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A 19TH CENTURY MAHOGANY LONGCASE CLOCK the brass and silvered dial named to R Stewart, Glasgow, set with dolphin and cherub spandrels, Tempus Fugit disc and minute dial, 221cm high Condition Report:Available upon request

A 19TH CENTURY MAHOGANY LONGCASE CLOCK the enamel dial inscribed to Jon Warry, Bristol, with moon phase, hemispheres, floral spandrels, subsidiary dials and Roman numerals,215cm high Condition Report:This clock is without weights, pendulum or winder

A 19TH CENTURY OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK the painted dial with moon phase divided by a burning galleon and village scene, above The Four Seasons, enclosing date chapter and minute dial, 220cm high Condition Report:Available upon request

A 19TH CENTURY MAHOGANY LONGCASE CLOCK the brass face inscribed to William Barr, Paisley, with dolphin spandrels above a chased dial and silvered chapter ring, minute dial and date, 209cm high Condition Report:Available upon request

A Continental longcase clock in painted case, 198cm H

19th c. French pine longcase clock case (empty)

Late 18th century oak eight day longcase clock, the painted Roman dial signed 'Trevor, Topsham', having seconds subsidiary dial at 12 and date aperture at 6, the moulded cornice above twin columns, with crossbanded trunk door on plinth base, twin train movement (lacking bell), 197cm high, with pendulum (bob detached but present), weights and winder

18th century mahogany eight day longcase clock, the painted dial with Roman numerals, twin train movement striking on a bell, subsidiary date aperture and seconds dial, 210cm high,

18th century mahogany longcase clock the painted dial with twin train movement, Roman numerals and two unmarked subsidiary dials, striking on a bell, 220cm high,

Mahogany eight day longcase clock, the arched hood with fluted pillars enclosing a brass dial with strike/silent and dolphin spandrels to the arch above a silver chapter ring, gilt mask spandrels and subsidiary seconds and date dials, over an arched trunk door and panelled plinth base, on bracket feet, the twin train movement striking on a bell, pendulum and two weights, 19th century parts, dial 31 cm square, H219 cm

Early 19th century inlaid mahogany and satinwood eight day longcase clock, the shaped top with brass finials and inlaid panel of a vase of flowers over inlaid columns enclosing an arched dial with moon phase in the arch and the four seasons depicted in the spandrels, the dial with date aperture and subsidiary seconds dial, inscribed ?astor, the trunk door with inlaid panel depicting Britannia over a plinth base with splayed bracket feet, the twin train movement striking on a bell, dial 33 cm wide, 230 cm high

Various clock parts, including two longcase pendulums, two weights, various pulleys, finials, hands, springs and others

Oak longcase eight day longcase clock, with later carving, the caddy shape hood over turned supports and a brass dial with mask spandrels, date aperture and subsidiary seconds dial, the silvered chapter ring inscribed, John Sedon Frodsham, over a trunk door carved with a knight on a foliate and rosette carved base with bracket feet, the twin train movement striking on a bell, dial 27.5 cm square, case 198 cm high

18th century oak 30 hour longcase clock, the moulded top hood with blind fret carved frieze over turned columns enclosing a brass dial with matted centre, date aperture and mask head spandrels, over a moulded trunk door with glazed panel on a plinth base with bracket feet, the twin train movement striking on a bell, dial 28 cm square, case 219 cm high

Early 20th century inlaid rosewood table timepiece clock, in the form of a longcase clock. with silvered dial and single train balance wheel movement, 45 cm high

George II crossbanded burr walnut eight day longcase clock, the hood with fret carved frieze and turned pilasters enclosing a brass dial with crown and putti spandrels, subsidiary seconds dial, date aperture and inscribed Wm Woodfall, London, over a trunk door and plinth base, the twin train movement striking on a bell, dial 30.5 cm square, H210 cm, with pendulum

Victorian mahogany eight day longcase clock, the hood with swan neck pediment and brass finial with turned supports over a painted dial the arch depicting a figure crossing a waterfall, with subsidiary seconds and date dials, inscribed Peter Hermann, the shaped trunk door over a panelled plinth base, the twin train movement striking on a bell, dial 35.5 cm wide, case 245 cm high, pendulum and two weights

An oak thirty hour longcase clock, 12" arch painted dial beraing inscription, Beckwith, Richmond, later dial

An oak thirty hour longcase clock, 12" arch brass dial with chapter ring bearing inscription Abraham Jacques, later movement

A mahogany thirty hour longcase clock, 12" square brass dial signed Jno Ramsbottom, Hall Green, later case

An oak thirty hour longcase clock 11" arch brass dial, signed on a plaque in the arch Geo Miller

A carved oak eight day longcase clock, 12" square brass dial bearing a later inscription William Lister, Halifax, later movementCondition report: The clock is not working

George II Longcase clock, signed THOMSON FITTER. London, 1750.Richly decorated red lacquered case. With unique paintings on the door.Gilt dial with gilt bronze spandrels, signed, calendar of the month, second hand and chime override. Machine, eight days winding, chime of hours on a bell.Measurements: 244.5 x 51.5 x 23 cm.Longcase clock in red lacquered wood, the body of which has very balanced proportions. It consists of an architectural structure, with a pedestal, a closed central body and a crowned top. The watch case itself has a dial with Roman numerals (for the hours) and Arabic numerals (for the minutes). It also has a seconds dial and an additional window for the month calendar. The case also features an auxiliary dial with the option to deactivate the chime. Signed "Thomson Fitter" on the dial. This is a lavishly decorated piece in each of its parts: while the base features a narrative chivalric scene, the main body is decorated by two large pavilions with verdure-like scenes inside. These are characterised by a high degree of decoration and uniqueness. Vegetable motifs in gilding flood the rest of the piece, both the box and the crest, as well as the main body and the aforementioned plinth.

FRENCH COMPTOISE LONGCASE CLOCK, the black "Japanned" case painted with polychrome flowers with a lenticle to the door, the circular white enamel dial with Arabic numerals and two train movement

A miniature longcase clock with extensive pen work floral decoration and legend to dial surround - with battery movement

An oak and mixed wood longcase clock with 23cm square 18th Century single hand brass dial marked for Webster, Salop, married to a 19th Century thirty hour bell striking movement

A 19th Century stained oak North Country longcase clock, the 33cm painted arched dial with moon phase, seconds hand and date aperture marked for G. Davies, Dolgelly with eight day bell striking movement

An 18th century oak longcase clock with an 8-day bell strike movement, brass dial and silvered chapter ring, inscribed John Roberts A/F, 210cm highLocation:

An early/mid 20th century Ingersoll 8-day oak longcase clock, the brass dial having Roman numerals and movement striking on five rods, 186.5cm h x 41.5cm wLocation:

A 19th century country made mahogany longcase clock with a moon face and painted dial A/F, 237.5cm h x 65cm wLocation:

A George III mahogany longcase clock, with an eight day bell strike movement, silvered chapter ring subsidiary seconds and date inscribed john Campbell GlasgowLocation:

A George III 30 hour longcase clock by Jas Webb, Frome having arched painted dial with makers name below the calendar aperture and in oak case with inlaid detail to the dial door, swans neck pediment and pillars flanking the dial door, 222cms high

A George III 30 hour longcase clock having arched painted dial and in oak case, the hood with swans neck pediment and pillars to the dial door, 218cms high

A George III Oak cased Longcase Clock. Circa 1800. The silver dial tarnished. With a key pendulum and two weights

Peter Green, Liverpool, a mahogany musical longcase clock for the Danish market, late 18th century, with restorations to the case, the 15inch brass dial with six tune selection to the arch, scroll engraved centre with seconds dial and concentric calendar, mask spandrels, the three train movement with 16 bell 33cm pin barrel, six-pillar shaped plates, striking on a larger bell, the case with dentil moulded swanneck pediment hood above arch top trunk door, upon a panelled base with concave shaped skirting and ball feet 250 cm highFootnote: Peter Green was one of the best-known clockmakers working in Denmark, at Aabenraa, or 'Apenrade', as the signature is written on most of his clocks. Peter Green emigrated with his wife and children from Liverpool to Aabenraa around 1745 and worked there until his death in 1795. He had two sons, William and Jonathan, who also became clockmakers in Aabenraa. William had a son, Jakob, who continued making clocks until his death in 1847. Condition report: case probably later than the dial and movement, with some repolishing and restored elements. lacking a few gilt 'dentelles'. movement untested

A mahogany longcase clock, early 19th century, the break arch hood above painted 12inch dial signed 'Ed. Elliott, Lenham', with floral decoration, seconds and calendar dials, eight day movement, figured wood trunk door on a stepped plinth base 210cm highCondition report: The clock is currently ticking and striking; the plinth base looks to have been restored at the front. All looks original. The finials on the hood may have been later added.The case has quite a high polish to it and the timber is nicely figured.

An inlaid mahogany Longcase Clock with arched brass dial, silvered chapter ring, the back of the movement stamped Gustar Becker, Medaille D'or, 8-day movement with Westminster-Harfon chimes, 6ft 8in H

A 19th Century oak Longcase Clock with square brass dial inscribed Collier, Chapell, having subsidiary and date aperture with floral engraving and cherub masks to the spandrels, and with eight-day movement, 6ft 4in H

An early 19th Century Longcase Clock with arched painted dial inscribed Geo Bain, Brechin, 8-day movement in mahogany case, the hood with swan neck surmount

An Art Deco design oak longcase clock, Arabic numerals, Westminster chime, 190cm high, 60.5cm wide, 35.5cm deep

AN ANTIQUE OAK BRASS FACED LONGCASE CLOCK BY FRANCE OF WARRINGTON, EIGHT DAY MOVEMENT WITH TWIN WEIGHT / PENDULUM H-230 CM

A NINETEENTH CENTURY OAK AND MAHOGANY BRASS FACE EIGHT DAY LONGCASE CLOCK BY BROWN - CHESTER, the 13" dial with subsidiary seconds dial, bearing makers name, the good and case with crossbanded detail, H 215 cm, two weights and pendulumConditon Report:Case shows no signs of woodworm, general age related wear to case, trunk door has play, we cannot guarantee it s working capacity but the movement ticks when hand pressure is applied to the gut line, also the clock strikes too when hand pressure is applied to gut line.

An early 19th century mahogany longcase clock, with eight day striking movement with moon phase to arch, the case with swans neck pediment, bowfronted trunk door flanked by columns with panelled base. Height 224 cm, width across top of hood 54 cm. CONDITION REPORT: The clock case is in particularly good order with no condition issues of any note. The clock winds on both trains and is currently ticking away. It also strikes when advanced. As stated the overall condition is really extremely good.

An 18th century oak eight day longcase clock, Robert Thwaites of Barnard Castle, with broken dentil moulded architectural surmount with ball and eagle finial over the arched glazed door with turned columns and with brass dial with silvered chapter ring with Roman hours and Arabic minutes all within applied ornate brass spandrels and surmounted by a circular disk with makers details. Shaped trunk door between fluted quarter columns and raised on a plain base. Height 223 cm. Provenance Greystoke Castle.

A 19th century figured mahogany longcase clock by Telford of Wigton, the 32 cm wide painted dial with Roman numerals, calendar aperture and moonphase to arch with eight day striking movement. Height 220 cm.

An early 18th century walnut and marquetry longcase clock with two train striking movement by Hen Stockar London, with 12" dial with ringed winding apertures with long trunk door and base raised on a plinth. Height 212 cm (see illustration).

A 19th century continental oak and possibly walnut longcase clock, with two train striking movement, the case with blind fretwork and latticework carving to the base. Height 217 cm. CONDITION REPORT: The clock case is structurally sound. The hood has traces of woodworm which appears to be long gone. This should be evident on our image if you look around the door surround and hood plinth. There are further woodworm holes to the sides but as stated these appear to have long gone. Whilst we have not had the movement running, when weight is applied to both the strike and going train the clock does appear to operate. We have a pendulum and two weights. The pendulum suspension is missing. The main body of the clock is in good general order. There are some blemishes around the extremities of the base with small losses on the canted angles and a stress fracture on the right hand canted angles. The right hand return base moulding is a little loose.

An early 19th century mahogany longcase clock, with arched painted dial by H Davies Yeovil, with Kirkstall Abbey scene to arch, with two train striking movement. Height including finial 227 cm. CONDITION REPORT: Both swans neck terminals are detached but we have the pieces and they would easily refix. One brass roundel is missing. The case generally is in good order with no serious issues. The hood and trunk are in good condition and the door is not warped. The lefthand base panel has stress fractures and the right less so. The plinth base beneath this is in generally order with the usual scuffs and marks that one would expect. The movement is extremely dirty but appears complete. We do not have either the weights or pendulum. When weight is applied to the going train the escapement does operate. The strike train is quite stiff but does appear to move when weight is applied. A full clean of the movement will be required. There is no gut to the strike train. Both barrels do wind.

A George III mahogany longcase clock, with arched painted dial decorated with figures emblematic of the four seasons and with eight day striking movement with long trunk door and raised on bracket feet. Height 231 cm.

An early 19th century mahogany longcase clock, with broken arch pediment above the arched painted dial with Roman numerals, the trunk door with Prince of Wales plume and all raised on bracket feet. Note: Strike train and bell missing. Height 230 cm including finial.

A George III oak longcase clock by David Lion Biggar, with two train striking movement with subsidiary seconds dial and date aperture, with arched trunk door and raised on bracket feet. Height including finial 216 cm, width 49 cm.

A George III oak longcase clock, with swans neck pediment above the arched glazed door enclosing the brass dial and eight day striking movement marked Taylor Dumfries. Height 208 cm.

An early 19th century longcase clock in mahogany case, and with two train striking movement by Joseph Stomier Glasgow. Height 218 cm. CONDITION REPORT: The hood and case are in generally very good order with no significant issues. The doors are not warped. There are no splits and no problems of any note. We have both weights and pendulum. The movement appears to be very clean and when weight is applied to the going train it does seem to operate. The same comments apply to the strike train. We do not have a bell for this clock. The movement does wind on both trains.

A George III mahogany longcase clock by John Player Reading, with two train striking movement, the hood with broken arch pediment and glazed door, the base raised on ogee moulded bracket feet. Height 232 cm. CONDITION REPORT: The clock interior lining is in good condition. There are no cracks to the glass and the legs and front feet are in good condition. The backboards are original. There is no evidence of any woodworm. We have both weights and pendulum. The movement is relatively clean. It winds on both trains and is currently ticking away. The movement does strike when manually advanced. There is some issue with the movement of the hour hand. The second pointer is currently detached. There is unlikely to a great deal wrong with the mechanism as stated it seems very clean. The silvered brass dial is in generally good order with the exception of the seconds ring which is tarnished. The clock is likely to be a marriage as the cheeks are built up on both sides. The mask around the face does however fit with the hood in situ. The hood is in generally good order. The glass is not cracked. The pillars are firm. The trunk door closes well and is only very slightly warped. There is a tiny gap at the top of the door which could probably be rectified by slight movement of the door hinges. There are some stress fractures to the veneer at the top and bottom of the door but no significant losses. The left hand pillar has a small loss. The sides of the case, the base and feet are all in generally good order with only minor scuffs and marks.

A George III inlaid mahogany longcase clock, with swans neck pediment above the arched glazed door enclosing the two train striking movement by David Somerveille St Ninians. Height 221 cm. CONDITION REPORT: The cheeks upon which the movement seatboard sits have been altered. This would suggest that the movement and case are associated. Whilst we have not had the movement operating, when weight is applied to both the strike and going trains it does seem to operate. The movement is extremely dirty. When the hands are advanced it does however strike. When the hands are advanced the moonphase does not appear to be operating. The movement requires a good clean as does the dial. The seconds hand is missing. The case is structurally fairly sound, however the French typed surface is allover crazed particularly on the trunk door. The terminals are missing to the swans neck. The remainder of the hood is structurally sound. The brasswork to the capitals is very tarnished. There are numerous small scuffs and scratches. The rear right hand vertical moulding is missing. The trunk door is crazed. There are losses to the polished surface on both corner pillars. The trunk door is not warped. The sides of the case have some losses to the rear edges. The base panel has veneer losses to the edges and is very dirty but not split. The right and left hand rear moulded returns have losses to the rear half on both sides.

A Regency mahogany Scottish longcase clock, with circular silvered brass dial and eight day striking movement and with long trunk door with ebony stringing flanked by carved quarter round pilasters. Height 210 cm (see illustration).

An early 19th century Scottish mahogany longcase clock, with swans neck pediment above the arched glazed door enclosing the painted dial with spandrels emblematic of commerce, war etc and with long trunk door beneath. Height 220 cm.

An early 19th century mahogany longcase clock, with painted dial and two train striking movement marked Robert Jardine Bathgate, the spandrels painted with the ages of man and with domestic scene to arch. Height 222 cm.

An early 19th century Scottish mahogany longcase clock by Jonathan Loudon Irvine, with eight day striking movement and painted dial emblematic of the four seasons, the case with swans neck pediment, crossbanded trunk door and raised on bracket feet. Height 211 cm.

A George III mahogany longcase clock by J Rawson Penrith, with swans neck pediment above the arched glazed door enclosing the painted dial and two train striking movement with subsidiary seconds and date dials and with moon phase to the arch, with long trunk door beneath flanked by canted angles. Height 230 cm including finial. CONDITION REPORT: The case is in generally very good order. The hood has no issues of any note and the glass is not cracked. The trunk door is a little warped but when closed and locked does shut fairly flush. The sides of the trunk are in good condition as is the door. The base has a seam split down the centre and the front lefthand rear foot return is detached. The clock has no rear feet. The clock winds on both trains. We have two weights and the pendulum. The suspension is however missing. When weight is applied to both the strike and going trains they appear to operate. The movement winds on both trains as it should.