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A Georgian style mahogany longcase clock with 10in. brass dial, silvered chapter ring and roman numerals, fitted eight day movement striking on six gongs, panel door to the trunk, raised on cut-away plinth base, 16in. x 76in. high.

A Georgian oak and mahogany banded longcase clock, with painted roman dial, subsidiary seconds and date dials, anchor escapement, the dial signed Samuel Thompson, painted scene to the arch depicting a country house in a rural setting, floral spandrels, the case with swan neck pediment, glazed door below flanked by turned pilasters, rectangular waist door on panel base. See illustration

A rare George III mahogany year-going longcase clock by John Walker, Newcastle with decorative silvered brass roman dial, the centre inscribed "John Walker, Newcastle", with outer seconds, minutes and date dial for each month, phases of the moon to the arch, with painted ruined abbey and boating scene, the elaborate year-going movement striking on a single bell, brass-cased weights, long travel pendulum below, the arched hood surmounted by an eagle perched on a brass ball finial, flanked by gilt metal griffins and dentil cornice, the glazed panelled door flanked by corinthian columns, a glazed panelled door below, cross banded panel under, raised on bracket feet, 21 1/2in. x 112in. high. NB: John Walker worked in the Close until 1795 and then in the head of the Long Stairs. He made a new clock for the cathedral in 1761. Several clocks by him are recorded, some with unusual features. The dial was probably engraved in the Beilby/Bewick workshop in Newcastle. This clock has not been in use for many years and any potential purchaser must fully satisfy themselves, whether or not the clock is in working condition Some postwar clockmakers notes indicate the following, This important clock possesses a number of unusual features. It has two sets of numerals, so that the hour hand goes round once in 24 hours, with noon at the top and midnight at the bottom. The minute hand goes round once in two hours. There is no seconds hand. The clock strikes 1-12 twice per day. There is an extra hand, fitted behind the hour and minute hands: this rotates rotates once per year, giving every day and month ( though the hand must be advanced manually in leap years ) An additional band of engraving with a succession of numbers and legends:-'Clock faster' or 'Clock slower' refer to the 'Equation of time', or the difference through the year between mean time, shown by an accurate clock, and Solar time, as shown by a sundial and then add or subtract the number of minutes shown for the date. This would be the only recourse if the clock stopped, in the days before railways and radios. In the arch at the top is the phase of the moon disc, which gives a lunar month of 29 1/2 days, accurate enough for most purposes. There are two steel hands: the longer one indicates the age of the moon from the new in days. The shorter hands point to the ring of roman numerals which show the hands of high tide. This clock would probably show tides at the Quayside in Newcastle. There are two large brass cased driving weights which weigh approximately 30kg each. They are hung on strong steel cables, and are wound up once a year. The heavy pendulum, which swings behind the weights, is interesting in that it swings in 1 1/4 seconds rather than in 1 second as usually found in longcase clocks. It is about 1.55metres long, with a lead and brass bob, with a wooden shaft, which is less sensitive to temperature changes than one made of iron. The previous owners did not have the clock working See illustration

A George III mahogany longcase clock with white painted arabic dial, subsidiary seconds and date dial, inscribed "Thomas Warden, Newcastle", with painted flowers to the corners and a country scene with a figure on horseback, sheep and cows to the arch, fitted eight day anchor movement, the fine and ornate case surmounted by a scrolling swan neck pediment, decorated with pierced trellis pattern brackets, brass patarae, central eagle finial, the case below with inlaid shell and fan motifs with an ornate specimen parquetry banding, the hood flanked by brass-mounted corinthian pilasters, with a panelled door the the canted trunk, raised on ogee bracket feet, 23in. x 95in. high. See illustration

An 18th Century style longcase clock with brass roman dial and silvered chapter ring, inscribed "Samuel Robson, North Shields", fitted with an eight day striking movement, the walnut veneered case decorated with feather banding, spiral twist pilaster, raised on a plinth base, 15 1/2in. x 80 1/2in. high. See illustration

A George III walnut longcase clock with silvered roman dial, subsidiary seconds dial with date aperture, phases of the moon to the arch, decorated with engraved scrolls and gilt metal spandrels, the arched hood surmounted by pierced pediment, flanked by brass-mounted pilasters, fielded panelled door below, raised on splay bracket feet, 18in. x 93in. high. See illustration

A carved oak longcase clock, the brass roman dial with outer seconds, signed W. Reynolds, Kirkbride, brass spandrels, anchor escapement, the case with leaf carved frieze, the glazed door flanked by turned pilasters, carved floral waist door, fluted quadrants, on carved panel base with bracket feet, 18in. x 78in. high.

A Victorian mahogany longcase clock with painted roman dial, subsidiary seconds and date dial, painted with an interior scene to arch and figural spandrels, the case with swan neck pediment and finial above the glazed door flanked by turned columns, arched waist door flanked by split pilasters and panel base, 86in. high. See illustration

A George III style oak longcase clock, the cornice with Greek key and blind fret moulding above brass capped fluted columns, the square brass dial with silvered chapter and date aperture, on a trunk with arched door and plinth base with bracket feet, 214cm high

A George III mahogany eight day longcase clock, the swan-neck pediment with projected moulded cornice over arched face with roman numerals, subsidiary second dial, painted with battle scenes and soldiers, over a cross banded trunk plinth base with bracket feet, 230cm high

A George III mahogany eight day longcase clock, indistinctly signed J. Keelle burgh ?, the swan neck pediment with finials over closed fretwork, arched painted white dial, arabic numerals, subsidiary date and second dials, surrounded by floral painted spandrels, flanked by fluted columns , above a boxwood strung arched trunk door flanked by fluted quarter columns raised on plinth base, 223cm high

A late 18th century mahogany longcase clock, By J. Common, Coldstream, with twin train movement, the brass square dial with Roman numerals, with subsidiary seconds dial and date aperture, cast spandrels, the hood with projected moulded cornice, greek key frieze over glazed door flanked by fluted columns, the case with moulded trunk door with circular window, the box base raised on bracket feet, 201cm high

A Regency mahogany longcase clock, By W.M. Dobbie, the painted 12 inch arch dial with a subsidiary second and date dial and pierced gilt hands, the corners painted with the four seasons and the arch with a scene entitled, 'Lady of the Lake Canto 6th', the twin train eight movement striking on a bell, the hood with a swan-neck pediment and brass ball finials, the case inlaid with ebonised and boxwood stringing and with a flame veneered trunk door (base section reconstructed), 227cm high

A Georgian mahogany longcase clock, the painted 12 1/2" arched dial with cockerel motif, minute and calendar dials, on bracket feet 86" high

A Late 18th Century Eight Day Oak Longcase Clock. The 13½ ins (34 cms) round brass face having an engraved centre housing a painted penny moon roller aperture, seconds subsidiary dial and inscribed Jos Johnson Dudley. The chapter ring with Roman numerals counting the hours, an outer ring of Arabics counting the minutes and an inner calendar ring with pointer. The hood having a round glazed door flanked by columns. The case with a shaped top trunk door above the base with a shaped apron forming the feet. 80¾ ins (204 cms) in height. 21¼ ins x 11 ins (54 cms x 28 cms).

A Rare 18th Century Oak Longcase Clock inscribed Edw. Hon. Bishops Lydeard, and having an unusual musical movement striking seven bells. The brass chapter ring with matted centre housing a subsidiary seconds dial and calendar aperture, with three holes and bordered by pierced cast brass spandrels. The oak hood with ovolu moulded cornice above a glazed door flanked by columns with gilt capitals. The case having a good colour & patination and a long trunk door above a base with moulded edge. 75 ins (190 cms) in height, 21 ins (53 cms) wide, 11 ins (28 cms) deep.

An 18th Century Thirty Hour Longcase Clock. The brass 9½ inch (24 cm) square dial having an engraved chapter ring signed Tho. Pinfold, Banbury (Circa 1760) encircling a granulated centre chased with foliate scrolls. The corners adorned with scrolling gilt spandrels. The case having a hood with ovolu moulded cornice above a glazed door flanked by columns and a long truck door with arch top. 76½ ins (194 cms) in height. 20½ ins x 12 ins 52 cms x 30 cms).

A Rare Charles II Longcase Clock. The 10 inch (25.5 cm) square brass dial signed Tho Power-de-Wellinborow Hoc=Fabricauit and engraved with a rose & flowers to the centre encircled by a silvered chapter ring with foliate engraved spandrels. The thirty hour movement striking a bell, with verge escapement & bob pendulum housed in a restored black painted pine Palladian style case. The apexed hood with applied gilt brass wreath and a glazed door flanked by barley twist columns. Raised on bun feet 75 ins (191 cms) high. 15½ ins x 8½ ins (39.5 cms x 21.5 cms).

A Georgian Oak 'Rocking-Ship' Longcase Clock with eight day movement. The 13 inch (33 cm) painted dial with chapter ring encircling subsidiary seconds dial & calendar aperture. The arch top depicting a coastal scene with castle and housing a rocking-ship. The hood having a swan neck pediment with rosette terminals flanking a brass urn finial. The arched & glazed door inlaid with ornamental stringing and fronted by two slender fluted pillars. The cavetto moulded cornice above a cross-banded trunk door with shaped top inlaid with chequer stringing and an ebony & boxwood compass star, flanked by recessed fluted quarter columns. The moulded base having corresponding inlay and terminating on low bracket feet. 89 ins (226 cms) in height, 16½ ins (42 cms) wide, 9 ins (23 cms) deep.

An 18th Century Elm Longcase Thirty Hour Clock. The 11 inch (28 cm) square brass dial having an engraved centre inscribed Tho' Perkins, Evesham, with a calendar aperture and gilt brass spandrels. The hood having a cavetto moulded cornice above a reeded frieze; the glazed door flanked by columns above the long trunk door inlaid with a star motif. 78 ins (198 cms) in height. 18½ x 10¾ (47 ins x 27.5 cms)

A miniature longcase alarm clock in a brass and copper case, 35 cm high.

Large quantity of English, Scottish and Continental circular longcase clock and other dials

Six longcase clock pendulums, various longcase clock and other pendulum bobs, five seatboards etc

Quantity of longcase clock brass and wooden finials; also a large quantity of longcase and other clock winders

13" arched eight day longcase clock dial painted with figures in medieval scenes; also an Edwardian chapter ring and three barometer dials and glasses etc

Box of clock parts and fittings including spandrels, large quantity of longcase and mantel clock keys, finials, weights etc

Quantity of old longcase clock hands

Quantity of longcase clock spandrels and fittings; also a quantity of various pendulums

Tom Robinson - The Longcase Clock, published 1981, signed edition; also Andrew Nicholls - English Bracket & Mantel Clocks and E.J. Tyler - American Clocks for the Collector (3)

Tom Robinson - The Longcase Clock, revised 1985 edition; also Derek Roberts - British Skeleton Clocks, 1987 edition and Brian Loomes - Lancashire Clocks & Clockmakers, 1975 edition (3)

Miniature oak and brass longcase clock, the 3.5" cream dial with gilded centre, the case with four Corinthian columns surmounted by a broken arch pediment, 17.5" high

Thirty hour longcase clock movement, the 12.25" square dial signed William Barron, Ross, with subsidiary calendar aperture

Thirty hour longcase clock movement, the 12" square dial signed Jonathan Pitman, Birmingham, with subsidiary calendar aperture and painted with a Masonic shield under an eye

Thirty hour longcase clock birdcage movement, the 10" square brass gilded dial signed Stephen Wilmshurst, Basingstoke to the floral engraved centre

Eight day longcase clock movement, the 12" brass arched dial signed Joshua Winnock, London, the matted centre with ringed winding holes and engraved with a classical urn on a boss to the arch, with associated oak hood and bracket

Thirty hour longcase clock movement with outside countwheel, the 10" square brass dial with silver floral engraved centre signed Joseph Harley, Wingrave

Eight day longcase clock movement, the 12" silvered arched dial signed Edward Hopkins, Bradford, with subsidiary seconds and calendar dials and strike/silent dial to the arch

Eight day longcase clock movement, the 12" painted square dial with moon phase to the arch, subsidiary seconds dial and calendar aperture

Thirty hour longcase clock movement, the 11" square brass dial signed Barton & Sealy, Tetbury, with subsidiary seconds dial and calendar aperture

Eight day longcase clock movement, the 10" square brass dial signed Oba Body, Battell on the silvered chapter ring

Five various painted eight day and thirty hour longcase clock dials

Good mahogany month duration longcase clock with six pillar movement, the 13" brass arched dial with subsidiary seconds dial, calendar aperture and penny moon to the arch, the flamed mahogany case with long crossbanded shaped door flanked by quarter fluted pilasters, surmounted by an ornate inlaid dentil swan neck pediment, 91" high (with a pair of month going weights)

Oak eight day longcase clock, the 12" painted square dial signed Jonathan Spiller, Wellington, with subsidiary seconds dial and calendar aperture, the case with long door surmounted by a stepped pediment over a blind fret foliate panel, 77" high

Oak thirty hour longcase clock, 11" painted arched dial signed I N. Evans, Newville with subsidiary calendar dial, the case with long door flanked by cabled pilasters and surmounted by a swan neck pediment, 83" high

Oak and mahogany thirty hour longcase clock, the 13" white circular dial within a crossbanded case with wavy arched door surmounted by a broken arch swan neck pediment and ball and spike finial, 81.5" high

Mahogany eight day longcase clock, the 14" painted arched dial signed George Harvey, Stirling, with subsidiary seconds and calendar dials, the case with long door inlaid with ebony lines and surmounted by a swan neck pediment (a.f), 88" high

Mahogany eight day longcase clock, the 13" painted arched dial indistinctly signed, with subsidiary seconds dial and calendar aperture, the Bristol style case with short door flanked by cabled columns and inlaid with boxwood lines, surmounted by an arched wavy cornice, 84" high

Walnut eight day longcase clock, the 12" brass arched dial signed Josiah Smith, Bristol on a plate to the matted centre with subsidiary seconds dial and calendar aperture, the arch with moving Father Time, the shortened case with arched door inlaid with chequered lines and surmounted by an arched top with pagoda cornice, 86" high

Oak three train longcase clock, the 12" brass arched dial inscribed "Time Flies Mind Your Business", on a silvered boss to the arch, over a matted centre with subsidiary seconds dial and silvered chapter ring with silent/strike and chime/silent levers, the case with long bevelled glazed door and surmounted by a moulded arched pediment, 82" high

Dutch marquetry eight day longcase clock, the 12" square brass dial signed Barent Walis, Amsterdam on the silvered chapter ring, the matted centre with subsidiary seconds dial, the case with long door fitted with an oval lenticle, inlaid overall with winged cherubs, birds, butterflies and urns amidst trailing flowering foliage, surmounted by a caddy top over blind foliate fret carved panels with two brass ball and spike finials, 92" high

Mahogany eight day longcase clock, the 12" arched dial signed John Moore, Warminster on an arch over the moon phase, the matted centre with subsidiary seconds dial and calendar aperture, the case with long door and surmounted by a swan neck pediment, 85" high

Oak month duration longcase clock with five pillar movement, the 11" square brass dial with subsidiary seconds dial and calendar aperture, the case with long door flanked by fluted canted corners and surmounted by a stepped pediment, 85" high, (with a pair of month going weights)

Mahogany and oak eight day longcase clock, the 14" arched painted dial signed W. Alexander, Hexman on the raised dial, with subsidiary seconds, calendar dials and a hunting scene painted to the arch, the case with short panelled door flanked by turned columns and surmounted by a swan neck pediment, 86" high

Good mahogany eight day longcase clock, the 14" painted arched dial signed John Mills, Ottery St. Mary, with automata rocking ship to the arch over subsidiary seconds and calendar dials, the case with short door flanked by ormolu mounted quarter gabled columns, inlaid with chequered banding and boxwood lines, surmounted by a swan neck pediment, 88" high

Good green lacquer and chinoiserie decorated eight day longcase clock, with five pillar movement, the 12" brass arched dial signed Samuel Woodham, Richmond, Surrey on an engraved silvered boss to the arch over the matted centre with subsidiary seconds dial, calendar aperture and ringed winding holes, the case with long door fitted with a lenticle, decorated overall with figures, animals and trees in pagoda garden landscapes, surmounted by a caddy top over pierced foliate panels and two ball finials, with two brass cased weights, 100" high

Interesting early small thirty hour longcase clock, the 10" square brass dial signed John London in Bristol, the centre engraved with a Tudor rose amidst scrolling foliage, with single hour hand and good cherub spandrels, the case with long panelled door fitted with an oval lenticle and surmounted by a stepped cornice over a pierced floral fretwork panel and barley twist columns, 72.5" high

Oak and mahogany crossbanded eight day longcase clock, the 12" painted arched dial with subsidiary seconds dial, calendar aperture and painted with masted sailing ships in full sail to the arch, the case with short crossbanded door flanked by quarter fluted ormolu mounted pillars and surmounted by a chevron inlaid swan neck pediment with brass ball finial, 86" high

Mid-19th century cross banded mahogany longcase clock, painted enamelled dial, inscribed Comolli & Son. Moonphase 8-day striking movement, arched door and plinth base

An unusual 'Vedette' Longcase Clock with square dial, eight day double brass cased weight driven movement, bevelled glass hood door, on four boldly spiral carved supports with platform base, 7 ft 2 in

A Chinoiserie Longcase Clock having painted arched dial inscribed Yates, Wandsworth with eight day strike silent movement, 8 ft 2 in H approx