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A GEORGE III MAHOGANY EIGHT-DAY LONGCASE CLOCK MADE FOR THE IBERIAN MARKETTHOMAS LOZANO, LONDON, CIRCA 1775The five pillar two train rack and bell striking movement with anchor escapement regulated by seconds pendulum, the 12 inch brass break-arch dial with calendar aperture, rosette decorated recessed silvered subsidiary seconds dial and silvered arched nameplate engraved THOMAS LOZANO EN LONDRES to the matted centre, within applied silvered Roman numeral chapter ring with Arabic five minutes to outer track, with scroll-pierced steel hands and applied rococo scroll cast spandrels to angles, the arch with subsidiary Strike/Silent selection dial flanked by conforming rococo cast mounts, the figured mahogany case with concave-sided 'pagoda' superstructure fronted with a shaped foliate pierced fret over break-arch cavetto cornice and brass stop-fluted columns flanking the hinged glazed dial aperture, the sides with rectangular windows and plain quarter columns set against bargeboards at the rear, the trunk with break-arch door fronted with flame figured veneers within complex mouldings, the plinth base with concave top moulding over raised panel to fascia, on moulded double skirt incorporating shaped apron to lower margin.244cm (96ins) high excluding finials, 53cm (21ins) wide, 26.5cm (10.5ins) deep. Thomas Lozano was Spanish by birth and is known to have worked in both London and Spain. Whilst working in London it seems that he primarily produced timepieces for export to his native Spain; he is also known to have successfully repaired damaged marine chronometers for the Spanish Navy in 1786. Condition Report: Movement in fine clean working condition and appears all-original with no evidence of alteration or noticeable replacements. The pivot holes have been 'dished'. The dial is in fine clean condition with the only observation being that the minute hand has been repaired. The movement and dial rest on what appears to be the original seatboard direct onto the cheek uprights of the case; it is therefore most probable that the movement and dial are original to the case. The case is generally in very good condition. The hood has some slight shrinkage cracking to the veneers and side panels otherwise is free form notable defects. The rest of the case is in similar condition with notable faults limited to a few well matched small localised veneer patch repairs to the plinth as well as other very small cosmetic repairs to fill edge bruising. The sides of the plinth also has slight undulation in the surface due to movement in the timber beneath although there are no cracks or losses due to this movement. The lower skirting (incorporating the shaped apron) is a well-made replacement.Clock is complete with pendulum, two brass-cased weights, winder and two case keys. Condition Report Disclaimer

A GEORGE III MAHOGANY LONGCASE CLOCK CASEANOMYNOUS, PROBABLY LONDON, CIRCA 1780The cavetto moulded break-arch cornice applied with a wavy crest and three reeded finial plinths over hinged glazed dial aperture for a 12 inch break-arch dial flanked by free-standing reeded columns with brass caps and bases, the sides with rectangular brass fish scale sound frets and quarter columns set against bargeboards at the rear, the trunk with concave throat moulding over flame-figured break-arch door applied with complex edge mouldings and flanked by fluted canted angles, on plinth base applied with mouldings to form a shaped panel over double skirt incorporating bracket feet with shaped apron between.222cm (87.5ins) high excluding finials, 52cm (20.5ins) wide, 25cm (9.75ins) deep. Condition Report: Case is generally in clean original condition with only minor age-related faults. The hood has some shrinkage/opening to the joins in panel around the apertures to the sides; the left hand fret is a little loose. The curved top has typical cracking between the segments that form the curvature. The glazed front door has a slight spring which would be pulled-in when locked. The rest of the case is also in very clean condition with the only notable fault being slight opening of the vertical joint between the two sections that form the backboard. The trunk door is very straight and retains its original locks and hinges. The cheek uprights appear to be at their original level. The finish to the case has minimal bumps and scuffs however the colour is a orange/pink hence would benefit from the attention of a good finisher to incorporate some darker tones.Case has a single key for the trunk only.Useful dimensions:Max height of dial aperture into the rebate of the mask - 42.5cm.Max width into the rebate of the mask - 31cmdistance between the level of the lower rebate in the mask and the top edge of the cheek uprights - 3cm.Condition Report Disclaimer

A QUEEN ANNE POSTED THIRTY-HOUR LONGCASE CLOCK MOVEMENT WITH TEN-INCH DIALUNSGNED, PROBABLY LANCASHIRE, EARLY 18th CENTURYThe countwheel bell-striking movement with separately wound trains, anchor escapement for regulation by seconds pendulum and well detailed column-turned corner posts, the 10 inch square brass dial engraved with stylised urn and tulip blooms within applied Roman numeral chapter ring with large sword-hilt half hour markers, with scroll-pierced brass hand and cast figural spandrels emblematic of the four seasons to angles, (no pendulum or weights).33cm (13ins) high, 18cm (7ins) deep overall.  The current lot can be directly compared to another unsigned movement and dial housed in an oak case described and illustrated in Darken, Jeff TIME & PLACE, English Country Clocks 1600-1840 pages 72-73. Of particular note is the very similar dial engraving which is almost certainly executed by the same hand as that of the current lot. Details in both the movements, such as separately wound trains, design of the bell-stand and hammer, and identical pattern of corner post casting would appear to confirm that both the example illustrated by Darken and the current lot originated in the same workshop. The slighter later pattern of spandrel casting present on the current dial would suggest that it probably dates to the early 18th century rather than around 1690 suggested for the other example described by Darken. Condition Report: Movement is complete and in fine original 'untouched' condition. The front leading edge of the top plate has a strip of brass secured by two screws just in front of the front movement bar to ensure the bar remains securely in place. The upper dial securing lug has two later screws of incorrect type otherwise movement appears 100 percent original. The trains exhibit some noticeable pinion wear however the pivots are generally very good hence the trains will run. Mechanism has general dark oxidised patination and is dusty. The dial plate has slight bow - bending backwards at each corner behind each spandrel and the hand has an old repair replacing the tip otherwise is in fine original untouched condition albeit very dirty/discoloured.Movement does not have weights, ropes or pendulum. Condition Report Disclaimer

A George III oak thirty hour longcase clock with painted dial signed Thomas Sherwood, Yarm, dial with subsidiary calendar, height 205 cm

Scottish oak and mahogany longcase clock, the hood with swan neck pediment, trunk with long door, plinth base, 12" square painted dial with date aperture, thirty hour movement striking on a bell, 206cm.Condition report:Pendulum and weight are present but the pendulum is missing the hook so unable to test if movement is in full working order.

Oak and mahogany longcase clock, the hood with bird finial and swan neck pediment, trunk with short door, bracket feet, twelve inch painted dial with date aperture, signed Carter, Brackley, thirty hour movement striking on a bell, 216cm.Condition report:The movement appears to be ticking over and working although we cannot guarantee working order over a sustained period of time. The case door has no key and is presently locked. The dial has a small flake of enamel lower left corner, not visible went he good is in place. The main door is split vertically just to the right of the centre line. The lower front base panel is also split and shows signs of worm activity, and there are missing moulded elements forming the bracket feet.

Oak and mahogany longcase clock, hood with cavetto cornice, turned columns, trunk with long arched door, bracket feet, 14" square painted dial with date aperture, signed Russell, Lancaster, eight day movement striking on a bell, 212cm.Condition report:Not presently in working order. Pendulum door is locked. Pendulum and weights are present.

JOHN SANDERSON OAK BRASS DIAL LONGCASE CLOCK, early 18th Century, 10.5 inch square dial, Roman numerals, date aperture, inscribed to the centre "Remember man that dy thou must and after that to judgement just", single weight pendulum driven bell strike movement (requiring restoration, pendulum and weight included), unglazed hood door fixed, shaped top long trunk door, visible peg joints, stepped trunk base, 209 (h) x 53 (w) x 28cms (d)Provenance: private collection Powys

GOTHIC STYLE OAK LONGCASE CLOCK, 14 inch circular brass dial, Roman numerals, subsidiary seconds dial, twin weight pendulum driven bell strike movement (pendulum and weights included), cast backplate marked W. Francis, circular glazed hood door, quad turned pillars, repeated to the trunk, castellated door under an arch, canted base corners, gothic carving applied lower panel, 233 (h) x 72cms (w)Provenance: private collection Conwy

OAK & MAHOGANY LONGCASE CLOCK circa 1830, 13in square painted enamel dial, eight day bell strike movement by J Hardy, Neston, 207 (h) x 50 (w) x 23cms (d) ( weights and pendulum included)Provenance: private collection Conwy

ANTIQUE MAHOGANY LONGCASE CLOCK painted dial, eight-day movement, (pendulum and weights included), 217 (h) x 58 (w) x 27cms (d)Provenance: private collection Conwy

Pinn, Exmouth, a late 18th century mahogany longcase clock, with square hood, with plain waist panel door, on a box base, the 28cm square painted dial signed Pinn, with roman numerals and flowerhead spandrels, the 30 hour movement with anchor escapement striking to a bell, 81cm high.

A late 18th/early 19th century north country mahogany and crossbanded longcase clock, the hood with swan neck pediment with turned columns and gilt metal capitals, the trunk with triple ogee arched and crossbanded door, enclosed by turned columns having a 36cm arched and painted dial with roman numerals, subsidiary seconds dial and date aperture, the twin train movement with anchor escapement striking to a bell, 236cm high.

A GEORGIAN MAHOGANY 8 DAY LONGCASE CLOCK, turned spindles flanking a glazed door, that's enclosing an 11 inch brass dial, depicting Roman numerals, Engraved Watson of Blackburn, the trunk with a single door, on a box plinth, height 191cm (condition report: winding key, trunk key, two pendulums, historical cracks, hour hand loose so stays hanging, other signs of wear and usage)

A 19TH CENTURY MAHOGANY EIGHT DAY LONGCASE CLOCK, with brass bird finial, twin swan neck pediment, Corinthian style pillars, flanking an arched glass door, that's enclosing a painted 11.5 inch dial, depicting Roman numerals, seconds dial, and seascape painting to arch, on a trunk with a single door and box plinth, overall height 212cm (condition report: one pendulum, one winding key no weights, or trunk key, ideal for restoration, due to missing back legs, lose part to one pediment, surface marks, scuffs, other historical wear and usage)

An early 19th century inlaid oak eight day longcase clock, marked Edward Heys, Brindle, in need of restoration, missing a weight and pendulum, height 232cm

An early 20th century, 18th century style French oak longcase clock, height 232cm

A late 18th century mahogany cased longcase clock, painted dial indistinctly signed for William Lassell, Toxteth Park in Liverpool, list by Loomes as working 1758 to 1807, died 1819, dial possibly by Wilson from the styling/ colours, marked for centre calendar, rolling moon to the arch, 8-day movement with bell strike, imposing and good quality case typical of Liverpool clocks, book-matched flame mahogany veneers to the door, hood retains the inset verre eglomise panels beneath the swan-neck pediment, with two weights, pendulum and winding crank. Height approximately 240 cm. Condition Report: No hood pillars or trunk corner pillars present, all parts contained in the lot are shown in the images.

An early 20th century Edwardian mahogany-cased 8-day longcase clock, arched brass dial with applied silvered chapter ring with gilded numerals, cast spandrels to the corners and arch, silvered and decorative roundel to the arch, matching steel hands and seconds indication, case with full length glazed and bevelled door to display the pendulum and weights (weights and pendulum not shown in main image but have separate picture), approximately 230 cm (h).

An early 18th century oak longcase clock, by Joseph Taylor, in an architectural provincial caddy topped case, inset with square brass dial signed Jose.h Taylor, 30 hour single train movement, the dial with subsidiary calendar aperture, alterations and restorations There are several Joseph Taylor's listed in G.H.Baillie, largely in London in first quarter 18th century. 

An early 19th cent Provincial longcase clock 

An eight day Longcase Clock movement and enamel face marked W Nickisson, Stone.

A Mahogany cased Longcase Clock having an arched door and mirrored swan-neck pediment, the arched painted face with a nicely detailed hunting scene, gilded and floral corners and having Arabic numerals, the maker being ''Potts,York'', running at the time of lotting, 19 1/8'' wide x 9 1/4'' deep x 89 1/4'' high, striking the hours on a bell, and with inset second hand and date register.

An imposing cross-banded Mahogany cased Longcase clock having arced painted face with Roman numerals inset seconds and date dials, the arch with a rolling moon phase indicator and date indicator, the moons divided by nicely painted rural scenes with castles/follies, the corners of the face painted with male and female figures going about their family lives in the four seasons of the years, the whole standing on ogee bracket feet, the door with triple Gothic arch type shape, (the face marked Hankins, London), 24 1/2'' wide x 10 1/2'' deep x 83'' high approx. (running at time of lotting).

An Oak and Mahogany cased Longcase / grandfather clock having light and dark-wood stringing, the painted face with Roman numerals having an inset date register and decorated to the corners with well-depicted pink Rose blooms, the 30 hour movement striking the hours on a bell. 75 3/4" high, 21 1/8" wide and 10" deep approx. Running at the time of lotting.

A George III early 19th century flame mahogany 8 day movement moon phase longcase grandfather clock by J. Stokes, Macclesfield. The clock having C scrolled crossbanded pediments atop with glazed front door. Hand painted clock face with rolling moon phase, subsidiary seconds & date dials. Roman numerals to chapter ring with silvered clock hands. Signature for John Stokes. Front shaped door to body raised on canted base. Measures approx. 230cm x 63cm x 23cm.

A 19th century oak and flame mahogany moon phase action longcase clock by James Brindley of Newcastle. The painted dial with Roman Numeral chapter ring having date and seconds apertures. Above, a maritime interest monophase action to the arch.  Maker's name centre to dial. 8 Day movement set within. Oak trunk with mahogany panels, mahogany hood with swan neck pediment. Measures approx. 217cm x 53cm.

Junghans Wurttemberg, Germany - An early 20th century mahogany cased grandmother longcase clock. The clock having a brass embossed clock face with Westminster chime, Roman numerals to chapter ring with floral & foliate embossed detailing to each corner. The case having a pediment top with dentil detailing over a glazed front hood & column details to sides. Straight body below with front door. Raised on panelled plinth base. Measures approx. 170cm x 30cm x 20cm.

A George III early 19th century flame mahogany eight day movement moonphase longcase grandfather clock by Benjamin Brock, Bristol. The clock having a silvered arched dial signed Benjamin Brock, Bristol within a foliate border to the centre plate, subsidiary seconds dial and calendar aperture with roman numerals to the chapter ring. The moon phase with sailing vessel & painted landscape. Scrolled top hood with ormolu detailing atop & reeded columns to side. Shaped front doors to body raised on scrolled feet. Measures approx. 225cm x 54cm x 27cm.

A good oak longcase clock by Robert Jackson of Gainsborough with 8 day movement. Strikes on a bell. 230cm h.

A modern oak cased longcase clock, 10" brass dial marked Tempus Fugit, two brass weight s and pendulum, approximately 207 cm (h). [W]

A Walnut Chiming Small Longcase Clock, signed "Elliott", circa 1930, movement chiming on gong rods, 153cm high

A Small Longcase Clock, with wall bracket, single barrel movement with a platform lever escapement, movement back plate stamped "Mercer", 87cm high

A Vienna Type Striking Wall Clock, circa 1900, together with an Art Deco Striking Wall Clock, and a Modern Longcase Clock (3)

A Small Mahogany Chiming Longcase Clock, circa 1930, retailed by Webster, London, front of the hood with presentation plaque, movement chiming on gong rods, arched brass dial with Guildford/Westminster chime selection, 173cm high, together with an oak small longcase clock, circa 1900, retailed by Collingwood, 172cm high (2)

A Walnut Chiming Small Longcase Clock, signed "Elliott", circa 1930, movement striking on gong rods, 153cm high

An Oak and Mahogany Thirty Hour Painted Dial Longcase Clock, circa 1800, 12" square painted dial, signed H. Philipson, Ulverstone, 192cm highWith weight and pendulum. Case door is locked, no key.

A oak longcase clock, with Georgian silvered and brass dial named to William Risbridger of Dorking, the hood with barley-twist supports, with pendulum and weight - length 43cm, depth 25cm, height 180cm

A Georgian oak longcase clock, with brass and silvered dial - length 50cm, height 204cm

A Georgian oak longcase clock, with hand painted enamelled dial - in need of restoration, some parts loose but present - length 48.5cm, height 188cm

An Edwardian inlaid mahogany longcase clock, with enamelled dial, with key - one pane of glass on the side of the hood is missing - length 49cm, height 204cm

Unusual oak thirty hour longcase clock with birdcage movement, the 9" square brass dial with brass chapter ring enclosing a matted centre with single iron hand, the case with long door and strapwork brass hinges, the hood surmounted by a stepped caddy top, 82" high (no pendulum and no weights)

Large quantity of longcase clock rods and pendulums; also a quantity of smaller pendulums and bobs

Eight day longcase clock movement, the 12" brass arched dial signed Thomas Muddle, Tunbridge on a silvered engraved convex boss to the arch, over a silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture; also a thirty hour longcase clock movement, the 12" painted arched dial indistinctly signed (both in need of restoration) (2)

Interesting and rare English Provincial astronomical oak longcase clock, the triangular form brass dial with three subsidiary silvered dials at the top for seconds, minutes and hours, all with blued steel hands, the lower section of the dial with an aperture revealing days of the week over a large stationary dial engraved with the following calendrical indications: Date, Month, Zodiac Date, Zodiac Sign, Sun's Declination, Degrees and Minutes for five-day intervals all indicated by a rotating index arm engraved Sun's Index attached to a silvered lunar disc engraved with the following lunar indications: The Moon's Time, The Moon's Age, Hour Scale, Time of the Moon's Zenith, the dial plate is also engraved with flowering trees and foliage; the impressive movement has shaped brass plates conjoined by six baluster pillars, all of the wheels have six crossings, the going train has a large recoil escapement with indirect wind through the dial, the remainder of the wheel train drives the calendar indication and comprises five large wheels with six crossings taking the drive from the great wheel pinion of the going train; the formerly ebonised oak case with long door over a standard base, surmounted by a sliding tapered hood under a plain cornice, 76" high (pendulum with cylindrical ebonised rod and brass bob, single brass cased weight)

Oak eight day longcase clock, the 12" square brass dial signed William Gunn, Wallingford on the silvered chapter ring at six o'clock, enclosing a matted engraved centre with subsidiary seconds dial and calendar aperture, the case with long mahogany banded door and the hood surmounted by a flat stepped moulded pediment, 76.5" high (pendulum, two weights and keys)

Good Scottish mahogany and inlaid eight day longcase clock, the 12" brass arched dial signed Jonathan Carmichael, Greenock on a silvered engraved convex boss to the arch, the silvered chapter ring enclosing a foliate engraved centre with subsidiary seconds dial and calendar aperture, the case with medium length crossbanded door inlaid to the centre with a classical urn enclosed by stylised foliage, the base also inlaid with a central panel depicting birds hovering over a tureen, the hood surmounted by a moulded swan neck pediment, 85" high (pendulum, two weights and keys)

Mahogany thirty hour longcase clock, the 13" painted arched dial signed Ja's Tucker, Coleford, with subsidiary seconds dial and calendar aperture, the case with short door and inlaid with boxwood lines, the hood surmounted by a swan neck pediment and ball and eagle brass finial, 87" high (pendulum and weight)

Pair of brass cased longcase clock weights (2)

Ten antique longcase clock pendulum bobs (10)

Oak thirty hour longcase clock, the 11" square painted dial signed S: Hanscomb, Woodburn to the dial centre with calendar aperture, the case with long door and the hood surmounted by a moulded dentil stepped cornice, 76.5" high (pendulum and weight)

Oak and mahogany eight day longcase clock, the 14" painted arched dial signed Archibald Brownlie, Strathaven to the dial centre with subsidiary seconds and calendar dials, the case with long mahogany banded pointed arched door flanked by quarter fluted columns and the hood surmounted by a swan neck pediment and brass ball and spike finial, 94" high (pendulum, two weights and keys)

Ten various longcase clock weights (10)

Early thirty hour longcase clock movement, the 8.5" square brass dial with silvered chapter ring enclosing a matted centre; also another thirty hour longcase clock movement, the 9.25" square brass dial with brass chapter ring enclosing a matted centre, eight day longcase clock movement without dial and a 10" square brass dial signed Phil. Avenell, Farnham on a shaped plate to the matted centre engraved with birds (4); also a small quantity of old false plates

Oak thirty hour longcase clock, the 12" square brass dial signed Joseph Quarman, Templecloud to the engraved centre with subsidiary calendar dial, the case with long door inlaid to the centre with a star and the hood surmounted by a moulded stepped pediment, 79" high (pendulum and key)

Oak eight day longcase clock, the 12" brass arched dial signed Chas. Campbell. Biggar on a silvered circular plate to the arch, over a silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, the case with long rounded arched door and the hood surmounted by a swan neck pediment over pierced foliate carved panels, 85" high (pendulum and two weights)

Mahogany, oak and walnut eight day longcase clock, the 12" brass arched dial signed John May, Witney on the silvered chapter ring at six o'clock, enclosing a matted centre with subsidiary seconds dial, chamfered winding holes and calendar aperture, surmounted by a moon phase to the arch, the case with short door inlaid with boxwood lines and the hood surmounted by a rounded wavy cornice and three brass finials, 88" high (pendulum, winding key and weights)

Mahogany eight day longcase clock, the 12" brass arched dial signed John Salmon, Bristol over the moon phase aperture, with silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, the case with long door inlaid with ebony and boxwood lines flanked by canted corners, the hood surmounted by a swan neck cornice with brass ball and spike finial, 80.5" high (pendulum and two weights)

Oak eight day longcase clock, the 12" square brass dial signed Edw. Rudd, Melksham on the silvered chapter ring by six o'clock, enclosing a foliate engraved centre with subsidiary seconds dial and calendar aperture, the case with long door and the hood surmounted by a stepped pediment, 81.5" high (pendulum, two weights and keys)

Ten various longcase clock pendulums with iron rods and brass bobs (10)