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A LATE 19TH/EARLY 20TH CENTURY OAK EIGHT DAY LONGCASE CLOCK, the hood with an arched glazed door enclosing a strike silent dial, 9inch dial, Arabic and Roman numerals, surrounded by spandrels, four pillar movement, the hood trunk and plinth heavily carved with foliate, scrolls and masks, height 215cm (pendulum, two weights and winding key)

A small oak longcase clock case and movement (stamped Surtwangen) (no face)

Will'm Clift, Beaminster, an oak and inlaid 8-day longcase clock with two-weight movement striking on a bell, the 12-inch arched dial dial with Roman and Arabic numerals, subsidiary seconds and date aperture, signed Will'm Clift, the trunk with inlaid geometric decoration and the hood with pilasters, with alterations and restorations, 81½in (207cm) high, with two weights and pendulum.

Peter King, London, a mahogany 8-day longcase clock with two-weight movement striking on a bell, the 12-inch square brass dial with silvered Roman and Arabic chapter, subsidiary seconds and date aperture, signed Peter King, London, with brass 'two cherubs and crown' spandrels to the corners, the case with applied mouldings and long trunk door, pagoda-top hood with blind fret decoration and three ball finials above brass-mounted pilasters, 91in (231cm) high, with two weights and pendulum..

A Scottish mahogany 8 day striking longcase clock with a 13" round painted dial, signed John Findlay Aberdeen, with secondary dial and calendar in restored running order, 90" tall

19th century Mahogany Inlaid 8 day Longcase Clock, the painted face with rocking ship to arch, Roman numerals, seconds dial and date dial, marked Robt. Fletcher, Chester, 233cms high

A German carved oak triple weight longcase clock, with brass moonphase rolling dial

An early 20th Century German Junghans inlaid mahogany dwarf longcase clock

An Irish Mahogany Eight Day Longcase Clock, signed Alexr Gordon, Dublin, circa 1780, pagoda pediment, scroll and shell carved front panel, well figured arched trunk door, plinth with a raised panel, bracket feet, 13-inch square brass dial with an Roman and Arabic numeral signed silvered chapter ring, seconds dial and date aperture, four pillar movement with an anchor escapement and inside countwheel striking on a bell, 249cm high see illustration 10.06.21 Pagoda top pediment section has been later added, left hand side pillar with dents, case with some minor scratches and small cracks in parts, plinth sides with some visible cracks, feet with scuff marks, dial is discoloured in parts, later seatboard, small pieces of packing under both sides of the side cheeks, movement looks complete, with two weights and a pendulum.

A Rare Chinoiserie Quarter Chiming Longcase Clock, signed Jos Green, North Shields, circa 1730, caddy pediment, side glass panels, black chinoiserie case with figural, birds, floral and Oriental decoration, trunk door with glass lenticle, 14-inch arch brass dial with a silvered Roman and Arabic signed chapter ring, dial centre with seconds, date aperture and with fine scroll and floral engraving, finely engraved border and arch with phases of the moon aperture, large triple weight driven movement with anchor escapement, quarter chiming on a nest of eight bells and with outside countwheel hour striking on a further bell, later seatboard, 252cm high see illustrations Joseph Green is recorded as working in Northshields as early as 1720 and several longcase clocks are known by him. He is believed to have died in 1739. See Loomes (Brian) Clockmakers of Northern England, pg.130. 09.02.21 Caddy pediment has been re-built, later finials, top section of the backboard has been re-newed, chinoiserie decoration has faded, hood gilt column capitals have been painted, trunk door lock is missing, inside trunk door with top and bottom pieces missing, later seatboard, dial slightly discoloured, with pendulum and three weights.

A Walnut Marquetry Eight Day Longcase Clock, signed Jos Foster, London, circa 1700, flat top pediment, side glass panels, barley twist columns, trunk door with marquetry floral and bird inlaid D-ended panels, glass lenticle, 12-inch square brass dial with a silvered chapter ring signed, seconds dial and date aperture, five pillar movement with an anchor escapement and inside countwheel striking on a bell, possibly later case, 217cm high see illustrations 10.06.21 Case surfaces have been polished, case has a good colour, hood door with a later side latch, trunk door with small cracks, small cracks to some veneers, small scuff marks in places, inside the case side cheeks with two extra supporting pieces of wood added, dial is slightly discoloured in parts, movement looks all complete, with two brass cased weights and a pendulum.

A Marquetry Eight Day Longcase Clock, signed Edward Stanton, London, circa 1700, carved winged cherub and floral crested pediment, barley twist columns, side glazed panels, trunk door with marquetry inlay with flowers, birds and central urns, glass lenticle, matching inlaid plinth, 11-inch brass dial with a Roman numeral silvered chapter ring signed Edw Stanton London, finely matted dial centre and engraved with a central flower head, blued hands, silvered winged cherub spandrels, fine six pillar movement with an anchor escapement and outside countwheel striking on a bell, 221cm high see illustrations Edward Stanton was one of the finest 17th century clockmakers working in London. He started his apprenticeship in 1655 and became a member of the Worshipful Company of Clockmakers in 1662. He was made warden from 1693 and became a Master of the Clockmakers Company in 1696. It is thought that Edward dead in 1715. 23.04.21 Later carved pediment crest, hood door is later, inside the hood with small woodworm holes, both sides of the convex throat mouldings are later, top right hand side of the trunk with one small crack to the veneer and slightly lifting, trunk door is very slightly bowed, trunk door with typical cracks about 5cm down from the top, lower edge of the door with some marquetry veneer later replaced which is about 5cm up from the bottom edge, inside lower edge of the trunk door with a cross piece of wood later replaced, marquetry looks later applied to the plinth but has been restored to a high standard to match the other parts of the case, bun feet are later, dial chapter ring with minor staining marks, movement is clean and complete, with two brass cased weights and a pendulum.

An early 19th Century oak and mahogany 30 hour longcase clock with painted arched dial, signed R. Tennison, Chesterfield, scene of figures by building, crack to hood glass, weight and pendulum, 214cm high

An early 19th Century oak and crossbanded 30 hour longcase clock, painted arched Arabic dial. With pendulum and 3 weights (2 spare). 230cm high

Mahogany Longcase Clock, with moon face, glazed, three brass weights, on a plinth base.

An 18th century oak 30hr longcase clock, the 11' brass dial with silvered chapter signed Tho. Binch, Mansfield

A George V oak longcase clock, brass dial, the mechanism striking on gongs

An early Victorian mahogany eight day longcase clock, circa 1850, the hood with a swan neck pediment, the hood door set between turned columns, the 14 inch white enamelled dial with black Roman numerals and subsidiary dial, flame mahogany case door set between turned columns, projecting base section, complete with two weights and pendulum, 236cm high

An early 19th Century oak and mahogany eight day longcase clock, by 'Pratt, Nottingham', the hood with a swan neck pediment and fitted with turned columns, the glass door enclosing a 13 inch white enamelled painted dial with black Roman numerals, two winder holes and subsidiary dial, bearing inscription to arch, the case section with an oak door set between chamfered edges, projecting base and standing on bracket feet, measuring 225cm high; complete with two weights and pendulum

A mid to late 18th Century oak and mahogany cross-banded longcase clock by Joan Isabella Dodd, the dial with silvered chapter ring and Roman Numerals

A modern mahogany cased Westminster Germany longcase clock, with pendulum and two weights with arched pediment top, 213cm high, 42cm wide, 28cm deep.

A reproduction chiming grandmother size longcase clock with brass dial, 202cm high

A 19th century eight-day longcase clock with painted dial by S Russell, Selkirk, 214cm high

A George III oak 8-day longcase clock, by B Bell Uttoxeter, having a 12" arch-top painted dial and 2 further subsidiary dials, complete with key and 2 weights, but pendulum needs repairing, H235cm

A 19th century longcase clock, with an 11" square brass dial, 30-hour movement striking on a bell with 2 subsidiary dials, dial signed John Moore Maidstone, oak-cased, height 202cm

A 20th century oak longcase clock, the dial signed 'Interclock' missing glass panel on door, with three weights and pendulum, 189 h x 43 w x 23cm dLocation: SL

AN ART DECO STYLE OAK CASED LONGCASE CLOCK WITH TRIPLE CHROMED WEIGHTS - H 192 CM - SLIGHT DAMAGE

A Queen Anne floral marquetry inlaid walnut longcase clock, the 11" silvered and brass dial with Roman Numerals, seconds subsidiary and date aperture, pierced brass spandrels, signed Tho (Thomas) Trout London, five pillar eight day movement striking on single bell, height 217cm, width 47.5cm & depth 26cm, with pendulum but no weights. Condition - various restoration and repairs including re construction of the bottom section, re-placement glasses, later hinges, the lower hood door hinge is broken, later feet, general wear including minor losses to inlay, marks, scuffs and scratches etc.

A George III mahogany longcase clock, 13 1/4" brass dial with rolling moon, Roman Numerals, seconds subsidiary and date aperture, pierced brass spandrels, signed Thomas Atkinson Ormskirk, eight day brass movement, height 234cm, width 58cm & depth 28cm, with pendulum and box of spares but no weights.Condition: fret work damage to top of hood (some bits present in box), old scuffs and minor losses to corners of cornice, some splitting/flaking to door and lower case flamed mahogany panels, various pieces of feet damaged (some pieces present in box), slight split appeared around hinge of door, some loss over time to gilded decoration on glass panel in hood, has pendulum, and door key, no signs of weights.

A George III oak longcase clock, 12 1/2" brass dial with seconds subsidiary, date aperture signed Jno (John) Hough Knutsford, height 204cm, width 56cm & depth 27cm, with pendulum but no weights.

An 18th century oak longcase clock, 12 1/2" brass dial signed Bancroft of Stockport. eight day movement, height 213cm, width 53cm & depth 26cm, with two weights and pendulum.

An 18th century oak longcase clock, the 9 1/2" brass dial sign Da Tantum Derby, height 196cm, width 54cm & depth 28cm, with weights and pendulum.

An 18th century eight day oak longcase clock, the 13" brass and silvered dial signed W Tickle N.Castle (William Tickle Newcastle), height 239cm, width 61cm & depth 31cm, with two weights and pendulum.

An 18th century 30 hour oak and pine longcase clock, the 12" brass dial signed Adam Costen Kirkham, height 221cm.

Various clock and watch parts, to include a plastic dome, mantel clock parts, a J Evans Welshpool eight day movement longcase clock face, etc. (1 box)

S. Wherly South Shields. A George III mahogany longcase clock, with arched pediment top set with brass sundial decoration, with painted dial with ships and flowers, with eight day striking movement on Corinthian column supports, and a panelled door, 220cm high, 50cm wide, 24cm deep.

An oak cased longcase clock, with a painted dial with moon phase, eight day striking movement, arched top, on a reeded and floral banded case, with arched pediment top, 205cm high, 50cm wide, 23cm deep.

RANKIN OF KILMARNOCK; a Scottish 19th century mahogany cased longcase clock, the hood with carved floral detail housing the circular dial set with Roman numerals and subsidiary date and minute dials, in a tapering case set with white metal presentation plaque, which is indistinctly marked and dated 15th May 1860, height 213cm, width 51cm, depth 22cm.Additional InformationLosses to the moulding on the case, the dial with heavy discolouration and craquelure, the dial is also rubbed, splitting to the case in parts.

SAGAR OF SKIPTON; an 18th century oak cased thirty hour longcase clock, the painted dial with Arabic and Roman numeral chapter ring, with central image of a bird perching on a tree, with subsidiary minute dial, the hood with three gilt finials, raised on bracket feet, height 204cm.Additional InformationLarge area of moulding missing from the case, complete with pendulum and weight, large chip/loss to the paint in the bottom corner of the dial, craquelure to the dial, losses to the case.

WIGGAN OF COLNE; a 19th century mahogany cased eight day longcase clock, the painted dial with figure on horseback above circular dial with Roman numerals and subsidiary seconds dial, in large mahogany case with Gothic-style door, raised on block feet, height 234cm.Additional InformationMissing the beading and splitting to the case, heavy wear complete with pendulum and weights. Craquelure to the dial, scuffs, old repairs and losses to the veneer.

(JAMES) WOOLLEY OF CODNOR (DERBYSHIRE); an 18th century oak cased eight day longcase clock, the brass dial with applied chapter ring bearing Arabic and Roman numerals with applied pierced detail depicting cherubs and crowns to the corners, the hood with blind fret panel to the cornice, raised on plinth base, height 196cm.Additional InformationComplete with pendulum and weights. The dial is approx. 28.5cm/11.22" wide. The chapter ring diameter is 26cm. There is a repair to the top of the dial (see additional images). Old worm holes to the gilt sections of the columns and with losses to the gesso. One of the carved and gilt corner blocks at the back is lacking. The door has a crack to the top. The hinges and lock are not original. The sides of the back board are later timber and other later timbers in the construction. Some losses to the blind fret of the hood at both corners. Other general age wear throughout. 

MAJOR SCHOFIELD OF SALFORD; a 19th century mahogany cased eight day longcase clock, the hood with carved scrolls, applied with gilt rose heads above blind fret detail, and two columns with metal tips, housing the silvered dial with moon phase dial, above dial with Arabic and Roman numerals, and subsidiary date and minute dial, the corners with chased detail of figures with courting scenes, the case with Greek key style moulding and blind fret panel, raised on block feet, height 224cm.Additional InformationThe piece of missing mounding from the side of the trunk is present. 

THOMAS HOLLOWAY GREAT HASETY; an 18th century longcase clock mechanism, the brass dial with applied pierced detail depicting mask heads, surrounding the applied chapter dial with Arabic and Roman numerals, complete with later wall bracket, pendulum and weight.

ROBERT BOLTON OF WIGAN; a late George III mahogany eight day longcase clock, the painted dial with Roman numerals and two central subsidiary dials, signed 'Robert Bolton Wigan' below a moon phase and movement striking on a bell, the hood with flower head swan necks and gilt detailing, with fluted column supports, above a trunk with moulded Gothic door flanked by cluster column quarter pilasters, on ogee bracket feet, height 230cm.Additional InformationWe can not guarantee that the clock is in full working order. The hand is lacking to the lower subsidiary dial. Mechanism grubby throughout. There is a crack to the panel at the bottom of the trunk. The back panel has an old repaired wood plate to the inside. The hinges are not original and the glass to the hood might not be original. The clock may have had an overhaul several years ago. General age wear and some losses and chips here and there. We are unsure if this is a marriage. There is no visible worm damage.

CLARKE OF TUXFORD; a 19th century oak and mahogany cased eight day longcase clock with brass orb finial and broken swan neck pediment above painted circular dial set with Arabic and Roman numerals, subsidiary seconds dial and date aperture, signed Clarke of Tuxford, Nottinghamshire, with shaped door to plinth base, height approx 210cm.Additional InformationNot tested, no guarantee of working order, scuffs, scrapes, general wear and tear throughout, some old losses, replacements, repairs, etc.

A 1920s oak longcase clock of small proportion case, lacking movement, height 129cm, together with a glass carboy in straw lined metal basket (2).Additional InformationThe oak grandmother clock with some worm holes to the top but appears to be inactive at present.

A 19th century oak and mahogany cased longcase clock with brass finial and broken swan neck pediment above painted dial signed ‘Leigh [?]’ set with Arabic and Roman numerals, subsidiary seconds dial and rolling moon phase, the shaped door above plinth base, height 222cm.Additional InformationNot tested, no guarantee of working order; splits to base, further wear and tear throughout.

PHILIP ANTROBUS; an 18th century oak cased thirty hour longcase clock, the brass dial with pierced applied detail and silvered chapter ring bearing Roman numerals, raised on plinth base, height 196cm (af). Additional InformationThe dial is approx. 31cm wide. 

LONGCASE CLOCK - J Griffith, Caernarvon, eight day movement with arched moon painted face, 120cms H, 70cms W, 24cms D

A set of three brass fire implements with spiral-twist handles; two pairs of fire bellows; a reproduction miniature longcase clock; various items of metalware; & sundry other items.

An Art & Crafts oak longcase clock: the eight-day duration weight-driven movement striking the hours on a bell with the rectangular pewter dial having an embossed raised chapter ring with stylised Arabic numerals, mother-of-pearl centre, diamond inset decoration below and spade hands, stamped with the initials F.P at 4 o'clock, the flat-top oak case with canted corners, double corner pillars to the hood, visible copper hinge straps inset with further diamond decoration to the panelled trunk door and a concave moulded base, height 192cm.

Pearson, Blackburn, a mahogany moonphase longcase clock: the eight-day duration movement striking the hours on a bell and having a fourteen-inch break-arch Wilson painted dial with black Roman hour numerals and typical Wilson strawberry decoration to the four corners and birds to the centre, with seconds dial, date aperture and signed Pearson, Blackburn, with decorative brass hands, the arch having a moonphase disc painted with the moon along with a seascape and landscape, the dial rear and date disc both stamped for the dial maker Wilson of Birmingham, having a mahogany case, the trunk with double finned pillars, a triple lancet-shaped moulding to the door, and satinwood panels, the hood with two fluted pillars to each corner with cast-brass Corinthian capitals, a swan-neck pediment with shaped verre-eglise glass panels, the centre being decorated with the figure of a woman, the base with satinwood panels to the edge, canted corners and standing on bracket feet, height 230cm.* Biography William Pearson is recorded as working at 2 Astley Gate, Blackburn, Lancashire until 1828 and then Holme Street circa 1834.* Notes Reference Brian Loomes Lancashire Clocks and Clockmakers Pub. David & Charles 1975For details of Wilson see lot 1303

John Green of Skipton, a carved oak longcase clock: the eight-day duration movement striking the hours on a bell, the 12 inch square brass dial having a raised chapter ring engraved with black Roman numerals and meeting-arrow-head half-hour markings and engraved either side of VI o'clock Green, Skipton, the matted centre having ringed winding holes, a subsidiary seconds dial, date aperture and blued steel hands, with cherub-and-crown cast-brass corner spandrels, the later carved flat-topped oak case having pillars to the hood, a raised panel to the base and standing on bracket feet, height 221cm.* Biography John Green is recorded as working in Skipton, Yorkshire from before 1704 until his death in 1742, following the death of his wife in 1739.* Notes Reference Brian Loomes Yorkshire Clockmakers Pub. Dalesman Books 1972

Geo. Uglow, Stratton, a Regency mahogany longcase clock: the eight-day duration movement striking the hours on a bell with the painted twelve-inch break-arch dial having black Arabic numerals, subsidiary seconds dial and date aperture, cherubs painted to the four corners and decorative brass hands, the mahogany crossbanded case with quartered barley-twist columns to the trunk and oval inlaid panelling to the trunk and base, the hood with barley-twist columns and surmounted by three brass ball-and-spire finials, all standing on bracket feet, height 225cm inc. finial.* Biography George Uglow is recorded as working in Stratton, Cornwall from before 1791 and not after 1841 when it was reported that his widow died.* Notes Reference H. Miles Brown Cornish Clocks & Clockmakers Pub. David & Charles 1980

Halliwell, Warrington, a 19th century moonphase longcase clock: the eight-day duration movement striking the hours on a bell with the fourteen-inch painted arched dial having black Roman hour numerals, Arabic outer five-minute numerals, the corners painted with typical Wilson flowers, the dial centre painted with two exotic birds and signed Halliwell, Warrington, with a subsidiary seconds dial and date aperture, the date disc being signed on the rear for the dialmaker Wilson, Birmingham, the dial set an iron falseplate embossed with a repeat of the dialmaker's name, the arch having a moonphase aperture painted with a sea scape and landscape either side of the moons, with decorative blue steel hands, the mahogany case having fluted quarter columns to the trunk with the hood having a swan-neck pediment with gilt decorated blue glass inset and fluted pillars, the base with canted corners, book-matched veneers and standing on bracket feet, height 242cm.*Notes John & David Halliwell are recorded as working at Bridge Street, Warrington from before circa 1822 until at least circa 1834.James Wilson of Birmingham was a pioneer in the production of white 'painted' dials for longcase clocks having been in partnership with Osborne since 1772 until their split in 1777.

Rath, Burgess Hill, a rocking ship longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch breakarch brass dial having a raised silvered chapter ring engraved with black Roman numerals and Arabic five-minute numerals, the silvered centre engraved with c-scroll decoration and signed Rath, Burgess Hill, with blued-steel decorative hands and cast-brass c-scroll spandrels to the four corners, the arch having a rocking ship moving with the beat of the movement with a seascape behind and arched silvered surround engraved The Royal Oak, the oak case having two brass ball-and-spire finials to the break-arch top and fluted pillars with cast-brass capitals to the hood, height 188cm.

A mahogany longcase clock: the eight-day duration movement striking the hours on a bell and having a twelve-inch break-arch painted dial with strawberry corner spandrels, black Roman hour numerals and blued steel hands, with a 'Strike/Silent' dial within the arch, the mahogany case having a swan-neck pediment and shaped moulding to the trunk door, height 204cm.

Mitchell and Son, a mahogany longcase clock: the eight-day duration movement striking the hours on a bell, the fourteen-inch round brass dial engraved with black Roman numerals, subsidiary seconds and date dials and signed Mitchell & Son, Glasgow, with decorative blued steel hands, the arch-top mahogany case with inlaid stringing and crossbanding, with canted corners to the hood and all standing on bracket feet, height 202cm.* Biography The large Mitchell family were well-known Glasgow clockmakers, the makers of this clock being Alexander Mitchell and his son William recorded working circa 1798.* Notes Reference Donald Whyte Clockmakers & Watchmakers of Scotland Pub: Mayfield Books 2005

John Lloyd London, a Georgian mahogany longcase clock: the eight-day duration, five-pillar movement striking the hours on a bell, the twelve-inch arched brass dial having a raised silvered chapter ring engraved with black Roman hour numerals and Arabic five-minute outer numerals, the matted centre having a subsidiary seconds dial, date aperture and applied silvered plaque engraved with the maker's name John Lloyd, London, with cast-brass c-scroll spandrels to the four corners, the arch having a 'Strike/Silent' dial with cast-brass dolphin spandrels, with blued steel hands, the mahogany case having a break-arch moulding to the trunk door, with the hood having fluted pillars and a pagoda-top, the base with a raised panel and standing on bracket feet, height 240cm.* Biography John Lloyd is recorded working in London becoming a liveryman of the Clockmakers Company in 1795.

Henry De La Fueille, London, a walnut panelled marquetry longcase clock: the eight-day duration, five-pillar movement striking the hours on a bell with an internal rack set high within the backplate, the eleven-inch square brass dial having a raised silvered chapter ring engraved with black Roman hour numerals, Arabic five-minute outer numerals and 'meeting arrow-head' half-hour markings, the matted dial centre with ringed winding holes, subsidiary seconds dial and date aperture with decorative engraved surround, with cast-brass cherub-and-crown spandrels to the four corners and blued steel hands, the walnut case with panelled marquetry inlay to the base and trunk door, with a further inlaid panel above and convex throat moulding, the inlaid flat-top hood with three-quarter columns, with brass-cased weights, height 207cm.* Biography Henry de la Fueille, a Hugenot born circa 1670, is recorded as being a clockmaker working in London from circa 1690 before shortly moving to Jersey where he died in 1736. He and his wife Marguerite, a member of the Aubin clockmaking and jeweller family, had a son Henry who was baptised in July 1701 at the French Hugenot Church in Threadneedle Street, London. Another son Abraham was apprenticed to his uncle, the goldsmith Henry Aubin in circa 1716. Marquetry longcase clocks are noted signed for de la Fueille when working in both London & Jersey.