We found 44426 price guide item(s) matching your search

A 19th century mahogany longcase clock, the 8-day movement with painted arched dial, signed Murch, Honiton, with `rocking` sail boat within the arch, 230 cm high

A 19th century satinwood and ebony inlaid mahogany longcase clock, the broken swan-neck hood enclosing an 8-day movement with painted arched dial, signed Abraham, Frome, with moonphase aperture to arch, 214 cm high

A George III mahogany 8-day longcase clock, the single train movement with silvered dial and subsidiary seconds signed Joseph Starling, London, 192 cm high

A mid 18th century mahogany eight day longcase clock, the hood with broken arch pediment over an applied laurel string frieze enclosing brass dial incorporating subsidary seconds and date aperture, signed James Aicken, Cork (Ireland), 230 cm high

An 18th century oak longcase clock, the 30hour movement with silvered and brass square dial signed Jas Webster, Salop 201 cm high

CONTINENTAL SATIN BIRCH LONGCASE CLOCK 20TH CENTURY the shaped cornice over a rectangular case with six glazed panels, raised on a plinth base 47cm wide, 182cm high, 31cm deep

MAHOGANY LONGCASE CLOCK, BY P. GILL & SONS, ABERDEEN 19TH CENTURY the circular dial with painted Roman numerals, subsidiary second and date dials, the trunk with columns, raised on bracket feet 49cm wide, 205cm high, 24cm deep

AN OAK DWARF LONGCASE CLOCK WITH CHIMING MOVEMENT

A GEORGE III OAK LONGCASE CLOCK the brass dial with silvered chapter ring with engraved and matted centre with date aperture, steel hands and cherub spandrels, having thirty hour movement, in (associated) crossbanded and line inlaid case, the hood with turned pillars, 188cm h ++ The movement and dial earlier than the case. The movement very dirty, the seatboard of later date, the case in original condition, in need of cleaning. Sold with a pendulum with brass faced bob and a lead weight. Vertical shrinkage crack in base of case but of good dry colour

A 19th Century Mahogany Eight Day Longcase Clock with Silent Strike and Painted Arched Dial by Javit of Bedford

Late 18th century longcase clock painted dial, marked "Kendrick, Droitwich" with seconds subsidiary dial and date aperture, the surround of pastoral scenes, the mahogany hood with swan neck pediment to turned pilasters and oak mahogany trunk with rosewood inlay, 8-day weight driven movement, dial 28cm, 206cm high

An early 19th century oak cased longcase clock, with eight day movement and painted square dial, J Knight, Halstead

A 1920s oak cased longcase clock, (lacking weights)

An early 19th century oak eight day longcase clock, the 13 inch arched brass dial signed Thomas Stringer, Newhall, with date and subsidiary seconds, 7ft 9ins

A George III mahogany eight day longcase clock, the 12 inch arched brass dial with silvered chapter ring, subsidiary seconds and date aperture, signed Thomas Haydon, London, 7ft 6ins.

A late 17th century walnut and marquetry eight day longcase clock by Charles Gretton of Fleet Street, the 10 inch square brass dial with angel spandrels, silvered Roman chapter ring, subsidiary seconds and date aperture, the case decorated with panels of birds and flowers, 6ft 7ins

`????, Horsham ` a 12" painted dial 8 day longcase clock with painted spandrels and figure to breakarch with calendar aperture and inset seconds dial at 12, in an associated cross banded oak case with columns to side, short trunk door and brass capped swan neck pediment to hood (with half columns to sides). 85" high without brass eagle finials.

`Ryder Devonport`-An 8 day mahogany longcase clock standing on splayed feet with engraved silvered arched dial (12" x 17") showing recessed seconds and a working calendar feature c. 180 with 8 day bell striking movement and having a veneered and cross banded mahogany case and a full length arched top trunk door (28" long)between barley twist columns to the trunk. The hood has free standing barley twist columns which flank the arched opening glazed hood door. Approx 7ft high excluding finials.

Mansell Bennett, Charing Cross (1688-1711) A Queen Anne Figured Burr Walnut Month Duration longcase clock . The movement with 5 finely turned pillars, Rise and Fall pendulum mechanism (with circular dial to breakarch of dial), the 14" breakarch brass dial with wheatear engraving to border, separate chapter ring and spandrels, original hands, seperate seconds ring and date aperture box and applied name to a matted centre. The case of figured burr walnut, with trunk with side panels to each side, with double herring bone inlay borders, double plinth base, the long trunk door with breakarch top (4` high) and further double herring bone inlay, the trunk and hood with two engraved brass escutcheons, fretwork panels under top of hood, double plinth lower and deep arched side windows to hood sides, integral columns to opening door with quartered columns to rear. Approx. 7` 10" high. Has hand written label within with details of maker and the name ` Sir Charles Galbraith ` and the address `11 Bedford Row, London....` The Victoria and Albert Museum, South Kensington have a clock by this maker in their collection. Literature: Early Clockmakers of Great Britain by Brian Loomes, maker recorded as a freebrother of the CC in 1688. Page 135, English Domestic Clocks, by Ceccinsky & Webster Page 369, Britten`s Old Clocks, Watches and their Makers, edited by C. Clutton, G.H. Baille & C. A. Ilbert

An early-mid 19thC Scottish 8 day mahogany longcase clock with 12 3/4" painted Day-glow break arch dial with image of Mary Queen of Scots image to break arch and `Earth, Air, Wind and Fire` painted images to the spandrels, the hood with swan neck spandrels and side windows, carved oak leaf columns to sides repeated with quarter carved columns to the trunk, with long trunk arch shaped door with crossbanded decoration, the movement striking on a bell, standing on 4 circular feet (front feet of melon form)and typical painted bob to pendulum,89 1/2" tall

AN 18TH CENTURY WALNUT EIGHT DAY LONGCASE CLOCK, the 11 ¾" arched brass dial with Roman chapter ring, Arabic five minutes with subsidiary seconds and date aperture to the matted centre, the arch with convex plaque signed Tho. Gardner, In the Minories, London, flanked by dolphin scroll mounts and with urn and scroll spandrels and five pillar movement, The break arch hood with three brass ball finials and plain pilasters over a figured and crossbanded break arch trunk door and plain base, 82 1/2" high.

A LATE GEORGIAN OAK EIGHT DAY LONGCASE CLOCK, the arched painted dial with moon phase over a Roman dial with Arabic five minutes, subsidiary seconds and date aperture, bird and floral painted centre indistinctly signed W. Jones, Aberystwyth and floral painted spandrels. The hood with swan neck pediment, fluted columns, the trunk with fluted quarter columns and panelled skirt base, 88" high.

A THIRTY HOUR LONGCASE CLOCK MOVEMENT, with 10" square brass dial, the matted centre with roundel border and central star, applied Roman chapter ring with fleur de lys half hour markers, signed T. Dicker, Silchester, female mask and scroll spandrels, together with weight and pendulum.

A VICTORIAN MAHOGANY EIGHT DAY LONGCASE CLOCK having a break arch painted Roman dial depicting `Daniel and the lions den`, with subsidiary seconds and date dials, the hood with swan neck pediment and turned pillars, the trunk with short door flanked by reeded corners over a recessed roundel base, 91 1/4" high.

1940`s oak longcase clock with a domed top, silvered dial with Arabic numerals, inscribed, "Made in Germany", glazed door.

19th century oak and mahogany longcase clock, with a broken swan-neck pediment, fluted half column pilasters, short door, plinth base, square painted dial with floral spandrels, Roman numerals, subsidiary date aperture, signed - Northwood & Sons, Earcall-Heath, thirty-hour movement striking on a bell.

Longcase clock dial, arched, painted with Roman numerals, subsidiary seconds dial and date aperture, signed William Weston, Newark.

A late George III 8-day longcase clock, square painted dial with subsidiary seconds, signed J. Jones, Beaumarris, oak case with columns to hood, trunk cross-banded in mahogany, complete with pendulum and weights, 6ft. 6in.

A 1920`s dark oak longcase clock, square brass dial with silvered chapter ring, movement chiming on eight pipes, hood with split barley-twist columns, panelled trunk door, with pendulum and integral weight, 6ft. 2in.

A 1920`s dark oak longcase clock, single door with glazed trunk enclosing circular brass dial, movement chiming on eight pipes, complete with pendulum and three brass-cased weights, 6ft. 1in.

An Emperor Clock Company longcase clock, break-arch pediment above single trunk door with bevelled glass panes, traditional arched brass dial with moon phases, movement chiming on twelve pipes, with gridiron pendulum and three brass-cased weights, in maple case, 6ft. 8in.

A George III mahogany 8-day longcase clock by William Layshall, arched brass dial with numerous engraved Masonic emblems, centre with date and seconds subsidiaries, Old Father Time in motion to the arch, domed hood with three brass finials and fluted columns, flame-veneered trunk door, circa 1780, 7ft. 6in. extreme height - complete with key, pendulum and weights SEE ILLUSTRATION

A thirty hour oak longcase clock, mid 18th century, the 10.5 inch square brass dial signed `John Roberts` with centred date aperture within an inner ring of Roman numerals, outer ring of Arabic numerals and scrolling leaf pierced corner spandrels, the hood with ogee moulded cornice over turned front corner hood pilasters above a long trunk door, raised on shaped bracket feet, 204cm high

A Regency oak eight day longcase clock, the 14 inch painted dial signed `R McAdam, Dumfries`, with centred subsidiary seconds dial and date dial within a ring of Roman numerals and painted floral spandrels under a painted arch showing a female figure next to a brook, the hood with swan neck pediment over and arched hood door between fluted front corner hood pilasters over a short arched trunk door between front corner quarter fluted pilasters on a planked box base (lacking bracket feet), 216cm high

A William IV mahogany longcase clock, the 14 inch circular painted dial signed James Nelson Sligo with centred subsidiary seconds dial and ring of Roman numerals within a drum hood with C scroll pediment over a tapering trunk with canted front corners on a box base with single flame veneered panel over a skirting plinth and compressed bun feet to the front, 205cm high

An oak eight day longcase clock, the 14 inch square brass dial signed `J N Griffiths, Joyner`, with centred subsidiary seconds dial and date aperture, within a ring of Roman Arabic numerals and pierced cherub moulded corner spandrels, the dial associated to the eight day movement striking on a later coiled gong, both in an associated George III oak crossbanded mahogany case, the hood with fluted front corner hood pilasters over blind fret decoration to the trunk and inverted arched long trunk door, between quarter front corner fluted pilasters, on a box base with later skirting plinth, 202cm high

An eight day oak longcase clock, 18th century, the 12 inch square brass dial with centred subsidiary seconds dial and date aperture within an inner ring of Roman numerals, outer ring of Arabic numerals and cherub moulded corner spandrels, the unrestored four pillar movement striking on a single bell, the associated case with ogee moulded corners to the hood above an arched hood door over a long trunk door on a boxed base and splay bracket feet, 218cm high

An early 20th century three train longcase clock in the 17th century style, the 10 ½ inch dial, with three winding holes centred within a chapter ring of Roman and Arabic numerals within pierced cherub moulded corner spandrels, the hood with quarter bobbin turned front hood pilasters, over full width trunk door with central lozenge moulding, raised on a box base, 182cm wide

A 19th Century Longcase Clock with painted arch dial in oak case with canted corners and bracket feet. 7` 4" (220cms) high (movement removed).

A George III Longcase Clock, the steel and brass arched dial inscribed "Gilbert Kidd, Malton" with seconds ring, date aperture and ormolu spandrels, with engraved spread eagle arch, eight day movement in oak case, with fluted turned pilasters, the trunk with reeded canted corners and long arched door on bracket feet. 6` 11" (211cms) tall.

An early 19th Century Longcase Clock, the arched dial painted with birds and flowers and inscribed "Barker, Easingwold" with date aperture and 30 hour movement in oak case with swans neck pediment and on bracket feet. 6` 11" (211cms) high.

An 18th Century Longcase Clock, the brass dial inscribed "George Ewbank, Elland" with penny moon, date and seconds apertures with engraved dial and ormolu spandrels, 30 hour movement in oak case, the canted corners with half round mouldings and on bracket feet. 6`5" (196cms) high.

A late 19th century brass miniature longcase clock, in the form of a Gothic tower, 56.5cm high

A late 19th century miniature carved oak longcase clock, 61cm high

Dan Prestidge, Towcester, an oak cased 30 hour longcase clock, with a painted square dial, inscribed the arched pediment with brass ball finials

Claude Du Chesne, a burr walnut longcase clock, the 12" square dial with pierced spandrels, with a silver chapter ring (diameter 28cm) inscribed `Claudius Du Chesne, Londini`, enclosing an eight-day movement with subsidiary seconds dial and calendar aperture, in an associated modern burr walnut case, 200cm high, 30cm dial

Victorian oak eight day longcase clock with painted arch dial.

Victorian mahogany Gothic cased longcase clock, the three train movement with nine chromed tubs and mercury compensated pendulum, glazed trunk.

Mahogany cased eight-day longcase clock with painted arched dial depicting the four seasons and a ploughing scene in arch.

A 19th Century oak and mahogny 30 hour longcase clock by I & E Mason of Worcester, with square painted dial and swan neck pediment.

A reproduction Mahogany Longcase Clock by Smallcombe, England, having swan pediment hood, brass and brushed alloy face with moon roller, glazed door, standing on plinth base. 15 1/2`` wide x 77`` high x 9 1/4`` deep

A REPRODUCTION DWARF LONGCASE CLOCK WITH BREAK ARCHED BRASS DIAL

A `VIENNA` WALL CLOCK ADAPTED AS A DWARF LONGCASE CLOCK IN STAINED OAK CASE

AN ART DECO WALNUT DWARF LONGCASE CLOCK WITH CHIMING MOVEMENT

A MAHOGANY LONGCASE CLOCK dial painted 12 inch, signed Cockburn, Richmond, subsidiary calendar and seconds ring, 79 1/2ins. (202cms.) high

AN OAK LONGCASE CLOCK dial 10 1/4inch silvered, signed Edwd. Smith, Richmond, subsidiary seconds ring and calendar aperture, 86ins. (218.5cms) high overall

A MAHOGANY LONGCASE CLOCK dial cream painted with subsidiary seconds ring and calendar ring, signed W. Cram, Carlisle, the spandrels painted with rural buildings, the arch with a kneeling couple, case inlaid with boxwood lines, 85 1/2ins. (217cms.) high

A TORTOISESHELL AND CHINOISERIE GILT LACQUERED LONGCASE CLOCK dial 11 inch silvered chapter ring, subsidiary seconds ring and calendar aperture, the plate signed B. Broadhead, Londini, Fecit, the arch with silvered strike/silent ring, 89ins. (226cms.) high

An early 19th Century thirty-hour oak longcase clock, fitted a square 11" brass dial with Roman numerals by John Wood, Stroud

An early 19th Century oak eight-day longcase clock, the case with broken arch pediment and turned columns to the hood, the trunk enclosed by an arch top door, the arch top brass dial with painted scene of a city to the arch having decorated spandrils and date recorder, by Caygill, Askrigg