glazed panel door flanked by columns above a plain case, the dial with pierced spandrels and silvered chapter ring with Roman numerals incorporating date aperture, subsidiary second dial, and moon phase aperture, H. 223cm.

An early 19th century mahoganny cross banded, oak 30 hour longcase clock, the square painted dial with calendar aperture marked Alfred King, Chippenham.

An early 19th century 30-hour oak longcase clock, with painted dial set out in roman numerals.

A 19th century oak longcase clock by John Kent, London

A collection of longcase clock parts including a modern watch stand and weights, (qty)

A 19th Century oak and mahogany crossbanded longcase clock by W Nicholas Birmingham with eight day striking movement and painted arch dial enclosed by a pillared hood over a long trunk door on canted plinth base, height 242cm

A mahogany longcase clock, 19th century, the hood with shaped top and turned finials, with column pilasters and arched glazed door, the trunk with lancet shaped door, flanked by quarter pilaster columns, on square panel moulded base, the painted dial with Roman numeral chapter ring, with subsidiary seconds dial and date aperture, the arch decorated with a young boy and his sheep, with two weights and a pendulum bob, 210cm high CONDITION REPORT: crack to glass of hood, other all light scuffing to case

An oak longcase clock, by George Avenell, hood carved enclosing brass dial, silvered Roman numeral chapter ring, weight and pendulum, 207cm high x 39cm wide x 24cm deep.

An oak 19th century longcase clock with brass face and mask spandrels, the case carved with all over scrollwork and shell decoration, eight day striking movement, the dial signed Cresswell, Brewood

A painted dial, for a longcase clock, with an arch, signed W Nickifson, Newcastle, 33 cm wide

A longcase clock, the 28 cm square brass dial signed Saml Elford, Sherborne, with Roman numerals and calendar aperture, fitted a 30 hour movement, in a painted case, 208 cm high See illustration Condition report Report by RB Very much in a market fresh condition. The dial is dirty, and has some scratches to the bottom left corner, with pendulum (feather detached but present), one weight, the case is painted and generally in good condition, although with a slight warped front door, knocked on numerous occasions.

An Edwardian mahogany miniature longcase clock With a 5cm white dial with Arabic numerals, spring driven movement contained within an upright case with an arched top above a panelled trunk with raised foliate decoration on bracket feet, lacking back cover. 27cms.

An attractive Edwardian rosewood and satinwood inlaid miniature longcase clock With a 6cm white dial with Roman numerals, key wound spring driven movement the case with an arched top above a satinwood fan, inlaid spandrels the case inlaid with ebony line inlays raised upon a plinth base with an open satinwood fan and an outset plinth. 36cms high x 11cms.

An early 19th Century oak and mahogany crossbanded longcase clock With a 36cm white dial signed T Gaskell, Knutsford with subsidiary seconds and date aperture, Arabic numerals and painted spandrels the two train eight day movement with anchor escapement striking on a bell with a Walker false plate, the case with a swan neck cresting with brass roundel terminals, the crossbanded trunk with a shaped door raised upon a plinth base with canted angles and ogee bracket feet, with two weights and pendulum and winding key. 208cms.

An early 19th Century oak and mahogany inlaid longcase clock With a 30cm white arched dial signed Wainwright, Nottingham with subsidiary date aperture painted with a finch, foliate spandrels, the arch painted with a maiden beside an anchor with masted vessels out to sea, the single train 30 hour movement with outside count wheel striking on a saucer bell, the case with a swan neck cresting with brass roundels and a brass sphere finial above fluted brass cap columns, the crossbanded trunk door inlaid with stringing raised upon a plinth base with pendulum and one weight. 180cms high x 46cms.

A George IV inlaid mahogany longcase clock With a 32cm brass and silvered dial signed in an oval John Irvin Sligoe with subsidiary seconds and date aperture, the matted roundel engraved with leaves, the two train eight day movement with anchor escapement striking on an overhead bell, the case with an arched hood with a shaped pediment and three brass spire finials, the glazed door with a fluted brass bezel inlaid canted angles, the trunk inlaid with a panel and checkering above a short inlaid door raised upon a plinth base and bracket feet, requires restoration to case with two weights, pendulum and two brass and mahogany winding keys, approximately 223cms, width of plinth 44.5cms. (illustrated)

An 18th Century oak longcase clock With a 28cm brass dial signed Binch, Liverpool with Roman and Arabic numerals and subsidiary date aperture, cast mask and scroll spandrels the single train 30 hour movement with outside count wheel striking on a saucer bell, the slender case with a cavetto cornice above slender turned square headed columns, the trunk with a shaped long door, brass escutcheon raised upon a plinth base and bracket feet. 193cms x 39cms wide x25cms. Good colour *** Brian Loomes records (watch makers and clock makers of the world volume ll, Binch working from 1767-1777. With pendulum, one weight, wood wheel and lead weight. CONDITION REPORT: The case, minor damage beneath the cavetto cornice approx. 4cmsx0.25cms, glass door original, original putty border good colour to hood, the long door some movement in the drop hinge, door not fitting flush particularly at the bottom gap of 1.5cms, old repair to edge of the top of the door and a small piece of moulding missing, some surface scratching, good colour, minor surface scratching, old split to plinth base and a minor division between the left and right hand boards to the face of the plinth showing daylight, original long back board, bracket feet old, traces of lacquering to the brass chaptering, original hands, the movement would appear to be in good condition with pendulum, one weight, two extra lead wheels.

A 20th Century mahogany grandaughter longcase clock With a 16cm brass and silvered dial signed Elliott and engraved Frodsham, London with Roman and Arabic numerals with wing cherub finials and a roundel in the arch engraved Tempus Fugit, the three train movement with an 8 day lever Westminster and Whittington movement striking on eight gongs, the back plate signed Elliott, London No: 8125, the slender walnut case with an arched top above canted angles, panelled trunk raised upon a plinth base and ogee bracket feet. 152cms high x width of plinth 29cms x 19cms. (illustrated)

A George III inlaid mahogany longcase clock With a 31cm arched brass dial with a silver chapter ring signed Helm , Ormskirk with subsidiary seconds, the centre engraved with mask and scrolling leaves, leafy mask spandrels, the two train eight day movement with anchor escapement, rack striking on a saucer bell, the case with a swan neck cresting with flower terminals and urn finials above a glazed panel painted with leaves above turned wood columns, the trunk with a long door, well figured wood flanked by quarter columns raised upon a panelled plinth base with two weights, pendulum and movement winding key, glazed door cracked. approximately 231cms x width of plinth 50x25cms. CONDITION REPORT: Condition Report Lot 2115 - not in working order. date approx 1780-1800 The case, turned finials on left and right hand side possibly replaced, central finial possibly replaced traces of glue beneath the plinth on which it sits, old polish within the flowers, some rubbing to the glazed panels to the gilt the arched glass with an extended crack from left to right, the hinges are loose particularly the top hinge requires strengthening, some movement to the lower hinge, piece of veneer missing to the corner of the top of the upright column on the left hand side, lower plinth to the upright column piece of plinth missing at the back, return moulding right hand side beneath the right hand column piece of moulding missing at the back measures approx. 10cmsx0.25cms long door, some movement to the top hinge requires tightening, slight drop to the right hand side minor, the case possibly polished, some scratching to the plinth, some scratching to the bracket feet particularly the right hand side, original back board with old tape running the full length upto plinth, inside of the hood an old canvas applied on the left hand side and two strips of the right hand side where old splits have been brought together, the arched dial the seconds hand bent, scratching to the silver chaptering and scratches to the metal below, some scratching to the outer gilt brass ground, original foot board, repair to the wire upright which guides the pendulum, movement dusty not running, one winding wheel attached to cat gut one winding wheel separated, repair to the pendulum, the bob scratched. IN MY OPINION THE DIAL, MOVEMENT AND CASE BELONG TOGETHER.

A 19th Century oak and mahogany and rosewood inlaid longcase clock With a 30cm white dial signed J Palin, Nantwich with subsidiary seconds lacking finger above a date aperture, Roman numerals, the spandrels painted with a classical dwelling, the two train eight day movement with anchor escapement, rack striking on a bell the case with a swan neck cresting above turned wood columns, the trunk with a short door inlaid with a rosewood lozenge raised upon a plinth base and bracket feet, requires restoration, with a pendulum and movement winding key, no weights. 206cms, width of plinth 47cms x 21cms.

An 19th Century inlaid mahogany longcase clock With a 36cm white dial signed James Newport, Macclesfield with subsidiary seconds and date aperture, Roman numerals, the spandrels painted with a dwelling and churches the two train eight day movement with anchor escapement, rack striking on a saucer bell, the case with a swan neck cresting with brass rosette terminals above turned wood columns, the trunk with a shaped inlaid door flanked by baluster ring turned columns raised upon a plinth base with canted angles and bracket feet. 220cms x width of plinth 54cms x 23cms with two weights and a pendulum. (illustrated)

A 19th Century carved oak longcase clock With 30cm arched brass dial signed Edward Hopkins, Bradford with subsidiary seconds and date aperture, the spandrels engraved with figures emblematic of the four seasons, the lunar calendar engraved with the "moons age" painted with a galleon and figures in landscape, the two train eight day movement with anchor escapement, rack striking on a saucer bell, the case with a cavetto cornice above leaf carved spandrels, damaged glazed door, the trunk carved with flower heads and leaves, lozenge and flower carved sides raised upon a panel plinth similarly carved and shaped bracket feet. 220cms high x width of plinth 42cms x 23cms, with two weights, pendulum and movement winding key.

An early 19th Century oak longcase clock With a 28cm white enameled dial signed Davey, Lewes with Roman numerals, the spandrels painted with roses and leaves, the single train movement with outside count wheel striking on a saucer bell, the case with a swan neck cresting above a plain frieze and brass capped columns the trunk with a long door raised upon a shaped plinth and bracket feet. 198x44cms with one weight and a pendulum.

An 18th Century oak and later carved ebonised longcase clock With a 31cm brass dial signed Will Barnish, Rochdale with Roman and Arabic numerals, date aperture the centre engraved with leaves and scrolls, cast mask and leafy spandrels the 30 hour movement with outside count wheel striking on a saucer bell the case with a gauntlet and spear cresting, bell shape top above a plain frieze, leaf carved columns the trunk door carved with lozenges, leaves and flower heads raised upon a similarly carved plinth base with one weight and a pendulum. 216cms x49cms wide.

A good George III inlaid mahogany longcase clock With a 33cm arched brass dial signed Latham, Wigan with Roman and Arabic numerals, subsidiary seconds and date aperture, cast gilt metal mask and leaf spandrels, the lunar calendar painted with a stone bridge and a castle, the two train eight day movement with anchor escapement rack striking on a bell in a good quality case with a pagoda top, swan neck cresting with gilt flower and leaf terminals painted glass panels above brass capped fluted columns the trunk door with well figured wood flanked by quarter columns raised upon a panelled plinth base lacking bracket feet, approximately 230cms high x 50cms with two weights, pendulum and door key. (illustrated) CONDITION REPORT: Pagoda shape top to the hood lacking a finial, carved flowers part of the scrolling leaf damaged approximately 2.5cms, the glass frieze possible crack or division in the centre and a crack on the right hand side, gilt decoration dull, glass to door original, holder original putty in place, crossbanding and line inlays to door good some tarnishing to the gilded tops and plinth of fluted columns, left hand back column lacking, the right hand back column sits overtly proud, trunk, pine back natural shrinkage crack, old wall fixing screw apertures, long door warped at the top and dose not close tight, good colour, discolouration to the capitals and bases of the fluted side columns, original pine horizontal board to bottom plinth, side moulding right hand side missing, stress crack running horizontally on the bottom of the raised panel plinth good colour, the panel is sitting proud on the right hand side and requires tightening, lacking feet, the arched dial some discolouration to gilding the arch, lunar calendar some scratching to the paintwork of the castle, moon face and bridge rubbing to the silvered chapter ring, some dirt discolouration to the central matted ground, scratching and rubbing to the seconds ring and date aperture, fingers appear original. movement not running (the side. moulding off the plinth is in the box with the clock requires re-fixing, but slightly chipped on the outer edge), foot board part replaced.

Reproduction oak cased longcase clock. Condition report: see terms and conditions

An early 19th Century longcase clock with an eight day movement, the dial indistinctively inscribed, fitted in a pine case

A George II oak eight day longcase clock, circa 1750, the hood with an overhanging cornice, fitted with a single glazed door opening to reveal with a silvered chapter dial and brass spandrels, the case door opening to reveal a double weighted movement, height 201cm.

An early 19th century mahogany eight day longcase clock, by J.Alker, Wigan, the hood with a swan neck pediment and fitted with a single door opening to reveal white enamelled dial with moonphase and subsidiary dial, inscribed 'J.Alker, Wigan' the case inlaid with marquetry panels

A mid-19th century flame mahogany veneered longcase clock with 8 day movement, painted arched dial by Richard Roxborough of Otley

A 1930's oak arch top longcase clock with brass dial and chiming spring driven movement

A 1930's mahogany longcase clock with glass door and weight driven chiming movement

A mid 19th century mahogany eight day longcase clock the 14 inch circular enamel dial signed 'Logan, Dorchester', with centred subsidiary seconds dial and date dial within a ring of Roman numerals, the arched hood with circular hood door between tapering reeded front corner hood pilasters over a long pointed arch trunk door on a box base lacking feet, 205cm high

A George III oak longcase clock, 33cm white dial, dummy winding holes, Roman chapter, signed Jas Ashton/Tideswell, subsidiary seconds dial, 30 hour movement striking on a bell, the hood with curly pediment, fluted brass capped columns, shaped door with Baroque brass escutcheon, flanked by fluted quarter columns, plinth base, 207cm high James Ashton was a third generation member of the extensive clockmaking dynasty which flourished on both sides of the Derbyshire/Cheshire border, being grandson of Samuel Ashton of Tideswell and son of Samuel's younger son, Aaron, also of Tideswell. The elder branch of the family flourished at Ashbourne and Macclesfield, James himself was born c. 1769, was apprenticed to his father 1783-1790 and married Sarah Shepley (a relative of John Shepley of Derby, clock maker) at Glossop in September 1791, working into the second decade of the 19th century.

A Regency oak and mahognany inlaid longcase clock, curly pediment to hood, supported on turned columns, painted 13in (33cm) break-arch dial exotic bird in arch, floral spandrels, Arabic chapter subbsidiary seconds dial, date aperture, signed T. Stripling/Lichfield, eight-day movement striking on a bell, shaped rectangular door to trunk flanked by attached quarter columns, turned feet 91in (230cm) high, c. 1810 Thomas Stripling came to Luichfield from Coventry in 1761 to take over the business of James Hunt who had died that year. From 1775 he was in partnership with his nephew Thomas Gilbert and from that time some of the clocks are signed Stripling & Gilbert.to 1817, when it became T Stripling again, although the original Thomas was by then dead..

An Edwardian mahogany musical longcase clock, of George III design, 31.5cm brass dial with silvered chapter ring inscribed with Roman and subsidiary Arabic numerals, Strike & Chime/Silent selector to arch, Whittington/Westminster Chimes selector to side, cast dolphin, mask and leafy scroll spandrels, the centre engraved with scrolling foliage, triple winding holes, the movement chiming on eight graduated tubular gongs, the hood with swan neck pediment, brass capped reeded Corinthian column, shaped arched rectangular door to waist, flanked by reeded quarter-columns, canted base, ogee bracket feet, 228cm high, c.1910

A Victorian oak and crossbanded Hanging Medicine Chest, (converted from a longcase clock), a walnut Towel Rail; and a mahogany brass bound Butlers Tray. A lot. (1)

An attractive George III period English Longcase Clock, the circular hood enclosing white enamel dial over a figured and inlaid mahogany body, flanked by two reeded pillars, on a box base with bracket feet, 211cms (6'11") high. (1)

An unusual 19th Century painted Swedish Longcase Clock, the circular painted dial with Arabic numerals, over a bulbous body with two decorated oval landscape panels and glass aperture, on a plinth base, c. 1870, approx. 208cms (82") high. (1)

A fine elegant 18th Century English marquetry walnut and crossbanded Longcase Clock, the moulded dome top with a fret carved frieze, over a square brass dial with half moon, signed Jas. Hendris, Wigton, decorated with dolphins, and cupids holding a crown, with glazed door flanked by two circular black pillars with carved gilt capitals, over a long door with oval aperture (window) and with yew wood crossbanding, chequered and other inlays, and large panels of birds-eye walnut, and on a similar box base with bracket feet, 246cms (8'1") high approx. (1)

An early 19th Century mahogany longcase clock, the painted arch top dial signed Daniel Davis, Cheltenham

An early 19th Century oak longcase clock, the painted arch top dial with ship automaton, the dial signed Matthews, Leighton

A thirty-hour longcase clock movement, with painted dial, 28cm square, signed Thomas Mear, Dursley and a brass longcase clock dial by Jones, Chalford, 28cm square Condition Report: Both in need of restoration

An early 19th Century thirty-hour oak and mahogany longcase clock by W Hickman, Cainscross, the hood with swan neck and spindle turned pillars to the sides, the case with fluted, canted columns with arch top painted dial, 215cm high Condition Report: Case with some lifting veneer and similar lifting to the veneer on the hood, dial rubbed