We found 44425 price guide item(s) matching your search

An oak longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the 12in square brass dial with silvered chapter ring, Roman numerals, Arabic five-minute divisions, subsidiary seconds dial and date aperture, within gilt foliate spandrels, plain case, the hood with a carved pediment, 203cm high, (some damage and losses to the case)

An Edwardian mahogany chiming longcase clock, the eight-day three-train movement with deadbeat anchor escapement and striking and chiming on nine tubular gongs, the arched brass dial applied with foliate tracery and with a subsidiary seconds dial within a silvered chapter ring with Arabic numerals, the arch with 'Chime/Silent' and 'Westminster/Whittington/St. Michael' dials, and with retailer's plaque H.A. DOSSER WESTON-SUPER-MARE, the plain case with an oval glass panel to the door, the hood with swan-neck pediment, 234cm high

An 18th century oak longcase clock, with arched brass dial, pierced spandrels and cherub decoration by John Morgan, Chancery Lane,

A George III 8 day longcase clock, with painted dial inscribed Warren, Canterbury, in mahogany case with decorative pediment (damaged) and canted angled trunk

An early 18th century 30 hour longcase clock movement, with 9.75ins brass dial with single hand, date aperture and gilded cherub spandrels, by repute Jow Tribe & Son, Thakeham, 1730

A George III 8-day longcase clock, with 12ins arched brass dial, silvered chapter ring with Roman numerals, subsidiary seconds and date aperture, signed Sam Toulmin, London, in black lacquered chinoiserie case with portrait medallion (distressed) 7ft 2ins

A George III mahogany 30 hour longcase clock, the 11inch square painted dial signed Berncastle, Lewes, 6ft 10ins

An early 19th century mahogany and oak 8 day longcase clock, the 12.5 inch arched painted dial with moonphase, subsidiary seconds and a date aperture, signed I & E Mason, Worcester, 7ft 5ins

A George III oak 30 hour longcase clock, the 11inch square dial painted with Roman numerals, rosehips and flowers, with date aperture, signed T.Gilkes, Shipston. 7ft 1ins

A George III oak 8 day longcase clock, the 12inch arched brass dial with subsidiary seconds and date aperture, signed Will'm Ray, Sudbury, 6ft 10ins

A William and Mary 8 day walnut and marquetry longcase clock, the 12 inch square brass dial with silvered Roman chapter ring, subsidiary seconds and date aperture, signed Jasper Taylor in Grays Inn, 7ft 1ins

Thomas Power Wellingborow figured walnut marquetry longcase clock, the 10" brass dial with silvered chapter, second finger and date window is housed within a caddy top hood flanked with quarter carved barleytwist pillars, the slender door with glazed lenticle and profusely inlaid throughout with exotic birds amid floral ebonized panels raised on squat bun feet 87" high.

A crossbanded mahogany longcase clock, second quarter 19th century, the arched hood above a shaped door flanked by octagonal pilasters enclosing a 13" white painted enamel arched dial with rolling moon phase in the arch, Roman numerals, subsidiary seconds dial and data aperture and marked 'Josh Kerry?, Swansea', painted with castles and abbey ruins to the corners, eight-day movement striking on a bell above a crossbanded three-quarter length trunk door flanked by octagonal pilasters over a figured mahogany panel and ogive moulding and crossbanded base board and raised on shaped bracket feet, 86" high

A George III oak boxwood and ebony strung longcase clock, late 18th century/early 19th century, the ogive cornice above a faux lattice inlaid frieze and square hood door flanked by fluted pilasters enclosing an 11" square brass dial marked 'Webster & Son, Salop', with Roman numerals, date aperture and figural spandrels representing the seasons, 30 hour movement striking on a bell, dial repaired, above an ogive moulding and chequer strung shaped top trunk door between fluted canted angles, raised over an ogee topped baseboard and shaped plinth, 81" high

A George III oak mahogany crossbanded and boxwood inlaid longcase clock, late 18th/early 19th century, the broken scroll pediment centred by a boxwood urn motif over an arched door flanked by reeded gilt brass pilasters and enclosing 14" white painted arched enamel dial marked 'Artinstall? Drayton' with Roman numerals, subsidiary seconds dial and date aperture painted with flowers to the corners and with rolling moon phase in the arch painted with an English frigate and country cottage, eight-day movement striking on a bell over a three-quarter length trunk door with boxwood and harewood conche shell motif flanked by reeded brass capped quarter pilasters over a conforming base board and bracket feet, distressed, 83" high

An oak and mahogany crossbanded longcase clock, early 19th century, the broken scroll swan neck pediment with brass terminals above an arched glazed door flanked by turned pilasters, enclosing a 14" white painted enamel dial with Roman numerals, subsidiary seconds dial and date aperture marked Rob Morris Stone, painted with rustic housing to the corners and farm workers in the arch, eight-day movement striking on a bell above a double pointed arched top trunk door centred by a boxwood and harewood conche shell motif between fluted quarter pilasters over a raised tablet, cushion moulding and further raised tablet base board, distressed, 85" high

An oak mahogany crossbanded and inlaid longcase clock case, early 19th century, with broken scroll pediment and arched glazed door flanked by turned pilasters over a boxwood inlaid frieze of a deer amongst foliage over a shaped top, lozenge centred trunk door flanked by turned pilasters and further bird and florally decorated panel, roundel inlaid baseboard and on a plinth, 92" high and a 14" white painted enamel arched dial marked indistinctly 'Cheadle', with Roman numerals and painted with rustic housing and abbey ruins in the corners and an Italianate landscape in the arch and an eight-day movement striking on a bell

AN EARLY 19TH CENTURY OAK THIRTY HOUR LONGCASE CLOCK having a painted dial with date aperture and bird and shell decoration, signed W.H. Harrison of Chepstow, the case with pierced breakarch pediment and panel door, 81" high.

*AN 18TH CENTURY OAK LONGCASE CLOCK having a thirty hour movement with square brass dial, silvered chapter ring and date aperture, signed John May Witney, partially reconstructed case with plain cornice, pilasters and panel door, 80" high.

A 19th century oak longcase clock, the 31cm brass dial with silvered chapter ring, Roman and Arabic numerals, subsidiary seconds dial, inscribed Wainwright, Nottingham, 30 hour movement, striking on a bell, brass pierced foliate spandrels, later arched painted with swans and trees, the hood with break neck pediment, with dentil border, centred by urn and ball finial, shaped door to waist, plinth base, 220cm high

An early 19th century mahogany longcase clock, the rectangular hood with inlaid stella decoration and fluted columns, having an arched waist panel door on a box base, the 31cm. arched brass dial with silvered chapter ring, subsidiary seconds and date aperture, signed to the arch 'Chas. Sargent, Mildenhall.', the twin train movement with anchor escapement striking to a bell, 213cm. high.

A late 18th century oak longcase clock, the later case with pagoda hood and foliate carved arched panelled door on a similar decorated box base, the 31cm. square brass dial with silvered chapter ring, signed 'Beamont' with subsidiary seconds and date dials, the twin train movement striking to a bell, 209cm. high.

An early 19th century mahogany and crossbanded longcase clock, the hood with swan-neck pediment and turned columns, having a triple arched panelled door enclosed by canted angles on a boxed base, the 38cm. arched painted dial signed 'W.Holliwell, Leeds', with subsidiary seconds and date dials, the twin train movement striking to a bell, 230cm. high.

A late 18th century oak longcase clock, the square hood with spire finials and fluted columns, having a later carved waist panel door on a boxed base, the 31cm. arched brass dial signed 'Joseph Hobbins, Feckenham', to the arch with date aperture, the 30-hour movement striking to a bell, 227cm. high.

A 19th century mahogany longcase clock, the arched hood with canted angels having an arched waist panel door enclosed by canted angels on a moulded box base, the 32cm. circular painted dial signed 'H. Johnson, Cowbridge', with subsidiary seconds dial and dates aperture, the twin train movement striking to a bell, 200cm. high.

An early 19th century mahogany longcase clock, the arched hood with fluted columns, having an arched waist panel door enclosed by fluted canted angels on a moulded boxed base, the 31cm. arched silvered dial signed 'John Mallett, Barnstaple' with subsidiary seconds dial, the twin train movement striking to a bell, 210cm. high.

A Fabulous Quality George I Burr Walnut Longcase Clock by John Cole London Circa 1725, in fine original order. The eight day movement having a bell striking the hour and a 12 inch (30 cm) brass dial with a fly back lunar calendar in the arch above engraved bands of birds amongst undulating foliage and, signs of the Zodiac incorporating a month and date aperture to the centre and maker's plaque signed John Cole London. The silvered chapter ring encompassing a matted centre with subsidiary seconds ring and wedge shaped aperture displaying the days of the week and decorative engraving. The spandrels cast with face masks amidst a mass of lacey foliated scrollwork. The richly patinated case with a caddy top surmounted by brass spired-globe finials and. incorporating fretted panels of scrolling foliage with integral corninthian columns to the door. The long trunk door below with a shaped arch top and moulded edge inlaid with feather & cross-banding reflected on the moulded base. Standing 106 ins (270 cms) in height.

19th CENTURY OAK LONGCASE CLOCK, the arched painted dial inscribed 'J. Sherwood, Yarm', the arch painted to depict a milking scene, the spandrels with churches, 30 hour movement, the hood with a swan-neck pediment resting on gilt-decorated columns, the trunk with quarter columns, on bracket feet. 220cm

A GEORGE III MAHOGANY PROVINCIAL LONGCASE CLOCK, arched 30cm brass Roman dial with an eagle engraved and motto 'Tempus Fugit', subsidiary seconds dial and date aperture signed 'Henry Upjohn, Bideford', eight day movement and bell strike, height 215cm, (pendulum, two weights and key)

A 19th Century mahogany longcase clock by James Gibson of Kilwinning, the 14ins arched painted dial with Roman numerals, subsidiary seconds dial and calendar dial, the arch decorated with seated figure of Britannia and figures of "Commerce" and "Plenty", the spandrels decorated with seated figures representing "England", "Scotland", "Wales" and "Ireland", to the eight day train movement striking on a bell, contained in mahogany case with deep moulded cornice to hood, small bowed front trunk door with carved cresting and moulded quarter columns, on plinth base, 82ins high

An Edwardian mahogany longcase clock, the arched brass dial with silver chapter ring, chimes silent and Whittington/Westminster dials, with subsidiary seconds, inscribed 'Leonard Hall & Son, Grimsby',moulded glazed door enclosed by fluted quarter brass capped columns, on bracket feet, triple train movement chiming on eight tubular bells, dial 43cm high, 237cm high overall.

A 19th century mahogany longcase clock, with swan neck pediment and brass urn finials, painted arched dial with black Roman numerals Arabic five minute divisions, subsidiary seconds and calendar aperture, inscribed 'Goldsborough, Scarborough', within scrolled spandrels, bracket feet, eight day movement striking on a bell, dial 42cm high, 220cm high overall.

An 18th century oak longcase clock, the arched brass dial with subsiary seconds and date aperture enclosed by brass spandrels, inscribed 'Beny Gray London' and with strike silent dial, stepped arched door with fluted canted angles, on bracket feet, eight day movement striking on a bell, 42cm high, 207cm high overall.

An 8 day longcase clock with a brass moonroller dial and seconds hand, signed 'Fry Downside' contained in a carved oak case with long arched door

An 8 day longcase clock with a painted arched dial contained in a contemporary pine case

An 18th century 8 day longcase clock with brass arched dial signed Pedro Higgs Diego Evans Londres with seconds hand calendar, the movement also with alarm and 5 pillars contained in a green lacquered case

Watkin Owen Llanrwst longcase clock, 8 day movement, false plate signed Osbourn Birmingham, square painted dial, painted with two pheasants, minute secondary dial and date aperture, oak case with replacement back board (bell to movement missing).

Longcase clock, eight day movement striking on single bell, arched brass dial signed Holland Chester, silvered chapter ring, oak case with later carving, 225cms, 88ins high.

Longcase clock circa 1720, eight day movement striking on single bell, square brass 13in dial, engraved and supporting silvered chapter ring, minute dial and name plaque for J. Littlemore, walnut case with caddy top arched door to trunk with circular glass panel, 235cms, 93ins high.

Charles Winstanley - Holywell circa 1840 longcase clock with eight day movement striking on single bell 14ins square painted dial with roman numerals and floral spandrels, false plate stamped Wilks - Birmingham, mahogany cross banded oak case with white wood string decorated with cluster columns to trunk. 22cms, 88ins high.

Sheraton period mahogany and line inlaid longcase clock, by T. Harpeson & Son, Liverpool dated 1801, the eglomise and broken swan neck pediment above an arched glazed door flanked to each side by a half fluted column and a fluted column, above a serpentine arched trunk door flanked by fluted columns and a panelled box base with dwarf cabriole front feet, the 14inch painted dial with subsidiary seconds and date dials, and a moon face to the arch painted with a frigate and country scene with planisphere mask, the twin train movement with anchor escapement striking on a bell, 243cm high

George III mahogany banded oak longcase clock by Richard Eeet Middleton, the 12 inch carved rectangular dial with subsidiary seconds and date aperture, silvered chapter ring engraved Roman numerals, case with swan neck pediment on bracket feet 215cm. (altered)

George III satinwood banded mahogany longcase clock by James Monkhouse, Carlisle, the arched brass dial formerly with date apertures within silvered chapter ring, engraved Roman numerals (now with electric movement, original with the clock, but disassembled) 220cm high

George IV mahogany 8 day longcase clock, the painted arched Roman numeral dial with second subsidiary dial and date aperture, the chequer strung case with rope twist column supports, on bracket feet, 217cm high x 50cm wide x 24cm deep

George III oak longcase clock, now lacking 8 day movement, the arched painted dial with nautical moon phase and date aperture, mahogany banded case with swan neck pediment and inlaid oval fanned paterae, 228cm high

George IV oak 8 day longcase clock, painted arched dial with moonphase, date aperture and shell spandrels, marked Roman numerals with subsidiary seconds, mahogany banded case with swan neck pediment, fitted pillars on plinth foot, height 225cm

Parkinson, Richmond, an 18th century later mahogany cased longcase clock, the moulded cornice above a glazed door enclosing an 11inch brass dial with silvered chapter ring, subsidiary seconds dial and date aperture with Roman numerals and gilt metal cast spandrels, above a long trunk door, standing on a plinth base, 193cm high.

Jno Harvey, Pontypool, a 19th century mahogany cased longcase clock, the broken swan neck pediment above an arched glazed door flanked with fluted columns enclosing a 13inch painted arched dial with subsidiary seconds dial and date aperture with Roman numerals and figural painted spandrels, above a line inlaid trunk door flanked with canted corners, standing on a plinth base, 216cm high.

A large 19c mahogany longcase clock [for restoration] with swan-neck pediment, inlaid columns to the hood and trunk, enclosing a shaped and inlaid oak door over a panel base and bracket feet; the painted dial indistinctly signed and with eight-day movement, 234 cms.

A large early 19c oak and mahogany longcase clock with cross-banded and inlaid decoration; swan neck pediment, turned fluted columns to the side of the hood and trunk, enclosing a shaped door and panelled base, raised upon bracket type feet; the painted dial inscribed N.Radcliffe Elland, enclosing a thirty-hour movement with seconds and date dials, 232 cms.

A 19c longcase clock with swan-neck pediment, fluted columns to the hood, over a part fluted trunk with mahogany cross banded door, raised upon bracket feet; the brass face with silvered chapter ring, inscribed Geo Jackson Gainsborough, with eight-day movement and seconds dial, 218 cms.

Late 18th century/early 19th century pine cottage longcase clock, the 27cm square brass dial with Roman numerals and outside Arabic minute numerals and date aperture, having 30 hour bell strike movement, by 'Robt. Fulford, Plym. Dock'. 193cm high.

Georgian oak longcase clock with swan neck pediment, the break-arch dial with date aperture, having 8-day bell-strike movement by 'Tho Hillier, Froome'.

A George II walnut longcase clock, the twelve inch brass dial with matted centre and subsidiary seconds dial and date aperture, the S[trike]/N[ot strike] lever and a medallion to the arch signed John Sebire london and with mask and dolphin spandrels, eight day movement in richly figured case with 'basket' pediment, stepped cornice and turned pilasters, the trunk enclosed by a burr veneered break-arch door on conforming (reduced) base, 234cm h

A Irish George III mahogany longcase clock, the fourteen inch brass dial signed above the chapter ring Graydon Dublin, with mask spandrels and eight day movement in figured case with chequer stringing, open triangular pediment and blind fret frieze, enclosed by a figured door flanked by fluted pilasters, the base conforming, 235cm h

A George II scarlet japanned longcase clock, the twelve inch brass dial with matted centre, date aperture with subsidiary seconds dial and Dutch style chapter ring, signed on a medallion to the arch Foster Birchin Lane London and with dolphin spandrels, having eight day movement, the case decorated with birds and flowers, the 'basket' pedimented break-arch hood with pillars, the trunk enclosed by a panelled door, on conforming base and stepped plinth, 240cm h

A George III oak longcase clock, the twelve inch brass dial with engraved centre, date sector and signed Cooper Derby, with pierced hands and giltmetal rococo spandrels, having eight day movement in crossbanded case with open triangular pediment, dentil cornice and turned fruitwood pilasters, the trunk enclosed by an ogee door, on plain base and ogee feet, 227cm h

A Edward VII mahogany miniature longcase clock, with enamelled circular dial and French timepiece in figured break-arch case with brass finials and stop fluted pillars, 73cm high

A Georgian oak longcase clock, with moulded case having ebonised columns to hood, the 11" brass dial having cast wide spandrels, Roman hour numerals, Arabic minutes subsidiary seconds ring and date crescent and marked J Green, Althorp, 8 day movement striking a bell. 6' 6" high.

An early 19thC oak and mahogany longcase clock, with swan neck reeded pillared foot, canted trunk with shaped short door, crossbanded base with bracket feet, the painted 12" dial having landscaped arch rose cartouche spandrel Roman numerals subsidiary secondary date crescent marked B Hutson Louth. 7ft high.