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An early 20th Century oak longcase clock, the 12.5ins arched brass dial with silvered chapter ring and applied brass Roman numerals, the dial centre and spandrels boldly fretted and engraved with leaf scroll ornament, subsidiary seconds dial and chime/silent dial to arch to the eight day three train movement striking and chiming on five tubular gongs, and with three brass cased weights and wooden pendulum rod with heavy bob, enclosed in plain oak case, the hood with arched and moulded cornice and turned and fluted pillars to sides, oval bevelled glass panel to door, the plinth with fielded panel, on bracket feet, 88ins high.

A late 18th Century mahogany longcase clock by John Vidion of Feversham, the 12ins arched silvered dial with Roman and Arabic numerals, subsidiary seconds dial and date aperture, showing phases of the moon to the arch, to the eight day two train five pillar movement striking on a bell, contained in mahogany case with pagoda top, and turned, fluted and brass stopped pillars to hood, arched and moulded trunk door veneered in figured mahogany and flanked by fluted and brass stopped quarter columns, the base with applied astragal moulding and double plinth base, 90ins high Note : John Vidion recorded working as a Watchmaker in Faversham pre 1774- 1801.

A late 17th/early 18th Century Dutch oak and marquetry longcase clock by Bernard Van der Cloesen of The Hague, the 12ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals, the matted dial centre with turned winding holes showing phases of the moon and calendar work and with cast brass cherub's head spandrels to the eight day two train five pillar movement with alarum, Dutch striking on two bells, contained in oak and marquetry case inlaid with birds, ribbon and trailing leaf and floral motifs, the hood with stepped pagoda top and plain turned pillars to hood, the trunk door with oval lentical, on plinth base, 90ins high, Note : Bernard van der Cloesen (ante 1650-1736) was born in Emmerik and having been married in the Hague, became a citizen of the city in 1688. With the establishment of the Clockmaker's Guild in 1688 he became Warden and later Master. In 1699 succeeded Lubbertus van der Burgh as City Clockmaker for the Hague, being succeeded by one his sons, also Bernard, in 1735. In 1694 van der Cloesen made Christian Huygens last clock for measuring longitude at sea. See Dr. R. Plomp, Spring Driven Dutch Pendulum Clocks 1657-1710 Schiedam 1979 for illustrations.

VICTORIAN EIGHT DAY LONGCASE CLOCK by Henderson Dunblane, the painted dial with Roman numerals and subsidiary seconds and calendar dials, decorated with Scottish figure and rural scenes, set in mahogany case with swan neck pediment hood and waisted case with bow fronted door and panel base, with shaped supports, 222cm high

An oak and mahogany cased, eight-day longcase clock, the broken swan neck pediment above an arched glazed panel door flanked by two turned free standing columns, the trunk door flanked by quarter columns above a planked base on ogee bracket feet, the painted dial with haymaking scene to the arch subsidiary seconds dial and date aperture, indistinctly signed W Hann Gloster, the dial 30.5cm (12")

A early 19th Century oak longcase clock with blind fret frieze to the cornice, fitted a square brain dial with eight-day movement by Prew, Tewkesbury

A French painted pine thirty-hour longcase clock, the nine inch circular dial inscribed 'Daniel Kiellbom', the two- train movement chiming a bell, with a stepped hood and convex glass above a bombe base with lenticle, painted light green, 215 cm high. Illustrated.

18th century mahogany longcase clock by James Peters of Cambridge, with three brass ball and eagle finials, twin-train movement, painted dial with subsidiary seconds and date dials, over arched panelled door and square base, with pendulum and two lead weights, 8417.509.50

A 19th century miniature tabletop Apprentice's oak cased longcase clock, with brass face and pierced dial, height 39cm (af)

A Georgian square brass longcase clock dial and movement by David Collier of Gatley, together with other Georgian clock components and weights (af) (Illustrated)

A late Georgian mahogany longcase clock, with painted arched dial, the movement striking on a gong (in need of restoration)

An early 19th century crossbanded mahogany veneered striking eight day longcase clock, having a painted arched dial with moon face movement, painted with classical figures and objects, the case with castellated trunk door flanked on either side by fluted columns, (af) (Illustrated)

An early 19th century marquetry inlaid mahogany banded oak cased striking eight day longcase clock, having a 35cm painted square dial by Faulkner of Northwich, with twin weights and pendulum, height 217cm (Illustrated)

A fine quality and rare mid 18th century crossbanded walnut veneered and herringbone inlaid cased striking eight day longcase clock with spherical ball moonface movement by Thomas Ogden of Halifax, circa 1750, the 35cm arched brass dial applied with dolphin, mask and scrolling foliage spandrels, the dial with subsidiary seconds dial, date aperture and twin winding holes, the elegant trunk having a shaped door with glazed lenticle, the crossbanded base raised on a moulded outswept plinth and short bracket feet, with twin weights and pendulum, height 240cm (Illustrated)

THOMAS SHAW, LANCASTER, A FIGURED OAK AND MAHOGANY CROSSBANDED LANCASHIRE LONGCASE CLOCK, with long trunk door, the hood with swan neck pediment and freestanding tapered cylindrical brass capped pillars, 33cm brass arched dial inscribed "SIC TEMPUS FUGIT" in the arch, and signed in reserve above "6", centre sweep date pointer, four pillar weight driven eight day movement with rack strike on a bell. 2.25m Note: T.Shaw is recorded as working 1776-1795.

TIMOTHY ROBERTS, OTLEY, A LATE 18th CENTURY YORKSHIRE OAK LONGCASE CLOCK, the rich oak case with long trunk door and flat moulded hood styled without pillars, 30.5cm square brass dial with superior engraving, dummy winding holes and seconds with date wheel (connected), thirty hour pull-up wind movement with four pillars and unusual skeletonised plates, outside countwheel strike on a bell. 2.00m

An 18th century oak eight day three-weight chiming longcase clock, the arched dial with silvered chapter ring, subsidiary seconds and date aperture, by Henry Gamble, Bramley, later carving, height 230cm. Brian Loomes lists Henry Gamble of Farnley (nr Leeds) as 1739-1780; he apparently died suddenly after eating a hearty dinner (Illustrated).

George III mahogany crossbanded oak longcase clock, the hood with swan neck pediment and reeded pillars, brass dial with silvered chapter ring having subsidiary seconds dial and calendar aperture signed Joshua Brace (Chepstow), eight day striking movement, 206cm high

George III mahogany longcase clock, the arch shaped dial having a moulded cornice and reeded columns, trunk with long door, arch shaped brass dial with cast spandrels, centre with engraved bird decoration, chapter ring with Roman numerals, subsidiary seconds dial and calendar aperture, signed John Mercer, Hythe, eight day striking movement, 204cm high

A walnut eight day longcase clock, 18th century, the 12 ¥ inch arched brass and silvered dial with convex disc to the arch signed 'Alexander Barclay, Cupa', with centred subsidiary seconds dial and date aperture within a ring of Roman numerals and outer ring of Arabic numerals, with pierced scrolling leaf corner spandrels, the restored five pillar movement striking on a single bell, the caddy top hood with arched glazed door flanked by three quarter turned front corner hood pilasters over a long, arched, feather banded trunk door on a crossbanded box base (lacking feet), 218cm high

A George III oak eight day longcase clock, the 11 inch square brass dial with silver chapter ring signed 'Edward Patrick at Parshore', with centred subsidiary seconds dial and date aperture, the chapter ring with Roman and Arabic numerals, within cherub moulded pierced corner spandrels, the restored four pillar movement with anchor escapement striking on a single bell, the hood with quartrefoil blind fret frieze over a square glazed door between turned front corner hood pilasters (pilasters possibly later), over a narrow ogee moulded crossbanded long trunk door, between short quarter fluted front corner trunk pilasters on a plain box base with later skirting plinth, 206cm high

AN OAK EIGHT DAY LONGCASE CLOCK by Russel, Lancaster, the four pillar movement with anchor escapement and rack striking on a bell, 14 1/4" arched dial with Roman numerals and secondary dials, the spandrels painted with flowers, the arch painted with a classical maiden in a chariot drawn by two stags, in mahogany beaded case, the scrolled pediment with turned finials on Corinthian columns, arched door flanked by quarter columns, canted panel base and ogee bracket feet, 88 1/2" high

AN OAK EIGHT DAY LONGCASE CLOCK by John Smith, Chester, the four pillar movement with anchor escapement and rack striking on a bell, 13" arched brass dial with chased foliate centre, and silvered Arabic and Roman chapter ring, seconds dial and calendar aperture, the arch with painted rolling moon disc for Lunar scale with inscribed name over, the associated mahogany banded case with broken arch pediment and foliate carved frieze on turned columns and brass finials, arched door flanked by quarter columns, on panel base, 88 1/2" high

AN OAK EIGHT DAY LONGCASE CLOCK by Thomas Travis Thorn, the movement with anchor escapement striking on a bell, 12" arched brass dial with Roman and Arabic numerals, the centre chased with flowers and foliate scrolls, seconds dial and calendar aperture, the case with scrolled pediment on turned columns, arched door, panel base and bracket feet, 85 1/4" high

AN OAK EIGHT DAY LONGCASE CLOCK, signed Humphrey Hadley, Birmingham, the four pillar movement with anchor escapement and rack striking on a bell, 12" arched brass dial with silvered chapter ring and matted centre chased with a crown and foliage, calendar aperture and secondary dials, the arch with penny moonphase, the case with stepped flat top, dentil moulded cornice and blind fret frieze on turned columns, canted trunk with arched door, on panel base, 82 1/2" high

A MAHOGANY EIGHT DAY LONGCASE CLOCK by Isaac Burton, Ulverstone, the eight day movement with anchor escapement and rack striking on a bell, arched dial with Roman numerals, the spandrels painted with fan motifs, the arch depicting a moonlit river scene with female figure, secondary dials, the crossbanded case with stringing and parquetry banding, scrolled pediment on turned columns, arched door flanked by quarter columns, canted panel base and bracket feet, 87" high

A FRENCH PINE CASED COMPTOISE LONGCASE CLOCK, 19th century, the twin barrel movement with verge escapement striking on a bell, 8 1/2" white convex enamel dial with Roman numerals and painted with flowers, unsigned, within a gilded pressed metal surround surmounted by a vase of flowers, issuing from foliage with frieze of florettes below, the pine cartouche case with arched and moulded top, pierced spindle gallery below dial, sunburst linticle, on bracket feet, 89" high

AN OAK EIGHT DAY LONGCASE CLOCK by Thomas Hargreaves, Settle, the movement with anchor escapement striking on a bell, 13 1/2" square dial with Roman and Arabic numerals and with calendar aperture, the corners painted with fruit and flowers, the mahogany banded case with scrolled pediment on turned columns, arched door with shell patera flanked by quarter columns, the panel base with inlaid roundel and batwing inlaid corners linked by chequer banding, on bracket feet, 91 1/2" high

AN OAK THIRTY HOUR LONGCASE CLOCK by Neddy Wells, Shepley, Near Huddersfield, the four pillar movement with outside count wheel striking on a bell, 12" square brass dial chased with foliate scrolls, Roman and Arabic numerals and calendar dial, the case with scrolled pediment having brass florettes and turned finials on fluted columns, arched door flanked by quarter columns, panel base and bracket feet, 83 1/2" high

A 19th Century oak and mahogany Longcase Clock Case (hood missing).

A 20th Century Longcase Clock with steel and brass dial and striking movement in oak case with glazed door. 6'8" (204cms) high.

An early 19th Century Longcase Clock by D Whitelaw, Edinburgh, the brass dial with seconds ring, date aperture and 8 day striking movement in mahogany case, with glass door and bracket feet. 6'6" (198cms) high.

A mahogany longcase clock, with a three train musical movement striking on a peel of eight bells and a gong with a 12 inch brass arched dial with silvered chapter ring and subsidiary seconds dial, the arch with a painted moon phase, the pagoda hood with a central pierced blind fret panel having ball and eagle brass finials above an arched trunk door with fluted canted corners, the base on splay bracket feet, 91in (231cm) h. Movement, dial and case associated, case with warped trunk door and cracks to veneer, back left foot part missing.

A George III oak longcase clock, with an eight day five pillar movement striking on a bell, to a 12 inch brass arched dial with subsidiary seconds dial and engraved foliage, inscribed 'Edwd Blowers, BECCLES', above a pierced date aperture, the arch with a strike/silent dial, the hood with tapering pilasters and an arched trunk door with applied moulding, the base on bracket feet, 82in (208.5cm) h. Old restoration.

A George III oak longcase clock, with an eight day movement striking on a bell and a 13 inch brass arched dial with subsidiary seconds dial and date aperture engraved a boat, issuing foliage and birds, with a silver chapter ring, the moon dial painted rural scenes and inscribed 'JOSEPH STANCLIFFE, BARKISLAND', the hood with broken swan neck pediments and turned columns above a shaped top trunk door with quarter pilasters to a panelled base on bracket feet, 88in (223.5cm) h.

An oak longcase clock, with an eight day movement striking on a bell and with a 10 inch square brass dial having a silvered chapter ring inscribed 'Jno Ettry, Horton', the hood with a moulded cornice above a plain frieze and turned pilasters having a rectangular trunk door on bracket feet, 80in (203cm) h.

An 18th century oak cased longcase clock, with a thirty hour movement striking on a bell with an 11 inch square brass dial and chapter ring, inscribed 'Jno Godwin, CRUDWELL', with a matt centre and replaced hands, the case with a later glazed panel on base moulding, probably associated, 77.5in (197cm) h.

A figured oak longcase clock, with an eight day movement striking on a bell and an 11.5 inch square brass dial with silvered chapter ring, the centre with an inset boss inscribed 'H. Lough, PENRITH', above a pierced crescent shaped date aperture, the hood with a moulded cornice above turned columns, the shaped arch waist door, the base on a plinth, 79in (200.5cm) h.

An oak longcase clock, with an eight day movement striking on a later bell, with a 12.25 inch square brass dial having subsidiary seconds dial and date dial, the chapter ring inscribed 'SUTTON STAFFORD', the case with walnut crossbanding, 81.75in (207.5cm) h.

An early Victorian mahogany longcase clock, the 8 day movement striking on a bell with a pull repeat, to a 14 inch arched dial with concave centre, subsidiary seconds dial and crescent date aperture, inscribed 'David Shaw, Leicester,' the arch with a coastal scene, 89in (226cm) h; pendulum and two weights. David Shaw, Leicester 1828-49.

A late George III mahogany longcase clock, with an eight day movement striking on a bell and a 12 inch painted dial with subsidiary seconds dial, inscribed 'COX, DEVIZES', the arch with a moon phase painted a rural landscape and a view to sea, the case with a broken swan neck pediment and ball and spire brass finial above a dental arch on corinthian column capped columns, the rectangular trunk door with stringing and crossbanding, the base on backet feet, 93.5in (237.5cm) h.

A mahogany longcase clock, with an eight day movement striking on a bell with a 12 inch square brass dial with subsidiary seconds dial and pierced arch date aperture, the silver chapter ring inscribed 'Willm Bilbie, Chew- Stoke', with an applied arch stamped a spread eagle above 'TEMPUS FUGIT', the case with a broken swan neck pediment and turned columns with a inverted arch waist door flanked by quarter ribbed pilasters, the panel base on bracket feet, 90in (228.5cm) h.

A George III mahogany longcase clock, with a three train movement striking on a main bell and a peel of four bells with a 14 inch brass arched dial and subsidiary seconds dial and pierced date aperture with a silvered chapter ring having quarter/silent and silent/strike levers, the arch with a silvered moon phase dial inscribed 'William Bradley, Manchester', the case with satinwood panels and stringing having cluster columns under a triple arched door the panel base on bracket feet, 100.5in (255.2cm) h.

Literature. Tom Robinson, 'The Longcase Clock', ACC 1989; A & R Shenton, 'The Price Guide to Collectable Clocks', ACC 1985; and fourteen other books/pamphlets relating to clocks and watches.

Daniel Delander. A George I walnut and marquetry longcase clock, with a month going movement having five ring turned pillars and a 12 inch square brass dial with subsidiary seconds dial and pierced date aperture, the silvered chapter ring inscribed 'Dan. Delander. London.', the walnut and marquetry case with a moulded cornice and a blind fret frieze, the door with spiral turned pilasters, above a rectangular cushion moulded trunk door with lenticle decorated flowering urns and figures, with plain walnut sides having stringing to a conforming base and plinth, 83.5in (212cm) h. A pendulum and two weights. Restoration to the case.

Vulliamy, London. A late George III mahogany longcase clock, with an eight day five pillar movement, striking on a bell and having a 12 inch silvered square dial with subsidiary seconds dial and pierced date aperture, inscribed 'Vulliamy, London', and having a 'N/S' lever above 60, the hood with an architectural pediment and stop-fluted columns above a rectangular waist door with a moulded edge and flanked by stop-fluted quarter pilasters, the panel base on block feet, 86in (218.5cm) h. Wooden shaft pendulum, two weights and a crank winding key.

A mid-20th Century Oak cased Clock, modelled in the form of a small Longcase with arched hood, long plain panelled trunk, to a plinth base, and ogee bracket feet, with spun brass bezel enclosing a 6 ½" silvered Roman dial with blued steel pierced hands, and spring driven movement with anchor escapement, strike on a gong, height 52"

An oak longcase clock with silvered dial and roman numerals, inscribed 'George Dobbie, Falkirk, No. 686, fitted eight day movement, the hood with scrolling pediment, panel door to the trunk, raised on bracket feet, 18in. x 82 1/2in. high.

A Georgian style mahogany longcase clock with 10in. brass dial, silvered chapter ring and roman numerals, fitted eight day movement striking on six gongs, panel door to the trunk, raised on cut-away plinth base, 16in. x 76in. high.

A Georgian oak and mahogany banded longcase clock, with painted roman dial, subsidiary seconds and date dials, anchor escapement, the dial signed Samuel Thompson, painted scene to the arch depicting a country house in a rural setting, floral spandrels, the case with swan neck pediment, glazed door below flanked by turned pilasters, rectangular waist door on panel base. See illustration

A rare George III mahogany year-going longcase clock by John Walker, Newcastle with decorative silvered brass roman dial, the centre inscribed "John Walker, Newcastle", with outer seconds, minutes and date dial for each month, phases of the moon to the arch, with painted ruined abbey and boating scene, the elaborate year-going movement striking on a single bell, brass-cased weights, long travel pendulum below, the arched hood surmounted by an eagle perched on a brass ball finial, flanked by gilt metal griffins and dentil cornice, the glazed panelled door flanked by corinthian columns, a glazed panelled door below, cross banded panel under, raised on bracket feet, 21 1/2in. x 112in. high. NB: John Walker worked in the Close until 1795 and then in the head of the Long Stairs. He made a new clock for the cathedral in 1761. Several clocks by him are recorded, some with unusual features. The dial was probably engraved in the Beilby/Bewick workshop in Newcastle. This clock has not been in use for many years and any potential purchaser must fully satisfy themselves, whether or not the clock is in working condition Some postwar clockmakers notes indicate the following, This important clock possesses a number of unusual features. It has two sets of numerals, so that the hour hand goes round once in 24 hours, with noon at the top and midnight at the bottom. The minute hand goes round once in two hours. There is no seconds hand. The clock strikes 1-12 twice per day. There is an extra hand, fitted behind the hour and minute hands: this rotates rotates once per year, giving every day and month ( though the hand must be advanced manually in leap years ) An additional band of engraving with a succession of numbers and legends:-'Clock faster' or 'Clock slower' refer to the 'Equation of time', or the difference through the year between mean time, shown by an accurate clock, and Solar time, as shown by a sundial and then add or subtract the number of minutes shown for the date. This would be the only recourse if the clock stopped, in the days before railways and radios. In the arch at the top is the phase of the moon disc, which gives a lunar month of 29 1/2 days, accurate enough for most purposes. There are two steel hands: the longer one indicates the age of the moon from the new in days. The shorter hands point to the ring of roman numerals which show the hands of high tide. This clock would probably show tides at the Quayside in Newcastle. There are two large brass cased driving weights which weigh approximately 30kg each. They are hung on strong steel cables, and are wound up once a year. The heavy pendulum, which swings behind the weights, is interesting in that it swings in 1 1/4 seconds rather than in 1 second as usually found in longcase clocks. It is about 1.55metres long, with a lead and brass bob, with a wooden shaft, which is less sensitive to temperature changes than one made of iron. The previous owners did not have the clock working See illustration

A George III mahogany longcase clock with white painted arabic dial, subsidiary seconds and date dial, inscribed "Thomas Warden, Newcastle", with painted flowers to the corners and a country scene with a figure on horseback, sheep and cows to the arch, fitted eight day anchor movement, the fine and ornate case surmounted by a scrolling swan neck pediment, decorated with pierced trellis pattern brackets, brass patarae, central eagle finial, the case below with inlaid shell and fan motifs with an ornate specimen parquetry banding, the hood flanked by brass-mounted corinthian pilasters, with a panelled door the the canted trunk, raised on ogee bracket feet, 23in. x 95in. high. See illustration

An 18th Century style longcase clock with brass roman dial and silvered chapter ring, inscribed "Samuel Robson, North Shields", fitted with an eight day striking movement, the walnut veneered case decorated with feather banding, spiral twist pilaster, raised on a plinth base, 15 1/2in. x 80 1/2in. high. See illustration

A George III walnut longcase clock with silvered roman dial, subsidiary seconds dial with date aperture, phases of the moon to the arch, decorated with engraved scrolls and gilt metal spandrels, the arched hood surmounted by pierced pediment, flanked by brass-mounted pilasters, fielded panelled door below, raised on splay bracket feet, 18in. x 93in. high. See illustration

A carved oak longcase clock, the brass roman dial with outer seconds, signed W. Reynolds, Kirkbride, brass spandrels, anchor escapement, the case with leaf carved frieze, the glazed door flanked by turned pilasters, carved floral waist door, fluted quadrants, on carved panel base with bracket feet, 18in. x 78in. high.

A Victorian mahogany longcase clock with painted roman dial, subsidiary seconds and date dial, painted with an interior scene to arch and figural spandrels, the case with swan neck pediment and finial above the glazed door flanked by turned columns, arched waist door flanked by split pilasters and panel base, 86in. high. See illustration

A George III style oak longcase clock, the cornice with Greek key and blind fret moulding above brass capped fluted columns, the square brass dial with silvered chapter and date aperture, on a trunk with arched door and plinth base with bracket feet, 214cm high

A George III mahogany eight day longcase clock, the swan-neck pediment with projected moulded cornice over arched face with roman numerals, subsidiary second dial, painted with battle scenes and soldiers, over a cross banded trunk plinth base with bracket feet, 230cm high

A George III mahogany eight day longcase clock, indistinctly signed J. Keelle burgh ?, the swan neck pediment with finials over closed fretwork, arched painted white dial, arabic numerals, subsidiary date and second dials, surrounded by floral painted spandrels, flanked by fluted columns , above a boxwood strung arched trunk door flanked by fluted quarter columns raised on plinth base, 223cm high

A late 18th century mahogany longcase clock, By J. Common, Coldstream, with twin train movement, the brass square dial with Roman numerals, with subsidiary seconds dial and date aperture, cast spandrels, the hood with projected moulded cornice, greek key frieze over glazed door flanked by fluted columns, the case with moulded trunk door with circular window, the box base raised on bracket feet, 201cm high