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A good 19th century mahogany longcase clock with eight day movement, the arched dial painted with nautical themes to include a portrait of Wellington ( ? )

A thirty hour longcase clock movement, the brass dial signed John Tilbery, Headly.

Quantity of wooden doll's house furniture for kitchen, living room and bedroom including chaise longue, longcase clock, bureau, tables, beds, dressing tables, sink unit, cookers etc; various scales; mainly natural wood finish but some paintedCondition Report:Condition varies but most reasonably good with some playwear.

A 1930's oak cased Westminster chiming longcase clock, the silvered dial with Arabic chapter ring, H202cm, W50cm, D26cm

An oak longcase clock with hand painted dial named to 'Robert Dobel, Yeovil' with Japonisme scenes and exotic birds - height 208cm

A Georgian inlaid mahogany longcase clock with barley twist supports and ornate brass dial with hand painted moon face showing "High Water at Bristol Key" - some parts loose but present - height 218cm

A BURR WALNUT LONGCASE CLOCK BY JOHN TRIBE OF PETWORTH with thirty hour movement, the brass dial with silvered chapter ring and roman numerals, inscribed by the maker, the case with moulded cornice, slender trunk and pedestal base, 192.5cm high x 41cm wide

SCOTTISH WEST COAST DRUMHEAD LONGCASE CLOCK JAMES SMITH OF IRVINE, MID-19TH CENTURY with two train eight day movement, the drum head hood enclosing a circular enamel dial with Roman and Arabic numerals, subsidiary seconds and calendar dials, contained in a mahogany case with tapering trunk, on bun feet205cm high overall

LATE GEORGIAN MAHOGANY LONGCASE CLOCK EARLY 19TH CENTURY with two train eight day movement, the white enamel dial set with Roman and Arabic numerals, subsidiary seconds and calendar dials, further painted with allegorical scenes to the spandrels, the hood with swan neck pediment

GEORGE III MAHOGANY LONGCASE CLOCK NORMAND MACPHERSON OF EDINBURGH, CIRCA 1760 with two train eight day movement, the brass dial with Roman and Arabic numeral chapter ring, subsidiary seconds dial and calendar aperture, pierced brass spandrels and maker's plaque to lunette, the blind fretted hood with urn finial and broken pediment, moulded dentil cornice, bracket feet222cm highCondition generally good to fair. Wear as per use and age. Has been cleaned. Some splits to wood (I.e. right hand side of hood - also crack to pane here, and base). Presented with weights, pendulum and key, though have not tested mechanism. Additional images are however available.

GEORGE III MAHOGANY LONGCASE CLOCK NORMAND MACPHERSON OF EDINBURGH, CIRCA 1780 with three train eight day quarter-striking movement, the brass dial with silvered Roman and Arabic numeral chapter ring, subsidiary seconds dial and calendar aperture, pierced brass spandrels, maker's plaque to lunette, the Corinthian pillared hood with moulded swan neck pediment, the (later) trunk and base with moulded foliate roundel, bracket feet232cm high Condition good to fair. Has been cleaned. Glass replaced. Some verdigris spotting to dial. Areas of cosmetic wear as per use and age (I.e split running down right and left sides of base). Pendulum, weights and key present, though have not tested working order. Plenty of additional images are however now available.

MAHOGANY LONGCASE CLOCK ALEXANDER GRANT OF STIRLING, MID-19TH CENTURY with two train eight day movement, the white enamel dial with Roman and Arabic numerals, subsidiary seconds and calendar dials, the hood with swan neck pediment

GEORGE III SCOTTISH WEST COAST MAHOGANY LONGCASE CLOCK THOMAS STOBO OF STRATHAVEN, LATE 19TH/EARLY 20TH CENTURY three train eight day movement, the engraved brass dial with silvered Roman and Arabic numeral chapter ring, subsidiary seconds dial, pierced spandrels, maker's plaque to lunette, with triple orb and spike finials over moulded swan neck pediment and blind fret frieze, the trunk and base with later outline and later Art Nouveau stylised detail to door, pad feet

18th century mahogany 8-day longcase clock, dial signed William Carter Junior of Southwark

Nathanial Kirk of Kibworth (Market Harborough, Leicestershire); A George III oak-cased 8-day longcase clock with brass (31 cm) two-piece dial with silvered chapter ring and centre, named and numbered 120, fitted with a four-pillar, post and plate movement now striking on a later coil gong. In a plain oak hood and case with a long trunk door and shaped plinth base. 55 cm wide x 24 cm deep x 196 cm overall heightNote: Nathaniel Kirkis recorded as working in Kibworth, nr Market Harborough, Leicestershire and it is noted he sometimes numbered his movements; this being No. 120.

An early 18th century Richard Peckover of London longcase clock with square brass and silvered dial complete with silent and fall dial and date apperture, the lacquered chinoiserie case with bird and flower decoration raised on plinth base. H.218 W.46 D.27cm.

A 17th century John Alyward of Guildford walnut cased longcase clock the brass dial with black Roman numerals, subsidiary second hand dial and date apperture, the plain case raised on shaped bracket feet. H.201 W.53 D.23cm.

AN IMPORTANT CARVED MAHOGANY LONGCASE CLOCK, MID 18TH CENTURY IN THE ROCOCO MANNER AND BASED ON A PUBLISHED DESIGN BY THOMAS CHIPPENDALEfitted with a fine quality brass and steel dial c. 1740 signed George Parker, the hood with dentil moulding above a foliate scroll fretwork frieze surrounding a brass and steel dial, with spandrels cast in the form of putti holding aloft a crown, this flanked by parcel gilt Corinthian columns, the lower trunk and case carved with floral garlands. 217cm high

A Georgian oak 30hr longcase clock with painted dial, moulded cornice with pendulum and weights, 198cmHigh. Location:LAM

A brass kettle and jug, a copper plate,  miniature longcase clock, wooden boxes etc Condition Report:No condition report available.

A Victorian mahogany cased J.B. Newlands, Paisley drumhead longcase clock with white painted dial bearing Roman numerals and subsidiary dial bearing Roman numerals, 210cm high x 50cm wide x 24cm deep Condition Report:Available upon request

An oak and mahogany cross banded eight day longcase clock by Thomas William Hay, Shrewsbury, second quarter 19th century, the swan neck pediment over freestanding pillars flanking the painted 36cm square dial with inset moon phase and date aperture, signed with the makers name, enclosing the four pillar two train movement striking on a saucer bell, the case with quarter fluted pilasters and a rectangular door centered with a lozenge motif, upon an associated and detachable plinth base, 232cm high, plinth height 16cm, two weights and pendulum

A mahogany cased eight day longcase clock by R Lawrence, Wellington, mid 19th century, the 36cm painted break arch dial with subsidiary second and date dials, signed with the makers name, enclosing a two train movement striking on a saucer bell, the case with turned pilasters flanking a shaped door, overall inlaid with chequered stringing, 225cm high, two weights and a pendulum

A George III mahogany longcase clock by William Gill, Hastings, late 18th century, the 30cm square brass dial applied with Roman and Arabic numerals, centred with a subsidiary second dial and date aperture, signed with the makers name, enclosing the two train eight day movement striking on a saucer bell, the plain mahogany case upon shaped bracket feet, 195cm high, two weights and a pendulum

A mahogany case longcase clock with painted dial, approx 209cm. Shipping category D.

A large mahogany eight day longcase clock with a painted dial by Feather & Haworth, approx 245cm. Shipping category D.

A reproduction Mahogany longcase clock with visible pendulum and weights

A grandfather clock, so-called longcase or grandfather clock, England, John Meynard, London, 19th century. Brass dial with address at the top, silver-plated dial with Roman numerals indicates hours and minutes, ditto smaller second hand, date display at the bottom, in mahogany glued straight case with openwork in the hood, resting on ball feet at the front, h 225 cm.

A GEORGE II/III CHINOISERIE JAPANNED EIGHT-DAY LONGCASE CLOCKWILLIAM CREAK, LONDON, MID 18TH CENTURYWith eight-day bell striking movement, the arched dial with silvered chapter ring and boss inscribed WM Creak, Royal Exchange, LONDON, and with subsidiary second dial 215cm high   Condition Report: The movement is untested Dreweatts make no comments or guarantees as to whether it is working or as to accuracy, it comes with 2 metal weights and a pendulum, no winding or case keys present. The hands are replacements, there is a lump of blutac to the movement - it's purpose is unknown, this needs removal before use can be attempted. The cheek boards are not obviously adapted, Dreweatts make no guarantees clock case and dial are original to eachotherOverall in 'country house' condition and requires some attention before use in a domestic setting, a clean and overhaul by a clock restorer would be advisedThe case with old Marks, knocks, scratches, abrasions consistent with age and use, old splits and cracks, chips and losses, Dirt and discolouration to the gilt metal elements, the dial with dirt and discolouration, marks, etc.Probably originally with finials to the hood, never present with the clock whilst at Barnwell. The lacquerwork is 'flat' and two-dimensionalThe movement has four pillars Please see additional images for visual reference to condition Condition Report Disclaimer

A GEORGE III MAHOGANY LONGCASE CLOCKTHIRD QUARTER 18TH CENTURY, POSSIBLY NORTH COUNTRY The circular painted dial with Roman numeral chapters, subsidiary seconds dial and date dial, below St Jerome in his study with lion beside him, the hood with Corinthian columns and shaped arched top, the case with quadrant Corinthian columns and a panelled door above a pedestal base and stepped foot, with pendulum, two brass weights and winding key 245cm high   Condition Report: Dial appears to have been refreshed and repainted, no guarantees this belongs to the movement, movement is untested and Dreweatts make no comments or guarantees as to whether it is working or as to accuracy, it comes with a winding key, 2 weights, a pendulum, a case key for the trunk door.The case with signs of cleaning and polishing, also old Marks, knocks, scratches, abrasions consistent with age and use, old splits and cracks, chips and losses, Dirt and discolouration to the gilt metal mountsProbably originally with finials to the hood, never present with the clock whilst at Barnwell.Please see additional images for visual reference to condition Condition Report Disclaimer

Howell & James, London an unusual Sheraton-style walnut miniature longcase mantle clock having a French eight-day duration timepiece movement, the round white enamel dial having black Roman numerals, blued steel moon hands and signed for the retailer Howell & James, To the Queen, London, the walnut case with Sheraton style inlaid fan decoration to the hood and base, with a thermometer set within the trunk and barometer set within the base, height 47cm.

Nathaniel Voyce, Mitchell Deane, a walnut longcase clock the eight-day duration movement striking the hours on a bell and with brass-bound weights, the twelve-inch square brass dial having ringed winding holes to the dial centre, a subsidiary seconds dial and date aperture, with the raised chapter ring engraved with black Roman numerals, half-hour fleur-de-lys markings and signed Nathaniel Voyce, Mitchell Deane, female-head cast-brass corner spandrels and blued-steel hands (damaged), the flat-top walnut case with a bulls-eye glass to the trunk door, with the hood having a blind fret to the top and three-quarter turned columns, height 213cm.Nathaniel Voyce, born 1705, is a well-recorded maker from a large family of clockmakers who worked in Mitcheldeane, Gloucestershire until his death in 1770. His father George, who died in 1722, was the first of the family recorded.Reference: Graham Dowler Gloucestershire Clock & Watchmakers Pub. Phillimore 1984. A family tree of the Voyce family is shown page 103.

W. Rayment, Stow Markett an oak longcase clock the eight-day duration movement striking the hours on a bell with the twelve-inch brass break-arch dial with wheatear border engraving and having ringed winding holes to the centre with a subsidiary seconds dial and engraved decoration surrounding the date aperture, with the raised chapter ring engraved with black Roman numerals, fleur-de-lys half-hour markings and signed W. Rayment, Stow Markett, with blued steel hands, the arch fully engraved with floral and rococo decoration, the oak case having a pediment top with giltwood flame finials and fluted columns to the hood, height 215cm.Biography: William Rayment is a well-known maker working in Stowmarket, Suffolk and quite probably related to the eminent maker Richard Rayment of Bury St. Edmunds. He married Rebecca Richardson in October 1706 and became a prominent citizen with one of his positions being Overseer of the Poor in 1711. He died in 1760 being described as a 'gentleman of Onehouse', being a small village outside Stowmarket.Reference: Hagger & Miller Suffolk Clocks & Clockmakers Pub. by the authors 1974.

An oak and mahogany crossbanded longcase clock having an eight-day duration movement striking the hours on a bell with the eleven-inch painted break-arch dial having black Roman numerals, a subsidiary seconds dial, date aperture and decorative scenes depicting ancient ruins to the four corners, with decorative hands, with a further landscape painted within the arch, the rear of the dial falseplate embossed with the dial maker's name S. Wilkes, Birmingham, the oak case having a swan-neck pediment, fluted hood columns canted corners to the trunk and standing on bracket feet, height 102cm.

Jn. Criddle, Bridgewater and oak longcase clock the thirty-hour duration movement striking the hours on a bell and having an eleven-inch square brass painted dial with black Arabic numerals, floral corner spandrels, date aperture, blued steel hands and signed Jn. Criddle, Bridgwater, the oak flat-top case with scroll cresting and Westcountry 'chimney', with turned pillars to the hood and all standing on bracket feet, height 195cm.Biography: John Criddle is recorded as working in St. Mary Street, Bridgewater from circa 1807 until at least 1830 having ben apprenticed to Charles Price of Wiveliscombe.Reference: A.J. Moore The Clockmakers of Somerset Pub. by the author 1998.

William Hill, Walshingham an oak longcase clock having an eight-day duration movement striking the hours on a bell with the eleven-inch square brass dial having a raised chapter ring engraved with black Roman numerals and fleur-de-lys half-hour markings, the matted centre with date aperture (now fixed at 10), with decorative hands and cast-brass female-head corner spandrels, the flat-top oak case with turned pillars to the hood, curved top to the trunk door and standing on bracket feet, with height 198cm.Note: There are two clockmakers named William Hill recorded as working in Walsingham, Norfolk with the first from at least 1822 when he looked after the clock at Great Snoring until at least 1749 with the second William being apprenticed to Thomas Hill of Middlesex in in 1744 before becoming bankrupt in 1764.Reference: Clifford & Yvonne Bird (editors) Norfolk & Norwich Clocks & Clockmakers Pub. Phillimore 1996.

William Preddy Langport a mahogany longcase clock the eight-day duration movement striking the hours on a bell with the twelve-inch square painted dial having black Roman numerals, a subsidiary seconds dial, date aperture, decorative shell corners, decorative brass hands and signed Wm. Preddy, Langport, the mahogany case having a swan-neck pediment with brass ball-and-spire finial, gilt-wood capitals to the hood pillars, boxwood stringing to the base and standing on bracket feet, height 222cm, including finial.Biography: William Preddy was a prolific maker of longcase clocks from a well-known family of Somerset clockmakers. He is recorded as working in the High Street, Longport from 1822 until 1839 before moving to Bridgwater and then quite possibly Ilminster.Reference: A.J. Moore The Clockmakers of Somerset Pub. 1998, pages 199-200, illustrations page 201.

A Georgian flame mahogany longcase clock having an eight-day duration, five-pillar movement striking the hours on a bell, the twelve-inch painted convex dial with black Roman numerals and blued-steel spade hands, the mahogany curved-top case with fluted canted corners, raised moulding to the base and surmounted by two later wooden bird finials, height 200cm.

An Edwardian German oak longcase clock having a weight-driven movement striking the hours on two gong-rods and the quarters on a further four rods with the backplate stamped P.L. 118, along with the patent D.R.G.M. 83651, the 10½ inch brass dial having black Arabic numerals and spade hands, the oak case with applied carved decoration, an arched glazed trunk door, a panel to the base and barley-twist columns, standing on bun feet, height 216cm.

William Stumbels, Totnes a lacquered longcase clock the eight-day duration movement striking the hours on a bell with the thirteen-inch break-arch dial having a raised chapter ring engraved with black Roman numerals and fleur-de-lys half-hour markings, the matted centre with a subsidiary seconds dial and engraved decoration to the date aperture, with cast-brass urn corner spandrels, with a strike/silent lever above XII, the arch having a silvered boss engraved with the makers name William Stumbels, Totness, the green lacquered case with raised Oriental chinoiserie decoration and having carved giltwood corbels below the hood corners, the pediment top having giltwood flame finials with the base standing on a double plinth, height 254cm.* Biography: William Stumbels is one of the finest of the Westcountry clockmakers being a craftsman of great artistic ability, and made clocks for the owners of many of the areas principal houses including the Carew and Courtenay families. One of his most illustrious clocks, and rightly described as his masterpiece, is the walnut longcase situated in Powderham Castle, with a case quite probably made by the Channon family, cabinet makers to the castle. Stumbels first established himself as a clockmaker at Aveton Gifford where he and Sarah Phillips were married on the 12th of November 1716, moving to Totnes in 1729. Sarah died in 1767 followed by William in 1769 being buried at Totnes on Christmas Day. J.K. Bellchambers, in Devonshire Clockmakers, describes William Stumbles as probably the most brilliant clockmaker of his time outside London.Many fine clocks are recorded signed by Stumbels, mainly longcase clocks but also turret clocks which are situated in both country estates and churches. A number of Stumbels clocks incorporate elaborate striking and chiming mechanisms, along with detailed equation-work, often set within the arch.Reference: Clive N. Ponsford Devon Clocks & Clockmakers Pub. David & Charles 1985, pages 97-107, illustrations 23-33.J.K. Bellchambers Devonshire Clockmakers Pub. The Author 1962.

Two pairs of brass bound longcase clock weights.

George III Irish mahogany and patera inlaid longcase clock by Gaskin, Dublin, with white painted enamelled dial and twin train movement striking on a bell. 203cm highProvenance: removed from Spout Farm, Groton

Modern Late 17th century-style burr wood longcase clock case with scroll pediment, spiral hood columns, 25cm square dial aperture, of correct narrow proportions, 89 x 39 cm

Early 19th century 8-day longcase clock with arched gilt and silvered dial with strike silent dial in arch and subsidiary seconds in dome top mahogany case. 213cm high, two brass weights and pendulum present

Victorian 8-day longcase clock signed Robert Jones, Liverpool with painted arched dial decorated with female allegorical figures depicting the seasons and lunar arch in broad mahogany case, 228cm high, pendulum and two weights present

Victorian eight-day longcase clock with arched painted dial with landscape to arch in broad mahogany case with swan neck pediment. 126cm high, pendulum and two weights present226 cm high not 126 cm as in description. Good overall condition

LONGCASE CLOCK PENDULUMS (5) - with lead filled bobs, a cast metal clock bell, 10.5cms diameter and three gilded brass clock finials

VICTORIAN WALNUT WATCH HOLDER - modelled as a longcase clock, canopy top with gilded brass ball finials, pierced brass dial surround, the case with bullseye door, 55cms H - containing a nickel cased pocket watch

Oak grandfather longcase clock by Richard Boyfield, Melton. Painted face, with weight and pendulum

Early to mid 20th Century oak longcase clock with a three train weight driven striking movement, 192cms high together with a small pine desk, 100cms wide

19th Century longcase clock, the painted arched top dial with thirty hour movement inscribed Daniel Davies, Cheltenham, with date aperture and Roman numerals in an oak and mahogany crossbanded case, together with a 19th Century mahogany longcase clock case and hood

Reproduction mahogany longcase clock, the brass and silvered dial with pendulum window, 188cms high

19th Century oak longcase clock the brass dial with silvered chapter ring, subsidiary seconds and date aperture inscribed Higin Botham of Macclesfield and two train weight driven movement, the square hood with flanking pilasters above a flush panel door and conforming base and ogee bracket feet (including weights, pendulum and winding key) 210cm high

Carved oak longcase clock, late 17th / early 18th Century and later, the square hood above a rectangular panel door decorated with a standing figure, flowers and swags and a conforming plinth base, the brass dial with silvered chapter ring, Arabic and Roman numerals, subsidiary seconds dial and date aperture, signed Richard Smith, Dunstable, with a two train movement and bell strike, 218cms high

Early 20th Century walnut longcase clock, the circular silvered dial with Arabic numerals and three train weight driven movement

A 19th Century Victorian oak longcase/grandfather clock, the scrolled pediment above polychrome florally painted roman dial, subsidiary date and seconds dials, two train movement with anchor escapement, the case with single door and elaborate escutcheon flanked by quadrants, raised on bracket feet. 47 x 23 x 215cm high.

A 19th Century Scottish mahogany Grandfather/longcase clock, brass finial flanked by a scrolled pediment, painted roman dial portraying the four seasons and historical scene to arch, subsidiary seconds and date dials. two train movement with anchor escapement, makers mark to the clockface Gardner - Dunbar, 200cm high.

Moathe: a 20th Century longcase grandfather/longcase clock, the scrolled pediment over a brass and silvered metal clockface with roman numerals to the chapter ring, floral mother-of-pearl detailing to the case raised on cabriole feet, 210cm high.

An early 19th century oak cased longcase clock. the painted dial inscribed Collett, FakenhamCONDITION REPORTWeights and pendulum present.We have attached a number of additional images to showcase the lot in further detail.

An early 19th century inlaid oak longcase clock with square painted dial