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Early 19th century oak and mahogany banded longcase clock, trunk door inlaid with shell, enamel painted dial signed 'J. Richmond, York', 30-hour movement striking the hours on bell, H227cm

Early 19th century oak longcase clock, square dial with silvered chapter ring, subsidiary date dial and painted dial, signed 'Thos (Thomas) Lister, Halifax', 30-hour movement striking the hours on bell, H214cm

EARLY 19TH CENTURY LONGCASE CLOCK, two train eight day movement, white enamel dial painted with Roman numerals and two subsidiary dials, decorated with painted thistles, roses and a rural scene with figure, by Milligan of Ayr, contained in a mahogany case, 234.5cm high

SCOTTISH OAK LONGCASE CLOCK, two train eight day movement, white enamel dial painted with Roman numerals and rural scenes, inscribed David Hay of Laurancekirk, subsidiary seconds and calendar dials, the hood with broken swan neck pediment, contained within an oak case, 205.5cm high

19TH CENTURY SCOTTISH MAHOGANY LONGCASE CLOCK, two train eight day movement, the painted enamel dial with Roman numerals and allegorical figures to spandrels representing England, Ireland, Scotland, Wales, inscribed J Cameron & Son of Kilmarnock, the dial arch painted with a scene from the Lady of the Lake, contained in a mahogany case with waisted body, approximately 235cm high

OAK LONGCASE CLOCK, two train eight day movement, brass and silverised dial with Roman and Arabic numerals, subsidiary seconds dial and calendar, the face mounted with brass spandrels and makers plaque for R. Craig, contained in a waisted oak case, 206.5cm high

WEST COAST LONGCASE CLOCK, two train eight day movement, white enamel dial painted with Roman numerals and floral decoration, by JM Smith of Irvine, contained within a mahogany case, 231cm high

A George III Oak and Mahogany Crossbanded Longcase Clock, painted squared dial with painted spandrels and arched scene of grazing cattle, Roman numerals, with subsidiary second dial and date aperture, repainted "Needham Rotherham", the hood with broken swan neck pediment and brass finials, over central trunk flanked by reeded pilaster strips, shaped apron piece and bracket feet.

An oak eight day longcase clock, the silvered chapter ring bearing a later inscription, John Lawson, Keithley

An eight day oak longcase clock, dial signed John Weller, London, five pillar movement, later case, dial and movement, early 18th century, case early 19th century

An 18th century style eight day longcase clock, arched dial moon roller with marine detail and with a silvered plaque bearing an inscription by Brian Eames Whitstable circa 1977/78

Ten assorted 20th Century mantel clocks to include; a miniature longcase clock case as a pocket watch holder, Elliott mantel clock, Comitti reproduction clock etc Condition:

MID 19thCENTURY MAHOGANY LONGCASE CLOCK THOS SWINBURN DURHAM (SAS) SPARES OR REPAIR LONG TERM RESTORATION PROJECT

Oak 8 day Longcase clock with painted enamel dial. Condition reports are not available for our Interiors Sales.

Thomas Ward of Wrexham oak cased 30 hour longcase clock with brass square dial. Condition reports are not available for our Interiors Sales.

AN EIGHT DAY LONGCASE CLOCK the 11" square brass dial signed to the lower edge Fab. Robin, Londini Fecit, with silvered Roman chapter ring, stylised sword hilt half hour marks and Arabic five minutes to the outer track, subsidiary seconds, ringed winding holes and triple coronet engraved date aperture to the matted centre, cherub mask and foliate scroll spandrels, the movement with four knopped and finned pillars. The later marquetry hood and case with barley twist pilasters, convex throat moulding over a marquetry panelled trunk door and base, on ebonised bun feet, 204cm high

A CONTINENTAL WALNUT CASED MINIATURE LONGCASE CLOCK TIMEPIECE, the gilt circular dial with enamel chapter ring, the case with gilded decoration, on bracket feet, 29cm high

LONGCASE CLOCK KEYS - thirteen 18th Century and later crank handle keys

A GEORGE III MAHOGANY EIGHT DAY LONGCASE CLOCK, the 13 1/4" brass break arch dial with silvered Roman chapter ring, Arabic five minutes, the matted centre with subsidiary seconds dial, date aperture and floral engraving, rococo spandrels with name disc to the arch inscribed Jas. Morison, Anderston, the swan neck hood with three ball and spike/eagle brass finials and plain pillars, the trunk with shaped top door flanked by fluted pilasters upon a plain base, 223cm high, two weights, pendulum and key

AN OAK EIGHT DAY LONGCASE CLOCK, the 13" brass break arch dial with silvered Roman chapter ring, Arabic five minutes, foliate scroll engraved centre with subsidiary seconds signed Gandy, Cockermouth, urn spandrels and moon phase to the arch. The hood with moulded break arch cornice, single brass ball and spike finial and Corinthian capital pilasters, the trunk with quarter columns over a plain base, 241cm high with two lead weights, pendulum and key

A MONTH DURATION SEAWEED MARQUETRY LONGCASE CLOCK, the 12" square brass dial with silvered Roman chapter ring, Arabic five minutes and stylised sword hilt half hour marks, signed William Pain, London, matted centre with subsidiary seconds, date aperture and ringed winding holes, cherub and coronet spandrels with five knopped and finned pillar movement. The hood with moulded cornice, blind fretwork frieze, plain pilasters and side windows over a concave throat moulding, long door with lenticle and double skirt base, 219cm high with two brass cased weights, pendulum and key

An Edwards of Monmouth oak coffee table together with a nest of three oak tables and a Glengoyne miniature longcase clock

A 19th century oak longcase clock, the broken swan neck pediment above square columns, a short trunk door, box base and bracket feet, the square dial painted with floral spandrels, Roman numerals, seconds subsidiary dial and calendar aperture inscribed John Jones, Carnarvon CONDITION REPORT: Overall condition is poor

A 19th century mahogany longcase clock, the hood with a broken swan neck pediment above a long trunk door with an arched top, box base and bracket feet, the square dial with fruit painted spandrels with Roman numerals and a seconds subsidiary dial and calendar aperture inscribed "John Wright Altrincham", 213cm high

A part assembled longcase clock case

A George III oak and mahogany longcase clock, the 28cm brass dial with silvered chapter ring inscribed Ashton, Ashburn (sic) Roman numerals, date aperture, 30-hour movement striking on a bell, the case with swan neck pediment, shaped rectangular door to waist centred by an oval shell patera, bracket feet, 207cm high, c.1800The signature is that of Samuel Ashton the younger born at Macclesfield 1828, apprenticed to father at Tideswell 1742-49, and moved to Ashbourne c. 1750, leaving his brother Aaron to succeed to their father's business at Tideswell. The two son,s Thomas and Martin, the former working from Tideswell and the latter in partnership with his father from 1791 and his successor until his own death in 1829 [Craven, M & Hughes, R G 'Clockmakers & Watchmakers of Derbyshire' (Mayfield 1998) 57-58.] Condition Report: Generally good. Dial and movement associated with case.

Fisher of Birmingham eight day two train longcase clock with painted face (water damaged, no reserve)(B.P. 24% incl. VAT)

18th Century oak 30 hour brass faced longcase clock marked Samuel Quarman of Temple Cloud. Water damaged, no reserve.(B.P. 24% incl. VAT)

19th Century oak cased 30 hour painted dial longcase clock. Water damaged, no reserve. (B.P. 24% incl. VAT)

19th Century oak two train painted dial longcase clock by Richard Rogers Dudley. Water damaged, no reserve.(B.P. 24% incl. VAT)

18th Century 30 hour brass faced longcase clock marked George Quinton Downton. Water damaged, no reserve.(B.P. 24% incl. VAT) CONDITION REPORT: Has weight and pendulum.

19th Century mahogany two train longcase clock with painted face marked Alexander Cumming, London. Water damaged, no reserve.(B.P. 24% incl. VAT) CONDITION REPORT: Has weight and pendulum.

19th Century eight day painted dial longcase clock by M Godfrey Cowbridge. Water damaged, no reserve.(B.P. 24% incl. VAT)

A contemporary reproduction longcase clock, with arched hood and brass dial, with Roman numerals, applied spandrels and etched lettering EJ Goodfellow, Wadebridge, the movement supporting three long brass cased weights

A Georgian oak cottage longcase clock with walnut cross banding, the hood with swan neck cornice, enclosing a painted square dial with floral spandrels, eight day striking movement with subsidiary calendar and secondary dials by Halliday of Bridgewater

A Georgian mahogany longcase clock, the hood with Corinthian columns beneath a swan neck cornice, enclosing a circular brass dial and eight day striking movement by Shepherd and Potter of Wotton Under Edge

Large Yorkshire Victorian 8 day longcase clock with painted dial & mahogany veneer case, maker Illingworth of Holbeck Ht 244cm

Fine quality small figured walnut longcase clock after an original by Fromanteel, the matted and gilt brass dial with silvered chapter ring Roman and Arabic numerals and subsidiary seconds dial, signed Bedingfeld, Dorking, the four pillar movement with anchor escapement striking on a bell, circa 1790, the case of modern construction CONDITION REPORT Dial size - 25cmTrunk door length - 99cm x 21cmTrunk height to dial - 197cmTrunk width - 24cmTrunk bottom - 33cmTrunk top - 40cm

19th Century North country mahogany and crossbanded longcase clock, the arched hood with swan neck pediment above a triple arch door flanked by carved columns on a conforming plinth base, the painted dial with Roman and Arabic numerals, subsidiary seconds and calendar dials with moonphase to the arch, the two train movement striking on a bell

George III oak mahogany crossbanded and inlaid longcase clock, the hood with swan neck pediment above an arched door on a plinth base, the painted enamel dial with Arabic and Roman numerals, subsidiary seconds and date aperture, with a two train movement striking on a bell CONDITION REPORT There are no badges on the cues.Overall they are in fair condition, no signs of major damage or splits, some tips are missing and need replacing

19th Century floral painted longcase clock dial

A late 18th Century thirty-hour oak longcase clock, Thomas Hillier, Frome, the brass dial with silver chapter ring, the hood with turned columns to the sides and plain rectangular trunk

A walnut cased longcase clock, the arch dial signed Brandreth, Middlewich and with moon phase and date aperture, approximately 244cm high to the top of the central finial/see illustration Condition Report: The movement is original to the dial, The clock is 231cm high to top of the swan neck

Thomas Richardson of Weaverham, an impressive George III longcase clock The arched brass 35cm dial with silvered Arabic and Roman chapter ring, pierced brass spandrels, fitted with moon phase and date aperture to arch and inscribed above 'He appointed the moon for certain seasons', fitted with a brass three train musical movement striking on a rack of eight bells and a further independant single bell, the mahogany case with broken arch pediment, glazed hood door supported on Corinthian columns over an arched trunk door with blind fretwork pillar and brickwork decoration, approx height 235cm in total CONDITION REPORT Clock has been recently renovated and movement is clean. Trunk door appears slightly warped and there is some slight cracking to body work Has been running recently but offered with no guarantee Case has been re polished/repaired recently, Three weights present, moon phase is disconnected

An 18th Century and later longcase clock Of small proportions, the unsigned 25cm square brass dial, with Roman and Arabic chapter ring, pierced foliate and masked spandrels and subsidiary seconds dial, to a brass 30-hour movement striking on a bell, the case with caddy top glazed hood door and pierced fretwork detail over a plain trunk and box base.

An 18th Century longcase clock The unsigned 25cm square brass dial, with single hand and Roman chapter ring and pierced brass spandrels, to a 30-hour movement striking on a bell, the oak case with caddy top, arched trunk door and box base, height 210cm

George Booth, Manchester - An 18th Century longcase clockWith brass 35cm square dial, with silvered Roman and Arabic chapter ring, subsidiary seconds dial and date aperture and applied cherub and foliate spandrels to a brass eight day movement striking on a bell, set in oak caddy top case with glazed hood door, pillared side supports, arched trunk door and box base, approx height 210cm.CONDITION REPORT2 weights and pendulum and key presentMovement and case a likely marriage, seat board appears relatively recentCase rather dirty and could benefit from some re-polishing Piece of base moulding loose, clock movement dirty, may not have run for some time

Dilger & Berkley of GlasgowA 19th Century Scottish longcase clock The painted arch dial with Roman numerals and figural spandrels fitted with subsidiary date and second dials to a brass eight day movement striking on a coil, the mahogany case with inlaid detail and arched scrolled hood, height 220cmCONDITION REPORT2 pulleys, pendulum and 2 weights present, winding key present, no door key

Watkin Owen, Llanrwst an oak longcase clock: having an eight-day duration, five-pillar movement striking the hours on a bell with a wood rod to the pendulum and conical shaped weights as typical of this maker, the thirteen-inch square painted dial having black Arabic hour numerals, a subsidiary seconds dial, date aperture, blued steel hands and signed to the centre Watn. Owen, Llanrwst, decorated with two sailing ships to the centre and flora to the four corners, the false-plate to the rear of the dial embossed with the dialmaker's name Wilson, Bham, the oak case having fan inlaid decoration to the trunk door and raised panel to the base, with fluted quarter columns to the trunk, the hood having turned pillars with cast-brass capitals and a shallow swan-neck pediment with a carved wooden fan finial to the centre, all standing on bracket feet, height 206cms.* Biography Watkin Owen was a fine maker and his history, and that of his family is well-recorded. He took over the family clockmaking business 1776 aged twenty following the death of his father John, a most skilled and excellent clockmaker himself, and continued for another thirty-three years. He always fitted his movements with five pillars as opposed to the normal four and his painted dials were supplied by Wilson of Birmingham, one of the first to manufacture this style and considered one of the finest exponents. Watkin Owen died in April 1809.* Note For an in-depth study detailing the life, clocks and working practices of Watkin Owen see Colin & Mary Brown, The Clockmakers of Llanrwst, Bridge Books 1993.

A London style mahogany longcase clock: having an eight-day duration movement with a half-dead beat escapement and striking the hours on a bell, the twelve-inch brass break-arch dial having a raised silvered chapter ring engraved with black Roman numerals and Arabic five-minute outer numerals, the matted centre having an inset silvered subsidiary seconds dial and date aperture, with the arch having a silvered 'strike/silent' dial, with oriental style cast-brass corner spandrels to the four corners and dial, the mahogany case having a shaped stepped moulding to the trunk door, fluted quarter columns to the trunk with brass stops and cast-brass capitals, with the hood having matching full pillars and surmounted by a pagoda top with carved wood flame finials, the base having a shaped raised panel, a double plinth and standing on bracket feet, height 246cms.

A Georgian mahogany longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch painted cream break-arch dial having black Roman numerals, a subsidiary seconds dial, a 'strike/silent' dial within the arch and blued steel heart shaped hands, the London-style mahogany case having a break-arch moulding to the top of the trunk door, fluted quartered columns with cast-brass capitals and brass stops being repeated to the hood, the base with a shaped raised panel and double plinth, height 220cms.

Fearnly, Wigan an oak longcase clock: the eight-day duration movement striking the hours on a bell, the thirteen-inch square brass dial having a raised silvered chapter ring engraved with black Roman numerals and Arabic five-minute outer markings, the silvered centre engraved with floral and rococo decoration and having subsidiary seconds and date dials, with cast-brass rococo style spandrels to the four corners and decorative blued steel hands, the oak case cross-banded in mahogany and having fluted quarter columns to the trunk with cast-brass capitals, the hood having fluted pillars with cast-brass capitals, a blind fret to the front frieze and surmounted by a swan-neck pediment with three eagle-and-ball brass finials, with canted corners to the base and all standing on bracket feet, height 230cms, including finial. *Note A clock signed for Fearnly in a similar style to this example and housed in an oak case is illustrated in Clockmakers of Northern England, by Brian Loomes, published by Mayfield Books, 1997. *Biography. Peter Fearnley was a well-known and prolific maker described by Arthur Hawkes, Borough Librarian of Wigan 1919-1950 as 'a clockmaker of importance', with the first reference to him being the birth of his daughter Alice in March 1777, thereafter numerous other of his children are recorded. He came to prominence when given the contract to build a new clock for the parish church, with various vestry records giving an insight into the procedure. His wife Ann Lawson, from the clockmaking Lawson family, died in June 1821, aged 67, followed by Peter himself in 1826 aged 77. * Note. Reference Arthur J. Hawkes, The Clockmakers and Watchmakers of Wigan, published by the author 1950, pages 64 - 69, chapter Peter Fearnley, Contemporaries and Successors.

W. Helliwell, Chorley a moon-phase longcase clock: having an eight-day duration movement striking the hours on a bell, the fourteen-inch brass break-arch dial having a raised silvered chapter ring engraved with black Roman numerals, outer Arabic five-minute numerals with the maker's name engraved either side of VI o'clock W. Helliwell, Chorley, the silvered centre engraved with rococo style decoration and having a subsidiary seconds dial and date aperture, the arch having a moonphase disc decorated with landscape and seascape scenes, with cast-brass rococo spandrels to the four corners and blued steel hands, the mahogany case having a shaped top to the trunk door and fluted quarter columns, with the hood having fluted pillars with cast-brass capitals, a swan-neck pediment with verre eglomisé panels of gilded decoration on blue glass, with an oriental finial to the centre and two turned wooden side finials, the base having canted corners, a raised shaped panel and standing on bracket feet, height 236cms.

James Whitnell, Newcastle a Georgian mahogany longcase clock: the eight-day duration movement striking the hours on a bell, the thirteen-inch painted break-arch dial having subsidiary seconds and date dials to the centre, black Roman hour numerals with painted floral decoration to the four corners and painted peacocks within the arch, signed to the centre J. Whitnell, Newcastle, with gilt-brass decorative hands, the mahogany case having an arched door and turned quarter-columns to the trunk, with an inset panel above, the break-arch hood having turned columns and surmounted by cresting, the base with mahogany crossbanding and standing on bun feet, height 224cms. * Biography James Whitnell is recorded as working in Newcastle from before 1834 until at least 1848.

A mahogany longcase clock: the unsigned early 18th century eight-day duration, five-pillar movement striking the hours on a bell with an outside countwheel, the eleven-inch square brass dial having a raised silvered chapter ring engraved with black Roman numerals, Arabic outer five-minute markings and meeting-arrow-head half-hour markings, the matted centre with ringed winding holes and a date aperture with engraved surround, with cast-brass female-head spandrels to the four corners and blued steel hands, the associated mahogany case having tapered pillars to the hood, surmounted by a shallow swan-neck pediment and standing on bracket feet, height 200cms.

1930's oak triple weight longcase clock with inset barometer

Antique oak 30 hour longcase clock having fruit painted arched dial, signed W. Terry, Richmond

19th Century mahogany eight day longcase clock having arched marine phase dial, signed Will Hall, North Shields

A Huntley & Palmers tin in the form of a longcase clock

An Edwardian oak longcase clock refitted as a bookcase with quartz clock movement.