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Arts & Crafts mahogany eight day longcase clock, the 12.5" square brass dial with silvered chapter ring enclosing a matted centre with subsidiary seconds dial, the figured mahogany case with long door fitted with a lenticle and the hood surmounted by a moulded flat stepped pediment, with two brass cased lead weights, 82" high

1930s oak eight day three train longcase clock, the 11" silvered dial signed Bravingtons, Renown, with silent/chime lever, the movement playing on Westminster chimes, the long glazed door case flanked by applied foliate moulded carvings, surmounted by a rounded arched top, 75" high

Mahogany inlaid thirty hour longcase clock, the 12" painted square dial signed Wyatt Romsey, with subsidiary seconds dial and calendar aperture, the case with short door with ebony and boxwood banding, the hood surmounted by a swan neck pediment with brass ball and spike finial, 81" high

Mahogany, walnut and crossbanded eight day longcase clock, the 13" painted arched dial signed Beringer Schwerer, Redruth, the case with short door and the hood surmounted by an arched wavy cornice with three brass urn finials, 85" high

Walnut eight day longcase clock, the 12" brass arched dial signed William Stumbels, Totnes on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, also with strike/silent lever above twelve o`clock and a silvered boss to the arch engraved with an eagle in flight, the case with long moulded rounded arched door and the hood with moulded arched pediment and three brass ball and eagle finials, 86" high

Oak thirty hour longcase clock, the 11" square brass dial signed W. North, Leckonfield on the silvered chapter ring enclosing a matted centre with calendar aperture, the case with long rounded arched door and the hood surmounted by a moulded stepped pediment, 84.5" high

Large and rare oak cased year going precision regulator longcase clock after Hubert Sarton of Liege, the 15" brass dial with silvered chapter ring enclosing a foliate engraved centre with centre seconds hand, the complicated movement with pinwheel escapement over a massive pendulum, adjustable gimbal type device and twinned linked brass cased weights, the case with long glazed door flanked by fluted carved pillars over a panelled base carved with a basket of flowers to the centre, the moulded arched top carved with a central urn and foliate swag, surmounted by a caddy top, 92" high; pendulum, two weights, door key and documents *This clock is sold with some information about the master Belgian clockmaker Hubert Sarton of Liege

Fine small mahogany longcase clock regulator, the 10" circular silvered dial signed Botten, London, with subsidiary seconds dial and hours sector, the eight day movement with deadbeat escapement, high count train and maintaining power, the back plate stamped T T, the pendulum with wooden rod, heavy lenticular bob and roller suspension, the case with long panelled trunk door flanked by canted corners and over a panelled plinth, the hood inlaid with brass lines and surmounted by a moulded rounded arched cornice, 71.5" high

Fine English mahogany quarter chiming musical longcase clock, the 12" brass arched dial signed Francis Perigale, Royal Exchange, London on a shaped plate to the matted centre with three winding holes, enclosed by a silvered chapter ring, with subsidiary chime/silent and tune selection dials to the upper corners, the foliate engraved arch with fly/back date sector and month dial, the substantial three train movement with six knopped pillars, chiming the quarters and playing one of five tunes at the hour on a nest of nine bells with seventeen hammers, the case with long moulded shaped door flanked by ormolu mounted quarter fluted pillars, the hood surmounted by a rounded wavy arched moulded top and three ball and spire finials, 96" high

Good mahogany three train longcase clock, the 12.25" arched brass dial signed Maple & Co. Ltd, London on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial, with chime/silent and Westminster chimes/ Whittingham chimes subsidiary dials to the arch, the substantial movement playing on a nest of eight bells and striking on two gongs attached to the inside back of the hood, the case with long panelled satinwood banded door over a similar panelled base, the hood surmounted by a moulded rounded arched cornice, 88" high

Oak thirty hour longcase clock, the 11.75" square brass dial signed Jacob Lovelace, Exon on the brass chapter ring enclosing a matted centre engraved with birds in flight, the case with long door and the hood surmounted by a moulded stepped cornice over a blind foliate fret carved panel, 76" high

Quantity of sand cast brass wheels and lantern clock parts etc; also an 8" mantel clock dial and bezel and a 10" brass arched longcase clock dial plate

G.P.O. 12" wall dial within an octagonal mahogany surround, oak three train wall clock, small black slate drumhead two train mantel clock, two black slate mantel clock cases and two pairs of longcase clock weights (9)

Six various longcase clock pendulum bobs and four heavy semi-regulator pendulum bobs (10)

A George lll oak longcase clock, the arched brass dial inscribed Twos Fordham, Braintree, with a eight day movement striking the hour, with subsidiary seconds and calendar aperture

A Georgian 30 hour longcase clock, the dial signed John Morse, Malmsbury

A 17th century oak longcase clock, with square brass dial and silvered chapter ring, crudely inscribed `Barnaby Mathews`, with thirty hour bird cage movement, with single hand, chiming on a bell, the oak case having a shaped pediment with barley twist columns, the long trunk door with central lenticle, dial 22cm square

John Simpson Wighton, a thirty hour pine longcase clock, the arched painted dial, striking the hour, with a calendar aperture

VICTORIAN 8-DAY MAHOGANY LONGCASE CLOCK maker William Cooper of Hamilton, with arched enamel dial painted with Justice and the Four Seasons, on bun feet, 205cm high

A 1920s dark oak longcase clock of "Jacobean" design, the 10ins square brass dial with gilt brass spandrels to the eight day three train movement striking on five gongs with "Westminster" chime, contained in case with carved scroll cresting and with split turned spiral turned columns to hood, panelled trunk door, on plinth base, 78ins high

An early 19th Century oak longcase clock by E. Carley of Bungay, the 12ins arch painted dial with Roman numerals and subsidiary seconds dial and date aperture, to the eight-day two-train movement, striking on a bell, contained in later carved case, the hood with shaped cresting and turned pillars, the trunk door with guilloche ornaments, 88ins high Note: Enoch Carley, recorded working in Bungay, 1830-1839

A late 18th/early 19th Century mahogany "North Country" longcase clock, the 14ins painted dial with Roman numerals and subsidiary calendar dial, showing phases of the moon to the arch, to the eight day two train movement striking on a bell, contained in case with moulded scroll pediment and twin turned and fluted pillars to hood, conforming single columns to trunk, on splayed bracket feet, 89ins high (lacking pendulum and weights and in need of restoration)

An 18th Century oak longcase clock by John Stokes of Bewdley, the 12ins square brass dial with wide chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture and with turned winding holes to the eight day two train movement striking on a bell, contained in associated oak case with architectural pediment and plain turned pillars to hood, 82ins high Note: John Stokes recorded working Bewdley before 1751

An 18th Century oak longcase clock by John Snatt of Ashford, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, the matted dial centre engraved with birds and urn of flowers to the eight day two train movement striking on a bell, contained in oak case inlaid with chequered bandings, with deep moulded cornice, blind fret frieze and plain turned pillars to hood, arched trunk door and conforming panel to plinth, 84ins high Note : John Snatt recorded working Ashford, Kent, died 1780

A mid 18th Century mahogany longcase clock by John Goodfriend of London, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, the arch showing phases of the moon to the one month two train movement striking on a bell, complete with pendulum with steel rod and a pair of heavy brass cased weights, contained in good quality mahogany case with arched and moulded cornice and turned and fluted pillars to hood, arched trunk door and raised panel to plinth, 88.5ins high (movement requiring cleaning and case in need of restoration but most components present and with three replacement brass finials and brass column mounts to hood) Note : John Goodfriend recorded working London, died 1751

A late 18th Century mahogany longcase clock by James Warren of Canterbury, the 12ins arched painted dial with Roman and Arabic numerals and subsidiary seconds dial, the arch and spandrels painted in gilt overall paterae and flowers to the eight day two train movement striking on a bell, contained in figured mahogany case possibly by Lepine of Canterbury with three brass finials and shaped cresting, turned and fluted pillars to hood, figured veneered door with arched and moulded top and astragal panelled plinth, 89ins high Note : James Warren recorded working Canterbury 1757-1793 Provenance : Mrs Gracie Baynes (wife of Colonel Baynes Late of the Indian Army) who returned from India in 1913 and moved into The Baye at Ickham near Canterbury in 1913 and thence by family descent

An early 20th century mahogany synchronome longcase clock, century, with gilt metal and silvered dial with glazed trunk door, on box base, 202 cm high x 43 cm wide x 23 cm deep. (It is the buyer`s responsibility to ensure electrical items are professionally rewired for use).

An oak longcase clock

An oak dwarf longcase clock

Mahogany cased eight day longcase clock with painted enamel dial signed James Baxter, Dunblane

Mahogany longcase clock, eight day with painted arched dial, Wilsa, Guisborough

French Provincial longcase clock, Lucas, circa 1912

A George III oak and mahogany crossbanded thirty hour longcase clock with arched pediment above a white enamel dial painted with a hot air balloon (base reduced)

A 19th century longcase clock dial signed R Johnson, Darlington

AN EARLY 19TH C OAK AND INLAY LONGCASE CLOCK, PAINTED DIAL INSCRIBED BRINDLE MANSFIELD, WITH 30 HOUR MOVEMENT AND SWAN NECK PEDIMENT

AN EARLY 19TH C MAHOGANY LONGCASE CLOCK WITH PAINTED DIAL, THIRTY HOUR MOVEMENT, THE CASE HAVING SWAN NECK PEDIMENT

Benjamin Shuckforth, Diss, an early 19th century longcase clock, the black lacquered and gilt chinoiserie case enclosing an eight day bell striking movement faced by arched Roman and subsidiary dials, above a three-quarter length door and box base on plinth, 213cm.

A late 18thcentury oak longcase clock with fluted columns to hood arched brass and silvered dial with rolling moon and calendar to arch, old father time automaton to aperture, subsidiary calendar dial, inscribed John Trigg, Maidstone, 1769 and Thomas Hall, Maidstone, no.108 - the eight day four pillar movement striking on bell - H220cm

A late 18th century oak longcase clock with star-burst design to door and plinth the silvered and brass dial having strike/silent dial to arch, subsidiary seconds dial and date aperture, inscribed Thomas Page, Norwich, the eight day four pillar movement striking on bell - H270cm

An 18th century eight day longcase clock the five pillar twin train bell strike movement with anchor escapement, the square brass dial signed `Anth Harrison London`, with matted centre with subsidiary seconds dial and date aperture, pierced steel hands, silvered Roman chapter ring and gilt cherub and crown spandrels, in a provincial stained pine case, the trunk door with lentical, 84in. (215cm.) high.

An early 19th century Yorkshire mahogany longcase clock the eight day, twin train four pillar movement with anchor escapement, striking on a bell, the arched brass dial with silvered Roman chapter ring with outer seconds, pierced steel hands, subsidiary seconds dial with engraved sunburst, gilt mask spandrels and silvered Tempus Fugit roundel to arch, the centre of the dial signed `E. Ramsbottom New Millerdam`, the hood with swan neck pediment over an arched glazed door with turned pilasters, case raised on bracket feet, 82¼in. (209cm.) high.

A George III oak rosewood and mahogany crossbanded longcase clock, swan neck pediment, painted square dial, Roman numerals, subsidiary aperture, painted spandrels, inscribed Thos GL*SE Bridgnorth

A 19th Century Longcase Clock, the white enamel dial with phases of the moon arch and inscribed "T A Naftels, Guernsey" with seconds and date rings, eight day movement in oak and mahogany case with swans neck pediment. 6`7" (200cms) high.

A 19th Century Longcase Clock, the arch dial painted with shells and inscribed "William Raw, Whitby" with date aperture, thirty hour movement in oak and mahogany case with swans neck pediment. 6` 8" (203cms) high.

An 18th Century Longcase Clock, the white dial with seconds ring and eight day movement in oak case with broken arch pediment, half round brass capped pilasters and bracket feet. 7` 8" (234cms) high.

A 19th century square painted dial mahogany 8 day longcase clock by Halliwell, Warrington

A 19th century mahogany longcase clock with short pendulum door, reeded side columns, swan`s neck pediment, with 8 day arched painted dial, movement by Yates & Sons, Penrith

A late 18th/early 19th century mahogany longcase clock with flame figured veneers, inlaid stringing, crossbanding and chequerwork, swan`s neck pediment, with 8 day movement, arched painted dial and rolling moon, by Whitehead, Manchester

A 17th century style longcase clock in ebonised case the brass square dial signed John Munday

An oak longcase clock, with a 30 hour movement striking on a bell, with an associated 11 inch square brass dial with crescent date aperture, signed Jasper Guy, SHAFTESBURY, with engraved scrolls and floral spandrels, the case with mahogany banding and stringing, 77.5in (197cm) h.

An oak longcase clock, with an 8 day movement striking on a bell to an 11 inch square brass dial, engraved a cherub and signed JNO PLUMBLY, GODSHILL, 74.25in (188.5cm) h.

An oak longcase clock, with a 30 hour movement striking on a bell within a flat post frame, with a 10 inch square brass dial and chapter ring signed T. Dicker, Silchester, single hand and urn and foliage spandrels, 76.5in (194.5cm) h.

A mahogany longcase clock, with an 8 day movement striking on a bell and a 12 inch arched brass dial, with silvered chapter ring signed Jo: Batty, Halifax, the matt centre with engraved leaf and collinaded arch with crescent shape date aperture above similar moon phase, the arch with a silvered boss inscribed TIME Stayeth not, the faded case with inlaid paterae, 92.5in (235cm) h.

An oak longcase clock, with an 8 day movement striking on a bell with a 12 inch arched brass dial, silvered chapter ring and subsidiary seconds dial with a cut edge, date aperture with crescent plaque above signed Humy Mason GOSPORT, the hood with pilasters above a broken arch trunk door, 84.5in (217cm) h.

An oak and mahogany longcase clock, with a 30 hour movement striking on a bell, and a painted 11 inch square dial, signed THOS. POLLARD EXETER, with crescent shape date aperture, 78in (198cm) h.

A 19th century oak longcase clock, with an 8 day movement striking on a bell, with a painted and printed 12 inch square dial, with subsidiary seconds dial and crescent shape date aperture signed Stephenson, Warminster, 84.5in (212cm) h.

An oak, mahogany and strung marquetry longcase clock, with an 8 day movement striking on a bell and a 14 inch arched brass dial, with silvered chapter ring and subsidiary seconds dial, unsigned, the arch with a silver boss engraved an eagle, the shaped top trunk door inlaid Britannia with lion, 91.25in (232cm) h.

A carved oak and chiming longcase clock, with an 8 day movement striking on a bell and a peel of 8 bells, with a 12 inch arched brass dial and chapter ring, the matt centre with subsidiary seconds dial and pierced date aperture, the arch with a boss singed Jno. Johnson, Walton, the associated case later carved, 83.5in (212cm) h.

An Edwardian three train striking longcase clock, with 9 tubes and a 12.5 inch arch brass dial with silvered chapter ring, subsidiary seconds dial, Chime/Silent lever at 12 o`clock and Whittington/Westminster lever at 3 o`clock, the arch with a silvered boss inscribed Tempus Fugit, the case with stringing and Corinthian capitals columns, above a glazed tracery trunk door, on bracket feet, 92.5in (235cm) h.

A Japanned longcase clock, with an 8 day 5 pillar striking movement and a 12 inch arched brass dial, silvered chapter ring and subsidiary seconds dial, to a matt ground with pierced date aperture, the arch with a silvered boss signed THOMAS FORD, LONDON, the case with a pagoda top hood and decorated gilt trellis, the trunk door with buildings figures and a lion, 87.5in (222cm) h.