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A GEORGE III OAK LONGCASE CLOCK, the case with arched door flanked by quarter split columns and an arched hood with brass ball and eagle finial, the brass arched dial with Roman and Arabic numerals to the chapter ring, date aperture, subsidiary seconds dial and strike/silent to the arch, 86"

A GEORGE III OAK LONGCASE CLOCK, the brass dial signed "George Steevens, Hindon", the chapter ring with Roman numerals and Arabic minutes, with pierced and cast spandrels, the 30 hour birdcage type movement striking on a bell, the arched top hood with turned columns, the trunk with rectangular door, 75" high.

AN 18TH CENTURY DUTCH WALNUT LONGCASE CLOCK by Paulus Bramer of Amsterdam, the silvered dial with Roman numerals and Arabic minutes with central moonphase, date aperture, seconds dial, alarm dial, figural month indicator and day indicator, the dial above a painted scene of women and children on a balcony, the arch top hood surmounted by three gilt and painted figures, the dial flanked by turned columns, the trunk with shaped door with pendulum window with gilt metal mount, on shaped base with scrolling canted feet, 110" high.

George III mahogany longcase clock, hood with swan neck pediment, turned columns flanking the glazed door enclosing arched 35cm painted enamelled dial with subsiduary seconds dial and date arch, marked William Ellis, Wrexham, trunk with crossbanded door flanked by reeded quarter columns, 228cm high.

A mahogany cased longcase clock, the painted dial with Roman numerals, subsidiary seconds and date dials, signed indistinctly ***** of Groombridge, the movement striking on a bell.

An 18th Century Longcase Clock with square brass dial having silvered chapter ring inscribed Geo Eayre, Kettering, 8-day movement in oak case having mahogany cross-banding and later floral carving, the hood with fluted columns

A late 18th Century mahogany longcase clock by Robert Herbert of South Shields, the 13ins arched brass dial showing the phases of the moon to the arch, the wide chapter ring with Roman and Arabic numerals, the dial centre engraved with scroll work and sweep calendar dial to the eight day two train movement striking on a bell, contained in 19th Century figured mahogany case with narrow moulded cornice and turned pillars to hood, small trunk door with turned bead moulding, and astragal panelled plinth on bun feet, 83.5ins high

A late 18th Century mahogany longcase clock by George Clapham of Brigg, the 12ins arched painted dial with rose to arch within gilt scrolled spandrels, with subsidiary seconds dial and date aperture to the eight day two train movement striking on a bell, contained in figured mahogany case with moulded scroll pediment, turned and reeded columns to hood with gilt brass Corinthian capitols, shaped trunk door inlaid with oval figured centre panel, on bracket feet, 83ins high

A William and Mary walnut and marquetry longcase clock

An early Victorian mahogany longcase clock

A George III oak longcase clock, IJoseph Kirk, NottinghamP

A Scottish Regency mahogany longcase clock, John Barron, Aberdeen

A George III mahogany longcase clock, John Dickman Leith

A George III oak longcase clock, John Cook, Whitchurch

A VICTORIAN EIGHT DAY LONGCASE CLOCK, having painted arched dial depicting Pembroke Castle and other Pembrokeshire landmarks, in later mahogany case. 85" High.

AN 18TH CENTURY 30 HOUR OAK LONGCASE CLOCK, having flat hood with dentil moulded cornice, square aperture rectangular waist door with quarter pilasters on box base with bracket feet. 12" brass and silvered dial with date aperture by Tylor of Williams Haven, 30HR movement striking on one bell.

AN 18TH CENTURY OAK 30 HOUR LONGCASE CLOCK, by Thos. Rosewell of Fisherton, having moulded cornice above square aperture, with turned pilasters plain waist with rectangular door on box base with platform support. 11" engraved brass dial with date aperture and pierced spandrels, 30hr movement striking on one bell. 79" High.

An oak and mahogany eight day striking longcase clock with a 12" dial, having second hand and calendar, the swan neck pediment hood having octagonal columns over a shaped trunk door and canted sides 76" tall

An oak and mahogany thirty hour longcase clock with swan neck pediment above a 13" painted arch dial height 83"

A CARVED OAK LONGCASE CLOCK with arched silvered and brass dial by John R Trotter, with seconds and date dials, the case with later carved decoration having broken scroll pediment and arched trunk door, 87" high, dial 11"

AN ANTIQUE OAK LONGCASE CLOCK by Ralph Weston with arched brass dial, 8 day movement in a carved case with broken scroll pediment, 82" high

A LONGCASE CLOCK by Robertson, Montrose, the eight day movement with arched dial painted with allegorical female figures, secondary dial, the arch painted with an interior scene with figures, in mahogany case with rosewood inlay and crossbanding, turned finial on scrolled pediment, Corinthian columns with gilt metal mounts, arched door, panel base and bracket feet, 89" high

A LONGCASE CLOCK by B Barton, Oldham, the eight day movement with square brass dial chased with foliage, in oak case with caddy top on turned columns, arched door flanked by turned quarter columns, on panel base, 82" high

A LONGCASE CLOCK by J Helliwell, Leeds, the eight day movement with arched dial painted with floral spandrels, the moonphase with seascape and landscape, secondary dial, in oak and mahogany case crossbanded with stringing, scrolled pediment with brass finial on baluster turned columns, arched door with marquetry patera flanked by quarter columns, panel base, on plinth, 91 1/2"

A LONGCASE CLOCK by Samuel Lomas, Poulton, the thirty hour movement with square dial painted with flowers, calendar aperture, in mahogany and banded case with parquetry stringing, moulded and dentil cornice on turned columns, arched door flanked by quarter columns, canted panel base and ogee bracket feet, 81 1/2" high

A LONGCASE CLOCK by Joshua Horrocks, Lancaster, the thirty hour movement with square brass dial chased with foliage, calendar aperture, in oak and mahogany crossbanded case, moulded and dentil cornice on turned columns, arched door flanked by quarter columns, panel base and bracket feet, 81" high

A LONGCASE CLOCK by John Peatt, Crief, the eight day movement with arched silvered dial chased with foliage, secondary dials, in mahogany and string inlaid case with parquetry banding, scrolled pediment with finial on square columns, canted trunk with panel door, panel base and bracket feet, 83 1/2" high

A LONGCASE CLOCK, the eight day movement with square brass dial signed Sinclair Harding, Cheltenham, in oak case by Robert "Mouseman" Thompson, moulded cornice on flower carved fluted pilasters, glazed door, panelled base with moulded plinth, carved in relief with mouse trademark, 76 1/4" high

A LONGCASE CLOCK by J Lawson, Keighley, with thirty hour movement, the square brass dial with chased scrolling foliate centre having calendar dial and half penny moonphase, in oak and mahogany crossbanded case, the moulded cornice with waved surmount and turned finials, frieze with verre eglomise panel on fluted columns, arched door with inlaid star flanked by fluted quarter columns, panel base and bracket feet, 88 1/2" high

A George V silver miniature longcase clock in a Morocco leather covered surround with a nickel plated Swiss pocket watch, the white dial marked 'Surprise'. Birmingham 1917. 5ins high.

An early 19th century mahogany and oak case 8 day longcase clock, the painted arched dial signed Beha, Norwich, 7ft

A 19th century longcase clock movement, and painted arched dial

A George III oak 30 hour longcase clock, the 11 inch square brass dial, with silvered chapter ring and date aperture, signed William Kemp, Lewes, 6ft 1ins

A George III oak eight-day longcase clock, mahogany fluted pilasters and bandings, broken arch, painted enamel dial with subsidiary seconds dial, broken arch hood, 225cm

A late 18th century oak eight day longcase clock, square hood with later turned columns enclosing engraved brass dial, by I Burrough, Prompton, 201cm

A George III oak 30 hour longcase clock, crossbanded in mahogany, circular brass dial with black Roman numerals and Arabic five minute divisions, inscribed 'Boot of Sutton', dial 34cm diameter, 225cm high overall

An early 19th century oak 8 day longcase clock by Ross of Hull, the hood crossbanded in mahogany, fluted pilasters, pagoda pediment, painted enamel dial with subsidiary date and seconds dial, 214cm

An 18th century eight day oak longcase clock, with later Victorian carving, square brass dial with date aperture, by J. Kirk, Nottingham, 220cm

A Marquetry Longcase Clock (A/F) The 11 inch (28 cms) brass dial having a silvered chapter ring signed Edw. Stanton London with winged cherub head spandrels to the corners and ring turned winding holes to the matted centre. The hood having a flat moulded top above a pierced brass frieze of scrolling foliage enhanced with engraving, and integral barleytwist columns flanking the dial. The long trunk door and base panel intricately marquetried with birds perched amongst flowering foliage cascading from urns enhanced with penwork and contrasted against a dark background, with round edge moulding to the door and oval lenticle, 82½ ins (210 cms) in height.

A Mahogany Longcase Grand-daughter Clock, 58½ ins (149 cms) in height. The 6½ inch (16.5 cm) brass dial having a painted rocking boat in the arch above a silvered chapter ring encompassing an engraved centre of scrolling foliage and mounted with decorative face mask spandrels to the corners. The hood's moulded swan-neck pediment carved with rose blooms to the terminals and having turned finials either side above scrolling blind fret-carving with fluted side columns flanking the dial. The trunk having a band of blind fretwork above a long narrow lipmoulded door with shaped top, flanked by recessed fluted quarter columns above carved brick-work corner detailing, leading down to the moulded base with canted corners and ogee bracket feet.

An antique carved oak longcase clock having square brass and silvered 31cm dial with seconds and calendar, 8 day by Joseph Quarman, Temple Cloud, in floral carved case, 200cms.

An antique mahogany longcase clock having arched brass 31cm dial with seconds and calander, 8 day by Weston Lewes, 209cms.

18th Century oak longcase clock having an arch shaped dial with signed silvered roundel signed Jno. Buffett, Colchester - eagle and urn spandrels, matted centre dial engraved with birds and foliage with engraved seconds dial and calendar aperture - eight day striking movement, 220cm high

19th Century mahogany longcase clock, the hood with moulded arch shaped pediment and canted corners, the trunk with arch shaped door, standing on bracket feet - the circular painted dial with seconds indicator and signed J & MB Warry, Bristol - eight day striking movement, 209cm high

Edwardian mahogany longcase clock, the hood with paterae decorated swan neck pediment and reeded pillars, the trunk with oval bevelled glass panel door, the arch shaped dial with two silvered subsidiary dials for chime/silent and Whittington/Westminster, mask head spandrels to the silvered dial, gilt Arabic numerals and silvered seconds dial - eight dial striking and chiming movement on nine tubes, 232cm high

AN EARLY 19TH CENTURY THIRTY HOUR OAK LONGCASE CLOCK, signed Thos. Lister, the 12in. square brass dial with Roman chapter ring, the centre chased with foliage, calendar aperture and moon phases, striking on a bell, the case with swan neck pediment, the arched trunk door flanked by quarter round columns over a plinth fielded panel, 88in. (223.5cms) high

A 19TH CENTURY MAHOGANY EIGHT-DAY LONGCASE CLOCK, signed B. R. Hennessy, Swansea, the circular 13in. (33cms) white dial with Roman numerals and seconds dial, the movement with deadbeat escapement and striking on a bell; the hood with a bracketed pediment mounted with later urn finials, the dial flanked by writhen pilasters, the trunk with string inlay, plain door over a deep plinth on bracket feet, 83in. (211cms) high

AN EARLY 19TH CENTURY OAK AND MAHOGANY LONGCASE CLOCK, by Henry Burlington of Rippon, having a painted arched dial, 12in. (30.5cms), Arabic numerals, signed to centre, the spandrels painted with birds and their nests, the arch with a basket of flowers, calendar aperture, thirty hour movement striking on a bell, the case having a broken arch pediment, rounded pilasters to the hood, the trunk door inlaid with a Prince of Wales feathers and on bracket feet, 90in. (228.5cms) high

A GEORGE III MAHOGANY LONGCASE CLOCK having an arched painted dial with moon phase and seashell decoration and date aperture, indistinctly signed by Liverpool maker, the case with scroll arch pediment, gilt painted foliate decoration and wrythen column support, crossbanded panel door and canted corners, 85" high overall.

A QUEEN ANNE WALNUT LONGCASE CLOCK having an 11 1/2" square brass dial, with embossed spandrels and silvered chapter ring, second hand and date aperture, engraved decoration, signed John Free Oxon, the case with blind fretwork cornice, panel door with herringbone crossbanding and plain base with moulded edge, 87" high overall. John Free Oxford 1676-1726, apprentice to John Knibb from 1696-1705.

A black lacquer longcase clock, the eight-day two-train movement with anchor escapement and rack strike on a bell, the arched brass 12in dial with silvered chapter ring, Roman numerals, Arabic five-minute divisions, subsidiary seconds dial and date aperture, the arch with a round bell inscribed Robert Le Blond LONDON above an 'N/S' lever, the case japanned with Oriental figures and buildings, the hood with flat pediment and pierced fret frieze, 218cm high

An oak and mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack strike on a bell, the arched and painted dial with Roman numerals, subsidiary seconds dial and date aperture, inscribed WINKLE. OLDBURY, the North Country type case with two turned pilasters, the hood with swan neck pediment, 227cm high

An oak longcase clock, the thirty hour movement with anchor escapement and outside countwheel strike on a bell, the 11in. square dial with foliate spandrels, Roman numerals, Arabic five-minute divisions and inscribed John Cannings EASTON and engraved with a building in a landscape, with a plain case and hood with flat pediment, 192cm high

An oak longcase clock, the thirty hour movement with anchor escapement and outside countwheel strike on a bell, the 11in square brass dial with Roman numerals, Arabic five-minute divisions and inscribed John Glover BUNGAY, engraved with a village in a landscape, within foliate spandrels, plain case and hood with flat pediment, 186cm high

An oak longcase clock, the thirty hour movement with anchor escapement and outside countwheel strike on a bell, the square 10in brass dial with mask and foliate spandrels, Roman numerals and single hour hand, the chapter ring inscribed F. Redstall Overton, with plain case and flat pediment, 193cm high

A mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack strike on a bell, the brass 14 1/4in dial with automaton moonphase and with inscription James Butler Fecit Bolton, the silvered chapter ring with Roman numerals and Arabic five-minute divisions about a subsidiary seconds dial and date aperture, the case with flame mahogany panels, blind fret canted corners, reeded pilasters and a shaped door, the hood with broken pediment and two eagle and ball finials, 240cm high

An oak longcase clock, the eight-day two-train movement with anchor escapement and rack strike on a bell, the arched and painted dial with Roman numerals, Arabic five-minute divisions, subsidiary seconds dial and date aperture, the arch with a painted boating scene, bearing inscription Jn. Wreghit Patrington, the plain case with a shaped door with an inlaid shell rosette, the arched hood with moulded rosette device, 222cm high

A mahogany longcase clock of slender proportions, the eight-day two-train movement with anchor escapement and rack strike on a bell, the arched brass 9in dial with Roman numerals, Arabic five-minute divisions and inscribed HARLEY, LONDON, the arch with strike/silent dial, the flame mahogany case with fluted pilasters, the domed hood surmounted with three ball finials, 205cm high

An oak longcase clock, the eight-day two-train movement with anchor escapement and strike for a bell, the painted 13in dial with Roman numerals and Arabic five-minute divisions, subsidiary seconds dial and date aperture, inscribed T. Soloman Penzance, painted with floral spandrels and birds, the case with canted and reeded pilaster sections, the hood with a broken pediment, 213cm high

A painted pine longcase clock, the eight-day two-train movement with anchor escapement and rack strike on a bell, the arched and painted dial with Roman numerals and subsidiary seconds and date dials, the arch painted with a bridge over a river, the case painted to simulate mahogany, the hood with a swan-neck pediment and eagle and ball finials, 221cm high