We found 41749 price guide item(s) matching your search

Edward King, Warwick, a mahogany 8 day Longcase Clock with two-weight movement striking on a bell, the 12-inch white and painted dial with Roman and Arabic chapter, subsidiary seconds and date aperture, signed, the case with long trunk door and arched hood with brass-mounted columns and pilasters, 214 cm high, with two weights and pendulum.

An Early-19th century oak and mahogany 30-hour longcase Clock, the painted dial with Roman chapter signed 'Rob’t Medland Bow', hood with swan-neck pediment, brass terminals, on long body raised on plinth base and shaped bracket feet, H 205 cm.

William Davison, Eccleshall, an oak 8-day longcase clock with two-weight movement striking on a bell, the 14-inch brass circular dial with Roman and Arabic chapter, subsidiary seconds and date aperture, signed, the case with long trunk door and arched hood with brass-mounted columns and pilasters, 230cm high, with two weights, winder and pendulum.

A George III oak and mahogany 8-day longcase Clock, signed R. Fletcher, Chester, fluted columns to the hood and sides, fitted with an arch-top moon phase painted dial with seconds and date recorder, two weights and pendulum, H 236 cm.

Jerom Murch, Honiton 30hr oak Longcase Clock, the square 11" brass face with Roman and Arabic numerals and seconds, H 191.5 cm.

Roberts of Bath, 8 day oak Longcase Clock, painted dial with Roman numerals and seconds, H 202 cm.

John Wilkinson, Cartmel: A 30hr oak Longcase Clock, painted dial with Roman numerals and date aperture, dial has been repainted, H 210 cm.

Dumvile of Stockport, A mahogany and oak 8-day moonphase Longcase Clock, painted dial with Roman numerals and seconds, dial has been repainted, H 218 cm

A 19th Century oak 30-hour longcase clock, the painted circular dial signed E. Hodder, Nottingham

A fine late 17th century Charles II / James II walnut and marquetry eight day longcase clock by Henry Jones of London - the 10in square brass dial with winged cherub mask spandrels, silvered Roman chapter ring with stylised fleur-de-lys half hour markers and outer minute track with Arabic 5 minute markers and a matted centre with chamfered silvered calendar aperture at 6 and silvered subsidiary seconds dial at 12, signed 'Henry Jones in Ye Temple' to lower edge, fronting a movement with 7½ x 5in plates, five knopped and finned pillars, anchor escapement, bolt and shutter maintaining power and small outside count wheel striking on a bell, the hood with pierced fret carved frieze and barleytwist pilasters, the sides with rectangular windows and conforming quarter pilasters against bargeboards to the rear, the trunk door with circular lenticle dividing two broken-arched floral marquetry panels with floral spandrels to the angles, over a conforming floral marquetry base with later bun feet, 193 cm high, 44 cm at widest point to hood.* Condition: The clock has clearly been through the trade in the past 20-30 years and the movement has been cleaned and restored - it remains in good condition and as far as we are aware, was working when removed from the vendor's property and is complete with pendulum and weights. The case has also been cleaned and restored and remains in good condition - there are some small veneer repairs evident, as would be expected. The plinth does not appear to have been reduced in height as far as well can see, but the bun feet are later, as are the barleytwist columns and quarter columns to the hood. The trunk door has probably been reveneered at some time, probably in the early 20th century - it is lined with oak which appears to be rather more recent than the remainder of the case structure. There are several old and more recent holes drilled through the back panel for old wall fixings. The sides of the case have bowed over time and there is a little movement showing in the veneers, although this is minimal. The case does some some old (inactive) worm throughout, which in a few places also shows to the external veneers, which have been wax filled over time.

A George III oak eight day longcase clock, the 12in square brass dial inscribed 'John Mason, Bawtry', 212cm high, with weights and pendulum. 

A George III early 19th century Preddy of Taunton oak West Country grandfather's longcase clock. The clock having scrolled finials atop with central brass bell over a glazed front hood with turned columns detailing to each side. The clock face with an half dome hand painted lunette with countryside landscape & castle. 8 day movement with Roman numerals to the chapter ring. Straight body below with central door. Measures approx. 196cm x 46cm x 25cm.

A 19th century George III mahogany marquetry inlaid eight day West country longcase clock. The longcase featuring a brass arch dial signed Joseph Quarman, Temple Cloud. The dial with subsidiary dials finished with brass Roman numeral chapter ring. Arched hood and fluted front corner hood pilasters over a rectangular long trunk door on a single panel box base and shaped bracket feet. Measures approx. 210cm x 47cm x 23cm. 

An Oak and Mahogany Eight Day Longcase Clock, circa 1800, 14" circular painted dial signed Condlith, Chapell, 211cm high

An Oak Thirty Hour Longcase Clock, circa 1800, signed B Downs, Mansfield, 215cm highWith pendulum and one weight

An Oak Eight Day Longcase Clock, early 19th Century, signed Leeson, Coleshill, 220cm high With pendulum and two weights, pendulum suspension spring missing

An Oak and Mahogany Eight Day Longcase Clock, circa 1800, 13" arch painted dial, signed Dodson, Beeston, 238cm highWith pendulum and two weights

An Oak and Mahogany Eight Day Longcase Clock, 12"arch brass dial, bearing a later inscription James Gandy, Cockermouth, 1748, dial plate elaboratley engraved with figures, horses and scroll decoration, later movement and later case, 220cm highPlus pendulum and two weights

A 19th century oak and mahogany 30hr longcase clock, the painted break-arch dial signed Thos. Evans Cardigan. 86" high.

A 19th century oak and mahogany 30hr longcase clock, the 13" dial signed Griffith Davies Dolgelly. 86½" high. Base panel detached.

A 1930s oak longcase clock, the two train weight driven movement striking and chiming on 8 tubular gongs. The case with integral barometer 75" high.

Early to mid 19th century mahogany-cased 8-day painted dial longcase clock, J. Milner, Sunderland, having a signed 14-inch break-arched Roman dial with subsidiary seconds and date dials, all within spandrels painted with female figures symbolising the seasons, the arch painted with further figures, 210cm high (sold with two weights, pendulum and winder)

A late Georgian inlaid oak longcase clock with brass ball finials to hood, the 33cm brass and silvered arched dial marked 'James Bidlake, London' and playing a peel on eight concentric bells and main larger striking bell on the eight day movement

A thirty-hour longcase clock movement. The square 28cm (11") dial signed John Box Launceston, with calendar niche, contained in a later pine case, height 202cm.

A Victorian eight-day longcase clock. Contained in a scumbled pine case, the arch painted with a hunting scene, with a 30cm painted dial, overall height 198cm.This clock retains the weights, pendulum, and the winder key, but does not appear to have been working for some time, and will presumably need attention/cleaning.The dial has had a certain amount of repainting, and there are a few losses and damage to the case.

A 19th century eight-day longcase clock. The arched painted dial signed Hart, Malmsbury, in an oak and mahogany banded case, height 231cm.The clock has not been in use for some time and has not been seen working. The swan neck pediments have been cut and adapted for a lower ceiling. The case is in good solid condition. The pendulum bob has become detached the winding key is present with two weights.

An oak longcase clock The arched silvered dial signed John Miller Bedford, with an eight-day movement and carved case, height 213cm.

An eight-day longcase clock movement by Richard Wills, Truro. The square brass 27cm dial with calendar niche, in a later mahogany case, height 198cm.

GEORGE III MAHOGANY LONGCASE CLOCK, with two train eight day movement, the white enamel dial set with Roman numerals, figural scenes painted to the spandrels and luntette, the pillared hood with swan neck pediment and orb finial209cm highFace very worn. Veneer lifting in several places. Damage to brass support brackets. Lower hand not working and has replacement screw. Has had some repairs to case. Small amount of historic woodworm. Further images now online.

An early 19th Century oak and mahogany crossbanded longcase clock by Owen Birmingham, enclosed by a broken swan neck pediment over a short trunk door flanked by reeded cants and brass capitals, on a canted plinth base and bracket feet, height 212cm.

A late 18th Century oak and mahogany cross-banded longcase clock with an eight-day movement, the 12 inch brass broken arch dial with subsidiary seconds and date dials and with a silvered chapter ring, bearing signature for Samuel Jarvis, Birmingham, height 203cm.

A late 18th Century oak and mahogany crossbanded longcase clock with eight-day movement striking on a bell, the 12 inch square brass dial with date aperture, signed T. Kent, Dudley, height 210cm.

A George III line inlaid mahogany longcase clock with eight-day movement striking on a bell, with a twin swan neck pediment above the 14 inch painted broken arch dial, with Adam and Eve automaton to the arch, with subsidiary seconds and date dials, signed John Barber, Nottingham, with an inlaid foliate paterae to the trunk door and the base, height 240cm.

GEORGE III PAINTED WALNUT LONGCASE CLOCK, JAMES SPEIGHT, TONG LATE 18TH CENTURY the hood with a pagoda pediment, enclosing a 12 inch brass engraved breakarch dial with silvered chapters with Roman numerals, subsidiary calendar dial flanked by scrolls and birds, the maker's name inscribed to the top of the arch 'Speight, Tong', the arch with a painted scene of a shepherd with his flock, above a moulded trunk door with lenticle, on a plinth with bracket feet, the case painted with Classical motifs within scrolling foliage, the eight-day two train movement striking a bellDimensions:243cm high, 55cm wide, 30cm deepProvenance:Provenance: Henryson-Caird Collection, Cassencarie House

SCOTTISH BLONDE MAHOGANY DRUMHEAD LONGCASE CLOCK, JAMES RITCHIE & SON, EDINBURGH EARLY 19TH CENTURY the moulded hood enclosing a 13 inch painted cream enamel signed dial with Roman numerals and subsidiary seconds and date dials, above a case with moulded door flanked by chamfered corners, on a plain plinth, the twin train movement striking a bellDimensions:208cm high, 46cm wide, 23cm deepProvenance:Provenance: Stevenson Collection

VICTORIAN CARVED OAK GOTHIC STYLE CHIMING LONGCASE CLOCK, ATTRIBUTED TO J J ELLIOTT 19TH CENTURY the hood with trefoil crenelations and carved oak leaf panels and crocket spire mouldings, the sides with Gothic trellis sound frets, enclosing a brass dial with a silvered Roman numeral chapter ring and gilt floral engraved mask and three winding holes, a silvered subsidiary seconds dial, and blued steel fleur-de-lis hands, with 'CHIME/ SILENT' and 'WESTMINSTER/ WHITTINGTON' levers to the outer edge, above and moulded glazed Gothic arch trunk door, on a stepped plinth base with quatrefoil details, the three train quarter-chiming movement with pull repeat, striking both Westminster and Whittington chimes to a pin wheel of eight steel chimes with an additional strike chime, stamped HarringtonDimensions:248cm high, 64cm wide, 35cm deep

QUEEN ANNE WALNUT AND MARQUETRY LONGCASE CLOCK EARLY 18TH CENTURY the hood with a flat moulded cornice above a square door, enclosing a 10 inch brass dial with silvered chapter ring with Roman numerals, subsidiary seconds dial, date aperture, and two winding holes, with pierced mask spandrels, above a walnut moulded trunk door with a circular lenticle, on a square plinth with moulding, all inlaid with figural and floral marquetry panels on ebonised grounds, the twin train five pillar movement striking a bellDimensions:199cm high, 43cm wide, 24cm deepProvenance:Provenance: Property of the late Mrs. Jean Bogie

GEORGE III OAK AND MAHOGANY MOONPHASE LONGCASE CLOCK, JOHN PATTISON, HALIFAX LATE 18TH CENTURY the swan neck cornice with embossed brass roundels, above a 13 inch painted breakarch dial with moonphase and central reserve painted with a gentleman and lady in an ironmonger's workshop, Roman numeral chapter and subsidiary seconds dial, the spandrels painted with flowers, over a moulded arch trunk door flanked by brass mounted quarter columns, on a plinth base, the twin train eight-day movement striking a bellDimensions:225cm high, 58cm wide, 25cm deep

Eight day longcase clock 'William Gardner in Uxbridge fecit' with 10" dial, cherub and scroll spandrels in walnut case with quartered veneers and tapering barley twist columns, the hood formerly rising, with original hook. Various restorations late 17th/early 18th century.Condition report:Case looks late 17th/early 18th century. Old oak carcass with some original veneers. Door may have had some restoration (no trace of key escutcheon) old hinges nailed to door but re-fitted old screws on trunk. Hood top old but restorations on slide and mouldings on base. Nice tapering barley twist columns. Fret possibly original. Old hook nailed on. Bun feet replaced but base seems to be the same as trunk.Movement with possible wheel and pinion replacements. Back cock and pendulum 19th century brass cased weights, probably original.

Eight day longcase clock by Robt Sharp of Jedburgh with painted arch dial with stately home scene in mahogany case with Sheraton style inlay and box stringing. C1830

19th century mahogany cased longcase clock, with hand painted and enamelled dial, and with rocking ship automata to arch. Unsigned. Approx. 230 x 47 x 25cms used condition wear to ship automata stains on dial not tested

An 18th century oak longcase clock by James Schofield of Barnsley, with X/B decoration, the hood with swan neck pediment, turned finial, and turned side columns, the trunk with full length doors on bracket feet with arched brass dial and landscape to the arch, lettered "Sic Transit Gloria Mundi" 8 day, striking movement, ht. 2200cm

An early 19th century oak and mahogany longcase clock by Matthew Robson Belford, the hood with swan neck and fretted pediment and turned side columns, the trunk with full length arched door and 1/4 turned columns, arched painted dial with 8 day striking movement, ht. 2200cm

An Irish late Georgian Provincial inlaid mahogany Longcase Clock, by John Martin, Kilkenny, with divided pediment above an arched brass dial, with two subsidiary dials for date and seconds, and 'Tempis Fugit' to the arch, Roman and Arabic numerals flanked with a fluted pilaster to either side, above a trunk door with shaped top on a moulded inlaid box base with plinth, 214cms x 52cms (7' x 20''). (1)

An early 20th Century Longcase walnut Clock, with arched top and circular brass dial with Arabic numerals above a glazed door raised on a plinth with short cabriole legs, 193cms x 47cms (76" x 18 1/2"). (1)

A very good chinoiserie lacquered Longcase Clock, the circular brass dial by J. Aldridge Froust St. City Road, with single hand minute pointer and smaller subsidiary dial for the hour and a subsidiary dial for seconds, the hour dial with Roman numerals and the others with Arabic numerals, the lacquered hood and case profusely decorated in the chinoiserie style with figures birds and pagodas. 197cms (77 1/2''). (1)

A very fine Irish mahogany Chippendale Longcase Clock, 12 1/2" square brass dial with extensive engraving signed 'Newman Fecitt' [sic], in typical Chippendale case, with pendulum, two lead weights and pulleys, and winding and trunk door keys. Thomas Newman was an important early Dublin clockmaker. (1)

An important and fine quality Irish inlaid walnut Longcase Clock, the hood with arch top over a break arch brass dial, signed  'Matthew Walsh, Dublin' c. 1735, with rolling moon and age-of-tide dial in its arch, the case with extensive 'C' scroll and other inlay, on block base, with ogee bracket feet, approx. 244cms (8') high. (1)

A very fine Irish brass mounted Longcase Clock, the shaped cornice above a square brass dial, Signed  Dan O'Neill, Dublin, the silverised chapter ring with Roman & Arabic numerals and a subsidiary dial for seconds, the arched and ebony strung trunk door with bead and urn pilasters, on a conforming moulded and ebony strung box base with plinth, 211cms x 47cms (83'' x 18 1/2''). (1)

WILLIAM CARTER, LONDON; a good George III mahogany eight day longcase clock, the circular brass dial with subsidiary seconds and date, signed WM Carter, height 215cm.

ANTIQUE MAHOGANY LONGCASE CLOCK CIRCA 1840, having an arched top painted dial set with Roman numerals, subsidiary seconds and date dials before a twin weight pendulum driven bell strike movement (pendulum and weights included), the clock hood with broken swan neck pediment and single arched glazed door flanked by turned pillars, the trunk middle having canted corners and a single cross banded door with cockbeaded edging on a stepped trunk base, on turned bun feet, 223cms overall H, 51.5cms max. WProvenance: private collection Conwy

A Scandinavian painted and gilt longcase clock with pendulum and weights

18th century 30 hour longcase clock by William Bull of Leicester with chain driven mechanism & silver & brass dial in an oak case Ht 201cm

William IV longcase clock by William Ripley of Louth with 8 day movement painted dial depicting a battle ship scene in a mixed wood case (clock strikes but missing the bell)

18th century longcase clock by John Weller of London with an 8 day movement in an oak case & a brass dial Ht 204cm

Early 19th century 8 day longcase clock by George Atkinson of Louth in an oak case  Ht 213cm 

Robert Bunyan of Lincoln George III brass face longcase clock with 8 day movement in a fine mahogany case with quarter column corners & box wood inlay and blind fretwork Ht 203cm W 45cm 

A 19th Century Oak Longcase Clock with White Enamelled Dial Decorated with Bird and Flowers, 30 Hour Movement with Date Indicator in need of Attention but Complete with Weight and Pendulum

A George III oak and mahogany longcase clock,with an urn finial, above a painted 12" dial with Roman numerals, inscribed 'Lewis, Swansea', subsidiary seconds dial and date aperture, with rolling lunar dial to the upper arch, to fluted pilasters, on ogee bracket feet, 51cm wide24.5cm deep225cm highCondition ReportWith weights and pendulum. Two splits to the front of the case. Crazing to the painted dial. Please note that the movement has not been tested and therefore, the working condition is unknown.

An oak longcase clock case,19th century, case and hood only, no workings,209cm highglazed hood 30.5cm wideCondition ReportCase and hood only, no workingsOne central finial missing from the top. No key, trunk door locked.