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A nineteenth century brass-dial eight-day longcase clock bearing Roman numerals having filigree spangrels, the hood with broken-swan pediment and the case with three quarter length ogee shaped door flanked by quarter columns over a stepped base (restoration required) Condition reports provided on request by email for this auction otherwise items purchased `as seen`
19th Century mahogany and oak longcase clock, the hood with swan neck pediment, arch shaped glazed door flanked by turned pillars, the case with short door flanked by spiral twist split pillars and standing on bracket feet, arched shaped painted dial with Roman and Arabic numerals, subsidiary seconds dial and calendar aperture, eight-day striking movement Condition:
An 18th century oak longcase clock by Jeremiah Standring of Bolton with penny moonphase, the twin train bell strike movement with four knopped pillars, the square brass dial signed 'Jere. Standring Bolton', with brass Roman chapter ring and Arabic outer minute track, gilt brass foliate scroll spandrels, the matted centre with foliate engraving, date aperture at six and painted penny moonphase at noon, the case with swan neck pediment over a gilt and ebonised foliate frieze and fluted pillars, the trunk with fluted pilasters to the canted corners and serpentine door, raised on bracket feet, 85¾in. (218cm.) high.* With purchase note dated 1929 from Wollen, M.B.H.I., 137 Granby Street, Liverpool** Condition: Dial: Some tarnishing / scratch marking around chapter ring from contact with minute hand. Silvering to numerals in date aperture worn. Moonphase has some small scratches and heavier scratching / patches of worn paint to starry night section. Case: Chips to both front corners of the cornice and one to top of LH side of the broken arch. Finial later - it sits on a small mahogany bracket which may be a later 19th C addition. Some wear to painted frieze. Flaking to paint and a few small gesso chips to column capitals and bases. Trunk has some fading to colour and polish. Trunk door lock later. Some old scratches to centre of door. Base has a central vertical split to oak - possibly made in two pieces and this is separation. One weight is cast iron, the other lead. Some denting to pendulum. Movement appears original to case. With period winding key.
An 18th century oak longcase clock by George Womersley, the square brass dial signed to centre, with silvered Roman chapter ring with Arabic outer minute track, the centre with painted moonphase with lunar date beneath and engraved date dial at 6, decorated with engraved bellflowers, within gilt brass foliate scroll spandrels, fronting a chain driven twin train movement with outside countwheel bell strike, the case with swan neck pediment with central brass ball finial, over a deep plain frieze on turned pillars, the trunk with incuse arched door flanked by turned quarter columns, on a panelled base with short bracket feet, 86in. (218.5cm.) high.
An 18th century mahogany eight day longcase clock by William Flint of Charing, Kent, the twin train movement striking on a bell, the arched brass dial signed to the roundel 'Willm. Flint Charing' (1733-1793), the matted gold dial with chamfered date aperture at six and silvered subsidiary seconds dial at twelve, pierced gilt hands, brass Roman numeral chapter ring with foliate scroll spandrels, the strung mahogany case with barbed arched top with barleytwist columns, over a trunk with canted corners, raised on bracket feet, 82¼in. (209cm.) high.
A George I burr and figured walnut eight day longcase clock by John Carter of London, the arched brass dial with silvered Roman chapter ring and Arabic outer minute track, gilt brass mask spandrels and matted centre with silvered sub. seconds at 12, date aperture at 6 and harboured winding holes, signed to a silvered convex roundel to arch within a foliate border and gilt brass dolphin spandrels, fronting an eight day bell strike movement with five knopped pillars, the case with cavetto moulded arched top with three gilt brass ball finials, over a blind fret carved frieze and secondary step moulded arch, on gilt brass stop fluted columns, the trunk with moulded arched and feather banded door and cross banded sides, on a cross and feather banded base with shaped bracket feet, 92½in. (235cm.) high.
A good early 19th century Scottish inlaid mahogany eight day longcase clock by William Keith of Inverness, the eight day bell strike movement with four turned pillars, the painted arched dial with Roman chapter ring and Arabic numerals to the outer minute track cardinals, signed in an an oval to the arch with foliate, gilt and black bordered cartouche and conforming spandrels, subsidiary seconds dial at 12 and date dial at 6, the case with swan neck top with marquetry rosettes and brass ball finials, the arch centred by three feathers, raised on strung reeded and turned columns, the trunk with lancet arched and thistle marquetry inlaid door, flanked by barber's pole strung pilasters, the flame mahogany base with three feather marquetry and boxwood & ebony strung border, on plinth base, 88in. (224cm.) high.
An early 19th century inlaid mahogany eight day Channel Islands longcase clock by Peter Poignand of St Helier, Jersey, the painted arched dial with Roman numerals, signed (worn), arched date aperture at 6 and subsidiary seconds dial at 12, within painted floral and foliate spandrels, the arch with painted autumn fruits, fronting a twin train four pillar movement with bell strike, the case with swan neck pediment with central turned finial, on turned columns with gilt capitals, the trunk with inlaid lancet arched door flanked by floret and pendant inlaid canted corners, on a cross banded base with bracket feet, 85¾in. (217.5cm.) high.
A George III oak eight day longcase clock, the dial inscribed William Riches Swanton Abbott, the brass dial with gilt spandrels and a silvered chapter dial, the case inlaid with parquetry, the hood with arched door and turned columns between glazed door the case door with inlaid fan decoration
A George III mahogany eight day longcase clock, by Thomas Ashton, Macclesfield, with a swan neck pediment and single door enclosing silvered chapter dial with Roman numerals. moon face mechanism. The clock with a musical 10 bell mechanism and one striking bell. Rusticated case. In the Chippendale style. H245cm W52 D32
An 18th century oak and mahogany eight day longcase clock, silvered chapter dial, gilt spandrels, black Roman numerals and Arabic minute numerals, subsidiary dial, the top with a plaque inscribed 'Meers Hempnall', the hood with a swan neck pediment, the glazed door set between quarter round turned columns, raised on a projecting base, complete with two weights, 220cm high, complete with key
An early 18th Century Chinoiserie black lacquered eight day longcase clock, the brass dial inscribed 'Rob Andrew' London, the brass dial with two winder holes and a subsidiary dial, the door opening to reveal pendulum and a double weighted movement. Note: Front glass and side glass missing.
Burslem 19thC flame mahogany cased longcase clock with 8 day movement striking on a bell, 36cm painted Roman dial, moon phase, spandrel corners representing various nations, banding and carved and turned pillars to the case and turned pillars and swan neck pediments to the hood, 224cm tall.
An early 19thC oak and mahogany longcase clock, the 28cm W square dial signed W M Green Grantham, with Roman numerals, subsidiary Arabic second hand and date aperture, with painted floral spandrels, in swan neck pedimented hood raised above a shaped short trunk door, on splayed feet, 8-day movement, 221cm H.
An 18thC longcase clock, the 28.5cm W brass dial signed George Bishop, Redmile, with raised spandrels, Roman numeric chapter and date aperture, in a partial oak case with long arched door, 30 hour rope driven movement, c1770, 192cm H. George Bishop moved to Redmile in 1762 with his wife Mary, born Leicestershire 1733.
A George III Cornish oak longcase clock by Benjamin Andrews of St. Austell, with a thirty hour birdcage movement striking on a bell, the eleven inch brass dial with a silvered chapter ring and centre, with Roman and Arabic numerals, with a date aperture and engraved with a naive coastal scene with buildings, clouds and a tree, signed 'Benjn Andrews St AUSTLE', with gilt Rococo spandrels, in a plain case, 210cm high, together with Cornish Clocks and Clockmakers by H. Miles Brown. (2)
A mid-18th century oak longcase clock by Thomas Bevan of Marlborough, the eight day brass movement with four turned pillars, with an anchor escapement striking on a bell, the twelve inch brass dial with Roman and Arabic numerals, the matted centre with a subsidiary seconds dial and a date aperture engraved with three birds, signed 'Thomas Bevan Marlborough', with gilt Rococo spandrels, the hood with an inverted bell shaped top, above a blind-fret frieze, with a plain case, 200.5cm high. Provenance: From the estate of the late Michael Gray.
An early 19th century mahogany longcase clock by Stubington of Gosport, the eight day brass movement striking on a bell, with a twelve inch painted arched dial, with Roman numerals, subsidiary seconds dial and a date aperture, signed 'Stubington, Gosport', painted with urns, wheatsheaves and a shell, the case with an arched hood and a conforming trunk door, 206.5cm high. Provenance: Warrens House, Bramshaw.
A stained pine longcase clock with brass dial signed Ralph Weston, with pendulum only CONDITION REPORT: 10" dial. The clock is 204cm high. The door requires reattaching to the hood. The hood has several splits or gaps between the mouldings. The dial does not sit level on the base board. I cannot see any woodworm. Movement dirty. I found a note within the hood providing some information on the maker, see additional images.
George III mahogany longcase clock, arched painted dial signed Thos. Gadsby, Leicester, with date aperture and subsidiary second dial, moonphase lunette, floral spandrels, Arabic numerals, eight-day two-chain movement, striking on a bell, case with scrolled pediment with finials over, short triple lancet top door, flanked by engaged spiral fluted columns, splayed bracket feet, height 136cm.

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44425 item(s)/page