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A reproduction longcase clock of traditional design, labelled Allwood's

A 19th Century oak cased longcase clock, having 8 day movement and painted 30cm dial, with later refurbishments, named Greenwood, Rochester, winder key, pendulum and two weights present, approx. height 225cm

Seven early longcase-clock weights

D.C Alexander of Barrhead, 19th Century Mahogany Eight Day Longcase Clock, Having a painted dial with two subsidiary dials, 227cm high, with weights

Tempus Fugit, 19th Century Mahogany Longcase Clock, Having a gilt metal and silvered dial, 220cm high, with two lead weights and pendulum parts

George III Oak Longcase Clock Case, Can fit an 11-12 inch dial, a/f, 199cm high

Georgian Mahogany Longcase Clock Case, circa 19th century, Can fit a 12 inch dial, a/f, 224cm high

A Mahogany Thirty Hour Longcase Clock, signed F.Walker, Maryport, early 19th century, swan neck pediment, triple arched trunk door flanked by inset fluted acorn columns, 14-inch arch painted dial, two dials for seconds and date, arch with rolling moonphase aperture, four pillar movement with attached falseplate stamped Finnemore, anchor escapement with outside countwheel striking on a bell, 236cm high see illustration From the Eric Morton Clock Collection 20.03.20 Hood door with small cracks, trunk door is slightly bowed, dial with small scratches and small crazing marks, dial is slightly discoloured in parts, with pendulum, pendulum suspension spring is missing, with one weight.

A Green Chinoiserie Eight Day Longcase Clock, signed Jno Coates, Tetbury, circa 1750, caddied pediment, side viewing windows, Oriental painted scenes depicting pagodas, figures, animals and foliage, 12-inch arch brass dial, dial centre signed on a plaque, date aperture, recessed seconds dial, four seasons spandrels, arch with strike/silent, slow/fast sectors and a central rocking ''Moueo Et Profictor'' automata, four pillar movement with an anchor escapement and rack striking on a later gong, 241cm high see illustration From the Eric Morton Clock Collection 20.03.20 Painted surfaces are rubbed and faded in parts, paint is missing in parts, case needs restoring, dial is dirty, movement is dirty and needs cleaning, converted from striking on a bell to a gong, with two weights and a pendulum.

A Thirty Hour Single-Handed Longcase Clock, signed Sam Ogden, Benwell, 18th century, painted pine case with flat top pediment, arched trunk door, 10-1/4-inch square brass dial with a silvered chapter ring signed, dial centre with ringed decoration, date aperture, lunar ''penny'' moon aperture, single hand, crown and cherub spandrels, four pillar movement with an anchor escapement and outside countwheel striking on a bell, (later case), 188cm high see illustration From the Eric Morton Clock Collection 23.03.20 Later case, painted surfaces are rubbed in parts, plinth with cracks, dial is dirty in parts, movement looks complete, with pendulum and one weight.

A Mahogany Eight Day Longcase Clock, signed Jno Walker, Newcastle, late 18th century, pierced swan neck pediment, later floral and urn painted trunk door and base, 12-inch arch brass dial, dial centre engraved with floral and scroll decoration, seconds dial and date aperture, silvered disc in the arch for strike/silent selection and signed, four pillar movement with an anchor escapement and rack striking on a bell, 224cm high see illustration From the Eric Morton Clock Collection 11.06.20 Top pierced pediment has been later added, top left hand side of the swan neck pediment needs securing into position, top detail frieze moulding blocks are missing in parts, case with small cracks in parts, left hand side of the base needs securing and restoration, front of the base moulding and the right hand foot are missing, strike/silent dial is slightly discoloured, movement looks complete, with two weights and a pendulum.

A Chinoiserie Eight Day Longcase Clock, signed Thos Carter, Bp Auckland, circa 1730, flat top pediment, side viewing windows, Oriental painted scenes depicting pagodas, figures, foliage and birds, 12-1/4-inch arched brass dial with chapter ring signed, dial centre with scroll engraving, ringed winding holes, date aperture, seconds dial, arch with lunar dial/aperture, five pillar movement with an anchor escapement and inside countwheel striking on a bell, later 18th century case, 220cm high see illustration From the Eric Morton Clock Collection19.03.20 Later case with chips in parts to the gesso, painted scenes are discoloured and faded, scuff marks and scratches, case needs restoration, dial is dirty and discoloured, movement is dirty, with two weights and a pendulum.

A Mahogany Eight Day Longcase Clock, signed John Hamilton, Glasgow, late 18th century and later, pierced fret work pediment, twisted columns, side sound frets, moulded trunk door flanked by Corinthian capped pilasters, 13-1/4-inch arch brass dial, floral and scroll engraved centre with seconds dial and date aperture, arch with moonphase, four pillar movement with an anchor escapement and rack striking on a bell, possibly a later movement, 236cm high see illustration From the Eric Morton Clock Collection 10.06.20 Pediment fret work has been re-built, base has been re-built, case with small cracks to the sides of the trunk and base, trunk door is bowed and the door lock is missing, dial needs re-silvering, movement with no drive to operate moon disc, top left and right hand corners of the movement with two vacant holes, possibly a later movement, case possibly later, with two weights and a pendulum.

An Oak Thirty Hour Single-Handed Longcase Clock, signed W Burton, Kendal, 18th century, flat top pediment, arch trunk door, 10-inch square brass dial with the chapter ring signed, single hand, four pillar movement with an anchor escapement and outside countwheel striking on a bell, 212cm high see illustration From the Eric Morton Clock Collection 23.03.20 Case with small chips to the edges in parts, later feet, dial is discoloured, movement is dirty, later seatboard, with pendulum and one weight.

A Thirty Hour Single-Handed Longcase Clock, signed Jno Ogden, Darlington, 18th century and later, ebonised pine case with a flat top pediment, rectangular moulded trunk door, 11-inch square brass dial with a chapter ring signed and later dated 1706, dial centre with a ''penny moon'' lunar apertures, later scroll spandrels, four pillar movement with an anchor escapement and outside countwheel striking on a bell, later case, 211cm high see illustration From the Eric Morton Clock Collection 19.03.20 Later case, case has been re-painted, case with painted surfaces worn in parts, hood door with small pieces of later wooden splices, plinth with cracks, dial is discoloured, chapter ring appears to have the date later added reading 1706, movement is dirty, with pendulum and one weight.

A Scottish Mahogany Eight Day Longcase Clock, signed Willm Dobbie, Falkirk, Number 371, circa 1780, swan neck pediment, acorn and scroll decorated trunk door, Corinthian capped inset pilasters, 13-1/4-inch arch brass dial, engraved dial centre with floral and scroll decoration, date aperture and seconds dial, arch with circular disc signed, four pillar movement with an anchor escapement and rack striking on a bell, 220cm high see illustration From the Eric Morton Clock Collection 19.03.20 Hood with detail mouldings missing in parts, small parts of the fret work is missing to the front part of the hood, backing to the frets is damaged, trunk door is slightly bowed, case is slightly faded in parts, dial is discoloured, movement needs cleaning, date disc appears to have no drive to change the date over, with two weights and a pendulum.

A Walnut Eight Day Longcase Clock, signed Jno Ogden, Darlington, 18th century, flat top pediment, 12-inch arch brass dial with a silvered chapter ring signed, seconds dial, date aperture, arch with moonphase, four pillar movement with an anchor escapement and inside countwheel striking on a bell, later case, 233cm high see illustration From the Eric Morton Clock Collection 23.03.20 Later case, case with mouldings missing and veneer missing in parts, case is stained and slightly faded in parts, dial is discoloured, one dial foot with solder repair marks, movement is dirty, calendar wheel is missing to operate calendar and moon disc, with pendulum and two weights.

A Carved Oak Thirty Hour Single-Handed Longcase Clock, signed Weatherad, K.Londal, 18th century, flat top pediment, carved floral trunk door, plinth with canted corners, 11-inch square brass dial with the chapter ring signed, dial centre with recessed plaque inscribed Jefery Jenand 1751, date aperture, 209cm high see illustration From the Eric Morton Clock Collection 23.03.20 Hood with frieze moulding missing, wooden dial surround with one piece of wood missing, dial is discoloured, movement is dirty, later seatboard, with pendulum and one weight.

A Regency Style Eight Day Longcase Clock, circa 1890, arch pediment, nicely figured trunk door flanked by fluted inset pilasters, inlaid base, 13-inch circular brass dial, dial centre engraved with a masonic scene, seconds and date dials, four pillar movement with an anchor escapement and rack striking on a bell, 200cm high see illustration 18.06.20 Hood door with small cracks, top side of the trunk door has been replaced, trunk door is slightly bowed, case with small pieces of veneer slightly lifting, case with small dents and cracks in parts, dial with small scratches and slightly discoloured, thin wooden blocks have been added to both sides of the case side cheeks beneath the seatboard, later seatboard, movement is complete, with pendulum and two weights.

A Walnut Eight Day Longcase Clock, signed Tho Taylor Junr, Holborn, London, early 18th century, flat top pediment, side viewing windows, moulded trunk door with crossbanded borders and a glass lenticle, 12-inch square brass dial with a silvered chapter ring signed, matted dial centre with ringed winding holes, date aperture, seconds dial, five pillar movement with an anchor escapement and rack striking on a bell, dial and movement early 18th century, later case, 214cm high see illustration 20.03.20 Later case, hood right hand side column with one small dent, case with surface scratches in parts and minor dents, dial with discoloured marks, movement is clean, with two weights and a pendulum.

A Mahogany Eight Day Longcase Clock, signed Jos Lloyd, Wigan, circa 1810, swan neck pediment, fluted columns, tripe well figured triple arched trunk door flanked by fluted columns, 15-inch arch painted dial signed, dial centre with seconds and date dials, dial centre with a landscape painted picture depicting a lady holding a wreath of flowers and sheep beneath a tree, arch painted with Admiral Lord Nelson flanked by thistles, four pillar movement with attached falseplate stamped R Hipkiss, anchor escapement with rack striking on a bell, 223cm high see illustration 20.03.20 Case is slightly faded in parts, hood door is bowed, hood door glass is cracked, hood with a small piece of veneer missing, dial markers are rubbed in parts and the painted surfaces with small chips, dial numerals are faded, dial with crazing marks, movement is complete, with two weights and a pendulum.

A Mahogany Chiming Longcase Clock, late 19th century, arch pediment, Corinthian capped columns, later shell inlay and stringing, 12-inch arch brass dial with chapter ring inscribed Thos Williams Axbridge, arch with moonphase aperture, triple weight driven movement with an anchor escapement, chiming on a nest of eight bells and striking the hours on a gong, chime/silent and 4 bells/8 bells selection levers, later case, 233cm high see illustration 24.06.20 Later case with slight fading in parts, hood with moulding lifting in parts, trunk door is slightly bowed, base front panel is bowed, base front panel is cracked, case with later inlay, dial is discoloured, movement is dirty, with three weights and a pendulum.

Horological books, a large quantity including 'The Longcase Clock' x 2, 'Brass Dial Clocks', 'Carriage Clocks', 'Early English Clocks' and others, (qty).

19th c. longcase clock with arched painted dial by William Bishop of Trowbridge, the 8-day movement having seconds dial & date chapter ring, the dial with paintings of castles and a Man of War to top with paddle steamship in background

Nathaniel Adams, Stowmarket: a late 18th Century 30 hour longcase clock in walnut case, crackled paint to Roman dial, weight, pendulum and door key, 193cm high

Henry Hirst, Beaconsfield: A late 18th Century 8 day oak longcase clock with calendar wheel and subsidiary seconds, with crank key, pendulum and weights, 177cm high

A George III oak longcase clock, the brass broken arch 11.5" dial with silvered chapter ring, calendar aperture and subsidiary seconds, signed John Draper, Maldon, 8 day movement with rack strike on a bell, some wear to case and hood, with weights, pendulum, keys and spare/old escape wheel with arbors and pinions, 207cm high excluding finials

A barometer, miniature longcase clock and a musical box

Swiss Comtoise Morbier longcase clock 19th Century, with convex Roman numerals to the dial with Arabic five minutes, three train movement, double bell strike, case with panelled front and lenticle, standing on bun feet, 236cm high approx overall

Silver cased pocket watch holder in the form of a longcase clock, with inscription 'A reminder of August 2nd 1912', having a replacement quartz movement, 22.5cm high

19th Century mahogany longcase clock having painted arched dial with moon phase, subsidiary seconds and date aperture, the hood with wavy edge door, 202cm high

A George III oak and mahogany longcase clock, white enamelled dial, Roman numerals, swan neck pediment, with brass finials, 30 hour movement

An early 19th Century Continental 30 hour longcase clock movement, circa 1810, probably German, wooden casement, the 9.5 inch arched shaped dial applied with gesso to front on a pine ground and painted throughout with a chequered pattern, with black Roman numerals, the centre raised, with two hands, no makers name present, fitted with a four posted bird-cage mechanism, bell to top

A George III 30 hour oak cased longcase clock, made by Charles Vaughan, Ponypool in 1782, the hood with a swan neck pediment, brass dial bearing the inscription, with black Roman numerals, complete with weights and pendulum, 209cm high

An early 19th Century mahogany eight day longcase clock, white enamelled dial, black Roman numerals, painted decoration, swan neck pediment to hood, inlaid paterae decoration to the door, complete with two weights and pendulum

A George III Welsh oak 30 hour longcase clock by M.Evans of Llanernyw, circa 1810, swan neck cornice with floral carving, arch top painted of a hunting scene with Roman Numerals, above a single panel door, raised on carved bracket feet. 220cm high

An early 19th Century eight day longcase clock, Thomas Wrotchley of Newcastle, Arabic numerals, hand painted, arched dial, second hand and date, mahogany, inlaid case, scrolled hood, with brass finial

An early Victorian mahogany eight day longcase clock, by William Evans, Wirksworth, painted dial and black Roman numerals, turned spindles, the hood with swan neck pediment, complete with pendulum and weights, 227cm high

A mid 18th Century oak eight day longcase clock, circa 1760, the brass dial inscribed 'Richard Rayment, Bury St. Edmunds', having a silvered chapter dial and gilt metal spandrels, complete with weights and pendulum, 189cm high

A 19th century oak longcase clock, the square 12inch silverised dial, with engraved spandrels and Roman and Arabic numerals signed Wrapson, Chichester, the eight day movement striking on a bell, with two weights, pendulum and winder, restored at Westdean College, with report, 204cm high

A 19th century longcase clock movement, the 12inch domed painted dial depicting ruins, signed James Mannings, Steyning, the secondary dial missing hand, the movement striking on a bell (a/f)

Early 19th century oak 30 hour longcase clock, the 11" square dial painted with a thatched building cottage, within floral painted spandrels, 77" high (pendulum and weight)

A late 17th century walnut marquetry longcase clock by a Tompion apprenticeRobert Pattison, Greenwich. The case with overhanging cornice and blind-cut fret raised on spiral ebonised columns, the long door inlaid with three panels of bird and foliate scroll marquetry over a (restored) base on bun feet, the 11 inch square brass dial with winged cherubs head spandrels and engraved foliage, the Roman and Arabic silvered chapter ring with half-quarter marks enclosing the minute band, the finely matted centre with ringed winding squares and a chamfered decorated date aperture, signed in flowing script between V and VI, the weight driven movement united by five latched, knopped and finned pillars, the going train with anchor escapement,the strike acting via an internally mounted countwheel 2.05m (6ft 8.5ins) highFootnotes:Robert Pattison was bound as an apprentice on 5th June 1676 for seven years to Thomas Tompion. He was born circa 1662 and therefore would have joined the workshop in his mid teens. He was working on his on account in Greenwich by about 1690, and married Elizabeth Crayford at St James's Aldgate on 2nd June 1695. His will, proved at the Prerogative Court of Canterbury in 1710, described him as 'a watchmaker of East Greenwich, Kent'. Although he appears never to have officially gained his Freedom, five longcases by him are recorded in Evans, 'Thomas Tompion at the Dial and Three Crowns' Ticehurst 2006, p114. See also Loomes 'Clockmakers of Britain 1286 - 1700', Mayfield, 2014, p391.This lot is subject to the following lot symbols: TPTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A late 17th century ebony brass-mounted basket-top table clock with pull quarter repeatRichard Fennell, KensingtonThe silk-backed repousse basket with adorned dolphin handles on foliate bud pommels, flanked by urn finials, over an elaborately moulded cornice, glazed rectangular side panels and a moulded base on later block feet, the 7 inch square gilt brass dial with winged cherubs head spandrels framing the Roman and Arabic chapter ring with half-quarter marks and fleur de lyse half hour markers framing a finely matted centre with shaped chamfered mock pendulum aperture, ringed winding squares and a decorated date aperture, the twin gut fusee movement with six finely knopped and finned pillars, with knife-edge verge escapement, the strike and quarter repeat system using two internally mounted racks to sound the hours and quarters on demand on one large and one small bell, each hammer with a fettled steel spring, the backplate signed in a circular wheat ear cartouche within a symmetrical pattern of foliate scrolls united by strapwork within a wheatear border. Ticking, striking and repeating. With brass bob pendulum and case key. 41cms (16ins) high Footnotes:Richard Fennell was born in about 1656 and began his apprenticeship in 1669. He trained under two masters and finally gained his Freedom after ten years, in 1679. He made and sold all manner of clocks - lantern, longcase and table - from his premises in Kensington, one of the best known being the miniature brass-covered table timepiece of circa 1700 exhibited in the 'Horological Masterworks' Exhibition, (The Museum of the History of Science, Oxford, 29 March - 22 June 2003, item number 48). Clockmakers Company records suggest that business was not always easy for Fennell as he was often in arrears in paying his quarterage.For further information on this lot please visit Bonhams.com

A good early 18th century numbered 8-day burr walnut longcase clockGeorge Graham, London No.588, c.1717The flat-topped hood with blind fret carved frieze set on three-quarter and quarter columns mounted with brass Doric capitals and bases, the long door punch numbered twice to the front edge, veneered with lively figuring and framed by an elaborate moulded edge, over a feather-banded rectangular base, the sides further inlaid with feather banded panels. The 11 inch square brass dial with double screwed Indian mask spandrels interspersed by foliate engraving, the right hand edge set with the maintaining power lever, the silvered Roman and Arabic chapter ring with floating lozenge half hour markers, finely matted centre with subsidiary seconds dial, chamfered date aperture (with pin adjustment) and an applied nameplate, 'Geo: Graham, London', with original blued steel hands (the hour hand on a hexagonal boss) secured by four latched dial feet to the substantial weight driven, eight-day movement, the plates united by five heavy knopped pillars riveted to the back and latched to the frontplate, the going train with bolt and shutter maintaining power and anchor escapement with a long steel crutch to a pendulum with circular-section steel rod terminating in a brass bob with engraved rating nut. The striking train with pivoted steel rack striking on a bell, supported on an oak seatboard, set with a brass L-shaped bracket to the backplate keying into a reciprocal T-shaped bracket on the backboard. 2.02m (6ft 7.5ins) high.Footnotes:Provenance:A Private UK collection, purchased from Asprey 1972. Three letters from Asprey accompany the lot, all signed by Jack Pearce.This lot is subject to the following lot symbols: TPTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

An 18th century oak longcase clock, later carved with a figure of Chronos, foliate bands and flowers, the hood with a broken swan-neck pediment and barley twist pillars, enclosing a 12" brass dial with pierecd 'C' scroll spandrels, silvered chapter ring, seconds subsidiary dial and date aperature, signed John Day, the 8-day movement with anchor escapement, striking on a bell, 226cm high

A 19th century oak cased longcase clock, the 12" dial painted with Roman and Arabic numerals, with gilded spandrels, marked 'A.J Thornton', 1954, Stone.

Pearce of Grantham. A mid 19thC longcase clock, the oak mahogany and rosewood cross-banded case with turned pillars, swan necked pediment and brass finial, the arched dial painted with female figure, a dog and ruined churches, 8 day four pillar movement, lacking feet, 225cm high.

A George III longcase clock, inscribed Robert Lough, Penrith , the arched brass dial, with Roman numeral hours and Arabic minutes and date dial surmounted with a moon phase to the arch, fitted with an 8-day movement striking a bell, contained within an arched hood with swan-neck pediment and brass finial above a glazed door flanked by turned columns, above a mahogany trunk with shaped panel door and raised on a panelled box base with shaped ogee bracket feet. 245cms high.

Isaac Cockeram Downham: a Georgian black lacquer longcase clock , the brass dial with roman hours and arabic minutes, with subsidiary seconds dial and date aperture, with a representation of death to the arch and ornate gilt spandrels, the eight-day movement with anchor escapement striking a bell, the black lacquered case with projecting cornice and three-quarter pilasters, the shaped waist door with chinoiserie decoration and raised on a box base with shaped apron and bracket feet, 218.5cms

John Turnbull, Hawick: a mahogany longcase clock , the brass roman dial with subsidiary seconds dial and date aperture, decorated with ornate gilt spandrels, fitted eight-day movement with anchor escapement and striking a bell, the mahogany case with swan neck pediment, gilt metal mounts and finial above an arched and glazed door, flanked by fluted columns above shaped waist door and fluted quadrants, raised on a box base with shaped bracket feet, 199.5cms high.

William Wise, Wantage: a mid 18th Century mahogany longcase clock, the brass roman dial with engraved scene of sailing ship, fitted 30 hour birdcage/post movement striking a bell, in later mahogany case, with ogee moulded cornice with three-quarter pilasters, waist door and raised on a panel base, 204cms high

William Terry, Bedale: a later carved oak longcase clock, the arched brass dial with roman hours and arabic seconds, the date aperture and ornate giltmetal spandrels with moon phase to arch, fitted an eight-day movement with anchor escapement striking a bell, the case with swan neck pediment and brass finial above an arched glazed door, flanked by two fluted columns above an oak case profusely carved with Tudor roses and geometric patterns, raised on a foliate carved box base with shaped bracket feet, 226cms.

Hugh Pannell, Northallerton: a George III oak longcase clock , the arched brass dial with roman hours and arabic minutes with date aperture, fitted eight-day movement and anchor escapement striking a bell, the oak case with swan-neck pediment and Greek key moulded cornice, above an arched and glazed door flanked by three-quarter pilasters above an oak case with blind-fret carved decoration, the shaped waist door flanked by fluted quadrants, raised on a box base with shaped apron and bracket feet, 227cms high.

Fred Wyatt, Erdington: an oak and mahogany banded longcase clock, the arched, silvered and brass dial with roman hours and arabic minutes with subsidiary date and seconds dial, with moon phase to the arch, the eight-day movement with anchor escapement striking a tubular gong, the case with swan neck pediment above an arched glazed door flanked by two columns above a waist door with re-enterant corners, flanked by fluted quadrants above a box base, raised on shaped bracket feet, 216cms high.

A George III oak longcase clock with 9 1/2in. brass dial, with Roman numerals and fitted thirty-hour movement striking a bell, the domed hood above a plain case with rectangular door raised on a replacement base. (extensively restored), 225cms high.

An oak longcase clock by T. Stripling Lichfield, early 19th century, square hood and painted dial with date aperture over a waisted case. 203cm high overall. (Pendulum, 1 large cast iron weight, 4 small metal weights and 1 case key).

An oak 8-day longcase clock, late 18th century, by 'JN ASHTON LEEK' with square hood, brass dial with subsidiary seconds dial, two train movement with hammer striking a bell over a waisted case. 208cm high overall. (Pendulum, 2 cast iron weights winding key and case key).

A 19TH CENTURY MAHOGANY EIGHT DAY LONGCASE CLOCK, the painted dial inscribed,'J.W.HANCOCK YEOVIL'

A 19TH CENTURY MAHOGANY EIGHT DAY LONGCASE CLOCK, the circular dial inscribed, 'Samuel Mewman Sydling' dated '1836' to the top of the hood