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An English Art Deco figured walnut longcase clock with radio, the octagonal dial with applied arabic numerals, the valve radio with a long hexagonal register (lacking the glass), in a dome-top slab case, 183cm high, 52cm wide, 36cm deep

Onyx-cased Table Clock, formed as a longcase clock, other Clocks, Lighters, etc.

A Yorkshire Prattware watch stand, the longcase clock painted with flower sprays, standing between two crowned Classical figures on a green base, c.1800-1820, some restoration, 25.2cm.

A George III oak longcase clock with thirty hour movement, the circular enamelled dial with roman and arabic numerals and calendar aperture, (maker's name indistinct), the swan neck pediment above a chamfered corner trunk, on bracket feet 212cm high

An early 19th century mahogany chiming longcase clock By W.Lakin (?) Tamworth the three train movement striking the hours on a bell and chiming on a nest of eight graduated bells, the arched hood with circular glazed door enclosing a roman enamelled dial with subsidiary seconds dial, the arched trunk door between quadrant corners, on panelled base with ogee bracket feet, the whole decorated with crossbanding and ebony stringing 212cm high

A 19TH CENTURY LONGCASE CLOCK by H Latch of Newport having an arched dial with seconds dial, date aperture and moon phase, the carved case with wrythen columns, dial 11", approx 90" high overall

A George III oak longcase clock, the hood with swan neck pediment and glazed door, the trunk with reeded quarter column corners and long doors, the 13 inch diameter circular painted dial with Roman and Arabic numerals and date indicator, the 30 hour movement striking on a bell, 210cm high

Mahogany and inlaid longcase clock with eagle surmount and brass roundels, the painted face signed Thomas Stripling, Lichfield

An oak thirty hour longcase clock, the dial with roman numerals and signed Philip Avenell, Farnham, four pillar movement, the square hood flanked by pilasters, the trunk enclosed by a panel door, on plinth base, height 213.5cm (84in.).

A LONGCASE CLOCK by W Bower, Chesterfield, the eight day movement with anchor escapement, 13 1/2" arched dial painted with flowers and fruit, with seconds dial, in oak, mahogany crossbanded and inlaid case, gilt metal finial on swan neck pediment, turned hood supports, arched door with shell inlaid patera, inlaid box base, 88" high

A LONGCASE CLOCK by Geo. Davidson, Cotburn, with eight day movement with anchor escapement, 11 1/2" arched brass and silvered chased dial with ormolu spandrels, subsidiary seconds dial and date aperture, in mahogany case, the arched moulded top with acanthus leaf surmount, turned fluted columns, arched door, moulded lower section with turned feet, 85" high

A LONGCASE CLOCK by Edmd, Scholfield, Rochdale, the eight day movement with anchor escapement, 12" square chased brass and silvered dial with ormolu spandrels, penny moonphase and calendar aperture, in oak case with moulded caddy top, dentil cornice above gilded frieze, turned columns, arched door with key banding over and flanked by quarter columns, on box base, 83" high

A LONGCASE CLOCK by John Lee, Middleton, the thirty hour movement with anchor escapement and outside count wheel, 12 1/2" square brass dial with Arabic and Roman numerals, matted centre chased with foliage, moulded cornice over blind fret frieze on turned columns, arched door flanked by quarter columns, panel base on plinth, 80 1/2" high

A LONGCASE CLOCK by Thomas Radford, Leeds, the eight day movement with anchor escapement, arched dial painted with flowers and with Roman and Arabic numerals, secondary dial, painted moonphase with landscape and seascape, in inlaid mahogany case with stringing and chequer banding, scrolled pediment with finial on fluted Corinthian columns, arched door flanked by stop fluted quarter columns, canted base and bracket feet, 97" high

A 20th century mahogany longcase clock in the 18th century style, the ten inch dial bearing makers name ' E.J GOODFELLOW' 'Wadebridge'.

A STAINED PINE LONGCASE CLOCK the 30.5cms (12") painted broken arch dial with roman numerals, seconds dial, calendar aperture, spandrels in the form of castle and abbey ruins, the arch with cattle watering, the four pillar movement mounted on a false dial plate, with anchor escapement, rack striking on a bell, the case with flat pediment on turned pilasters, long broken arch trunk door, plain plinth and bracket feet, 196cms high (with pendulum and weights)

AN OAK MAHOGANY & INLAID LONGCASE CLOCK, W DAVIS, Birmingham, the 35cm painted dial signed in the centre as above, with Roman numerals, seconds and calendar dials, phase of the moon arch, spandrels representing the Seasons, the 4 pillar movement mounted on a false dial plate, and with anchor escapement, rack striking on a bell, the case with broken swans neck pediment, turned and twist turned pilasters, shaped trunk door inlaid with a shell flanked by conforming pilasters on plinth with canted corners, 245cms high (with pendulum, weights, crank winding key and case key)

A MAHOGANY LONGCASE CLOCK, Jn ROUCKLEIFFE, Bridgwater (fl 1755 - 1785) the 30cm (11.75") square painted dial signed as above, with Roman numerals, Arabic five minute intervals, seconds dial and calendar aperture and gilt foliage spandrels, the four pillar movement mounted upon a false dial plate, with anchor escapement, rack striking on a bell, the case with moulded pediment, turned pilasters, long trunk door and panelled plinths, 203cms high (with pendulum & weights)

AN OAK & MAHOGANY LONGCASE CLOCK CASE with ASSOCIATED BLACK FOREST DIAL & MOVEMENT the case with broken swans neck pediment, part ring turned pillars, cross banded trunk door and plinth and bracket feet, 208cm high the associated Black Forest 30 hour chain driven movement with tic-tac escapement and painted wooden broken arch dial, 30cm, with pendulum & weights

A MAHOGANY LONGCASE CLOCK, Jas ROUGH, Kircaldy, the 33.5cms broken arch painted dial signed in the centre as above, with Roman numerals, subsidiary seconds and calendar dials, spandrels representing the Continents, the arch with the seated figure of Britannia, the four pillar movement with anchor escapement, rack striking on a bell, the case with moulded pediment, blind fret carved frieze, fluted pillars, long trunk door flanked by fluted pilasters and panelled plinths, 200cms high (with pendulum, weights and key)

AN OAK LONGCASE CLOCK, Jno SPILLER, Wellington, the 30.5cms (12") square painted dial signed as above, with Roman numerals, Arabic five minute intervals, seconds dial and calendar aperture, and with foliage and flowerhead spandrels, the four pillar movement with anchor escapement, mounted upon a false dial plate, striking on a bell, the case with stepped pediment, blind fret carved frieze, long trunk door and plain plinth, 195cms high (with pendulum, weights and crank winding key)

AN OAK LONGCASE CLOCK, NICHs ROPER, Shepton Mallet, the 31.5cm square brass dial with silvered chapter ring signed as above, Roman numerals, Arabic five minute intervals, fleur de lys half hour markers, matted centre with seconds dial and calendar aperture and pierced mask and foliate spandrels, the four pillar movement with anchor escapement, rack striking on a bell, the case with brass ball and spire finials, ogee pediment and moulded cornice on turned pilasters, long trunk door and plain plinth, 213cms high (with pendulum, weights & case key)

A GEORGE III MAHOGANY LONGCASE CLOCK the 33cms (13") painted broken arch dial with Roman numerals, spandrels painted with stags and hounds, the arch with a mounted huntsman, the single train eight day six pillar movement with anchor escapement and with side mounted chain driven two pillar striking movement with outside countwheel, striking on a bell, the back plate engraved with initials and dated 1816, the case with broken swans neck pediment, fluted pillars, short trunk door flanked by fluted pilasters and panelled plinth with canted sides (with pendulum, weights & keys)

George III oak eight day longcase clock with brass arch topped dial by Eardley Norton, St. Johns Street, London

A REGENCY MAHOGANY LONGCASE CLOCK by Dobbyn & Son of Dublin, the white painted circular dial with subsidiary seconds dial, with an eight-day two-train movement striking on a bell, the arch topped hood with ball and eagle finials, the trunk with a panelled door, 78" high.

A WILLIAM AND MARY WALNUT LONGCASE CLOCK, the dial signed "John Drew Londini", the silver chapter ring with Roman numerals, with subsidiary seconds dial and date aperture, with an eight-day five pillar movement striking on a bell, the flat topped hood with a moulded border above a panel of blind fretwork, the dial flanked by ebonised spiral turned columns, the trunk door with a glass lenticel and geometric stringing, on a conforming base with small bun feet, 79" high.

A GEORGE I CHINOISERIE LACQUERED LONGCASE CLOCK, the white enamel dial signed T Strange, Kingston, with a moon phase dial above and subsidiary seconds and date dials, with an eight-day five pillar movement striking on a bell, the case with all over chinoiserie decoration against a green ground, 86" high.

An 18th Century Longcase Clock with square brass dial inscribed Gil Bullock, Bishops Castle, single hand, 30-hour movement in oak case, the trunk with arched door

An early 19th Century Longcase Clock with arched dial painted birds amongst flowers, date aperture and subsidiary seconds dial, inscribed R Fletcher, Chester, 8-day movement in oak case having inlaid chequering and fleur de lys and bird inlay

A 19th Century slim Longcase Clock with square brass dial inscribed Rich. Vaughan, Watlington with eight day movement, 7ft H

Early nineteenth century oak longcase clock case (no movement) with swan neck pediment, circular glazed dial aperture and crossbanded decoration, shaped door flanked by reeded pilasters on bracket feet, 214cm

George IV eight day longcase clock with painted arched dial decorated with river scenes, subsidiary seconds and date dials by J Trotter, Gateshead, in inlaid mahogany case with fretwork cornice on bracket feet, 230cm

A George III oak and mahogany cross-banded longcase clock, eight day movement with anchor escapement striking on a bell, the hood with swan-neck pediment, 7ft. 2in. high - arched dial replaced

A George III eight day longcase clock, signed Williams and Nicholas, Birmingham, square brass dial with subsidiary seconds and date aperture, in oak case with blind fret decoration to pediment, front door with inlaid arch, 6ft. 8in.

A Fine Amsterdam Longcase Clock Circa 1700 in the English style. The eight day movement striking two bells and having a 12 inch (30 cm) brass dial signed Ger Bramer Amsterdam with a silvered chapter ring encircling a matted centre housing the subsidiary seconds ring, alarum and a days of the week & calendar aperture. The unusual gilt brass spandrel figures symbolising the four seasons the arched top with moon roller and phases of the moon aperture bordered by etched clouds above. The case surmounted by a raised caddy top hood with a moulded cornice above the glazed door flanked by flat columns. The long veneered trunk door with oval lenticle. The base raised on reeded ball feet. 98 ins (173 cms) in height.

Early c20th oak miniature longcase clock

Late 19th century continental longcase clock single weight driven movement with circular convex enamel dial in narrow carved oak case

Mid 19th century oak and mahogany eight day longcase clock, painted enamel dial by Robert Benson Kirby of Malton & Driffield, second dial and date aperture

Eight day longcase clock in craftsman made oak case with hand-built movement with subsidiary seconds dial, date aperture and silent strike lever, chased brass dial signed Donovans Anglesey

A Late XVIII Century Oak Longcase Clock, of thirty hour movement, the painted dial with moon phase , signed John Hudson, Nottingham, the hood with swan neck pediment and arched door, the trunk door having shell patera and mahogany and brass banding , on later base.

A XIX Century Oak Crossbanded Longcase Clock, of weight day movement striking on a bell, the brass dial (30cms) with a silver chapter ring with Arabic numerals, subsidiary seconds and calendar aperture, signed A.E.Frith, Halifax, sun/moon arch and brass mask spandrels, the hood with a swan neck pediment, brass roundels fluted pilasters, the trunk with an ogee top door, centred by shell patera, flanked by fluted 1/4 round columns, shell patera to deep plinth, 225cms high.

An XVIII Century Oak Longcase Clock, with 30 hour movement, by C. Fletcher, Rotherham, with stepped cornice, square 30 cms diameter dial engraved with birds and flowers, on bracket feet, 208 cms high.

A XIX Century Oak and Mahogany Longcase Clock, of eight day movement striking on a bell, the painted dial with Arabic numerals, two subsidiary dials and signed Stonehouse, Leeds, flower painted spandrels with a religious scene, the hood with swan neck pediment and plain pilasters, the crossbanded trunk door of Gothic form, flanked by canted corners, on a deep plinth with shaped bracket feet, 235 cms high.

A XIX Century Mahogany and Rosewood Longcase Clock, of eight day movement striking on a bell, the painted dial with Roman numerals, subsidiary dial and calendar aperture, signed Beal & Son, Sheffield, painted to the arch with a shipping scene, the hood with a swan neck pediment, baluster turned pilasters, the trunk door flanked by canted corners, on a deep plinth with bracket feet, 227 cms high.

A 1930's Longcase Clock, with circular aperture, glazed door and carved pediment, three weight Westminster chimes movement and Arabic numerals to silvered dial.

J Atkinson, a 19th Century mahogany and satin wood cross banded longcase clock, the twin train movement supporting Roman and date dials above three quarter length door within canted reeded pillisters, box base and bracket feet 209cm.

A Welsh Victorian oak and mahogany longcase clock, signed on the painted dial Wm Price Knighton, with date sector, subsidiary seconds dial, brass rimmed winding holes and gilt brass handles, painted to the arch with a shepherd, sheep to the spandrels, having eight day movement, swan neck pediment, fluted pillars and reeded pilasters, 216cm h. ++Movement overhauled and cleaned; the case also restored sympathetically for the present private vendor.

A Regency brass inlaid mahogany longcase clock, signed on the slightly convex painted dial Sharp & Son Corner House London Bridge, the eight day movement with brass bezel in break-arched case with scrolling spandrels, stop fluted pilasters and scale pattern side frets, the trunk enclosed by a conforming flame figured door, on panelled base, 201cm h. ++The movement cleaned and overhauled. In good condition with pendulum and brass sheathed weights. The case in good condition with minor shrinkage crack in one side of the base

A Welsh George III oak longcase clock, the brass dial with silvered centre and chapter ring signed Danl Williams BUILTH, with subsidiary seconds dial, date aperture, engravings above both winding apertures, rococo spandrels and eight day movement, the case with cavetto cornice to the flat topped hood, the trunk with blind fret carved foliage and ogee arched door, 206cm h Daniel Williams (1776-1853), Clockmaker of Builth Wells, Breconshire. ++The movement recently overhauled and cleaned, the upper part of the hood and base of the trunk altered/repaired

John Bell, Hexham, a George III longcase clock, the 12 inch arched dial painted with an oval of a lady and flower sprays, subsidiary seconds and date dials, in an oak and mahogany crossbanded case, the hood with a swan neck pediment and fret panels, 222cm high

A William IV 19th century longcase clock, the calibrated arched 14inch dial with a painted moon phase, the spandrels painted with female figures each in dress emblematic of the Seasons, signed Birmingham, subsidiary seconds dial and date aperture, eight-day four-pillar movement, in a crossbanded mahogany case, 244cm high

A George III mahogany eight-day longcase clock, James Smith, Edinburgh, circa 1789, the four-pillar movement with anchor escapement, striking on a bell, the thirteen inch arched painted dial with subsidiary seconds and date dials, signed to the arch 'Jas. Smith, Edinburgh', the hood with three turned finials and broken swan-neck pediment, above later veneered spandrels and turned columns, the inside of the arched trunk door with original clockmaker's printed paper label; 'DIRECTIONS SHEWING HOW TO SET UP AND REGULATE AN EIGHT- DAY CLOCK........EDINBURGH 1789, Per JAs. SMITH Watch-maker', the trunk and panelled base with chamfered corners, 226.5cm high (faded decoration to dial, replacement plinth). See Britten's Old Clocks and Watches and Their Makers, reprinted 1990, where James Smith is noted by Cecil Clutton to have worked as a clockmaker in Edinburgh from 1790-1806. The label to this clock shows that he was definitely active there in 1789.

Edward Bilbie, Chewstoke, a George III longcase clock, the 12 inch arched brass dial engraved with an eagle, 'Tempus Fugit' and flowers, date aperture, eight-day striking four-pillar movement, in an oak case, later carved with bellflowers and foliate scrolls, the door with a caryatid and inlaid compass rose, 243cm high overall

Redshaw, Newcastle, a mahogany crossbanded oak eight-day longcase clock, mid 18th century, the four finned pillar inside countwheel bell-striking movement with 11 inch square brass dial with calendar aperture to the foliate engraved matted centre within an applied Roman numeral chapter ring with foliate half hour markers and signed Redshaw, Newcastle to lower edge, the angles with mask and scroll cast spandrels, the case with ogee moulded cornice above reeded pilasters to hood, rectangular trunk door and on plinth base with ogee bracket feet, 196cm high.

Jacob Wekeman, Bath, a longcase clock, the 11 inch brass dial with a silvered chapter ring and subsidiary date aperture, engraved to the centre with birds and a basket of flowers, now with an eight-day four-pillar movement, the oak case with turned pillars, composite, 183cm high overall

John Bennett, Helstone, A George III lacquered 8-day longcase clock, the arched brass dial with a strike silent dial over a seconds dial and calendar aperture. The case lacquered with figures amongst buildings and trees, dial 12" diam (30.5cm), case 209cm high

John Harley, an oak 30-hour longcase clock, having an associated square brass dial engraved 'John Harley'' and with a Star of David within scrolls over a calendar aperture. The hood with a scrolled pediment over an inlaid case, dial 12" diam (30.5cm), case 214cm high

An eight day longcase clock, oak, 18th century, the 10I inch square brass dial signed E Bullock, Ellesmere, the brass face probably originally from a 30 hour movement, now eight day striking on a bell, centred date aperture but no date wheel, cherub moulded spandrels with ring of Arabic and Roman numerals, the hood with three quarter turned front corner hood pilasters over a short trunk door on a box base, lacking feet, 185 cm high

A George III and later eight day, longcase clock, oak, the 12 inch brass and silvered dial signed J. M., Hythe with outer ring of Arabic numerals, inner ring of Roman numerals, centred subsidiary seconds dial and date aperture, the caddy top hood with front corner corinthian columns over a plain rectangular narrow trunk door on a planked base and tall bracket feet, 214cm high (with repairs and renewals)

A George III eight day longcase clock, the 13 inch arch brass dial signed Samual Hartley Salop with associated eight day movement striking on a single bell, the hood with arched glazed door flanked by tapering fluted front corner hood pilasters over a shaped crossbanded long trunk door between quarter fluted front corner pilasters on a box base (lacking short bracket feet) (at fault), 218cm high