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Mahogany musical longcase clock circa 1920, the 10" arched brass dial with strike/silent and Whittington/Westminster levers, subsidiary seconds dial to the matted centre and chime/silent subsidiary dial to the arch, the movement chiming the quarters on eight tubular bells, the case with oval bevelled glazed long door and surmounted by a moulded arched cornice, 78" high
Mahogany eight day longcase clock, the 14" arched dial with subsidiary seconds dial and calendar aperture painted with cornucopia spandrels and a Duke of Wellington astride Copenhagen automata with moving arm (arm missing), the chevron and boxwood line inlaid case with short pointed arched door and surmounted by a swan neck pediment, 79" high (cut down)
Oak and mahogany eight day longcase clock, the 14" arched dial signed J. Spittall, Whitehaven, with subsidiary seconds dial and calendar aperture, painted with rural Churches to the spandrels and a pastoral scene to the arch, within a Yorkshire style case with short door flanked by turned baluster columns and surmounted by a swan neck pediment, 88" high
Mahogany eight day longcase clock, the 14" arched dial signed Frederic Denton, Rotherham, painted with women representing the four seasons to the spandrels and a hunting scene to the arch, within a pillared panelled case with short door, surmounted by a swan neck pediment, 92" high (in need of restoration)
18th century oak thirty hour longcase clock, the brass posted movement with outside countwheel striking on a bell, 10" square brass dial signed Richard Stedman, Godalming, with silver chapter ring and matted centre engraved with lovebirds, the case with swan neck pediment over a single long door, 81" high
Green lacquer eight day longcase clock, the 12" arched brass dial signed Robt Ward, London, with silvered chapter ring and matted centre with subsidiary seconds dial over the date aperture with strike/silent dial to the arch, five pillar movement striking on a bell, the pagoda top case with gilt chinoiserie decoration and long arched door with lenticle glass, 104" high approx including finials
Elm thirty hour longcase clock, the 10" square brass dial with silvered chapter ring signed Samuel Jemmett, Midhurst, with matted centre and calendar aperture, birdcage movement with outside countwheel, the case with long door fitted with a lenticle and surmounted by a stepped cornice, 79" high
Mahogany eight day longcase clock, the 13" brass arched dial signed N. Fearnley, Wigan, with subsidiary seconds dial and calendar aperture to the matted centre, the engraved arch with rolling moon, the case with long door and canted corners surmounted by a broken arched moulded dentil cornice over ormolu mounted Corinthian columns, 87" high
Fine mahogany longcase regulator, the 12" silvered dial signed Brockbanks, London, with four subsidiary dials, the substantial six pillar movement with deadbeat escapement and maintaining power, with wooden and brass cased disc pendulum, within a figured mahogany case with gabled door and hood, 79" high *This clock is illustrated in Precision Pendulum Clocks, The Quest for Accurate Timekeeping by Derek Roberts*
A George III oak longcase clock, the brass dial signed on a silvered disc to the matted centre Jon. Lawrence Lancaster and having date sector and silvered chapter ring with thirty hour movement, in crossbanded case with flared pediment and turned pillars, 204cm h ++The movement and case early 19th c, the dial associated and originally with an eight day movement. The mechanism very dusty, the case also dusty but otherwise good condition
Early Victorian Longcase Clock, the painted arched dial inscribed "Geo Grant - Southampton", with secondary seconds dial and date aperture, the spandrels decorated with convolvulus, the arch with leafy scrolls, eight-day movement, chiming on a bell, contained within a mahogany case, with arched hood, fluted column pilasters, above an arched door with boxwood and ebony beading, shaped apron and bracket feet, 221cms, (7'3").
George III and later Longcase Clock, the silvered arched dial inscribed, "John Skinner - Exeter", with secondary seconds dial, date aperture, strike silent dial, the spandrels engraved with putto, eight-day movement, contained within a mahogany case, with arched hood with turned column pilasters, arched door with beaded outline and on plain base, 234cms, (7'8").
19th Century and later Longcase Clock, with painted arched dial, inscribed, "John Cartwright - Oldbury", secondary seconds dial and date aperture, the spandrels decorated with wild animals and with rolling moon phase in the arch, eight-day movement, contained within an oak and mahogany crossbanded case with swan-neck pediment, turned column pilasters, arched door with lozenge inlay and with quarter column pilasters, on bracket feet, 234cms, (7'8").
An eight day longcase clock, oak, the 11" square brass dial with chapter ring of Roman numerals, the 19th century movement striking on a single bell, the oak case made in the 18th century style, circa 1990s, the hood with architectural pediment carved with a 'W' to the frieze, over a short trunk door, box base on shaped bracket feet, 210cm high. Provenance: Case made by Robert Wearing.
An early 19th Century longcase clock, by J Wright of Patrington, the eight day movement with arched dial painted with conch shells, pink roses to the spandrels and with date and seconds, in oak, mahogany and inlaid case with later finials on arched hood, the trunk with canted corners, on panelled base, 87" high
A George III Mahogany Longcase Clock, the arched hood with swan neck pediment above a shaped door with finial, raised upon ogee bracket feet, the painted dial inscribed 'Thomas Wignall, Pendleton', with automaton moonphase movement with Arabic and Roman numerals and with two train eight-day movement striking on a bell See illustration
A LONGCASE CLOCK by Thomas Hargreaves, Settle, the eight day movement with anchor escapement, 13 1/4" dial painted with fruit and flowers, Roman and Arabic numerals and calendar aperture, in oak and mahogany case with scrolled pediment on turned columns, arched door flanked by quarter columns, panel base and bracket feet, 91 1/2" high
A LONGCASE CLOCK by David Dickinson, Skipton, the eight day movement with anchor escapement striking on a bell, 14" arched dial painted with flowers and birds on a gilded ground, two secondary dials, in mahogany and crossbanded case, scrolled pediment on baluster turned columns, arched door flanked by wrythen pilasters, panel base with waved apron, on turned feet, 94 1/2" high
A LONGCASE CLOCK by John Richardson Howden, the eight day movement with anchor escapement and rack striking on a bell, arched dial painted with a shepherdess and birds, Roman numerals, secondary dial and calendar aperture, in oak and mahogany case with rosewood banding, inset satin birch panels and stringing, scrolled pediment on ring turned baluster columns, canted trunk with Gothic arched door, similar panelled base, on bracket feet, 87" high
A late Victorian rosewood miniature longcase clock, with thermometer and aneroid barometer, the clock with a lever escapement and an enamel dial, inscribed 'THOS. SLY, SALISBURY,' above silvered thermometer dial and enamel barometer, the case with stringing and inlaid fan spandrels, 19in (48cm) h.

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44426 item(s)/page