EARLY 19TH CENTURY WELSH AUTOMATA LONGCASE CLOCK, c. 1835, James George, Fishguard, painted 11 1/2in. dial with automata Adam & Eve beside tree of life in the garden of Eden painted in the arch, subsid. seconds dial and calendar aperture, hood with swan neck pediment, dentil frieze, inlaid Prince of Wales feathers ovals, shaped door, fluted canted angles, crossbanded base with quadrant spandrels, putti moulded pendulum bob, 228cms h.Provenance: private collection Swanseaold repairs to case, dial with restored paint chips to perimeter, base with old splits, movement restored 2006. Automaton action Eve offers Adam an apple with her outstretched arm.
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MODERN AMERICAN HOWARD MILLER MAHOGANY (AMBASSADOR COLLECTION) LONGCASE CLOCK, with moon faze, three-train German movement striking Whittington, St Michael and Westminster chimne to tuned rods, 220cms high; REPRODUCTION QUEEN ANNE-STYLE MAHOGANY COCKTAIL CABINET; and a MODERN GILT METAL STANDARD LAMP (3)Comments: clock: one numeral (20) missing from arch, an urn finial with small chip
An XVIII Century Mahogany Longcase Clock, with pagoda top, brass finials and arched door with reeded columns with brass capitals, the silvered dial inscribed "William Hughes, London", with Roman numerals, Silent/Strike and minute dials and date aperture, pierced brass spandrels to the four corners, the case with long door on stepped base and shaped bracket feet, 250cm high. Lot 1443 - two pieces of moulding missing just below brass finials, fretwork to pagoda top has been repaired and small piece missing, moulding to the bottom of door needs re-glueing, holes in the back board, no guarantee, the movement is original to the case.
George III mahogany-cased day longcase clock, Edmund Prideaux, London, (fl. 1743-1790), having a 12-inch arched brass dial, the silvered chapter ring with Roman hours and Arabic minutes framing a matted centre with silvered seconds ring, oval signature cartouche and date aperture, within rococo scroll spandrels, the arch with Strike / Silent ring, the five pillar movement with an anchor escapement and rack striking on a bell, the case with removable pagoda pediment, brass-inlaid stop-fluted columns with plain capitals, (hood door unglazed), the arched trunk door with moulded borders, base with a raised moulded panel, 240cm highDial - staining between XII and II, a little at V, and to matted centre.Movement - not recently cleaned. Appears sound, but not tested or warranted. A small amount of packing beneath seatboard.Case - Pediment is detachable but original. Pegs into arch via four dowels. Minor hood cracking. No glass to hood door. Minor warping to trunk door and minor cracks to trunk. Screw holes in case backing where previously fixed to wall.
Mid 19th Century Scottish mahogany-cased 8-day longcase clock, 13-inch gilt brass circular Roman dial signed 'M. Thornton Glasgow', with painted subsidiary seconds and calendar rings between floral decoration, knopped four-pillar movement, the case having a circular hood with scroll cresting, hinged to roof, over convex long door on panelled base and bun feet, 208cm high
A 19TH CENTURY DUTCH OAK LONGCASE CLOCK the brass dial with plaque to breakarch: 'JOSEPHUS UANHOUETTE TOTEDELEM DEN 3 APRIL 1810', the oak case with glazed lenticle to trunk, parquetry inlaid stellar motif to footboard, 37cm wide 193cm high Condition Report : no major damage. with weight and pendulum Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
A William & Mary walnut and marquetry longcase clock, with caddy top hood, full length trunk door with bulls-eye glass, with marquetry reserves of birds and flowers, later decorated base, the square brass dial with amorini spandrels, silvered chapter ring bearing Roman and Arabic numerals, subsidiary seconds dial and date aperture, maker’s name of Mordecai Fox, eight day five pillar movement with bell strike, with pendulum, weights and keys, 231cm high.
A Victorian inlaid mahogany longcase clock, the white dial with Roman numerals in black, with subsidiary seconds and date dials, the arch painted with a moon phase, above painted landscape scenes, contained within a mahogany hood with swan neck pediment over carved and turned pilaster supports, above an inlaid door with central conch shell patera, flanked by carved and turned pilasters, on a box base.
19th Century oak and mahogany crossbanded longcase clock, the broken arch hood with flanking pilasters above an arched door and conforming plinth base, the painted dial with a hunting scene to the arch, Roman numerals and date aperture, the single train thirty hour movement striking on a bell
George III mahogany inlaid and painted longcase clock, the broken arch hood with brass ball finials and flanking Corinthian pilasters above a rectangular panel door flanked by fluted quarter pilasters and conforming plinth base, the brass mounted and painted dial with Roman numerals, subsidiary seconds dial and date aperture, signed Ninyon? Brighthelmstone, the two train movement with anchor escapement striking on a bell11.75ins x 16.5ins high
Mahogany and satinwood crossbanded longcase clock, the broken arch hood with swan neck pediment and flanking pilasters above a moulded panel door and conforming plinth, the painted dial with Arabic and Roman numerals, subsidiary seconds dial and date aperture, signed E. Harvey Launceston, the two train movement with anchor escapement striking on a bell
MARTIN CROSBY; a 19th century oak longcase clock, the square 11" brass dial set with silvered chapter ring bearing maker's name and set with Roman numerals, with rolling date aperture, above long carved door to plinth base, raised on bracket feet (later carved decoration), height approx 209cm. CONDITION REPORT The left hand return underneath the hood is missing, the back left foot is also missing. There are signs of wear throughout, including scuffs, scrapes, stains, fading, etc. The movement has later replaced nylon cord for the weights.
J BATH, CIRENCESTER; a 19th century oak eight day longcase clock with arched pediment above a white enamelled arched 12'' dial, with floral decoration, the chapter ring set with Roman and Arabic numerals with subsidiary second hand and rolling date aperture above the maker's details, with shaped door above stepped plinth and bracket feet, height 220cm (af). CONDITION REPORT The arched pediment to the hood is detached but present, further signs of wear throughout commensurate with age and use, most notably splits to both sides of the case and some discolouration to the front, the bracketed foot is probably a later replacement.
A late 18th/early 19th century provincial longcase clock, the painted 11½” dial inscribed “Coventry”, in oak & mahogany crossbanded case with swan-neck pediment; 81½” high x 18” wide (with faults but structurally sound, trunk-door locked with no key; movement fixed; pendulum/weights apparently present).
Victorian oak and mahogany crossbanded 30 hour longcase clock, the broken arch pediment with brass urn finials, the hood with glazed door flanked by reeded pilasters, the painted dial with anchor spandrels, Arabic numerals, subsidiary seconds dial and bird to the centre, the case with rectangular door and plinth base raised on bracket feet, 204cm wide
A 19th Century Victorian mahogany cased longcase grandfather clock by R. Palmer of Wedmore. The painted face signed having Roman numeral chapter ring with moonphase above gilt decorative handles. The case with arched glazed door, fitted door to trunk and veneer details with brass finials atop. Measures approx; 225cm x 48cm x 24cm.
An 18th Century George III Moon phase longcase grandfather clock by Place of Chorley. The brass & silvered face having a Roman numeral chapter ring faceted hands below the Moon phase. The hood having glazed door with columns and fretwork above a stepped trunk base with faux brickwork and columns flanking the door. Complete with pendulum and weights.
A 19th Century West Country 8 day longcase grandfather clock by Dobel of Yeovil. The square clock face having hand painted Roman numerals with pheasants painted to each corner. Oak case with scrolled arch pediment having applied brass flower head roundels and central brass finial with glazed door below flanked by turned pillars. Ebonised inlaid bands throughout with all raised on bracket feet. Measures approx; 206cm x 44cm x 22cm.
A 19th Century Victorian mahogany cased longcase grandfather clock. The enamel face having painted pictorial corners with Roman Numeral chapter ring, subsidiary seconds dial, minutes aperture, gilt faceted hands and moonphase dial with ship sailing. The case having turned finials with flame mahogany door and columns to the hood. Complete with pendulum & weights. Measures approx; 246cm x 59cm x 24cm. Face measures approx; 14" dial approx 12".
A 19th Century George III West Country 8 day longcase grandfather clock by Will Berry Barnstable. The brass clock face having applied ormolu decoration with Roman numeral chapter ring and faceted hands. Mahogany case with domed top having brass finials atop with glazed door below flanked by turned pillars. Cross banded decoration throughout with all raised on bracket feet supports. Measures approx; 218cm x 44cm x 21cm.
An antique mahogany longcase clock, the circular brass dial signed "John Waldron, 38 Cornhill, London", with associated eight day movement, the case 47cm wide, 23cm deep, 208cm highAlterations to the movement and dial, the movement dial and case all associated, some signs of old repairs, some signs of losses to the veneer particularly to the door at the front, various minor signs of restoration, the plinth base possibly later,m complete with two lead weights and a pendulum.
A Scottish Victorian mahogany cased longcase clock, signed Gillan, Cromarty, the case with a swan necked pediment, fitted with a 13 inch painted dial, with an eight day movement striking on bell, the case with cross banding and shell inlay, 230cm high (Probably Andrew Gillian listed as Clockmaker in Cromarty)
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41749 item(s)/page