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Mid-18th century brass longcase clock movement, maker WM Golsby of Greetworth, silvered Roman chapter, square date aperture. CONDITION REPORT: Dial 25cm square.

Victorian mahogany longcase clock, maker Andrew Mackie of Fraserburgh,the enamel dial with nautical scenes, 231cm high

Victorian mahogany longcase clock, maker William Craik of Dalkeith, with painted dial depicting interior scene and the four seasons within the spandrels, the hood with swan neck pediment and three griffon finials.

A group of various enamel predominantly circular longcase/wall clock dials, also three clock movements.

A 19th century oak cased eight day longcase clock, the moulded cornice above square face with circular chapter ring set with Roman numerals and with date aperture, inscribed "John Holloway, Newbury, Fecit", above single slender door and plinth base, height 190cm. CONDITION REPORT: Please see additional photographs. Split to base panel and door front. Possibly later panel below door. We cannot guarantee the mechanism is complete or in working order as we have not had it running in the saleroom.

A pine cased longcase clock, the moulded cornice above square face with brass chapter ring set with Roman numerals, inscribed "Henry Tristram, Tamworth", above single door and plinth base, height 176cm. CONDITION REPORT: Not case and movement associated. Split to base panel. No pendulum.

A 1920s oak dresser incorporating an 18th century brass 10" longcase clock dial, the chapter ring set with Roman numerals and inscribed "Bayley, Uttoxeter", with an eight day fusee movement within the case, with boarded plate rack above three geometrically moulded drawers raised on barleytwist and block supports, length 164cm.

A late 18th/early 19th century oak cased eight-day Longcase Clock, the broken swan-neck pediment surmounted with an open-winged gilded eagle and flanked by two further similar gilded finials and above a 12" brass dial with the chapter ring with Roman numerals and subsidiary seconds hand and date aperture and all cornered by ornate pierced gilt metal spandrels headed with masks, shaped trunk door and raised on plinth base, the dial signed Thomas Bruton, Crom Hall, 206cm high

Thirty hour longcase clock movement, the 12" square painted dial with subsidiary seconds dial and arched calendar aperture (pendulum, weight)

Thirty hour longcase clock movement, the 10" square brass dial signed Wallis, St Austle on the silvered chapter ring enclosing a matted centre with iron hands

Eight day longcase clock movement, the 12" brass arched dial signed George Newman, Crediton on a convex boss to the arch, over a brass chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture

Eight day longcase clock movement, the 12" square brass dial signed William Webster, Exchange Alley, London with arched plaque to the matted centre enclosing subsidiary seconds dial and calendar aperture (pendulum, two weights)

Thirty hour longcase clock birdcage movement, the 11" square brass dial signed William Clement, London on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial, calendar aperture and later hands *This lot is sold with a copy of two articles written by Brian Loomes in the Horological Journals dated October and November 2009 about the maker William Clement

Thirty hour longcase clock movement, the 11" square brass dial with brass chapter ring enclosing a matted centre with calendar aperture

Thirty hour longcase clock movement, the 11" square brass dial signed Harris, Chippenham to the foliate engraved centre with calendar aperture

Oak thirty hour longcase clock, the 11" square silvered dial engraved to the centre with a plough, the case with long door and the hood surmounted by a moulded stepped cornice over a pierced foliate carved frieze, 77.5" high; also an oak and mahogany crossbanded case with aperture for a 14" square dial, with short door and surmounted by a swan neck pediment, 85" high (2)

Carved oak thirty hour longcase clock, the 11" square engraved brass dial signed Benjamin Andrew, St. Austle with arched calendar aperture, the carved case with long moulded door, the hood with barley twist supports and surmounted by a caddy type top, 85" high (pendulum, weight)

Oak eight day longcase clock, the 13" painted arched dial singed W. Mason, Duns, with subsidiary seconds and calendar dials, the case with long wavy arched door flanked by fluted canted pilasters, the hood surmounted by a moulded broken arched pediment above blind fret carvings, with central ball and spike finial, 84" high (pendulum, two weights)

Scottish pine eight day longcase clock, the 13" brass arched dial signed Jas Allan, Kilmarnock on a silvered disc to the arch with Masonic symbols, over a silvered dial enclosing a foliate engraved centre with subsidiary seconds and calendar dials, the case with long door flanked by quarter fluted pillars and the hood surmounted by a moulded stepped cornice, 78" high (pendulum)

Oak thirty hour longcase clock, the 10" square brass dial signed Stringer, Stockport to the chapter ring enclosing a matted centre and single iron hand, the case with long moulded door with lenticle window, the hood surmounted by a stepped moulded cornice, 84" high (pendulum, weight)

Oak eight day longcase clock, the 12" brass arched dial signed John Lellyett, Havant to the chinoiserie and foliate engraved centre with subsidiary seconds dial and calendar aperture, also with strike/silent dial to the arch, the case with long rounded arched door and the hood surmounted by a rounded moulded cornice over a dentil frieze, 79" high (pendulum, two weights and keys)

Oak and mahogany crossbanded thirty hour longcase clock, the 12" square painted dial signed W. Mason, Warwick, the case with short crossbanded door inlaid centrally with a flowerhead and flanked by quarter fluted columns, the hood surmounted by a swan neck pediment and brass ball and spike finial, 82" high (pendulum and weight)

Mahogany and walnut crossbanded thirty hour longcase clock, the 12" square brass dial signed William Cooke, Londini Fecit on the silvered chapter ring enclosing a matted centre, the case with medium length crossbanded door and the hood surmounted by a swan neck pediment, 79" high (pendulum and weight)

Mahogany and oak eight day longcase clock, the 13" painted arched dial signed Scott, Gainsboro, with subsidiary seconds dial and calendar aperture, the case with short oak and mahogany crossbanded door, the hood surmounted by a swan neck pediment with three brass ball and spike finials, 89" high (pendulum and two weights)

Oak eight day longcase clock, the 13" square brass dial signed Lanson, Kenton on the brass chapter ring enclosing a diaper engraved centre with subsidiary seconds dial and calendar aperture, the case with long crossbanded wavy arched door surmounted by a hood with a flat moulded stepped cornice, 87.5" high (pendulum and two weights)

Oak eight day longcase clock, the 12" brass arched dial signed Thomas Ramsbottom on the silvered chapter ring enclosing a foliate engraved centre with subsidiary seconds dial, also with moon phase to the arch, the case carved overall with scrolling foliage and the long door carved with the standing figure of a knight in full armour before a castle, the hood surmounted by a swan neck pediment and three gilded wooden ball finials, 90" high (pendulum and two weights)

Scottish mahogany eight day longcase clock, the 15" circular cream painted dial signed William McNee, Edinburgh, with subsidiary seconds and calendar dials, the case with long crossbanded door inlaid with ebony lines and the hood with a rounded arched stepped pediment, 82" high (pendulum, two weights and door key)

Good mahogany three train musical longcase clock, the 12" brass arched dial with strike/silent subsidiary dial to the arch over a silvered chapter ring enclosing a subsidiary seconds dial and three winding apertures, the substantial movement playing on a nest of eight bells and striking on a large gong, the case with long moulded rounded arched door with fine applied foliate mouldings, also carved with stylistic foliate designs to the sides and base, the hood surmounted by a carved caddy top with three classical gadrooned vase finials, 103" high (pendulum and three weights)

Mahogany eight day musical longcase clock playing on eight bells, the 14" painted arched dial signed Thomas Leadbeater, Sandbach, with subsidiary seconds dial, calendar aperture and moon phase to the arch, the case with short lancet moulded door flanked by fluted columns with brass capitals, inlaid overall with boxwood and ebony banding, the hood surmounted by a swan neck pediment and three brass ball finials, 97" high (pendulum and three weights)

Oak eight day longcase clock, the 12" brass arched dial signed Joseph Atkinson on the silvered chapter ring enclosing an engraved and matted centre with subsidiary seconds dial and calendar dial, the case with long moulded rounded arched door and the hood surmounted by a stepped moulded cornice, 80" high (pendulum and two weights)

Good mahogany eight day longcase clock, the 12" painted cream dial signed Holland, London with subsidiary seconds dial, the case with long moulded arched door flanked by quarter fluted columns with ormolu capitals and the hood surmounted by a rounded moulded arched cornice over pierced brass fish scale panels, 90" high (no pendulum, no weights and top urn finial missing)

Oak eight day automata longcase clock, the 12" painted arched dial signed Benjamin Mayne, Kelvedon on the dial beneath a subsidiary seconds dial and calendar aperture, the arch with Adam and Eve automata in the Garden of Eden painted with various animals by the tree with forbidden fruit, the case with long moulded rounded arched door and the hood with a moulded rounded arched pediment, 76" high (two weights, door key, no pendulum)

Fine mahogany eight day longcase clock with five pillar movement, the 12" brass arched dial signed William Webster, Exchange Alley, London on a shaped plate to the matted centre with subsidiary seconds dial and calendar aperture, enclosed by a silvered chapter ring and surmounted by a strike/silent dial to the arch, the case with long moulded rounded arched door and the hood surmounted by a rounded moulded arched pediment, 88" high (pendulum, two brass cased weights, winding key and original seat board)

Oak thirty hour longcase clock, the 10" square brass dial signed John Welch, Chessen on an arched plate to the matted centre with single iron hand, the case with long moulded door and the hood surmounted by a stepped caddy top over a blind foliate fret carved frieze, 81.5" high (pendulum and weight)

Scottish mahogany eight day longcase clock, the 12" silvered arched dial signed James Gray, Edinburgh to the arch of the foliate engraved dial over a subsidiary seconds dial and calendar aperture, the case with long shaped door crossbanded in rosewood and flanked by quarter fluted columns, also the case inlaid to the corners with satinwood quarter paterae, the hood surmounted by a moulded swan neck pediment applied with flowerheads either side of a turned finial, 85" high (pendulum, two weights and winding key) *The maker of this clock is written up in Old Scottish Clockmakers and a copied extract from this book is sold with the clock

Elm eight day longcase clock, the 13" painted arched dial signed W. Rock, Knighton under a calendar aperture and subsidiary seconds dial, the case with long plain door, the hood surmounted by a moulded rounded stepped cornice, 84" high (pendulum and two weights)

Mahogany thirty hour longcase clock, the 12" rural painted arched dial signed S. Shortman, Newnham to the centre under a calendar aperture, the case inlaid with boxwood lines and with short door flanked by canted sides, the hood surmounted by a moulded swan neck pediment and brass ball and spire finial, 86" high (pendulum and weight) *The front plate of the movement is stamped S.S. no. 16 1835 and the pendulum is also stamped. This will have been one of the first clocks that Samuel Shortman made at the age of around twenty

Oak and mahogany crossbanded eight day longcase clock, the 12" painted arched dial with raised centre signed Thomas Wilson, Peterboro, with subsidiary seconds dial and calendar aperture, the case with long rounded arched door inlaid with a central oval conch shell, flanked by fluted canted pilasters, the hood with moulded swan neck pediment and ball and eagle finial, 90" high (pendulum, two weights and keys) *This clock is sold with a purchase receipt from Richard Barder Antiques dated 24th March 1984 and an insurance valuation of £2400 dated 19th June 1994 from Gerald E. Marsh Antique Clocks Limited

Mahogany eight day longcase clock, the 12" silvered arched dial signed Robert Moxham, Coleford on an engraved foliate ribbon to the centre, with subsidiary seconds dial and calendar aperture, the painted arch with brass rocking ship and inscribed 'The Marlborough', the case with long crossbanded wavy door inlaid with boxwood lines and flanked by quarter fluted columns, the hood surmounted by a moulded swan neck pediment with brass ball and spike finial, 86" high (two weights and pendulum)

Early thirty hour longcase clock, the 11" square brass dial signed John May, London on the silvered chapter ring enclosing a matted centre with engraved Tudor rose, the case with long door fitted with a circular lenticle and the hood with a flat stepped cornice over a pierced foliate fretwork frieze, 81" high (pendulum and weight)

Scottish mahogany eight day longcase clock, the 12" brass arched dial signed Jonathan Barr, Port, Glasgow on a silvered boss to the arch over a silvered chapter ring enclosing a foliate engraved centre with subsidiary seconds dial and calendar aperture, the slender case with long moulded door and the hood surmounted by a moulded swan neck pediment, 85" high (pendulum, two weights and winding key)

Cream chinoiserie decorated eight day longcase clock, the 12" brass arched dial with brass chapter ring enclosing a foliate engraved centre with subsidiary seconds and calendar dials, also with moon phase to the arch, the case with long moulded rounded arched door, decorated overall with figures in pagoda landscapes, the hood surmounted by a rounded arched moulded pediment, 85" high (pendulum and two weights)

English chinoiserie lacquer month going longcase clock with five pillar movement, the 12" square brass dial signed William Hutchins Fecit on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial, dished winding holes and calendar aperture, the case painted overall with wooded pagoda landscapes, with long door fitted with a circular lenticle, the hood with a moulded stepped flat pediment over a pierced foliate carved panel, 88" high (two large brass cased weights and pendulum)

Scottish oak eight day single weight longcase clock, the 12" circular silvered dial signed Joseph Durward, Edinburgh, the case with long wavy moulded arched door and the hood with blind foliate fret carved spandrels, surmounted by a moulded swan neck pediment and three giltwood flaming urn finials, 87" high (pendulum and weight)

Good mahogany eight day longcase clock, the 12" silvered square dial signed Whitehurst & Son, Derby, with subsidiary seconds dial, the case of flame mahogany with rounded arched long door flanked by canted corners and the hood surmounted by a triangular pediment, 82" high (large wooden rod pendulum with calibration nut and pair of original weights indistinctly stamped, possibly IW or 18) This clock is also sold with the book by Maxwell Craven - John Whitehurst of Derby (Clockmaker & Scientist 1713-88) *The back of the dial is engraved with the date 1818 and the initials I.W. in a small triangle (for John Whitehurst). The movement has shouldered plates with rounded edges and baluster pillars. The back cock is of typical Whitehurst design

Mahogany three train spring driven longcase clock, the movement striking on five tubular bells, the 12" brass arched dial with subsidiary chime/silent and strike/silent dials to the arch, the case with oval bevelled glass door and carved mouldings, the pillared hood surmounted by a swan neck pediment and central ball and spike finial, 30" high (pendulum)

Black chinoiserie decorated eight day longcase clock, the 12" brass arched dial signed Wilson, London on a silvered plaque to the matted centre with subsidiary seconds dial and calendar aperture enclosed by a silvered chapter ring, the case with long moulded rounded arched door decorated with figures in pagoda landscapes, the hood surmounted by a flat stepped pediment, 84.5" high (pendulum and two weights)

Good Scottish walnut eight day longcase clock, the 13" brass arched dial signed Jas Liddle, Bathgate to the foliate engraved centre with subsidiary seconds and calendar dials, also with strike/silent dial to the arch, the Dutch style case with long wavy beaded door inlaid with boxwood lines and fitted with an ornate gilt metal cast lenticle depicting a lady riding a bull and the hood with wavy moulded arched top over a blind foliate carved fretwork panel, 90" high (pendulum, two weights and key)

Mahogany eight day longcase clock, the 12" painted arch dial signed Abraham, Frome, with subsidiary seconds dial and calendar aperture, also with Adam and Eve automata to the arch, the case with long inlaid door and the hood surmounted by a rounded moulded arched pediment, 83.5" high (pendulum, two weights and winding key)

Walnut eight day longcase clock with five pillar movement, the 12" brass arched dial signed Dan Quare, London no. 89 to the matted centre, with subsidiary seconds dial and calendar dial to the arch, the case with long crossbanded rounded arched door and the hood surmounted by a stepped caddy top surmounted by three finials (missing) over blind foliate fretwork carved panels, 100" high (pendulum, door key, no weights or hood finials)

Mahogany eight day longcase clock, the 12" silvered arched dial signed Benjamin Brock, Bristol within a foliate border to the centre, with subsidiary seconds dial and calendar aperture, also with moon phase and high water at Bristol Quay register to the arch, the case with long moulded arched door and the hood surmounted by a rounded stepped cornice over a blind foliate fret carved panel, 90" high (pendulum and two weights)

Fine and rare English mahogany regulator longcase clock, the 13" silvered dial signed George Stephenson, Warminster with rare calendar chapter ring enclosing subsidiary seconds and hour dials, the substantial six pillar movement with deadbeat escapement and maintaining power, the case with long glazed door and applied overall with foliate carvings, the hood surmounted by a flat moulded cornice surmounted by a pierced foliate carving, 84" high (mercury pendulum, brass cased weight and keys)

Large quantity of longcase clock related items, including several old movements, false plates, seat boards and movement parts

Quantity of various longcase clock dials; also a selection of dials for smaller mantel clocks etc (over twenty)

Quantity of various size longcase clock weights (10); also several longcase clock pendulum rods

Large quantity of various longcase clock, arched, square and circular dials (over twenty)

An early-19th century oak and mahogany longcase clock, the hood with brass ball and spike finial, swan neck pediments terminating in brass escutcheons, the 31 cm arched enamel dial with subsidiary seconds hand, date aperture, Arabic numerals, the arch hand painted with a lakeside tavern scene, the spandrels typically decorated with stylised flowers and foliage, twin-train movement striking on a bell, the waist with fluted flanks, satinwood banding throughout, plinth base

MINIATURE LONGCASE CLOCK, MEDALLIONS AND RETRO EGG CUPS ETC

A REPRODUCTION LONGCASE CLOCK WITH TRIPLE WEIGHT

A PINE CASED LONGCASE CLOCK WITH ENAMEL & PAINTED FACE