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Joseph Jackson London  18th century inlaid mahogany longcase clock

Waight, Birmingham, a 19th century longcase clock with painted arched dial and a 30-hour movement striking on a bell, set in an oak and mahogany cross-banded case

Smith, Mccles (Macclesfield), 18th century and later brass faced longcase clock with 8-day movement, set in an oak case with later carved decoration

Early 19th century longcase clock with painted dial (maker's name erased), 30-hour movement striking on a bell and set in an oak and mahogany cross banded case

Mid-19th century longcase clock with arched painted dial with Roman numerals, signed 'Northwood', set in an oak and mahogany cross banded case with pillared decoration, 30-hour movement

A GEORGE III OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK BY MARSTON OF SHREWSBURY the two train movement striking on a bell, the painted dial with subsidiary second dial and date aperture, with Arabic numerals, decorated to the crest with a central image of Britannia flanked by neoclassical swags, the hood with three ball and spike finials and a swan neck pediment, the case with quarter recessed columns, 233cm high x 61cm wideProvenance: Purchased from Duke's, 2nd December 2010, Lot 1129.

19th century oak cased painted dial longcase clock, Charles Haines, Swindon, 11-inch square dial Roman dial with painted spandrels of thatched cottages, 201cm high

Early 19th century painted dial oak longcase clock, Gilbert Moses, Lincoln, signed 11-inch break-arch Roman dial with subsidiary second dial, calendar crescent and gilt scroll spandrels, the painted arch depicting a seated fisherman with building in the background, 222cm high overall, sold with two weights, pendulum, key and winder

A late 18thC walnut figured mahogany and marquetry longcase clock; the hood with a straight top and barleytwist pilasters, the trunk incorporating a pendulum window, on a box base; the bell strike movement faced by a 11"sq cast brass and silvered steel Roman dial, subsidiary seconds and a calendar aperture  inscribed Corn Harbert, London Bridge  81"h

An oak longcase clock by Richard Carter, High Wycombe, with eight-day bell striking movement, the 12inch brass dial with silvered Roman numeral chapter ring and with 'Tempus Fugit' to the boss, 207cm high

An oak country longcase clock, 208cm

A 19th century oak country 8 day longcase clock, 202cm

A 19th century longcase clock with dial painted with the Last Supper to the arch, inscribed 'Bartlet & Eggert', 221cm high

A brass dial walnut longcase clock (18th century and associated to later case), 195cm high

A 18th century 8-day mahogany cased longcase clock, with 13" arch top painted dial with two subsidiary dials, signed JEFSE, Torkington, Newcastle. With weights and pendulum. Height 205cm.

A 19th century oak cased 30 hour longcase clock, with 11inch square dial, single weight, pendulum and winding key. 55x220x30cm. This should chime on a bell, but the bell is absent.

An 18th century mahogany and satinwood strung cased eight day longcase clock, with 14" arch-top painted dial, with two subsidiary dials, weights and pendulum. 54x226cm.

A GEORGE II RED AND GILT JAPANNED LONGCASE CLOCK STEPHEN ASSELIN, LONDON, CIRCA 1725 The eight-day bell-striking movement with 12 inch brass break-arch dial applied with mask and foliate spandrels, a silvered Roman and arabic chapter ring, matt centre and subsidiary STRIKE/SILENT selection dial to the arch, signed on a silvered plaque 'Step. Asselin LONDON' the gilt and polychrome decorated red japanned case with chinoiserie landscapes, a domed caddy surmount 258cm high, 50.5cm wide, 26cm deep Provenance: Christie's, London, Property From A European Noble Family, 10th November 2005, lot 40, where purchased by Robert Kime Formerly at Docker Nook and Warwick Square, see Alastair Langlands, Robert Kime, Francis Lincoln Limited, London, 2015, p205Stephen Asselin is recorded working in London from around 1700. He is not recorded as becoming a member of the Clockmaker's Company which suggests that he was most likely a Huguenot immigrant.   Condition Report: Movement is essentially in working condition however mechanism is dirty/dusty hence a clean/service is required. Notches cut the 3 o'clock edges of the plates indicates that an alarm mechanism was once fitted that is no longer present. Otherwise movement appears complete and all-original. The dial in in original albeit in dirty/neglected condition. The centre shows evidence of being fitted with an alarm disc (curved cut-outs to the seconds ring and signature plate). The areas of silvering are now very thin presenting as almost brass in colour. The right-hand corner of the plate has evidence of being bent and re-straightened; the dial foot behind also has a small loss to the tip (section above the securing pin hole). The right-hand mount to the arch is missing a fin from the dolphin. The hour hand has been repaired; the minute hand and selection pointer to the arch are replacements. The seatboard is original to the movement which rests on blocks applied to the case uprights (cheek); the presence of these blocks suggests that the movement and dial re not original to the case. The dial sits a little wonky (leans to the right) hence some adjustment to the blocks will be required to level it.The case is very original retaining old surface in essentially untouched condition. The hood is in good original condition with notable faults limited to blind fret panels missing from the quadrants above the break-arch pediment and some historic worm damage. The rear of the superstructure is interestingly backed with old thick paper inscribed in ink with random Iberian text. The trunk and base are in very fine original condition with faults limited to some very slight localised flaking to the raised decoration; the finish can be best described as fine patinated old original surface with pleasing degree of age-related wear, discolouration and fading. The backboard is in fine condition and the skirting is also original albeit with historic worm damage and a small scarf repair to inner panel to the rear left hand corner. The left-hand side has some slight shrinkage cracking towards the rear edge; the lock to the trunk door is a replacement.Clock has pendulum, a pair of modern cast iron weights a crank winder and a case key.  Condition Report Disclaimer

A 19th century oak and mahogany longcase clock, arched painted dial signed Jos Ault, Belper, gilt floral cream details, calendar aperture, single train movement, 224cm high, 51.5cm wide, 24cm deep

An Edwardian mahogany musical longcase clockThe case with astragal glazed trunk, the arched 10.5in silvered dial with Roman chapter ring & subsidiary for seconds and chime selection, the brass triple train movement with cylinder with rack strike, chiming and striking on nine graduated tubular bells: St.Michael; Wittington; and Westminster, with three weights, pendulum, winder and case key.206cm high

REGGIE KRAY; a scratch-built model of a longcase clock constructed of matchsticks, attributed to Reggie Kray and inscribed verso 'R. Kray H Wing', with Mercedes clock movement applied to a face board, broken swan neck pediment above arched door, to stepped plinth base and bracket feet, height 101cm (lacking glazing in the hood or main door).Provenance: - Built by Reggie Kray during his stay at HMP Gartree, and gifted to the vendor's husband, who was in the facility at the same time, circa mid-1970s.

A George III inlaid mahogany longcase clock with enamelled dial and painted moon dial by Thomas Higham, West Derby.

An 18th century carved oak longcase clock with brass dial by Thomas Lanson, Kighley. Condition- comes with weights and pendulum but unsure if it has been recently running. Dimensions- height 221cm, width 54cm and depth 25cm.

18TH CENTURY & LATER OAK LONGCASE CLOCK - DIAL MARKED WEBSTER SALOP, 10.5-inch square brass dial, the silvered chapter ring set with Roman numerals before a single weight pendulum driven (weight & pendulum included) bell strike 30-hour movement, believed later to the case, the hood with an inverted stepped cornice and blind fret frieze remnant over a single glazed crossbanded door flanked by turned pillars, shaped top long trunk door, the trunk base with wide concave upper moulding above a shaped framed inset panel, 202cms overall H, 57cms max. W, 31cms max. DProvenance: deceased estate Conwy

Antique mahogany eight day longcase clock having floral and bird painted arched dial, 227cm.

Continental carved triple weight longcase clock, 203cm.

A Chinese hardwood and mother-of-pearl inlaid longcase clock, mid 20th century, decorated with figures of Immortals in garden settings, rock work, bamboo, fruiting vines and other foliage, on four mystical beast head feet, 212cm high***CONDITION REPORT***Case in good condition, movement not tested.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A mahogany cased mantle clock, the silvered dial with roman numerals, by W & H Son,28cm wide 16cm deep37cm hightogether with a further miniature longcase clock, 13cm wide18cm deep43cm high (2)Condition ReportKnocks, dents and scracthes the grandfather clock, the brass backing unattached. The mantle clock with scratches, knocks, the silvered dial marked, appears to be in working condition at time of cataloging. The interior of the door with damages to the wood.

A George III oak and mahogany crossbanded longcase clock,with a painted arched dial, having subsidiary second and date dials, and a painted portrait of Frederick Augustus Duke of York and Albany, the four pillar eight day movement striking on a bell, complete with weights and pendulum,56cm wide26cm deep230.5cm highCondition ReportCase split to the lower section. Case otherwise in good order with minor knocks and wear. Finials are loose and with knocks/tarnishing.

A George III mahogany longcase clockc.1775, by John Holmes of London, the hood with a sphere finial above a break-arch moulding, with a glazed door flanked by canted front edges and glazed side panels, the flame-veneered arched door above a panelled base and stepped plinth, the 12-inch silvered dial set with Roman numerals and centrally inscribed 'Holmes, London', with a strike/ silent function, a subsidiary seconds dial and a calendar aperture, the twin-train movement with five knopped pillars, maintaining power, anchor escapement and offset pivoted crutch, the wooden rod 'Ludlam' pendulum suspended from a substantial bridge on the backplate, with a massive gilt-painted lead disc-shaped bob, above a calibrated brass sphere for rating, 50cm wide26cm deep226cm highJohn Holmes is recorded as having worked from 156 Strand in London between 1761 and 1802. Holmes was regarded as one of the finest clockmakers of his time and F J Britten comments 'he seems to have been one among the leading mechanicians and when the turret clock at Greenwich Hospital was destroyed by fire in 1779, he was given the order for a new one. The Wetherfield Collection contains two long mahogany case clocks of his manufacture, one a particularly choice example of Chippendale dating from about 1770'.For an almost identical example, see Christie's, 'Important Clocks and Marine Chronometers', 20 February 2008, lot 99. Another similar example with an enamel and brass dial sold in these rooms 23 March 2022, lot 598.Literature: T Robinson, 'The Longcase Clock', 1981, p.168; T Mercer, 'Chronometer Makers of the World', 1991, p.165; T Reid, 'Treatise on Clock and Watch Making', 1832, p.404, pp.432-453.Condition ReportA few small knocks, tiny splits and areas of light cosmetic wear to the case commensurate with age and use. Some light wear, tiny scratches and marks to the dial. The clock was purchased at auction in 2016 and was subsequently worked on by Brian Baskerville, and we are told has since been running well in the vendor's home prior to consignment. Ticks and strikes when wound, however we feel that the clock may benefit from a light service by the successful purchaser. Please see additional photos.

A 19th Century mahogany longcase clock signed D Little of Carlisle, the painted dial with roman chapter ring, the spandrels with nautical scenes and ship to the arch, two train movement with anchor escapement, the arched oak case with scrolled pediment, rectangular waist door and columns, panelled base with later bracket feet, comes with pendulum and weights, 215cm high.

A 19th Century oak longcase clock signed Peter Hogg, the brass dial with arabic chapter ring, urn and foliate spandrels, date dial to the arch, two train movement with anchor escapement, the arched oak case with bracket feet, comes with pendulum and weights, 215cm high.

Longcase Clock by BAKER of Coleshill. Ornate clock face with rural scenes and Gold hands. Case with shell inlay, column supports and broken pediment with brass detailing. Weights and pendulum present

Early 19th century longcase clock with painted dial and flame mahogany trunk, Coats Wigan, 220cm tall

A Nat Caldron Derham maker longcase clock

A 1920's Henderson's longcase clock

A German longcase clock with three train movement and moon phase aperture

Saddleton, Lynn, a Georgian longcase clock, the case with later box base

A George III oak thirty hour longcase clock, the 12in. dial marked R. Midgley of Halifax, height 214cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

An 18th century 8-day longcase clock, 12” arched brass dial signed to a roundel in the arch for John Stokes, St. Ives, and numbered 510 (Loomes lists the maker as working c1720 to c1740, at least nine clocks are recorded (including this one) with numbers between 430 and 735), finely matted dial centre, matched blued steel hands, seconds and date indication, well cast spandrels to the corners and dolphin spandrels to the arch, the clock is mounted in a profusely carved oak case, small pagoda-style top with three turned wooden finials, hood door with pillars attached, full length trunk door with arched top, the whole on shaped base and bracket feet, 8-day five-pillar bell-striking movement, two lead weights, pendulum, some documentation detailing past restoration work, with key, approx. 245cm tall.

Charles Fletcher of Barnsley - Oak and Mahogany 8-day longcase clock, c 1830, with a swans neck pediment, silk backed open fret work beneath and a break arch hood door, flanked by reeded pilasters with wooden capitals, trunk with reeded quarter columns and a break arch topped door, plinth with inlaid banding on a shaped base, painted dial with Arabic numerals, seconds and date dials, stamped brass hands and painted depictions of the four seasons to the spandrels, dial pinned via a false plate to a rack striking movement with a recoil anchor escapement, striking the hours on a cast bell. With weights and pendulum.Dimensions: Height: 212cm  Length/Width: 49cm  Depth/Diameter: 25cm

G Fortier of Sittingborn - Early 19th century 8-day mahogany longcase clock c1825, with a break arch pediment and hood door flanked by reeded pilasters with brass capitals, plain case with a long trunk door with a conforming break arch top, plinth with applied skirting, painted dial with upright Arabic numerals, date and seconds dials, floral spandrels and a rural depiction of a country house and river to the arch, replacement steel hands with brass pointers to the calendar and seconds dials, dial pinned directly to a rack striking movement. With weights, pendulum and winding key.Dimensions: Height: 206cm  Length/Width: 46cm  Depth/Diameter: 23cm

Unsigned - mid-19th century 30 hour oak and mahogany longcase clock, with a swans neck pediment and ball and eagle finial, square hood door flanked by turned pilasters, trunk with recessed pillars and a short trunk door, square plinth with a raised panel on bracket feet, painted dial with Roman numerals, minute track, brass hands and painted spandrels, with a count wheel chain driven striking movement striking the hours on a bell. With pendulum and weight. Dimensions: Height: 210cm  Length/Width: 49cm  Depth/Diameter: 24cm

20th century Art Deco- oak cased 8-day longcase clock c1930, flat topped case with a fully glazed door on a stepped plinth, silvered circular dial with Arabic numerals and pierced steel hands, chain driven twin train movement with 4 gong rods. With pendulum and two brass cased weights.Dimensions: Height: 217cm  Length/Width: 47cm  Depth/Diameter: 26cm

German - 8-day oak longcase clock c1910, with a carved case, swan necked pediment and fully glazed trunk door, brass dial with a silvered chapter ring with Roman numerals, minute track and silvered "Tempus Fugit" boss to the arch, three train chain driven Westminster chiming movement made in Wurtenburg chiming on 8 gong rods. With pendulum and three brass cased weights.Dimensions: Height: 230cm  Length/Width: 45cm  Depth/Diameter: 23cm

John Holt of Newark - 19th century 30-hour mahogany longcase clock c 1820, with a swans neck pediment and ball and spire finial, square hood door with detached pilasters, trunk with full length door on a rectangular plinth with applied skirting, painted dial with Arabic numerals, painted spandrels depicting fruit and a bird of paradise to the centre, with original matching steel hands, chain driven count wheel striking movement, striking the hours on a bell. With weight and pendulum.Dimensions: Height: 200cm  Length/Width: 44cm  Depth/Diameter: 23cmCondition Report:Countwheel missing.

Late 20th century - Mahogany cased spring driven longcase clock, with an etched brass and silvered dial and pierced steel hands, fully glazed trunk door with visible pendulum and dummy weights, striking the hours and half hours on a gong.Dimensions: Height: 200cm  Length/Width: 40cm  Depth/Diameter: 22cm

antique English longcase clock with case in oak and mahogany ||Antieke Engelse staande klok met kast in eik en acajou en met getekende wijzerplaat

A Late 18th/Early 19th Century Mahogany Longcase Clock, by William Avenell of Farnham, the 12ins arched painted dial with Roman numerals, subsidiary seconds and minutes dial, floral spray to arch, to the eight day two train movement striking on a bell, contained in case with arched and moulded cornice, split turned columns to hood, arched trunk door, on plinth base, 85ins high Note: William Avenell of Farnham recorded working 1795

A 19th Century Mahogany Longcase Clock, the 12ins arched painted dial with Roman numerals, subsidiary seconds dial, date aperture and phases of the moon to arch, to the eight day two train movement striking on a bell, contained in case with moulded scroll pediment and spiral turned columns to hood, arched trunk door inlaid with stringings and with split turned spiral columns to sides, on plinth base with shaped apron and bracket feet, 88ins high

A 19th Century Oak and Mahogany Banded Longcase Clock, by John Ewer of London, the 12ins square brass dial with silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture to the engraved and matted centre, cast spandrels, to the eight day two train movement striking on a bell, contained in case with pagoda top, moulded cornice, blind fret carved frieze and split turned columns to hood, the trunk door with circular lenticule, on plinth base with bracket feet, 87ins high

An Early 19th Century Oak and Mahogany Banded Longcase Clock by Sharman of Melton Mowbray, the 12ins square painted dial with Roman numerals, subsidiary seconds dial, and date aperture, to the eight day two train movement striking on a bell, contained in case inlaid with stringings and with moulded scroll pediment and turned pillars to hood, shaped trunk door on plinth base, 80ins high Note: Sharman recorded working Melton Mowbray 1807

Late 19th / Early 20th century Oak Longcase Clock, the hood with swan neck pediment and Corinthian columns with brass caps housing an arched silvered and brass dial having a rocking moon phase, Arabic numerals, Chime/Silent dial, seconds dial and Whittington of Westminster chimes, the trunk heavily carved with scrolling foliage, 262cm high

Collection of clocks and clock parts to include 5 x early-to-mid 20th century wooden cased mantle clocks (featuring an Art Deco example), cuckoo clock, longcase clock enamel dial, miniature longcase clock, mantle clock wooden case, movements, etc. (2 boxes)

Late 19th / early 20th century novelty carved oak goliath pocket watch stand in the form of a longcase clock, decorated with soldiers, flowers & birds. (Approx 71cm high)

18th century Oak and Mahogany Longcase Clock, with swan break neck pediment, the square hood holding a brass dial with silvered chapter ring having Roman numerals and marked Bradley, Worcester, 209cm high

18th century George III Mahogany three-train Longcase Clock by Thomas Thwaites of Mitcham, London, with pagoda top, fretwork inserts, the columns to the hood with cast capitals, fretwork panels to side, finely-figured long trunk door with brass inlaid columns. The three-train movement playing six different tunes on fourteen bells, plus striking hours on one large additional bell. The brass and silvered arched dial with subsidiary seconds dial, date aperture and strike/silent control, 257cm high

19th century Mahogany Longcase Clock, Wasbrough Duggan St. Bristol, with swan break neck pediment, the arched silvered dial marked to top ‘ High Water at Bristol Dock ‘ with painted rocking moon phase, Roman numerals and Arabic numerals on the quarter, seconds dial and date aperture, 218cm high

An Art Deco oak triple weight longcase clock

A 19th century oak eight-day longcase clock, the brass dial with silvered chapter ring, subsidiary seconds dial and date window, signed 'Robt Evens Halsted' c/w two weights and pendulum