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Mahogany eight day longcase clock by W. Paterson, Edinburgh, the projected arched cornice over circular face, Arabic and Roman numerals, subsidiary date and second dials, trunk door flanked by fluted quarter columns, plinth base, bracket feet, anchor escapement striking bell, 200cm high.

19th century eight day longcase clock by William Scott, Thornhill, with swan neck pediment over arched, painted face depicting the four seasons, Roman numerals, subsidiary date and seconds dials, flanked by Doric columns, trunk door, columns, raised on plinth base, bracket feet, anchor escapement striking bell, 220cm high.

Mahogany and inlaid longcase clock by David Somerveill, St Ninians, with swan neck pediment over brass face, applied chapter ring and spandrels, Roman and Arabic numerals and subsidiary date dial, moon face, flanked by barley twist columns, moulded trunk door, quarter columns, and plinth base, anchor escapement striking bell, 222cm high.

A George III figured mahogany 8 day longcase clock by John Hamilton, Glasgow. With brass arch top dial bearing a silvered name plate and chapter ring, ornamented with dolphins and scroll work spandrels. With swan neck pediment, twist supports and raised on slender splay bracket supports, 210cm. Exceptionally good clean condition. Running, tested overnight. With weights, pendulum and keys.

A late 18th century mahogany longcase clockEdward Mann, LondonArched top over freestanding brass-fluted columns and a long door with shaped arched top over a panel and apron, the 12 inch arched brass dial with strike/silent, Roman and Arabic chapter ring, matted centre, large subsidiary seconds and a date aperture, the movement with anchor escapement and rack strike on a bell. Together with a pendulum, pair of weights, and two door keys. 2.28m (7ft 6ins) high. This lot is subject to the following lot symbols: TPTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A walnut longcase clock, part 17th centuryBrounker Watts, LondonThe case with square top and spiral columns over a long door and base (possibly re-veneered), the signed silvered Roman and Arabic chapter ring with half-quarter marks and subsidiary seconds dial, now mounted on a later 10 inch dial plate, the movement with four knopped and ringed pillars, anchor escapement and inside count-wheel strike on a bell. With pendulum, two brass weights and door key,Footnotes:Brounker Watts was born around 1670 and apprenticed to Joseph Knibb till 1691. In 1697 he signed the Clockmaker's Company oath of alliance and was working in Fleet Street. He married Ursula Walford in 1695 and he died in 1717 and was buried in St. Dunstan in the West.A similar example was offered in these rooms on the 11 December 2013, lot 64, Fine Clock sale.This lot is subject to the following lot symbols: TPTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A walnut and marquetry longcase clockThe dial bearing the later signature 'Joseph Knibb, London'moulded cornice over a long door inlaid with six panels on an ebony ground, to a similar base (the case with alterations and restorations ), the 10.25 inch square brass dial with winged cherubs head spandrels, silvered Roman and Arabic chapter ring with five-minute numerals within the minute band, and 'Knibb' style half hour marks, subsidiary seconds dial and chamfered date aperture to the matted centre, bearing a later signature along the lower edge, the movement previously with bolt and shutter maintaining power, with six latched and knopped pillars, anchor escapement and outside countwheel strike on a bell. Together with a pendulum, a crank key, door key and two later iron weights. 2m (6ft 7ins) high.This lot is subject to the following lot symbols: TPTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

MAHOGANY LONGCASE CLOCK WITH BRASS FACE AND 8-DAY MOVEMENT, 203CM HIGH

Oak and mahogany 8 day longcase clock with painted face. Jas. Wreghit, Rotherham.

Mahogany and inlaid cased longcase clock, Branner of Hull with painted dial and swan necked pediment. 234cms h.Condition ReportDoors warped on case, back feet ware. 

Oak longcase clock, brass face with painted top panel. Tobias Fletcher, Barnsley. 210 h x 48 w x 25cms d. Condition ReportLoose glaze door hinge, old worm to back panel. 

Longcase clock, oak and mahogany boxwood banded inlay, 30 hour, Daventry, 202 h x 22 d x 46cms w. Condition Report(Broken to finial, split to wood base front) broken weight hanger. 

James Snelling, London. 1703-1751. Mahogany longcase clock with brass face. 18th century mahogany brass dial striking longcase clock with 8 day movement, day of the month work and Strike - Silent work in the dial arch.  The clock is 250cms h without finial and 263cms h with. 52cms width of top 52 x 26cms. width of base. 54 x 27cms. Original bill of sale in photos. Condition ReportWorking order. Case is in good condition.

A Fine Victorian mahogany RegulatorBy Thomas Porthouse, 10 Northampton Square, London, Maker to the AdmiraltyWith an arched case, fully glazed door, on plinth base, the 12in dial, fully signed, with subsidaries for hours and seconds, and sweep centre minutes, finely made blued steel hands, the substantial plates with turned pillars screwed to each end, wheels of six crossings, deadbeat escapement with jewelled pallets, maintaining power, with steel pendulum rod supporting a glass jar (for mercury not supplied)183cm high, (1 weight, 1 pendulum, 2 case keys and 1 bent scale)Active 1821-1860. Succeded by Porthouse and French and moved to 16 Northampton Square in 1863. Condition Report The case has been repolished and restored. There is carcass movement to the veneers on the arch which have cracked. There is no inspection door in the arch. The movement is clean albeit dusty and with some finger marks. There is no mercury to the pendulum. Weight replaced. The weight pulley is from a longcase clock. Pillar screws are all 'chewed' in the slots but using the wrong sized screwdriver. Not currently working.

A late Edwardian mahogany Longcase clock of small sizeIn the George III style, with a swan-neck pediment above twin-fluted columns and glazed dial door, the trunk with pendant acorns between palmettes, the arched glazed door between quarter-fluted columns, on quoin corners, on plinth base with similar quoin corners, on ogee bracket feet, the 8in arched brass dial with moon phase in the arch, above silvered chapter ring, with foliate engraved dial plate, the substantial twin train movement with deadbeat escapement and maintaining power, striking the hours on a bell, with wood rod glazed mercurial pendulum, (2 weights, 1 mercury pendulum)184cm high Condition Report This charming clock is in very good overall condition and was running prior to consignment. It is a high quality case and movement. The dial plate and moon disc are thick gauge. The dial plate has three formerly drilled winding holes plugged with brass and engraved over at the front and two dial feet fixings now filled. The seatboard screws line up and there is no evidence of another position. One can only surmise that the manufacturer was re using a dial plate originally planned for a bigger dial as the filled winding holes are for a bigger movement.

A walnut longcase clock The movement with later engraved nameThe case with a moulded pediment above blind fret, glazed door flanked by a spiral-turned column to each side above the trunk inset with a panel door and a brass-outlined roundel, on a stepped base and plinth; the 12in square brass dial with engraved hatching to the edge, crowned cherub spandrels, silvered chapter ring with engraved minutes 1-60, pierced blued steel hands, enclosing a matted centre with seconds subsidiary and calendar aperture, the twin train four-pillar movement, with thin plates, engraved NDW to the lower part of the backplate, rack strike on a bell and anchor escapement, the fly engraved H. Kempton, case and movement associated, the case restored and reconstructed, incorporating earlier elements, (1 pendulum and 2 weights)217cm high Condition Report The case is in good condition. It has been repolished fairly recently. The carcass is a softwood, not oak. The top section of each cheek is replaced so the joint is hidden within the trunk. They have lined it up to the original score line. The movement is inscribed Gould but NOT BY HIM AND IS NOT of Gould's quality. Interestingly the back of the dial plate is punched to force the metal forward and I surmise the original maker's signature was ground out hence the need to bring the metal 'forward' with the punching. The chapter ring has Gould's rare and unusual style of minute numbering but the hand of the engraver does not have the period flourish of Gould's. A weak impression. The fifth pillar has been removed.

A mahogany, satinwood, marquetry and line-inlaid threetrain quarter-chiming Longcase clockThe case with swan-neck pediment, later inlaid to the front with foliate marquetry, with glazed door above a small trunk door, on a stepped plinth, the 14in arched brass dial with moonphase, with substantial three train movement quarter-chiming on eight bells and the hours on a coiled gong, the case early 19th Century, the marquetry inlay, dial and movement Edwardian, (3 weights and 1 pendulum).237cm high Condition Report The clock is in un restored condition. In general the case is in good order. However some attention is required around the dial glass crossbanding as it is placed over a small edge of the glass and with the putty drying has cracked and fallen off over the years. Marks and knocks consistent with age. Moulding to underside of right hand hood moulding broken. Left hand moulding just below hood is mis aligned Other chips and veneer losses. Movement is dirty and requires a full service.

A 19th century longcase clock movement detailed 'Rich D Birch, Birmingham', 31cm x 31cm. Condition Report Not sold as working, very dirty and the dial paint is cracking, the movement is very dirty and it is rusty in places.

A George III oak longcase clock, the cream and gilt painted arched dial signed 'Martin. Thirsk' the twin train movement striking on a bell, (1 pendulum and 2 weights) 221cm high Condition Report The clock is in good original condition. The movement is clean and has probably recently been cleaned. The gut lines are a bit frayed, and could be replaced. The bell stand needs fastening down with its screw.The case is a pleasing colour. Some marks and knocks consistent with age. A small piece of crossbanding is lost on the right hand side of plinth.The dial has its original surface, with some cracqueleur. A small chip to paint about 7 o'clock and a mark at around 3 o'clock.

A mahogany Longcase clockEarly 19th centuryThe arched hood with two columns above the trunk door, on plinth base, the 12in arched white painted dial inscribed Danl. Davis, Cheltenham, with gilt hands and date sector aperture, twin train movement with rack strike on a bell (case and movement associated), (2 weights, 1 pendulum).203cm high Condition Report The clock is in good restored condition. We understand from our vendor they purchased it around 30 years ago at Harrods?The case has been polished. The dial refreshed and the movement cleaned. It may however now require a light service as a little dusty?An attractive furnishing clock.

A Swedish longcase clock, green painted with circular hood and white painted dial detailed 'A.A.S. Mora' with twin train movement over a shaped case, two weights, one pendulum, one key, 196cm high. 

A George III mahogany Longcase clockBy William Curtis, ExeterThe arched hood with moulded pediment above fluted columns, the trunk with an arched door, flanked by fluted-quarter columns, on plinth inset panel base, the 12in arched silvered dial with moonphase in the arch 'High Water at Exmouth', the twin train movement with rack strike on a bell, (2 weights, 1 key and 1 pendulum).210cm high Condition Report The clock is in unrestored condition. The case has marks and knocks consistent with age. Some small veneer chips, underside right of dial and left side of plinth mainly. Movement is dirt and requires a service. The dial has some surface faults in the underlying brass, most probably original casting faults. These appear at 2:30, 4:30 and 9 o'clock. Also the two lower dial feet rivers show through. The case and movement may be associated.

A George III mahogany and brass line-inlaid Longcase clockBy Joshua Harrocks, Lancaster The case with swan-neck pediment above fluted uprights, above a trunk with arched door and quarter-fluted columns, on plinth base with canted angles, ogee bracket feet, the 13in arched brass dial with unusual cherub mask spandrels, signed in the arch with moonphase aperture, silvered chapter ring with Dutch influence arcaded outer minute ring, foliate engraved centre with seconds subsidiary, the twin train movement with anchor escapement and rack strike on a bell, (2 weights and 1 pendulum)249cm high overall Condition Report The clock is in overall good condition. The case appears to have been cleaned and some polishing done. The inlay is brass. There is some splitting to the plinth and the corner mouldings have parted at their joint. The clock had been running until fairly recently before consignment. The dial has some surface dirt to the silvered centre. The movement appears clean and in good order.

An mahogany longcase clock, circa 1830, with an 8-day movement and arched moonphase dial, 56cm wide x 206cm tall.

A large Edwardian mahogany three train quarter-chiming Longcase clockThe case carved all over with foliage, with an arched hood above glazed door and sides, on plinth base, the arched silvered and gilt 14in dial with moon phase, with Chime/Silent and 4 Bells/8 Bells selectors to the sides, with seconds subsidiary, the substantial three train movement with deadbeat escapement, maintaining power, quarter striking on eight tubular gongs and on the hour on a larger ninth tubular gong, with glazed mercurial pendulum and three substantial nickel-plated cylindrical weights, (3 weights, 9 tubes, 1 mercury pendulum and 1 key).252cm highA clock with very similar carved case was formerly in the Time Museum, Rockford, Illinois, USA and sold 'Masterpieces from The Time Museum, Part Two', Sotheby's New York, 19 June 2002, lot 175. Condition Report The clock is in good original condition. As stated in the description there are nine tubes, none of which are stamped. There are also the three weights. The case appears to be in good original condition. Some shrinkage cracking to the carved elements in the door. Some minor repairs to hood. Both frets are in good condition. The movement is substantial and has been running upto a couple of years ago we understand. It is clean and may just require a light service, oil etc?. One of the seatboard brass finger tightening screws needs re fixing. I cannot see any maker's stamp. Maximum height assembled is 255 cm.

LATE VICTORIAN LONGCASE CLOCK, with two train movement, the painted white dial with Roman numerals, the spandrels painted with figures of Britain, the hood with broken swan neck pediment, with waisted mahogany trunk above a block base, 223cm high

EARLY 19TH CENTURY MAHOGANY LONGCASE CLOCK, with two train movement, the painted white dial with Roman numerals, subsidiary seconds and calendar dials, the spandrels painted with allegorical figures, the lunette with the farmer's coat of arms, the hood with moulded arched pediment, above a waisted figured mahogany case, on a block base on bun feet, 220cm high

VICTORIAN MAHOGANY LONGCASE CLOCK, by Kier of Falkirk, with two train movement, the painted dial with Roman and Arabic numerals, subsidiary seconds and calendar dials, with pillared hood with broken swan neck pediment, above a pillared trunk and block base, 217cm high

19TH CENTURY REGULATOR LONGCASE CLOCK BY GAYDON OF BRENTFORD, large single weight driven movement with a deadbeat escapement, silvered dial, two dials for seconds and hours, outer minute track with corresponding minute hand, with arched hood above a glazed trunk revealing a pendulum with time compensating mercury bob, on a block base, 202cm high

EARLY 20TH CENTURY OAK LONGCASE CLOCK, the silvered dial with Arabic numerals, subsidiary barometer dial, oak dome top case with glazed trunk, on bracket feet, 190cm high

19TH CENTURY MAHOGANY LONGCASE CLOCK, by John Briggs of Gargrave, with two train movement, the painted white dial with Arabic numerals, subsidiary seconds and calendar dials, painted spandrels, the pillared hood with broken swan neck pediment, above a inlaid trunk and block base, 232cm high

EARLY 19TH CENTURY LONGCASE CLOCK, by James Low of Arbroath, with two train movement, the brass dial with Roman and Arabic numeral chapter ring, subsidiary seconds dial and calendar aperture, the pillared hood with moulded dentil broken pediment, above a blind fretted cornice, above a waisted oak trunk and block base, 217cm high

EARLY 19TH CENTURY WELSH OAK 8 DAY LONGCASE CLOCK marked 'Watkins, Abergavenny', having broken swan neck pediment above arched aperture flanked by plain turned columns, the waist with arch moulded door having inlaid shell motif on a panel base with bracket feet. Arch painted face with seconds dial and date aperture, Roman numerals and painted floral decoration. 16 x 12" dial approx. 8 day two train movement striking on one bell. (B.P. 21% + VAT) Overall in fair condition for age, case has quite a nice colour. The panel base has vertical splits to the boards. The face has some wear although legible. Includes pendulum and two weights.

18TH CENTURY 30 HOUR OAK LONGCASE CLOCK marked 'Wilks, Wolverton', having later broken arch pediment above moulded cornice, square aperture flanked by plain columns, moulded waist door on a panel base. Brass dial with pierced foliate escutcheons and Roman chapter ring, single finger. The face 10" square approx. (B.P. 21% + VAT) Finger is not original, pediment is an addition. Case in fair condition but lacks any feet. Some staining with age. Single weight and pendulum. Height - 225cm approx.

18TH CENTURY 8 DAY BRASS FACED SHROPSHIRE LONGCASE CLOCK marked 'Webster ,Salop', the case having moulded flat hood above square aperture, moulded ogee pointed arch door to the waist on a plain base with skirted bracket feet. Brass face with Roman and Arabic numerals, seconds dial, date aperture and foliate spandrels. Two train movement with baluster columns striking on one bell, the face 12" square approx. (B.P. 21% + VAT) Overall appearing in good condition with nice colour. The cornice likely a replacement, the face very bright probably re-polished. Skirted feet may be a replacement. Includes pendulum and two weights.

An oak triple weight longcase clock, 192cms h, a/f

An Artime walnut triple weight longcase clock, 202cms h

Brass mounted eight day longcase movement "Bennetts Penzance" with two lead weights.Condition report: The dimensions of the dial are 25.5 cm (10") square. The movement and clock face have similar oxidation and fits well, although no guarantee can be given that they are of the same period they appear correct. The pendulum is lacking. Extra images on David Lay website.

A George lll mahogany longcase clock, signed Charles Read, Helstone, with an arched brass dial, height 219cm, width 45.5cm.Condition report: The clock has two (non-matching) brass weights and a pendulum, no key.It has been entered for sale from a local deceased estate and is dusty and does not appear to have been working recently.The movement is eight day and strikes on a bell. The case is a good colour and generally free of major damage, the finials are probably replacements.

A Foley Intarsio pottery model of a longcase clock, designed by Frederick Rhead, colour decorated with an Art Nouveau lady blowing dandelions, inscribed "Prithee Whats O'Clock", printed marks and number 3116, height 32.5cm.Condition report: There is a small chip to the back left corner of the base. No evidence of any other damage or repair. Some general light crazing. The green glaze has 'missed' slightly to the edge of the foot. The movement is stamped 'Mercedes made in Germany' and although it ticks when wound we can offer no guarantee of its condition. It may be a replacement.

CHANNEL ISLANDS INTEREST. A MAHOGANY EIGHT DAY LONGCASE CLOCK, EDWARD CARREL ST. AUBINS JERSEY, THE PAINTED, BREAKARCHED DIAL WITH TWIN SUBSIDIARY DIALS, GILT SHELL SPANDRELS AND LUNAR WORK, CASE WITH SWAN NECK PEDIMENT AND BRASS FINIAL, MOULDED DOOR AND SLIGHTLY BOWED BASE, 214CM H, PENDULUM AND TWO IRON WEIGHTS The case of pleasing dry colour requiring some cosmetic restoration, in particular to base. Dial with wear evident from illustration, but unrestored, the three brass finials damaged

LATE GEORGE III MAHOGANY LONGCASE CLOCK, JAMES MCCABE, LONDON EARLY 19TH CENTURY the white enamel Roman numeral dial with two winding holes and signed James McCabe/ Royal Exchange/ LONDON; in a moulded arch case with brass finial and canted stop-fluted angles with brass insert, above an arched moulded door flanked by stop fluted angles with further brass inserts, on a moulded plinth base with a shaped apron and bracket forefeet; the eight-day twin train movement striking a bell(50cm wide, 232cm high, 26cm deep)

CABINETMAKER'S SAMPLE MINIATURE MAHOGANY LONGCASE CLOCK EARLY 19TH CENTURY the swan neck pediment above an arched 5 1/4 in. brass dial with Roman numeral chapter and basket engraving to the arch, flanked by bobbin moulded corners, above a shaped trunk door flanked by futher bobbin moulding, on a plinth base raised on bracket feet; the eight day twin train movement striking a bell(104cm high, 27cm wide, 14cm deep)

SCOTTISH MAHOGANY LONGCASE CLOCK, JOHN SMITH, PITTENWEEM EARLY 19TH CENTURY of neat size, the signed painted dial with Arabic chapter, subsidiary calendar and seconds dials and two winding holes, the arch painted with a bird and flowers, in a swan neck case with brass eagle finial above a crossbanded door flanked by quarter columns, on plinth base with bracket feet; the eight day twin train movement striking a bell(42cm wide, 209cm high, 22cm deep)

GEORGIAN OAK LONGCASE CLOCK, JOHN BOWN, PORTSEA 18TH CENTURY the signed brass dial with a silvered Roman numeral chapter, date aperture and subsidiary seconds dial, in a case with a dentil moulded cornice, above a shaped trunk door and plinth base; the eight-day twin train movement striking a bell(56cm wide, 190cm high, 29cm deep)

SWEDISH BIEDERMEIER SATIN BIRCH LONGCASE CLOCK, JOHAN LANGSTROM, SKELLEFTEA MID 19TH CENTURY the white enamel Arabic numeral dial with two winding holes and signed 'Joh. Langstrom/ Skelleftea 1834', in a tall architectural case with a glazed trunk door(45cm wide, 239cm high, 22cm deep)

SCOTTISH OAK LONGCASE CLOCK, J. & W. MITCHELL, GLASGOW 19TH CENTURY the circular Roman numeral enamel dial with two winding holes and a subsidiary seconds dial, in an straight oak case with moulded trunk door and conforming plinth base; the eight day twin-train movement striking a bell(48cm wide, 185cm high, 25cm deep)

GEORGE III BLACK LACQUERED LONGCASE CLOCK, ROBERT CLIDSDALE, EDINBURGH 18TH CENTURY the arch brass dial with a silvered chapter ring marked with Roman and Arabic numbers, with a matted centre with two winding holes, date aperture, subsidiary seconds dial, and Strike/Silent dial to the arch, the name plate signed 'Robt Clidsdale/ Edinburgh', in an arch moulded hood and corner columns, above an arch moulded trunk door with prints of George III and Queen Charlotte, on a plinth base decorated with Chinoiserie; the eight day twin train movement striking a bell(49cm wide, 222cm high, 23cm deep)

A late 20thC/early 21stC longcase clock, in mahogany case, the arched dial stamped Tempus Fugit Westminster Germany, the case with a glazed door and with three brass cased weights and a pendulum, 211cm high.

A late 20thC/early 21stC oak cased longcase clock, the brass arch dial stamped Comitti, with adjustments for three different chimes, the oak case with a glazed door, dial (AF), 186cm high.

A late 20thC/early 21stC oriental hardwood cased longcase clock, the arch dial with moon phase, and with silvered chaptering, stamped Made in Germany, case with a glazed door and three brass cased weights and a pendulum, 112cm high overall.

A mahogany grandmother longcase clock, the arched dial bearing label for Richard Broad of Bodmin, Cornwall, also supplied with a silver chapter ring below a moon phase, with a glazed door on bracket feet, 167cm high.

R Harris Paisley. An early 19thC mahogany case longcase clock, the arched dial painted with Scottish of Burns and Highland Mary, the spandrels decorated with Britannia dressed up emblematic of the British Isles, Scotland England Ireland and Wales, with an eight day four pillar movement in a figured mahogany case, with lead weights and a pendulum, 212cm high overall.

AN ANTIQUE OAK BRASS FACED 30 HOUR LONGCASE CLOCK BY PETER HUTTON - STAFFORD H-187 CM A/F * REDUCED IN HEIGHT *

A 19TH CENTURY OAK AND MAHOGANY EIGHT DAY LONGCASE CLOCK BY THOMAS KNIGHT OF STONE H-210 CM A/F *NO GLASS TO HOOD / NO WEIGHTS*

HOCHBEDEUTENDE HÖFISCHE BODENSTANDUHR MIT GLOCKENSPIELWERK. HOCHBEDEUTENDE HÖFISCHE BODENSTANDUHR MIT GLOCKENSPIELWERK. Kurpfalz. Datierung: Um 1745. Meister/Entwerfer: Das Werk von Jacob Möllinger aus Neustadt, der Kasten Hofebenist Ferdinand Zeller aus Mannheim zugeschrieben. Technik: Nussbaum und Zedernholz poliert, eingelegt und tlw. geschnitzt. Vergoldetes Zifferblatt mit versilbertem Ziffernkranz. Beschreibung: Dreiteiliges elegant geschwungenes Gehäuse mit seitlichen Lisenen und hohem geschwungenem Gesims. Die Lisenen mit Voluten verziert. In Feldern durch Bänder gerahmte Würfelparkettierung. Das Zifferblatt mit römischen Ziffern und arabischer Minuterie, zentrale Weckerscheibe, kleine Sekunde unterhalb der XII, seitlich je eine Einstellung für schlagt, schlagt nicht und spielt, spielt nicht. Im Bogenfeld Einstellung für zwölf Melodien. Achttagewerk mit Viertelstundenschlag auf Glocke. Das Spielwerk mit Walze und Schlag auf vierzehn Glocken mit insgesamt zwölf verschiedenen Melodien. Maße: 277x64x37cm. Marke: Das Uhrwerk bezeichnet Jacob Möllinger Neustadt. Provenienz: -Sammlung der Markgrafen und Grossherzöge von Baden. -Schloss Mannheim, Schloßinventar Mannheim Seite 256 O.No.6. -Sammlung Prof. Thomas Olbricht. Literatur: -Auktionskatalog Sotheby's. Die Sammlung der Markgrafen und Grossherzöge von Baden, Baden-Baden 5. bis 21. Oktober 1995, Lot 153. -Jürgen Abeler: Meister der Uhrmacherkunst, Wuppertal 2010. Meister siehe S. 389. Die hier angebotene Uhr stellt sicherlich den meisterlichen Höhepunkt im Oeuvre des kurpfälzischen Hofuhrmachers Jacob Möllinger dar. Das Gehäuse, das an Möbelentwürfe Mainzer Ebenisten erinnert, kann wohl mit großer Wahrscheinlichkeit dem Mannheimer Hofebenisten Ferdinand Zeller zugeschrieben werden. Bei dieser hochbedeutenden Bodenstanduhr handelt es sich sicherlich um eine Auftragsarbeit für den Kurfürsten Karl Theodor. Erläuterungen zum Katalog Kurpfalz Standuhren und Kaminuhren 18. Jahrhundert Bodenstanduhr Nussbaum HOCHBEDEUTENDE HÖFISCHE BODENSTANDUHR MIT GLOCKENSPIELWERK. HIGHLY IMPORTANT COURTLY LONGCASE CLOCK MADE OF NUTWOOD AND CEDARWOOD. Electoral Palatinate. Date: Around 1745. Maker/Designer: The clockwork by Jacob Möllinger from Neustadt, the case attributed to the courtly ebonist Ferdinand Zeller from Mannheim. Technique: Nutwood and cedarwood polished and laid-in and in parts with carvings. Gilt clock face with silver plated dial. Description: Elegantly curved case, segmented in three parts with lateral lesenes and high, curved cornice. The lesenes decorated with volutes. Fields of block parquetry framed by ribbons. The dial with Roman numbers and Arabic minute markers, central alarm clock dial, small second under the XII, lateral each a setting for strike, no strike and activating and not activating the chime. Over the dial settings for twelve different melodies. Eight-day movement with quarter hour strike on chime. The musical mechanism with cylinder and chime on fourteen bells, with a total of twelve different melodies. Measurement: 277x64x37cm. Mark: The clockwork inscribed 'Jacob Möllinger Neustadt'. Provenance: -Collection of the margraves and grand dukes of Baden. -Castle Mannheim, castle inventory Mannheim page 256 O.No.6. -Collection Prof. Thomas Olbricht. Literature: -Auction catalogue Sotheby's. Die Sammlung der Markgrafen und Grossherzöge von Baden, Baden-Baden 5th to 21st October 1995, Lot 153. -Jürgen Abeler: Meister der Uhrmacherkunst, Wuppertal 2010. Master see p. 389. The clock offered here certainly marks a highlight in the oevre of Jacob Möllinger, clockmaker at the palatine court. The case, which is reminiscent of furniture designs by Mainz ebonists, can with great probability be attributed to the Mannheim court ebonist Ferdinand Zeller. It is very likely that this extraordinary and important longcase clock was commissioned for the elector Karl Theodor. Explanations to the Catalogue Electoral Palatinate Clocks 18th century Longcase Clock Walnut

Oak longcase clock signed, cavetto cornice with three sphere finials, the hood with turned supports, long door, plinth base, 12" square painted dial with floral spandrels, Roman numerals, subsidiary date aperture, signed EDH Smith, Newark, thirty hour movement striking on a bell, 194cm.

Oak and mahogany longcase clock, swan neck pediment with eagle finials, the hood with turned supports, arched door, plinth base, 12" arched painted dial with Roman numerals, subsidiary seconds dial and date aperture, eight day movement, 209cm.

An oak longcase clock, moulded cornice, plain frieze, three-quarter turned engaged columns, long door, plinth base, twelve-inch square brass dial with cast seraphim spandrels, circular chapter-ring with Roman numerals, subsidiary seconds dial and date aperture, signed Thomas Wentworth, Sarum, eight-day movement striking on a bell, height 196cm.

Oak longcase clock, swan neck pediment and satinwood panels, ebony stringing, close wood cross-banding, hood with turned columns, long arched door, box base, bracket feet, 12 inch arched brass dial signed Latham, London, subsidiary seconds dial and date aperture, eight day movement striking on a bell, height 220cm.