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A George III mahogany longcase clock, with an arched hood, brass urn finials, engaged fluted Corinthian columns with gilt metal capitals and bases, arched door with ebony stringing, bracket feet, the arched painted dial signed Plowman, Chichester, with a moon phase to the lunette, subsidiary second dial and date aperture, painted coronets to the spandrels, day two chain movement, striking on a bell, 232cms (91½").

An oak longcase clock, the hood with a moulded cornice, long door with an arch, bracket feet, square painted dial signed T. Heighton, Kettering, with floral spandrels, thirty-hour movement striking on a bell, height 198cm, (78").

An oak longcase clock, moulded arched hood, arched door with narrow mahogany banding, plinth base, arched brass dial signed William Kemp Lews, with silvered chapter ring, subsidiary second dial and date aperture, strike silent dial to the lunette, cast urn and scrolled spandrels, eight-day movement, striking on a bell, height 204cm, (80½").

An oak longcase clock, squat hood, arcaded door, canted corners with stringing, plinth base, square brass dial, signed D. Shrelkeld, Newcastle, with subsidiary second dial, cast mask head and foliate spandrels, eight-day movement, striking on a bell, adapted, 188cms, (74").

An 18th century chinoiserie-lacquered longcase clock by William Clement, Feversham, No. 30, painted arch with rocking ship motion work, brass chapter ring and matted dial centre, front of case painted and gilded with Chinese domestic scenes against a black ground, three gilt finials, 7ft. 8in. extreme height SEE ILLUSTRATION

An early 20th century walnut longcase clock, with silvered dial and glazed trunk door, chiming movement, complete with three brass-cased weights and pendulum, 6ft. 9in.

A reproduction mahogany longcase clock, traditional arched brass dial and chiming movement, serpentine fronted case with architectural pediment and leaded glass trunk door, 6ft. 10in.

A 19thC 30 hour oak case longcase clock - a/f

An 18thC carved oak eight day longcase clock, the replacement movement by Robert Smith/George Feather

A 19th Century Oak Longcase Clock Case with hood, 1m 93cm high overall

3 Square Painted Longcase Clock Faces, P. Dobson, Carlisle, etc., no movements

A 19th Century 30-Hour Longcase Clock Striking Movement, also 2 weights and pendulum (no face and some loose pieces)

2 30-Hour Longcase Clock Movements (incomplete)

A 19th Century 30-Hour Longcase Clock having square painted dial with ship motif, calendar and Arabic numerals, in oak case, 84cm high (without gilt finials)

A PRINCIPALLY EARLY 19TH CENTURY OAK LONGCASE CLOCK having four pillar 8-day mechanism with anchor escapement faced by a 12" square painted dial, the case with hood with later moulding and pilasters, trunk with plain door, on box base, 205cm high

VICTORIAN MAHOGANY EIGHT DAY LONGCASE CLOCK the painted dial with moon face, floral and bird decoration, with swan pediment to the hood and waisted case, raised on turned feet, 215cm high

VICTORIAN INLAID MAHOGANY EIGHT DAY LONGCASE CLOCK with swan neck pediment,enamel dial, Roman numerals and subsidiary seconds dial within a painted surround detailing Royal figures of the home nations, in waisted case 210cm high

"A 19th century oak cased eight day longcase clock, the brass Roman and Arabic dial with secondary dial and calendar aperture under a plain hood with reeded columns, the trunk with an arched door on a reduced base with bracket feet, h112cm "

Humphrey Jones, Oswestry, an early 19th Century mahogany longcase clock, having ball finials over arched hood, enclosing moonphase painted dial, the navette quarter length door with figured oval panel above a box base on splayed feet.

A late 18th Century longcase clock, the later carved case with hood having a swan neck cornice and pillars to the sides, the trunk enclosed by an arch top door, fitted an arch top brass dial signed James Wood, Norwich with eight-day striking movement

John Downs, Swansea a mahogany longcase clock having an eight-day duration movement striking the hours on a bell, the painted fourteen-inch break-arch dial having black Roman numerals, subsidiary seconds dial, date aperture and signed `John Downs, Swansea`, with rural cottage scenes painted to the four corners and a moon-phase disc within the arch, the mahogany case having various inlays and stringing and having a short door with shaped top and with various inlays and stringing, the hood having a swan-necked pediment with a brass `vase` centre finial, and with florally carved columns to the trunk and hood, all standing on bracket feet, height: 244cms. * John Downs is recorded as working in Swansea in the early 19th century.

John Marshall, Chulmleigh, an oak longcase clock having a thirty-hour duration plated movement striking the hours on a bell with an outside countwheel, the ten-inch square brass dial having a raised chapter ring engraved with black Roman numerals and quarter hours to the inner aspect, the dial centre engraved with a farmhouse scene and the maker`s name `Jno Marshall, Chulmleigh`, with cast brass `shell` spandrels to the four corners, the flat-top oak case with three-quarter columns to the hood, long door and standing on a shaped plinth, height: 209cm. * John Marshall, born 1745, is recorded as working in East Street, Chulmleigh, Devon with his home address being Wackrells House which was left to his wife Mary following his death on the 24th of May 1817.

William Garrett, London, a mahogany longcase clock having a five-pillar (fifth pillar removed), eight-day duration movement striking the hours on a bell, the twelve-inch break-arch brass dial having a raised silvered chapter ring engraved with black Roman numerals and five-minute outer Arabic numerals, with cast brass `c-scroll` spandrels to the corners and arch, the silvered centre engraved with `c-scroll` decoration, with a subsidiary seconds dial and date aperture and blued steel hands, with a silvered boss to the arch engraved with the maker`s name `Willm Garrett, London`, the mahogany veneered case having a break-arch trunk door with applied mouldings to the base and standing on a shaped plinth, the break-arch hood having a swan-necked pediment with a brass `ball and spire` finial and having fluted columns with brass capitals, with brass bound weights, height: 230cms (inc. finial) * William Garrett is recorded as working in London from before 1777 until at least 1815.

Thomas Bennett, Dublin a mahogany longcase clock having an eight-day duration movement striking the hours on a bell, the twelve-inch round painted dial having black Roman numerals, blued steel spade hands and signed `Thos Bennett, Dublin`, the mahogany case having a shaped top to the trunk door, canted corners to the trunk and hood with the curved top having three small turned wooden finials, with pear-shaped weights, height: 210cms (inc. finials) * Thomas Bennett is recorded as working in Dublin in the early 19th Century.

James Scholefield, London, a walnut longcase clock having a five-pillar, eight-day duration movement striking the hours on a bell, the twelve-inch break-arch brass dial having a raised silvered chapter ring engraved with black Roman numerals and five-minute outer Arabic numerals, with cast brass female-head spandrels to the corners, a matted centre with subsidiary seconds dial and date aperture and having blued steel hands, with a silvered cartouche engraved with the maker`s name `James Scholefield, London`, the walnut veneered case having a break-arch trunk door with crossbanding with further crossbanding to the base, the break-arch hood with flat side tops and fluted columns with brass stringing to lower quarters, with brass bound weights, height: 211cms. * James Scholefield is recorded as working in the Strand, London from before 1747 until at least 1760.

Thomas Ivory, Dundee. A Georgian mahogany longcase clock having an eight-day duration movement striking the hours on a bell, the twelve-inch arched painted dial having black Roman hour numerals, gilt scroll corner spandrels, subsidiary seconds dial and date aperture, decorative brass hands and signed `Thos. Ivory, Dundee`, with a `strike/silent` dial within the arch, the mahogany case having a break-arch trunk door, fluted canted corners, inlaid `Sheraton-style` shell inlay to the base and trunk corners, the base with a double plinth and a shaped, moulded panel, the break-arch hood having plain columns with brass capitals and brass `ball-and-spire` centre finial, height, 206cm (not inc finial) * Thomas Ivory is recorded in Dundee between 1793 and 1825 being admitted as a burgess of the town in July 1795. As a skilled draughtsman he gave up clockmaking in the 1800`s to work for publishers and engineers.

P.. Pontypool, a mid-Victorian Welsh mahogany longcase clock with rocking-ship automata, having an eight-day duration movement striking the hours on a bell, the twelve-inch painted dial having black Roman numerals, subsidiary seconds dial and date aperture, painted decoration to the four corners depicting various riverside buildings and decorative brass hands, the centre indistinctly signed `P..., Pontypool`, with a rocking ship automata within the arch, the mahogany case of typical South Wales form with the barley twist columns to the trunk and hood having brass Corinthian capitals, a short door to the trunk inlaid with ebony & boxwood stringing which is repeated to the base, further crossbanding to the top and bottom matchbox panels, wavy edge moulding to the hood door, with wavy cresting to the top surmounted by three brass finials, the weights stamped, in reverse, with the name `D. Smith`, height: 230cm (inc. finial)* Possibly one of Parry, Phillips or Polak, all of whom are recorded as working in Pontypool in the early-to-mid 19th century.

William Woster, London, an ebonised longcase clock having an eight-day duration, five pillar movement striking the hours on a bell with an inside countwheel, the square twelve-inch brass dial having a raised, silvered chapter ring engraved with black Roman hour numerals, `meeting arrowhead` quarter hour markings and half-quarter markings and signed by the maker `Wm. Woster, London`, the matted dial centre having ringed winding holes, engraved decoration to the date aperture, cast `cherub & crown` corner spandrels and decorative blued steel hands, the ebonised case, having a caddy top with fretwork below, a glass lenticle to the trunk door, quartered columns with brass capitals to the hood and surmounted by `eagle and ball` brass finials, height: 238cm. * William Woster of London is recorded as having been apprenticed in 1697.

James Woolley, Codnor, a carved oak longcase clock having an eight-day duration movement striking the hours on a bell, the twelve-inch break-arch dial having a penny moon with moon date below and showing the date and time of high water, the raised, silvered chapter ring engraved with black Roman numerals, floral half-hour markings and `meeting-arrowhead` half-quarter markings, the matted dial centre having ringed winding holes, and a heart shaped cartouche engraved with the makers name `Ia Woolley, Codnor`, with wheatear border engraving, the oak case carved throughout and having a caddy top, lenticle to the trunk door, a raised plinth to the base and quarterd columns, with giltwood capitals, to the hood, height: 244cm. * James Woolley, born circa 1700 in Codnor, Derbyshire, was a celebrated maker who was one of a number of the family working as clockmakers. He often signed his clocks `Wolley` as in this example. He died in 1786.

Philip Thornton, Great Haywood, a month-duration, six-pillar, timepiece longcase clock with equation of time and further complications, the thirteen-inch break-arch dial having a silvered chapter ring engraved with a twenty-four hour dial, the centre having a `penny-moon` with times of high water at both London Bridge and Plymouth and with both lunar and mean times shown by two further hands, the arch having a beach scene with rising tide automata showing the stages of the tide during the cycle, with a silvered scroll signed and dated by the maker `Philip Thornton, Great Haywood, Stafford, 1933`, with three apertures showing day, date and month, the earlier oak case having a swan neck pediment surmounted by three `eagle and ball` finials, with brass capitals to the quartered fluted columns, the base with a raised panel and fluted canted corners, height: 222 (inc. finials). * An obituary for clockmaker Philip Thornton FBHI, born 1916, appeared in the Horological Journal of December 1975. A further obituary from the Cotton College, Newsletter of 1976 reads as follows: We heard with great regret of the death on 5th October,1975, of Philip Thornton of Great Haywood, near Stafford. He came to Cotton as a student for the Archdiocese but stayed for only four terms. He later devoted his career to horology and gained a reputation as an expert on all things to do with clocks and watches, specialising in the actual making of clocks, which spread far beyond the confines of Staffordshire.

Richard Hewitt, Fowey, an oak longcase clock having an eight-day duration movement striking the hours on a bell, the eleven-inch painted break-arch dial having black Roman numerals, floral decoration painted to the corners and a church scene to the arch, with decorative blued steel hands, the oak case having a swan neck pediment with the hood pillars having giltwood capitals, and surmounted by three `eagle and ball` finials, with canted corners to the trunk and a plain base, height: 216 cm (inc. finials) * Richard Hewitt is recorded as working in Fowey, Cornwall from circa 1790 until his death in 1846.

James Clowes, London, an early ebonised longcase clock having an eight-day duration movement with five finned pillars and striking the hours on a bell with an outside countwheel, the eleven-inch square brass dial having a matted centre with ringed winding holes, date aperture and a subsidiary seconds dial and having cast `cherub-head` spandrels to the four corners, the raised silvered chapter ring engraved with black Roman numerals, Arabic outer numerals, `meeting-arrowhead` half-hour markings and signed either side of VI o`clock with the maker`s name `Jas Clowes, London`, with blued steel fancy decorative hands, the ebonised case having a bulls-eye lenticle glass to the trunk door, three-quarter columns to the hood with cast brass capitals, quartered columns to the rear and sumounted by a caddy top with brass ball-and-spire finials either side, height: 223cm. * James Clowes became a member of the Worshipful Company of Clockmakers in 1671 and was known to have still been working in 1705. There was a longcase clock signed by him in the famous Wetherfield Collection.

Charles Absolon, London, a Georgian mahogany longcase clock having an eight-day duration, five-pillar movement with dead-beat escapement, striking the hours on a bell with an internal rack, the thirteen-inch round silvered dial having decorative blued steel `scroll` hands and engraved with black Roman numerals, outer Arabic five minute markings, a subsidiary seconds dial and the maker`s name `Chas. Absolon, London`, the mahogany break-arch case having fluted quarter-columns to the trunk with cast-brass capitals and brass inlay, the base having a shaped raised panel and standing on a double plinth, the hood having a full opening front door with cast bezel, fluted canted corners with brass inlay and round glazed side panels, height: 212cm. * Charles Absolon is recorded as working in London in the late Eighteenth century.

An Edwardian mahogany longcase clock with eight day movement striking on a bell, the brass break arch dial with silvered chapter ring framing a matt centre with subsidiary seconds, beneath a silvered boss to arch inscribed `Richard Gregg, London`, the hood with inlaid shell patera surmount flanked by brass ball and eagle finials, above a glazed door and fluted columns, the arched trunk door with oval inlaid patera repeated on the base within crossbanded border, on bracket feet, height approx 207cm, together with two weights and a pendulum.

An early 19th Century Scottish mahogany longcase clock with eight day movement striking on a bell, the painted circular dial with Roman numerals, subsidiary seconds and date dials and inscribed `....Lanark`, the circular moulded hood with hinged glazed door above carved foliate scroll mouldings, the tapered trunk with bow front door and turned pilasters on a panelled base and plinth, height approx 191cm, together with two weights and a pendulum.

A George III mahogany longcase clock with eight day movement striking on a bell, the brass break arch dial with silvered chapter ring framing an engraved matt centre with subsidiary seconds and date aperture, beneath a silvered boss to the arch inscribed `Jn Barr, Port Glasgow`, all cornered with pierced gilt spandrels, the hood with swan neck pediment flanking a scallop shell surmount above a glazed door and fluted columns, the trunk with double arched door, flanked by fluted chamfer cut corners, on a plain base and bracket feet, height approx 201cm, together with two weighs and pendulum.

A George III mahogany longcase clock with eight day movement striking on a bell, the painted break arch dial with Roman numerals, subsidiary seconds and date aperture beneath a rolling moon to arch and inscribed `John Collier, Cheadle`, the hood with swan neck pediment surmounted by three brass ball and eagle finials, above a glazed door flanked by inlaid columns, the trunk with triple Gothic arched door on a chamfered base and ogee bracket feet, height approx 247cm, together with two weights and pendulum.

A 19th Century pine longcase clock with thirty hour movement striking on a bell, the painted square dial with Arabic numerals and inscribed `Symonds, Reepham`, the hood with glazed door above a rectangular trunk door on a plain base and plinth, height approx 199cm (restoration), together with pendulum and weight.

A mid-18th Century oak longcase clock with thirty hour movement striking on a bell, the square brass dial with chapter ring framing an engraved rococo scroll centre with date aperture and inscribed `Peter Odell, Hitchin`, all cornered with pierced and cast foliate scroll spandrels, the hood with caddy top above a blind fretwork frieze and glazed door with turned columns, the trunk with rectangular door on a plain base and plinth, height approx 216cm, together with pendulum and weight (some faults).

A George III mahogany longcase clock with eight day movement striking on a bell, the brass break arch dial with silvered chapter ring framing a foliate engraved silvered centre with date aperture and inscribed `John Tickell Crediton`, cornered with gilt spandrels beneath a silvered boss to arch inscribed `Tempus Fugit` above an eagle, the arched hood with brass pineapple finials above a glazed door and Corinthian columns, the crossbanded rectangular trunk door flanked by Corinthian corner columns on an inlaid base and bracket feet, height approx 220cm, together with pendulum and two weights.

An Art Deco walnut diminutive longcase clock with eight day chiming movement striking on gongs, the silvered chapter ring with Arabic numerals, the quarter veneered trunk on a concave shaped base and bracket feet (lacking pendulum).

A 19th Century oak longcase clock with eight day movement striking on a bell, the painted break arch dial with Roman numerals, subsidiary seconds and date dials and inscribed `W. Keith Inverness` beneath a painted fruit basket to arch, the arched hood with glazed door, the trunk with arched door on a plain base and plinth, height approx 214cm, together with two weights (lacking pendulum and faults).

VICTORIAN WELSH OAK EIGHT DAY LONGCASE CLOCK, by W Hopkin, "Llandilo" having broken swan pediment above arched aperture flanked by baluster turned pillars, the waist with baluster turned pillars flanking crossbanded arch moulded door on cross banded panel base with bracket feet. Arch painted face with Roman numerals, seconds dial and date aperture decorated with country scenes and cottages. The face 19" x 13.5". 90" High overall.

LATE 18TH CENTURY WELSH OAK EIGHT DAY LONGCASE CLOCK, indistinctly named, the flat hood now with added broken arch pediment, square aperture flanked by turned pillars, the waist with quarter pilasters flanking shaped waist door and a panel base with bracket feet. Square painted face with Roman numerals and floral spandrels, having seconds dial and date aperture. Face 13" Square. 83" High overall.

EARLY 19TH CENTURY WELSH OAK EIGHT DAY LONGCASE CLOCK, by William Jones of Merthyr, having broken swan neck pediment with brass bullions flanking eagle and ball finial, arched aperture over waist with mahogany crossbanded plain door and similar mahogany crossbanded base on turned feet. Arch painted dial with cottage scene and foliate spandrels, seconds dial and date aperture. Eight day two train movement striking on one bell. The face 19.5" x 13.25", overall 86" High.

19TH CENTURY WELSH OAK EIGHT DAY LONGCASE CLOCK, having cut down swan neck pediment above arch painted face, with seconds dial and date apature, moulded arch waist door on panel base with bracket feet. Un-named. The dial 18" x 13.5". 86" High overall.

EARLY 19TH CENTURY WELSH MAHOGANY EIGHT DAY LONGCASE CLOCK, by J Crechell Junior of Pontypridd, having arch hood with inlaid decoration and spirally turned columns, arched aperture above crossbanded and inlaid waist with spirally turned columns and plain waist door, crossbanded panel base below. Painted face with Arab holding camel and architectural designs, Roman numerals, seconds dial and date aperture. Two train movement striking on one bell. The face 19" x 13.5". Overall height 72".

A 19th Century oak and mahogany longcase clock, the arched hood having a painted dial with eight day rolling moon movement by Robert Roberts, Bangor

A Victorian mahogany longcase clock having an arched hood with painted dial eight day movement by J Bradley, Shelton

An 18th Century oak and fruitwood longcase clock having a square dial with caddy top, turned pillars, short door, painted dial eight day movement, maker unknown

A late Georgian feathered mahogany cased striking eight day longcase clock by J Tootell of Eccles, having a fourteen inch painted arched dial with moon phase to the arch, painted subsidiary seconds dial, date aperture and twin winding holes, the trunk and hood decorated with boxwood stringing, with key, pendulum and twin weights, approx height 7ft (214cm) (illustrated)

A late Georgian cross banded and feathered mahogany cased striking eight day longcase clock by Monks of Prescot, the painted 14ins arched dial featuring a moon phase to the arch, painted subsidiary seconds dial, date aperture and twin winding holes, the trunk and hood decorated with boxwood stringing, raised on bracket feet, with pendulum and twin weights, approx height 7ft 5ins (227cm) (illustrated)

A late 19th century novelty silver propelling penknife, by S. Mordan & Co, modelled as a longcase clock, with an enamelled dial, lacking hands, length extended, 8cm.

An early 19th Century eight day longcase clock movement with arched painted dial, depicting a lion and four wild cats to each corner.

AN OAK LONGCASE CLOCK dial 11 1/2 inch silvered chapter ring, subsidiary calendar ring, signed James Schofield, Barnsley, the arch with a silvered crescent inscribed Dum Dorminat, Vigilo, 83ins. (211cms.) high

A WALNUT AND FLORAL MARQUETRY LONGCASE CLOCK dial 11 1/2inch silvered chapter ring signed John Hammers, London, subsidiary seconds ring and calendar aperture, case the hood flanked by spiral twist pilasters beneath a fre carved cornice and domed top, the waist door inlaid with floral marquetry inhabited by a bird and putti terms with a bulls eye above a flower filled urn, 91ins., (231cms.) high

An early 20th Century miniature mahogany longcase clock with double fusee movement striking on a bell with silvered arch dial inscribed John Page, Ipswich. Height 78cms.

An unusual Art Nouveau period continental mahogany longcase clock possibly by Wiener, Werkstaette, with anodized brass mounts and front columns, having circular silvered dial with striking spring driven movement, height 64” (maker’s stamp to metal mounts)

Alex Thomson Edinburgh. A mid 19thC mahogany longcase clock, the top with a circular silvered dial containing seconds and date subsidiary dials with eight day striking movement, the mahogany case with a glazed door on spade feet 207cm high, the dial 32cm diameter

John Lamb Spilsby. An early 19thC longcase clock, the arched dial painted with female figure beside a spaniel within a noble and decorate foliate scroll, spandrels, with an eight day striking movement, the cross banded oak case with reeded columns with Corinthian capitols and a swan neck pediment, on bracket feet 201cm high overall, the dial 31cm