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Monkhouse of Carlisle. A Regency inlaid mahogany musical longcase clock, the 13 inch arched brass dial with painted moonphase, alarm hand and tune selector for 'Abide With Me', 'Home Sweet Home' and 'Bluebells of Scotland', signed in the arch George and Mary Peat, later movement chiming on eight bells, 8ft 1in.
A George II thirty hour longcase clock movement and dial, John Ettery, Horton, mid 18th century, the single-handed posted countwheel bell striking movement with anchor escapement and 9.75 inch square brass dial with concentric button ring turned band to the matted centre within Roman numeral chapter ring with fleur-de-lys half hour markers and Indian mask and scroll cast spandrels to angles (no pendulum or weight)
A black japanned eight day longcase clock , mid to late 18th century, the five pillar rack and bell striking movement with anchor escapement and 12 inch brass break-arch dial with central boss marked Biggin, Harrich, subsidiary seconds dial, date aperture to centre within applied silvered Roman numeral chapter ring. The case with all over japanned and gilt decoration featuring oriental figures in exterior scenes, 225cm high
A mahogany musical longcase clock, the 13 inch arched brass dial with centred subsidiary seconds dial, within a ring of Roman and Arabic numerals and cherub mask moulded spandrels, disk to the arch inscribed 'Tempus Fugit', the three train movement striking on eight graduated bells and a coiled gong, the hood with swan-neck pediment over an arched glazed hood door between reeded front corner hood pilasters, over a long crossbanded arched trunk door between quarter pilasters with canted front corners, 238cm high
A Continental walnut Louis XV style three train longcase clock, the 8 inch dial with ring of Roman numerals under a polychrome decorated pediment depicting doves, above a glazed short trunk door and a Vernis Martin style figural panel below, raised on short cabriole front legs terminating in a scroll foot, 198cm high
A George III oak crossbanded mahogany eight day longcase clock, the 13.5 inch square brass dial signed 'Chris Hull, Dublin' with centred subsidiary seconds dial and date aperture with inner ring of Roman numerals, outer ring of Arabic numerals and pierced spandrels, the hood with architectural pediment over reeded front corner hood pilasters and an arched crossbanded trunk door, on a crossbanded box base and later plinth, 120cm high
An 18th century oak thirty hour longcase clock, the 12 inch square brass dial with centred twin apertures, the silvered chapter ring signed 'Jos Stancliffe, Barkisland', with scrolling leaf pierced spandrels the hood with swan neck pediment and turned front corner hood pilasters, over an ogee arched trunk door between quarter turned plain pilasters on a single panel box base and short bracket feet, 213cm high
An early 19th century oak crossbanded mahogany thirty hour longcase clock, the 12 inch painted arched dial indistinctly signed and with centre date apperture within a ring of Roman numerals, the arch painted with figure standing against a river and two horses, the hood with swan-neck pediment over a short trunk door and crossbanded base on cut out skirting plinth, 209cm high
A 19th century mahogany longcase clock, H. MILLAR, STEWARTON, the enamelled dial with Roman numerals and two subsidiary dials, the arch decorated with 'WALLACE', the spandrels emblematic of the seasons, the twin train four pillar movement striking on a bell, enclosed within a plain rectangular hood, the trunk with a panel door above a rectangular base with four bun feet, pendulum, weights and key present, overall 211cm high.
A 19th century mahogany longcase clock John Hamilton, Glasgow, the brass dial with a silvered chapter ring bearing Roman numerals, with subsidiary seconds dial and date dial, the twin train movement striking on a bell, enclosed within a plain hood above a panel door and rectangular base with bracket feet, key, pendulum and weights present, 210cm high.
A late 18th/ early 19th century oak longcase clock, THOS. STEWART, AUCHTERARDER, the brass dial with Roman and Arabic numerals, two subsidiary dials and twin train four pillar movement striking on a bell, within a broken swan neck pediment hood supported by turned columns, the trunk with arched top door on a rectangular base with bracket feet, pendulum, weights and key present, overall 208cm high.
A 19th century longcase clock, Glasgow, makers name rubbed, the enamelled dial with Roman numerals and two subsidiary dials, the arch decorated with 'The Cottars Saturday Night', the spandrels decorated with 'BURNS', 'RAMSAY', 'SCOTT' and 'FERGUSON', the twin train four pillar movement striking on a later gong, enclosed within a rectangular hood with scroll carved surmount, the trunk with rectangular panel door above a rectangular base with bracket feet, weights, pendulum and key present, 226cm high.
An early 20th Century oak and brass mounted miniature longcase timepiece, the 2.25ins diameter silvered dial with Roman numerals to the French eight day timepiece movement with later balance escapement, contained in solid oak longcase clock style case with cast brass panels to front and on bracket feet, 15.5ins high
A late 18th Century oak longcase clock by Lawrie of Carlisle, the 13ins arched brass dial with wide chapter ring (formerly silvered) with Roman and Arabic numerals, the dial centre with subsidiary seconds dial and date aperture and engraved with leaf scroll ornament, the arch showing calendar and phases of the moon to the eight day two train movement striking on a bell, contained in oak case, the moulded scroll pediment with carved flowerhead paterae and plain turned pillars, the shaped trunk door flanked by fluted quarter columns, the plinth base with turned feet, 87ins high Note : Probably by John Lawrie, born 1749, son of Archibald Lawrie
A mid 18th Century oak longcase clock by Thomas Jenkinson of Sandwich, the 12ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals, the matted dial centre with subsidiary seconds dial, date aperture and turned winding holes, with cast mask and leaf scroll spandrels all within engraved leaf pattern borders to the eight day five pillar movement striking on a bell, contained in plain oak case with moulded cornice and plain turned pillars to hood, plain trunk door, on shaped bracket feet, 77ins high Note : Thomas Jenkinson recorded Sandwich, born 1691, died 1755
A late 18th Century mahogany longcase clock by James Lock of Bath, the 13ins arched painted metal dial with Roman and Arabic numerals, subsidiary seconds dial and date aperture, the arch and spandrels enamelled in colours with floral sprays and gilt oval, to the eight day two train movement striking on a bell, contained in mahogany case with moulded scroll pediment and carved giltwood leaf paterae, slender turned pillars to hood, shaped and moulded trunk door flanked by fluted quarter columns, the plinth base crossbanded in mahogany, on bracket feet, 92ins high Note : James Lock recorded working in Bath 1780
An early George III mahogany longcase clock by Robert Higgs of London, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture and matted dial centre to the eight day two train five pillar movement with alarum, contained in figured mahogany case with swept caddy top and double moulded arch, inset with fretted panel and with slender turned and fluted stopped columns to hood, shaped and moulded trunk door veneered in figured mahogany and flanked by fluted and stopped quarter columns, the plinth with raised astragal moulding and double plinth base, 98ins high Note : Robert Higgs recorded working Sweetings Alley, London, Apprentice 1743, Clockmaker 1750-1769
A George III blue lacquered eight-day longcase clock,the arched brass dial with strike/silent and seconds dials, a calendar apertureand arched plaque inscribed 'Joseph Martineau Snr., London', the movement striking the hours on a bell with five ringed pillars, the case with gilt decoration,dial 11 in diameter (29cm)case 216cm high
An eight-day regulator mahogany longcase clock,by James Bruce, the square silvered regulator dial with outside minute rack, seconds dial and hour wheel aperture, supporting a six-pillar movement with a deadbeat escapement, the case solid mahogany, the heavy brass pendulum with a wooden rod,dial 9.5in diameter (24cm)case 204.5cm high
A Scottish mahogany longcase clock, early 19th century, the arched brass dial with rolling moon in arch, central date hand, eight-day movement, striking on a bell, inscribed 'AD' W Lyon, Port Glasgow', the hood with fluted baluster columns, the trunk with Corinthian quarter columns and flame veneered door, 212cm highdial 13in
A George III oak 8-day longcase clock, 14in. circular enamelled dial signed Hugh Knight, Stone, with subsidiary seconds and date aperture, Arabic numerals, hood with brass-mounted swan-neck pediment, cross-banded oak case with fluted quarter-columns, with winding crank handle, pendulum and weights, 7ft. - dial glass cracked
A George III oak 8 day longcase clock, the 12" square arched enamel dial painted with Roman numerals, minute track, subsidiary seconds dial and calendar aperture. Painted with wheat leaves to spandrels and a hunting scene to arch, signed C. Last Acle, the four pillar striking movement with anchor escapement, the hood with wavy fret cut pediment and turned finials above a glazed door flanked by a pair of freestanding column supports above the trunk with arched door, on box base raised on bracket feet. With weights, pendulum and key. 207cm high.

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44426 item(s)/page