We found 41737 price guide item(s) matching your search

A mahogany Longcase Clock. Hodges. The 12in diameter painted dial with Roman numerals, seconds dial and signed in the centre as above, the four pillar movement with anchor escapement, rack striking on a bell, the case with shaped pediment, long trunk door and crossbanded plinth. 80in high (with pendulum, weights and crank winding key)

A 18th century oak longcase clock by Thos. Quested, Wye, the hood with plain columns enclosing 11" square brass dial with calendar aperture, the lantern clock type movement with count wheel strike,the trunk with rectangular door on plain plinth, pendulum with two weights, 206cm.

A George III oak and fruitwood longcase clock, by T.M. Rowley, Shrewsbury, the enamel dial with moon phases in the arch and painted figural spandrels, the eight day Birmingham movement with anchor escapement, the trunk with quarter columns and inlaid panel door, 223cm.

A George IV mahogany longcase clock, circa 1820, the swan neck hood with reel turned columns, flanking a break arch enamel dial signed L. White, Birmingham, moon phases in the arch, with subsidiary dials and spandrels painted to symbolise the four continents, the eight day rack striking movement with anchor escapement, the trunk with crossbanded door, plinth with circular panel, pendulum and two weights, 225cm.

A George III mahogany longcase clock by Thos. Ore, Birmingham, the hood and trunk with brass capped reeded columns, the break arch enamel dial with gilt painted swags, subsidiary seconds and calendar aperture, the eight day rack striking movement with anchor escapement, the trunk door with ogee moulded top on plain plinth, pendulum and one weight, 220cm.

An oak longcase clock, circa 1920, with 10" square dial, three train spring driven movement, striking on steel rods, trunk with panel door on plain plinth, 183cm.

An oak longcase clock, circa 1920, in late 17th century style, with brass break arch dial, the movement striking on steel rods, panelled trunk and plinth, 195cm.

An early 19th century oak longcase clock by Saltby, Grantham, the swan neck hood with plain columns, the 12" square engraved dial with painted spandrels, the eight day rack striking movement with anchor escapement, the trunk with fluted quarter columns, 205cm high.

An early 19th century mahogany and inlaid longcase clock, with painted dial, the eight day rack striking movement, with anchor escapement, the trunk with canted corners and rectangular door, 202cm high.

A George III mahogany longcase clock by Wm. Robb, Montrose, the swan neck hood with brass capped Corinthian columns, the brass dial with silvered chapter ring, name engraved boss and calendar aperture, the eight day rack striking movement with anchor escapement, the trunk and plinth with later inlay, 210cm.

An oak longcase clock, circa 1910, the broken arch hood with square columns flanking brass arched dial, with eight day rack striking movement, the trunk with square corner columns, 224cm.

An early 19th century mahogany longcase clock by Jno. Brown, Kilmarnock, the hood with a painted dial, the arch depicting a bible reading, the eight day rack striking movement with anchor escapement, 228cm.

A Dutch walnut longcase clock, the foliate and blind fret hood with brass capped columns and with pierced fretwork panels, the later associated eight day movement having a brass dial applied with a painted panel, the chamferred trunk with a shaped door, over a plinth with bombe chamfer corners and on paw feet, 236cm.

A Regency mahogany longcase clock, with swan neck hood enclosing an enamel dial signed J Lochhead, Loch Winnoch, the arch with three figures portraying 'Union', the spandrels painted with figures symbolising the four continents, the eight day rack striking movement with anchor escapement, the trunk with flame veneered crossbanded door, 224cm

An oak grandmother longcase clock, circa 1930, with brass break arch dial, the movement striking on steel rods, Carolean style panelled trunk and plinth, raised on bun feet, 168cm.

An early 19th Century mahogany longcase clock by Hiltons, Halifax, the swan neck hood with columns enclosing arched enamel dial, the arch painted with a lady and horse in a landscape with a country house, the thirty hour rack striking movement with anchor escapement, the broad trunk with flame door and reeded quarter columns, the crossbanded plinth base on raised feet, 237cm.

A George III oak thirty hour longcase clock with square brass dial and black Roman numerals inscribed Jn Muzzell Horsham in glazed hood with column corners 6ft 10ins

A George III mahogany and oak thirty hour longcase clock 12. inch painted dial with floral spandrels signed Edw. Garland Rugby with pierced gilt metal hands and calendar aperture in swan neck hood with column supports inlaid trunk with quarter columns 6ft 11ins

A George III ebony strung mahogany and oak eight day longcase clock 12.5. inch painted arch dial with floral spandrels and moon phases in swan neck hood with turned supports 7ft 6ins

A George III oak eight day longcase clock 12. inch arched brass dial with pierced spandrels matted centre date aperture and seconds dial the arch painted with a galleon signed Thomas Husband Hull 7ft 2ins

A George III mahogany eight day longcase clock painted arched dial with floral spandrels date dial and moon phases signed R Bugden Sodbury in swan neck hood with urn finial rosette mounts and column supports 6ft 10ins

A George III mahogany eight day longcase clock 12. inch arch painted dial with floral spandrels and fruit seconds dial and date aperture in swan neck reed column hood 6ft 11ins

An 18th century thirty hour longcase clock movement with alterations and alarm dial in later carved oak case adapted from early timbers 6ft 11ins

A George III inlaid mahogany eight-day longcase clock 14inch painted arched dial with seconds dial and moonphase signed Fisher Preston in swan neck hood with column supports and ebony scroll inlay 7ft 8ins

An oak and mahogany banded longcase clock, 30 hr movement, painted dial by William Humphries, West Auckland, early 19th century, 231cm

An 18th century oak longcase clock, with later carving, 8 day movement with brass dial, signed John Wakefield, 210cm

An oak and mahogany banded longcase clock, 8 day movement with square brass dial, seconds hand and date aperture, by Thomas Blundell, Liverpool, early 19th century, 218cm

An early 19th century inlaid mahogany 8 day longcase clock by Brownbill of Leeds, painted enamel dial with subsidiary seconds and date dials, 232cm high

An oak longcase clock, 30 hour movement with brass dial and date aperture by Porthouse Barnard Castle, 230cm

A 1930's Oak 8-Day Striking Westminster Chime Longcase Clock having silvered round dial with Arabic numerals, glass panel below, 1m 94cm high

19th Century Scottish mahogany longcase clock having a painted arch shaped dial decorated with figure representing Lady of the Lake and the Four Seasons, the dial with painted seconds and calendar subsidiary dials - eight day striking movement, 225cm high

19th Century mahogany longcase clock with boxwood string inlay, the hood with spiral twist pillars, the trunk with rope twist pilasters, the arch shaped brass dial engraved with a phoenix and having seconds subsidiary dial and fan shaped calendar aperture, engraved spandrels and signed J Lancaster of Plymouth Dock - eight day striking movement, 221cm high

Early 19th Century mahogany longcase clock in a string inlaid West Country case having reeded pilasters, the arch shaped painted dial with foliate decoration, seconds subsidiary dial and fan shaped calendar aperture signed J.W. Ed. Bristol - eight day striking movement, 216cm high

19th Century crossbanded and inlaid mahogany longcase clock, the hood with broken arch pediment and reeded pillars, the trunk with reeded pilasters and inlaid shell medallions, the later square dial with brass chapter ring signed J Brown, Birmingham - eight day striking movement, 225cm high

George III crossbanded oak longcase clock, the hood with swan neck cornice and vacant glass panels, reeded pillars, the trunk with reeded pilasters and having a long door with boxwood and ebony string inlay, painted arch shaped dial with seconds subsidiary dial and fan shaped calendar aperture - eight day striking movement, 221cm high

19th Century mahogany longcase clock in a West Country case with inlaid stringing, the arch shaped convex painted dial with moon phase movement signed Thomas Richards, Wootton-under-Edge with seconds and calendar subsidiary dials - eight day striking movement, 260cm high

Apprentice miniature longcase clock with a circular white dial and barleytwist pillars, 11.5’ high.

A late 18th century oak longcase clock, the arched hood above floral and shell painted dial set with Arabic numerals (indistinctly signed), flanked by turned pilasters above an arched long door and moulded plinth base, 212 cm high

A late 18th century oak longcase clock, the dentil cornice above fretwork frieze, and 12 inch brass dial with pierced spandrels and silvered chapter ring set with Roman numerals inscribed "William Martin, Bristol", the case with long door above a moulded plinth base, 215 cm high (see lot 308 for illustrations)

A late 18th century oak and mahogany crossbanded longcase clock with broken arched pediment above fluted freestanding standing pilasters, the 8 day arched dial signed Joyce, with rolling moon and pierced spandrels with silvered chapter ring set with Roman numerals and minutes, the centre ring set with date ring below a minute ring with floral engraved decoration, the case with arched long door flanked by fluted quarter pilasters, on a moulded plinth base, 233 cm high (see lot 308 for illustrations)

A late 18th century oak cased longcase clock, the hood with broken arch and shell decorated pediment over a moulded frame door, flanked by two fluted and reeded free-standing pilasters, the main door with shell carved applied decoration, flanked by quarter cut fluted and reeded side pilasters, on a plain trunk with canted lotus leaf decorated front corners, on bracket feet, the eight day movement with square brass dial and silvered chapter ring flanked by cherub and foliate decorated spandrels, with Arabic and Roman numerals inscribed "Watson, Blackburn", enclosing an acanthus engraved centre with date aperture, 235 cm high (see lot 308 for illustrations)

An early Victorian broad mahogany and crossbanded longcase clock with broken swan neck pediment above arched dial painted with Chinoiserie scenes, above a slightly convex painted dial set with Roman numerals, inscribed "William Smith, Huddersfield", flanked by turned pilasters, the case with short door above a moulded base and bracket feet, 226 cm high

An early 20th Century oak cased diminutive longcase mantel clock with eight day movement striking on a gong, the gilt dial with silvered chapter ring, the back plate stamped 'Lenz Kirch AVG U 1 Million', the case with carved decoration on bracket feet, height approx 45.5cm.

A George III oak and mahogany longcase clock with eight day movement striking on a bell, the break arch dial painted with a scene of a family within an interior setting titled 'Parental Care', the dial with Roman numerals, subsidiary seconds dial and inscribed 'JN Wilson, Nuneaton', the hood with a swan neck pediment above a glazed door flanked by turned pilasters, the crossbanded case with shaped trunk door inlaid with a bird within a diamond motif, flanked by further pilasters on an inlaid base and ogee bracket feet, height approx 23.5cm (alterations and restoration).

A George III Irish mahogany longcase clock, with eight day movement striking on a bell, the square painted dial with subsidiary seconds and date dials, Roman and Arabic numerals and inscribed 'Johnston & Dalrymple, Dublin', surrounded by red and gilt scroll spandrels, the break arch pediment above a glazed door flanked by fluted columns, the plain trunk flanked by fluted pilasters on a plain base and bracket feet, height approx 209cm.

An early 19th Century mahogany longcase clock with eight day bell strike movement, the arched enamel dial painted with a seated maiden above Roman numerals, subsidiary seconds dial, date indicator and inscribed 'Robert E. Mosely, Swansea', the hood with break arch top above a glazed door and trunk, with turned pilasters, on a plain base, height approx 210cm (faults).

A 19th Century mahogany longcase clock, the 14ins painted circular dial with Roman numerals to the eight day two train movement striking on a bell, contained in figured mahogany case with arched and moulded cornice and spiral reeded columns to hood, arched trunk door crossbanded in rosewood, with plain cant corners, the plinth with astragal moulded centre panel, shaped apron, on bracket feet, 85ins high (lacking weights)

An early 19th Century mahogany longcase clock by William Allan of Aberdeen, the 12ins arched brass dial with silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture and strike/silent dial to arch to the eight day two train movement striking on a bell, contained in case with arched and moulded cornice with leaf cresting, turned and stop fluted columns with gilt brass Corinthian capitols to hood, arched trunk door later inlaid with oval fan motif, on bracket feet, 84ins high

A late 18th/early 19th Century mahogany longcase clock by Thomas Read of Dublin, the 13.5ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals and date aperture to the eight day two train movement striking on a bell, contained in case inlaid with boxwood stringings, moulded cornice to hood, shaped trunk door with fluted quartered columns, on bracket feet, 81ins high (movement with some alteration and probably associated to case - pillars missing to hood)

An 18th Century mahogany longcase clock by Thomas Jenkinson of Sandwich, the 12ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture and turned winding holes and engraved leaf border to the eight day two train movement striking on a bell, contained in associated case with moulded cornice and plain turned pillars to hood and rectangular trunk door, 76ins high

An 18th Century mahogany longcase clock by Joseph Wood of Bristol, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, the arch showing phases of the moon and high water at Bristol Key to the eight day two train movement striking on a bell, contained in case with shaped and scroll pediment and arched and key pattern cornice, turned, fluted and Corinthian capped columns to hood, shaped trunk door and fluted cant corners, the plinth with raised shaped centre panel, on bracket feet, 92ins high (slightly reduced in height)

A late 18th Century mahogany longcase clock by Robert Wood of London, the 12ins cream enamel arched dial with Roman and Arabic numerals and subsidiary seconds and date dials, strike/silent dial to arch to the eight day two train five pillar quarter striking movement striking on three bells, contained in case with arched and moulded cornice and fluted and brass stopped cant corners to hood, arched trunk door with fluted and brass stopped quartered columns, the base with raised astragal panel and double moulded plinth, 86ins high (case repolished)

An Edwardian mahogany chiming longcase clock, the break-arch hood with canted fluted corners, the trunk enclosed by an arched waist panel door, on shaped bracket feet, the 31cm. brass Roman dial with ‘Tempus Fugit’ roundel to the arch, having subsidiary seconds dial and strike/silent, and chime/silent mechanism, the three train movement striking to five gongs, 211cm. high.

Daniel Libbey, Devonport. An early 19th century mahogany longcase clock, the arched hood with spiral twist columns having a small rectangular waist panel door enclosed by spiral columns, on a box base with bracket feet, the 30.5cm. silvered dial signed ‘Daniel Libbey, Devonport’, with subsidiary seconds and date aperture having lunar phase to the arch and high water at Devonport, the twin train movement with anchor escapement striking to a bell, 209cm. high.

Richard Wills, Truro. A late 18th century mahogany longcase clock, the rectangular hood with swan-neck pediment and turned columns, having a plain field waist panel door on a box base with bracket feet, the 31cm. square brass dial signed ‘R.Wills, Truro’, the twin train movement with anchor escapement striking to a bell, 212cm. high.

Lilly Poole A 19th century 8-day mahogany longcase clock the twin train movement with anchor escapement striking on a bell false plate the chapter ring with Roman numerals subsidiary date aperture and seconds dial the enamelled dial inscribed "Tempus Fugit" in a scroll held by an eagle in the arch the arched hood with waved cresting spiral turned columns crossbanded trunk and base bracket feet 226cm high

Thomas Haywood Carnavon An early 19th century mahogany 8-day longcase clock the twin train movement with anchor escapement striking on a bell false plate W FRANCIS BIRMINGHAM the arched dial painted with castle and flowers to the spandrels with subsidiary seconds dial and date aperture the hood with swan neck pediment and turned columns the case with chequer strung panelled trunk the corresponding base on ogee bracket feet 226cm high

Charles Ferguson Dundee A George III oak 8-day longcase clock the twin train movement with anchor escapement striking on a bell the arched brass dial with silvered chapter ring and cast spandrels subsidiary dial and date aperture hood with swan neck pediment above columns trunk with fluted quarter columns base with shaped plinth 212cm high

William Hamilton Whiteburn A Georgian 8-day oak longcase clock the twin train movement with anchor escapement striking on a gong arched brass dial with silver chapter ring and cast spandrels the case later profusely relief carved in a 17th century manner with swan neck pediment to hood with flanking columns trunk with quarter columns and mahogany crossbanded door similar base with bracket feet 221cm high

Jon Brownsword Nottingham A George III oak 8-day longcase clock the overpainted arched dial with date aperture twin train movement with anchor escapement striking on a bell the case with mahogany crossbanding boxwood and ebony stringing swan neck pediment above fluted columns shaped trunk door plinth base 210cm high