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Early 19th Century inlaid mahogany cased eight day painted dial longcase clock, Bartley & Eggert, Bristol, having a 12" break arched Arabic dial with subsidiary seconds dial and calendar crescent, within shell spandrels and painted ships to arch, the case with moulded flat hood over fluted Corinthian columns flanking wavy edged hood door, the inlaid long trunk door between boxwood strung canted sides on inlaid base, 209cm high Condition: Dial has general light crazing plus some rubbing to paint and flaws between 6 and 7. Movement appears original but requires a clean, untested and sold as seen. There is approximately 2cm of packing beneath seatboard, case has veneer cracking to wavy hood door with crack to glazing, case otherwise sound. Sold with two weights plus pendulum (no key or winder) We do not guarantee the movement or accuracy of clocks - Please see extra images and TELEPHONE department if you require further information

Fine quality mahogany cased Chippendale revival dwarf longcase clock, the 7'' break arched brass dial having a silvered chapter ring with Roman hours, Arabic minutes and inner quarter hour track framing a matted centre with oval cartouche inscribed James Drury London, over ringed winding arbours, within winged cherub mask spandrels, the arch with silvered lunar calendar crescent over rolling moon phase painted with a ship and a windmill, the knopped three pillar movement striking on a bell, with 4.5'' back plate, the case with urn finial and flowerhead rosettes over swan neck pediment, foliate scroll frieze and fluted Corinthian hood columns, the moulded long trunk door between conforming quadrant columns on canted base and ogee bracket feet, 143.5cm high, sold with two period lead weights and proportionally small pendulum, part 18th Century Condition: Dial in good order, movement appears original and is to scale, no packing beneath seatboard, case is of good quality and condition incorporating some period timbers, sold with two period lead weights, proportionally small pendulum, key and winder. We do not guarantee the movement or accuracy of clocks - Please see extra images and TELEPHONE department if you require further information

Decorative carved mahogany wall clock, with 12" circular brass dial having Roman hours and Arabic minutes framing mock pendulum aperture, engraved beneath Samuel Jones, Bath, the wire-driven single-fusee movement with four ring turned pillars and circular back plate, the unusual case carved with a serpent eating its own tail framing glazed brass bezel, 45cm diameter Condition: This clock appears to be composite (i.e. circular brass dial from a longcase clock, with wall clock movement and case) Dial has a minor dint beneath Jones, movement appears sound but is untested and sold as seen, case has a crack just above 9 o'clock and base door/panel is missing to rear box. Sold with pendulum and winder. We do not guarantee the movement or accuracy of clocks - Please see extra images and TELEPHONE department if you require further information

Thomas Houghton Chorley (1780-1840) Oak Cased 30 Hour Longcase Clock Twin weight, with broken pediment to top and flanked by twin pilasters. The square hand painted dial made by James Wilson of Birmingham. The dial decoration circa 1790's features birds, foliage and floral honeysuckle detail to corners. Roman numerals and filigree hands. Marked 'Houghton Chorley', to bottom centre. Height, 71 inches, width 20 inches. Case requires some restoration, original batch ticket fixed to back of dial. Repairs/restoration completed in 2012 - documentation provided. Please see accompanying image.

A 19TH CENTURY LONGCASE CLOCK WITH 8-DAY MOVEMENT the enamel dial inscribed 'Hordern Leamington', with subsidiary seconds dial and date aperture, painted with rustic buildings to the spandrels and break arch, in an oak and mahogany case with crossbanded and marquetry inlaid decoration, 49cm wide 24cm deep 219cm high

A 19TH CENTURY LONGCASE EIGHT DAY CLOCK, the arched dial with a painted Highland fusileer and his dog, subsidiary seconds and date dials, makers name 'Rodgers of Market Drayton' but indistinct, twin weights and pendulum, H 228 cm A/F

A LARGE 19TH CENTURY CARVED OAK MUSICAL LONGCASE CLOCK, the arched gilt and silvered dial with Roman numerals and two subsidiary dials, the musical eight day movement chiming on eight bells, the case and hood profusely carved with floral and fruit decoration, pierced grills to the sides of the hood and carved mask detail to the base, triple weight and pendulum, H 222 cm S/DCondition Report:The glass in the hood is cracked and there is a piece absent. The movement ticks upon winding but we cannot guarantee the working capacity of the clock.

AN EARLY 20TH CENTURY OAK GLAZED LONGCASE CLOCK, the silvered dial with Roman numerals, the case with bevelled glass panels and carved detail, twin weights and pendulum, H 212 cm

A 19th century French fruitwood longcase / comptoise grandfather clock. The white enamel dial signed for Le COz Falher Pontrieux  having stunning stamped brass star spandrels and the arch embossed with a decorative scenes and further central star. Set within a fruitwood case having glass pendulum window. With weights and pendulum

A 20th century contemporary moon phase grandfather / longcase clock by Denclock - Scan Clock of Denmark, mahogany cased with broken arch pediment. Measures: 197cm high x 42cm wide x 23cm diameter.

A 19th century mahogany painted face Southern Counties Grandfather Longcase clock. The mahogany case and hood with glass facia housing a painted face with faceted hands marked for H Dawes of Southampton. Complete with pendulum and weights

An 18th / 19th century North country mahogany longcase grandfather clock. The mahogany case and trunk with painted face having faceted hands with hand painted country scenes and notation reading W Adams Selby. Complete with weights and pendulum

A mahogany 30-hour longcase clock, with painted dial, Roman numerals and calendar aperture, marked 'Wilkinson, Leicester', swan-neck pediment, baluster supports, to pedestal base, approx. 210cm high

A mahogany 30-hour longcase clock with painted dial, Roman numerals and calendar aperture, swan-neck pediment with gold three-feather finial, marked 'Mapsen, Wotten Bassett', baluster supports, trunk base to square pedestal base, approx. 220cm high

AN OAK DWARF LONGCASE CLOCK, C1930, 144CM H

Fine 18thC Longcase Clock, the silvered round dial by James Aickin (Cork, 1711 – 1795), (signed above clock face), with decorative masks in brass at each corner, in a good mahogany case, swan neck pediment, working, 75”h x 19”w

GEORGE I BLACK JAPANNED LONGCASE CLOCK EARLY 18TH CENTURY the moulded top with pineapple finials over moulded cornice, above arched brass dial with Roman numeral chapter ring with subsidiary second and date aperture inscribed 'Peregrine Tawney, London' flanked by columns, above an arched moulded trunk door decorated with chinoiserie, on a moulded plinth base 52cm wide, 239cm high, 25cm deep

A George III oak and mahogany crossbanded longcase clock, the 14" white painted dial with rolling moon phase, subsidiary seconds dial and aperture, Arabic numerals, marked Humphrey Jones Oswestry, eight day movement string on a bell, 220cm high

A 19th century oak cross banded painted dial longcase clock, Routledge of Carlisle, the arched dial with marine moon phase and calendar aperture, the 30 hour four pillar movement striking on a bell, the hood with swan neck pediment and separate columns, the trunk with arched door over a canted base box and plinth with scroll apron, 223cm high

A 19th century mahogany painted dial longcase clock, W. Williams of Merthyr, the arched dial with flower spandrels and Roman numerals, subsidiary seconds and date aperture, the hood with fluted columns, the canted trunk with plain door above a plain base box, raised on bracket feet, the 8-day four pillar movement striking on a bell, 207cm high

A 19th century mahogany longcase clock hood, with swan neck pediment, the arched door with spiral fluted pilasters flanked by confirming columns, 79cm high, together with an Edwardian oak occasional table with barley twist supports, 75cm x 40cm x 58cm and a longcase clock pendulum

An 18th century oak longcase clock, Edward Low of Chester, with two-train striking movement. Height 214 cm. CONDITION REPORT: The movement winds on both trains. When weight is applied to the going train the clock seems to be operating as it should. When the hands are advanced the mechanism strikes. The clock does wind on both trains. We have not had the clock ticking as the crutch through which the pendulum fits is snapped. The movement however seems clean. The date does not seem to be advancing when the hands are moved manually. The hood is in generally very good condition with no issues. The trunk door is not warped. There is evidence of a previous lock escutcheon. The current escutcheon is old. The lock is a modern replacement and there is also evidence of a butterfly door closer to the left of the lock escutcheon. The base is in generally good order although there is a split between the joins on the bottom panel. The bracket feet have some age but are clearly later. When the door is opened there is evidence of old woodworm to the left and right hand uprights but this appears to be long gone. There is further evidence of woodworm to the soft wood beneath the dial. The seat board has some age but is not original. Whilst the cheeks do not appear to have been built up the construction is not in our opinion traditional. The movement does however fit the mask very well. The case backboards appear to be original.

A 19th century mahogany longcase clock, by Craig of Maryport, with eight day striking movement and moon phase. Height 228 cm.

A 19th century longcase clock by W. Davison Kettering, with thirty hour movement, the case with swans neck pediment, short trunk door and conforming base. Height 224 cm.

An Edwardian foliate painted longcase clock, chiming on nine gongs, three-train and all raised on short cabriole legs terminating in hoof feet. Height 224 cm.

An oak longcase clock, circa 1930, with St. Michael Westminster or Whittington chimes, the trunk door glazed. Height 200 cm.

A Georgian walnut cased longcase clock, with moulded cornice above the arched glazed door enclosing the two-train striking movement by Jos. Naylor, London, with long trunk door and conforming base raised on bracket feet. Height 244 cm. CONDITION REPORT: The movement winds on both trains and is currently ticking away. When the hands are advanced the tidal aperture and the date appear to advance as they should. We cannot attach the strike weight as the top loop to the weight is broken. We have not had the strike operating. The seatboard is not original and there is some packing beneath the seatboard. Whether this indicates that the clock is a marriage or not we are not sure. The case maybe pine. It looks to have been fairly recently stripped and varnished. This have been a lacquered case originally. The backboards would appear to be original. The bracket feet, plinth moulding and short upstand to the base are later.

An Edwardian mahogany longcase clock, with steeple and ball finial and swans neck pediment above the arched glazed door enclosing the brass dial and three-train striking movement, with long trunk door and conforming base. Height including finial 220 cm. CONDITION REPORT: The clock case is in extremely good condition. The hood columns are a little loose but other than this the case is really in first class condition. The silvered brass dial is tarnished and somewhat dirty. The movement does wind on all three trains. It is however extremely dirty and we have not had the movement running. There is a pendulum with the clock however we do not think that this is the correct one even though it is inside the case.

An early 19th century mahogany longcase clock by Dan Brown of Glasgow, with two-train striking movement, subsidiary date and seconds dials. Height 203 cm. CONDITION REPORT: We have the weights, pendulum, door key and winding key. The clock is currently ticking away and striking. The case is in generally good order. There are some minor nibbles to the cornice and a few pieces of dentil work missing. Both the columns are slightly loose at the top but are easy to position. The left hand column has the rear of the top capital missing. The trunk door is slightly warped but does close and lock with the key. The lock and lock escutcheon are later. There are various nibbles and marks to the case however the condition is generally fairly good. The right hand blind fretwork spandrel has a small loss.

A George III mahogany longcase clock by James Kirkland of Glasgow, with brass dial, two-train striking movement, subsidiary seconds hand and date aperture, the hood with blind fretwork and twist columns, the multiple arched trunk door flanked by canted angles. Height 228 cm (see illustration). CONDITION REPORT: This clock is in generally good order. The movement winds on both trains and is currently ticking away and striking as it should. The hood has damage and losses to the fretwork. The right hand side fretwork return is completely missing. The left hand side is 50% missing. It would make sense to incorporate the remains of the left hand side return into the section missing from the front. The fretwork section above the arch has some minor losses and the material behind has some perforations. The left hand side Gothic window to the hood is missing. The right hand side one is present and has some minor fretwork damage. The trunk door is not warped and locks as it should. We have the key. The sides of the trunk are in good condition as is the base. The bracket feet are original. The backboards are original and in good order.

An oak longcase clock, with 8 day movement and painted dial

An oak-cased Art Deco short floor-standing longcase clock, the face set with Arabic numerals, chiming on coiled rod, height 107cm.

An 18th century 30-hour longcase clock, with a 25cm brass dial and silvered chapter ring, by Joseph Bishop Bridport, oak cased, height 195cm

An embossed brass cased miniature longcase clock with painted panel, height 11"

A MODERN MAHOGANY LONGCASE CLOCK, the brass dial with Roman numerals, approximate size height 206cm (two weights and pendulum)

A GEORGE III OAK AND MAHOGANY BANDED LONGCASE CLOCK, eight day movement, the brass dial with Roman numerals, unsigned, dial diameter 31cm, seconds dial, approximate height 204cm (two weights and pendulum)

A Georgian longcase clock by L. Timmings, Dudley The painted metal dial with moon phase aperture and subsidiary date mechanism to a brass eight day movement striking on a bell, inset into a oak and mahogany crossbanded case with broken arch pediment and shell inlaid detail, height 243cm, with weights and pendulum. CONDITION REPORT: The clock is not set up - has a new board and looks to have been restored at some point, damage to case - see images

Victorian pine cased 30 hour longcase clock having painted arched dial

A late George III oak cased eight-day longcase clock, by James Bishop of Musselburgh, 225cm high

A George III pine cased eight-day longcase clock, by Crake of London, 206cm

A George III eight-day longcase clock, by George Parker Wisbech, with white painted dial and caddy top, 217cm

Francis Perigal, London (1770-1824), an arched brass longcase clock 12in dial and movement, eight-day and striking on a bell faced by primary and second dials with Roman chapter, together with an associated reduced case

A George III mahogany and oak eight day longcase clock, with painted arched dial, M&S Friez, Leciester, 220 cm high

Late 19th century German oak longcase clock, C Jagermann Nachi, Berlin

18th Century oak longcase clock, the square hood with blind fretted decoration above a rectangular panel door on plinth base, the gilt brass dial inscribed Phillips, Bromyard, with subsidiary seconds and calendar, the two train movement striking on a bell CONDITION REPORT Dial is 11.5ins square

George III oak longcase clock, the square hood with blind fretwork frieze and turned columns above a shaped door and plinth base, the 11in brass dial inscribed Mat Hedge, Colchester, with Roman numerals and a thirty hour movement striking on a bell CONDITION REPORT Weight and pendulum present

18th Century carved and ebonised longcase clock, the square hood above a rectangular door and conforming plinth base, the brass dial with silvered chapter ring and mask head spandrels, signed Thorne, Tiverton, the two train movement adapted to strike on a gong CONDITION REPORT Not currently set up but was running in the owners house.Weights and pendulum present.No original keys present.

George III mahogany longcase clock, the broken arch hood with flanking pilasters above a shaped panel door on conforming plinth base, the painted dial with Arabic and Roman numerals, subsidiary seconds dial, date aperture and moon phase arch, signed Pigott, Nottingham, the two train movement with anchor escapement striking on a bell

George III oak longcase clock, the square hood with flanking pilasters above a rectangular panel door and moulded plinth base, the brass dial with Arabic and Roman numerals and subsidiary date aperture, signed Whitehurst, Derby, with a two train movement striking on a bell CONDITION REPORT One weight only present.This and the pendulum appear modified.Case and movement are most likely marriedBack plate is blank - no serial number.11in door, dial

George III mahogany longcase clock, the arched hood with brass finials with flanking pilasters above an arched panel door and conforming plinth base, the brass dial with Arabic and Roman numerals, subsidiary seconds dial and date aperture with strike / silent selector to the arch, signed John Lellyett, Havant, the two train movement with anchor escapement striking on a bell CONDITION REPORT Does have two weights and a pendulum

19th Century French stained and painted pine longcase clock, the shaped hood above a baluster trunk and conforming plinth base decorated with stylised floral motifs and figures in a landscape, the repousse brass dial with enamel centre painted with Roman and Arabic numerals, the two train movement with a subsidiary date hand and decorative brass pendulum behind a glass window, 7ft high approximately

19th Century mahogany longcase clock, the square hood with flanking pilasters above a rectangular panelled door, the painted dial with Roman numerals, subsidiary date and seconds dial, signed John Noakes, Burwash, with a single train thirty hour movement

Painted metal table lighter in the form of a highway man, World War I troop tin, miniature longcase clock and sundries

An 18th century 30 hour oak longcase clock by Anthony Lynch, Newbury, the signed silvered brass dial with Roman and Arabic numerals, C-scroll spandrels, flanked by pilasters, the slender trunk raised on pedestal base, H.183cm

An early 19th century mahogany eight day longcase clock W.50cm

A George III mahogany cased longcase clock, by Valentine Downs, Louth, circa 1780, the eight-day movement striking on a bell, twelve-inch brass break-arch dial with silvered chapter ring engraved with black Roman numerals, five minute Arabic numerals and minute track, the matted dial centre with engraved decoration, inset subsidiary seconds dial, date aperture, cast brass floral spandrels to the four corners and engraved steel hands, the arch having a silvered boss engraved 'Vale. Downs, Louth' and further c-floral spandrels, the hood with broken swan neck pediment centred by a brass orb finial, dentil moulding, reeded columns with brass capitals flaking the glazed door, the trunk with applied quarter columns with brass capitals flanking a full length trunk door with pointed arch and inset escutcheon, raised on shaped bracket feet, with winder, pendulum and two weights, 46.5 by 27 by 243cm high.

Two boxes containing miscellaneous clock parts, two painted longcase clock dials and clock fittings etc., (a large lot)

C18th Oak Cased 30 Hour Longcase Clock by Thomas Upjohn (1760 to 1795) standard door, 10" brass dial with alarm dial to centre, broken arch pediment with turned wooden finials, on plinth base, pair lead weights, replacement chains, brass faced pendulum bob, no key

German Art Nouveau Golden Oak Longcase Clock made in Wurtenberg, brass cased weight driven movement with visible brass cased pendulum, circular dial with black painted Arabic numerals, domed top, on raised high bracket supports (no key)

An 18th Century Oak Longcase Clock By Jackson Of Hexham, with broken swan pediment above a glazed door enclosing a 11 inch brass dial with Roman and Arabic numerals, with date aperture, decorated with gilt metal spandrels, with pendulum and one lead weight, 224cm high overall