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A VICTORIAN MAHOGANY 8 DAY LONGCASE CLOCK by Sigismund Humel of Swansea having broken swan neck pediment arch painted face with rolling moon shaped waist door flanked by wrythen columns on panel base. Dial 19" High x 13.5" Wide. Overall 89" High (lacks feet). C1880.

An 18th Century oak longcase clock, the square hood having turned pillars, a long door with shaped top, a fine brass dial with thirty hour movement, 81 ins high

An 18th Century oak longcase clock, the square hood having turned pillars, a long door with shaped top, a brass dial with eight day movement inscribed Sam Brown, Matlock, 80 ins high

A tubular eight day longcase clock with a brass dial and three train movement with deadbeat escapement and maintaining power, striking on gongs in a mahogany case Height 82in.

An oak and mahogany eight day striking longcase clock with a 13 painted moonroller dial signed CROSS INN, the hood having turned columns above cluster columns to the trunk 7'5 tall to finial.

Oak and mahogany thirty hour longcase clock, the 13" arched painted dial signed John Blaydock, Carlisle, the case with cross banded door and surmounted by a swan neck pediment, 86.5" high

Oak and mahogany longcase clock, the 12" arched painted dial signed James Veal, St. Day, with subsidiary seconds dial and calendar aperture, the case with cross banded door and surmounted by a swan neck pediment, 89" high

Oak and mahogany thirty hour longcase clock, the 14" arched painted dial with the arms of the Ancient Order of Forresters (a.f)

OAK THIRTY HOUR LONGCASE CLOCK, the 11" square brass dial signed William Kemp Lewes, the matted centre with calendar aperture, the case with cross banded long door and surmounted by a square hood, 74" high

Oak eight day longcase clock, the 12" brass dial with applied Old Father Time to the arch, signed J. Worthington, Kirkby, subsidiary seconds dial and calendar aperture, the case with cross banded long door flanked by fluted quarter pilasters and surmounted by a swan neck pediment, 90" high

Scottish mahogany eight day longcase clock, the 13" flat engraved silvered dial signed Robert Dalgliesh, Falkirk, subsidiary seconds dial and calendar aperture, the case with shaped door and surmounted with a swan neck pediment with blind fret carving, 84" high

Mahogany eight day longcase clock, the 12" painted dial signed Mattias, Bulgin, Evercreech, with rocking ship to the arch, subsidiary seconds dial and calendar aperture, the case cross banded and inlaid with boxwood lines, the hood with waved door and surmounted by a swan neck pediment, 77.5" high

Oak eight day longcase clock, the 13" square brass dial signed Thomas Whipp, Rochdale, the engraved centre with internal penny moon and calendar aperture, the case with shaped door flanked by quarter pilasters and surmounted by a swan neck pediment, 85" high

Scottish eight day longcase clock the 13" painted dial with subsidiary seconds and calendar dials and moon phase to the arch, the case cross banded and inlaid with boxwood lines and surmounted by a square hood, 83.5" high

Scottish mahogany eight day longcase clock, the 14" dial signed William C. Muir, Falkirk, painted with a portrait of Robert Burns to the arch and spandrels with figures emblematic of the four Nations, the case with shaped bowed door and surmounted by a swan neck pediment, 88" high

Oak and mahogany eight day longcase clock, the painted dial with the locomotive "Rapid" to the arch and other railway engines to the spandrels, the inlaid case with short door and surmounted by a broken arched pediment, 89" high

Scottish mahogany eight day longcase clock, the 13.5" brass dial signed Alex Brand, Edinburgh to the arch, with subsidiary seconds dial to the centre, the inlaid case with long door and surmounted by a swan neck pediment, 87.25" high

Oak thirty hour longcase clock, the 11" square brass dial signed Zephaniah Bullock with engraved centre and calendar aperture, the associated case with short door and square hood, 84.5" high

Oak eight day longcase clock, the 12" square brass dial signed Samuel Ashton, Bredbury, with internal penny moon and calendar aperture, the cross banded case with long door flanked by quarter pilasters and surmounted by a square hood with blind fret carving, 81" high

Oak eight day longcase clock, the 12" square brass dial with engraved centre, subsidiary seconds dial and calendar aperture, the cross banded case with short door and surmounted by a swan neck pediment, 82.5" high

Unusual oak longcase clock, the two train movement striking on rods, the 15" circular white dial painted with fruiting branches and signed K. Wilson, S Mayer Ltd Walton-on-Thames, the case with drum head, lancet glazed door and carved with wreaths, 77.5" high

Scottish mahogany eight day longcase clock, the 14" arched painted dial signed George McGill, Paisley, the arch painted with dancing figures before an Inn, the spandrels with figures emblematic of the Continents, the inlaid case with long door and surmounted by a square hood, 83" high

BURR OAK EIGHT DAY LONGCASE CLOCK the 12" brass dial signed George Booth, Manchester, the matted centre with subsidiary seconds dial and calendar aperture, five pillar movement, the case with cross banded long shaped door, the hood with broken arch pediment (cut down), 89" high

Oak eight day longcase clock, the 12" arched painted dial signed Godfrey, Sudbury, the case with arched long door and surmounted by a pagoda hood, 85.5" high

Oak eight day longcase clock, the 13" square painted dial signed J. Winstanley, Holywell, the case with long door flanked by fluted quarter pilasters and surmounted by a square hood, 74" high

Elm 30. hour longcase clock, the 11" square brass dial signed James Leigh, the matted centre with calendar aperture, the case with long door inset with a lenticle and surmounted by a square hood (alterations) 76.75" high

Oak thirty hour longcase clock, the 10" square brass dial signed Edward Farmer, Monmouth, single hand and engraved centre, the case with long door and surmounted by a caddy top, 78.5" high

SCOTTISH THREE TRAIN MUSICAL LONGCASE CLOCK striking the quarters on eight bells and a gong, the 14" brass dial signed James Cowan, Edinburgh with subsidiary chime-silent and Whittington-Westminster subsidiary dials with moon phase to the arch, the cross banded figured case surmounted by a square hood, 86.5" high

Oak thirty hour longcase clock, the 12" square painted dial signed John Payne, Lenham, the case with long door and square hood, 75" high

Scottish mahogany eight day longcase clock, the 14" brass dial signed Andrew Robertson, Gorbals, Glasgow, the engraved centre with subsidiary seconds and calendar dials, the case with long door with barley twist columns to the trunk and hood and surmounted by a swan neck pediment, 90.5" high

Oak eight day longcase clock, the 13" square brass dial signed B. Barton, Oldham with internal moon phase and calendar aperture, the case with shaped doorflanked by quarter pillars, 84" high

EARLY 20TH CENTURY THREE TRAIN LONGCASE CLOCK with deadbeat escapement and maintaining power, striking the quarters on tubular bells, the 10" arched dial with engraved foliate masking, subsidiary chime-silent, Westminster-Whittington-St. Michael chime and seconds subsidiary dials, the mahogany case with an oval glazed bevelled door flanked by fluted canted corners, the hood surmounted by a pagoda top carved with acanthus and trellis, presentation plaque 1915, 88" high

AMERICAN EIGHT DAY LONGCASE CLOCK, the 12" arched painted dial signed Joshua Bill, Middletown and with subsidiary seconds dial and calendar aperture, the mahogany case inlaid with boxwood lines, the hood with broken arch and carved fretwork over a full width long door and supported upon slender curving bracket feet, 87" high

MARQUETRY EIGHT DAY LONGCASE CLOCK the 11" square brass dial signed Thomas Stubbs, London, the matted centre with subsidiary seconds dial and calendar aperture, five pillar movement, the case with long door inset with a lenticle and profusely inlaid with flowers, birds and an urn, panelled sides, the hood surmounted by a later caddy top, 87" high (repairs and alterations)

Smith - Old Scottish Clockmakers; Brooks Palmer - American Clocks; Bruton - The Longcase Clock; Schiffer - The Brass Book and various others

An important Charless II hooded wall clock with unique hours and minutes indication, by “William Clay, King”s Street, Westminster”, circa 1665, the substantial posted movement with square section pillars riveted to the bottom plate and pinned through the top plate, with four-wheel trains, restored balance wheel escapement and countwheel strike on a bell mounted above, the brass backplate mounted with alarm mechanism (now incomplete), the 9.75 inch x 9 inch square brass dial engraved with Roman numeral hour chapters with tulip half hour markers and finely executed differing floral spray spandrels, the overlaid rotating plate with rosette and Roman numeral hour chapters with well-cut steel hand for the alarm to centre within pointer denoting hours on the chapter ring behind, within outer band mounted with twelve further steel pointers, each in turn denoting the minutes via a finely engraved silvered sector at 12 o”clock, the lower edge with full signature, the later walnut hooded case with shallow arch pediment over rectangular glazed front to the rising cover over moulded apron and foliate scroll carved brackets, 54cm high, 33cm wide. Wetherfield Collection. William Clay is recorded in Britten, F J “Old Clocks & Watches and Their Makers” as working 1645-80. The dial is illustrated in figure 634 with an explanation of how the hours and minutes are denoted. Britten also cites that a watch by him was given by Cromwell to Col. Bagwell at the siege of Clonmel. Baillie records his dates as 1652-80 and adds that there is a watch by him in the Taunton Museum. The style of the engraving in the spandrels is reminiscent of some of the early longcase clock dials by Edward East, whilst the half hour markers and the rosette engraved centre are more typical of second period lantern clock work, suggesting a date of around 1665.

A George III thirty-hour longcase clock movement and dial, circa 1770, the four-pillar outside countwheel bell-striking movement with anchor escapement and 10 inch square brass dial, the centre engraved with ships sailing past a fort, signed “Peter Selby, Wareham” beneath, with applied Roman numeral chapter ring with Arabic five minutes and cockleshell pattern spandrel applied angles, 27.5cm high in total.

A figured mahogany longcase clock with moonphase, circa 1830, the four-pillar rack and bell striking movement with 12 inch white Arabic numeral break-arch dial with subsidiary seconds dial, arched calendar aperture and signed “Hill, Bristol” to centre, with rose painted spandrels and rolling moonphase to arch, the arched-top case with scallop shell and rosette carved fluted frieze over wavy edge door and fluted Corinthian pilasters to hood, over short flame figured trunk door flanked by quarter columns, on conforming plinth base with bracket feet, 215cm high. Probably William Hill who is recorded in Moore, A J “The Clockmakers of Bristol 1650-1900” as working from St Augustine”s Back 1848-65

A Victorian figured mahogany eight-day longcase clock, circa 1850, the four-pillar rack and bell striking movement with 12 inch circular white painted Roman numeral dial signed “W. Enock, Warwick”, in shallow break-arch pedimented case with turned pilasters to hood over short door and canted angles to trunk, on crossbanded plinth base with splayed bracket feet, 208cm high. William Enock is recorded in Loomes, Brian “Watchmakers & Clockmakers of the World Volume 2” as working in Warwick 1827-55

A mid 19th century Scottish mahogany drumhead longcase clock, the four-pillar rack and bell striking movement with 12 inch circular white Roman numeral dial with subsidiary calendar and seconds dials and signed “D. Kiddie, Glasgow” to centre, the case with foliate carved crest and tapered trunk fronted with raised panel door flanked by applied batons, on panel plinth base with canted skirt, 208cm high.

A 19th century inlaid rosewood eight-day mantel clock, in the form of a longcase clock, with French bell-striking movement and cast vase of flowers centred gilt brass Roman numeral dial with foliate bezel, the case with fan inset shallow arch pediment and conforming spandrels to hood, over vase decorated trunk and oval cartouche fronted base with shaped skirt, 46cm high.

A late 18th century thirty hour longcase clock movement, with painted dial, 11ins

A George III thirty hour alarm longcase clock movement by Comber, Lewes with brass dial and floral spandrels, 11ins

An early 18th century eight day longcase clock, with arched 12inch brass dial with date aperture and dolphin and mask spandrels, inscribed Thomas Barrett, Lewes, in adapted oak and mahogany case, 6ft 6ins

An early 19th century thirty hour longcase clock, with brass dial and chapter ring with pierced cherub spandrels, maker Cornelius Muzzel Bolney, in oak case, the hood with domed top and corner columns, 6ft 5ins

An early 19th century mahogany eight day longcase clock, with 12.5inch brass arched dial with subsidiary seconds and days of the months dials by P.Gardner, Perth, in inlaid case with swan neck pediment, 7ft 2ins

An early 19th century mahogany eight day longcase clock, with painted circular dial inscribed A.B. Arthur Glasgow, with tapered trunk and door, 7ft 9ins

A George III and later oak and mahogany crossbanded dresser, with central longcase clock movement, six open shelves and two cupboard doors over three drawers, cupboard and shelves on plinth base, 6ft 2ins

A George III oak longcase clock, the square hood revealing brass 26cm (10in) square dial with cast spandrels, silvered chapter ring, inscribed 'John Hocker Reading', with single pierced steel hand, the 30-hour movement with anchor escapement, striking on one bell

An early 19th century longcase clock, the case mahogany crossbanded oak with square top hood flanked with fluted columns, the trunk with quarter columns, fitted eight-day movement with anchor escapement striking on one bell, the square enamel dial painted with flowers and fruit to the spandrels, having secondary dial and date aperture, 210cm (82 1/2in) high

A 20th Century longcase clock by Fenclocks, Suffolk. The arch brass dial with phases of the moon, glass panel door and plinth base, two weights and a pendulum.

An Edwardian mahogany and inlaid eight day longcase clock, the arched dial with silvered chapter ring, with three-train movement, the broken arch hood with orb finial, glass panel door and panel base, 71cm high.

An early 19th Century oak and mahogany eight day longcase clock, the 13 inch painted dial inscribed 'Isaac Prince, Grove' with subsidiary date and seconds dials and phases of the moon to the arch, the false plate and reverse of the dial stamped 'Finnemore', the hood with swan neck pediment, and brass orb finials and turned pillasters, above an inlaid door and a plain base, two weights and a pendulum, 231cm high.

A mahogany cased eight day longcase clock, the 12-inch dial inscribed 'Thos. Pearce, Chard', with subsidiary seconds and date aperture, Arabic numerals and phases of the moon to the arch, the domed hood with brass orb finials, arched door and fluted pillasters, and banded panel base, two weights and a pendulum, 218cm high.

A carved hardwood pocket watch holder of longcase clock form, and a quantity of lace trimmings.

An 18th Century longcase clock movement by William Bassett of Mayfield, the 10ins square brass dial with silvered chapter ring with Roman numerals and the dial centre engraved with bird and bold leaf scroll ornament, with single hand to the thirty hour movement striking on a bell (complete with pendulum and weight)

An 18th Century pine longcase clock by T. Budgen of Croydon, the 10ins square brass dial with Roman numerals and single hand to the iron framed 30 hour movement with outside locking plate, contained in plain pine case with shaped cresting and plain turned pillars to hood, plain trunk door, on bracket feet, 75ins high

A 19th Century "North Country" oak and mahogany cased longcase clock, the 14ins arched brass dial with Arabic numerals and with subsidiary seconds dial and date aperture and showing phases of the moon to the arch and with floral spandrels to the eight day two train movement striking on a bell, contained in oak case inlaid with mahogany panels and crossbanded n rosewood, moulded scroll pediment and split turned columns to hood with Corinthian capitols, conforming pillars to trunk and small trunk door inlaid with ovoid shell motif, plinth with cant corners and inlaid with circular panel, on bun feet, 88ins high (maker’s name to dial rubbed)

A late 18th Century mahogany longcase clock, the 12ins square brass dial with added arch inscribed James Cragg of Milnthorp, the arch painted with a boar shooting scene, the silvered chapter ring with Roman and Arabic numerals and engraved dial centre to the eight day two train movement striking in a bell, contained in case with arched and dentil cornice and plain turned pillars to hood, arched trunk door flanked by fluted and brass stopped quartered columns, the plinth with astragal panel, 84ins high (case somewhat damaged and in pieces, and in need of restoration) Face

A George III oak and mahogany crossbanded longcase clock, the square hood with turned quarter columns enclosing thirty hour movement with modern brass and silver dial, signed Richard Lomax Poulton, the trunk with Ogee top door, flanked by turned columns upon canted plinth, (208cm tall)