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FINE LATE 19TH CENTURY 8-DAY MAHOGANY MUSICAL LONGCASE CLOCK, Maple & Co. Ltd, 10 1/2in floral engraved brass dial with silvered chapter ring, subsid. secs, strike/silent in the arch, triple-sprung chain-driven movement striking 8 bells & 4 gongs, Chippendale-style case with pierced cornice hood with & blind fret frieze, acanthus scrolled anglesm, long moulded door between cluster column pilasters, balustroid base, bracket feet, 257cm highComments: left side of case below hood bracket reglued. Pendulum present.

19TH CENTURY CHESHIRE 8-DAY MUSICAL MAHOGANY LONGCASE CLOCK, L.J. Fryer, Winsford, 12 1/2in brass moonphase dial with silvered chapter ring, engraved centre, subsid. secs, 3-train movement striking 8 bells, chequer strung hood with square section reeded pillars, shaped moulded door with acorn surmount, between reeded pilasters, panelled base with redded canted angles, bracket feet, 231cm highCondition Report:Width at the base is 56cm'sWidth at the middle is 44cm'sWidth of hood 56cm'sCould not find any damage.Not currently runningVeneer of door is starting to crackNo worm

An American mahogany three glass, three weight longcase clock, musical movement, the movement striking on gongs, broken swan neck hood, pendulum, key, 205cm.

Longcase Clock - Ed (Edmund) Bullock, Ellesmere (No.) 305, a circa 1740 brass faced, eight day, 27.5cm grandfather clock with silvered chapter ring, cast gilt spandrels, seconds dial at 12 and date aperture at 6, in an oak later carved case, height 208cm.

Cornish Longcase Clock - J. Cole of Camborne, an 8 day clock with 11.5 inch dial with ebonised case and twist columns to hood and trunk, overall height 190cm.

Crested Wares - To include, Teddy Bears 'Four Oaks', bears retailer's mark, East Grinstead, mask of King Edward VII, Bath, a longcase clock, Falmouth - Florence Nightingale statue, Plymouth - Edith Cavell, Teignmouth lighthouse, Dawlish chamberstick, Padstow jug, Lord Clinton Arms Roman ewer, City of Bristol jug from Kendal Museum, a Wootton-under-Edge model of a sack bottle and a Royal Naval Air Service ancient cooking pot.

REPRODUCTION OAK LONGCASE CLOCK,by Urgos, 205cm high

A Mahogany Eight Day Longcase Clock, circa 1840,14'' painted arch dial signed, Thos Dodson, Beeston, 232cm highWith two weights and a pendulum

An Oak and Mahogany Thirty Hour Longcase Clock, early 19th century, 13" arch painted dial, signed M. Johnson, Barnard Castle, 223cm highWith pendulum and one weight

AN EDWARDIAN OAK QUARTER-CHIMING EIGHT-DAY LONGCASE CLOCKRETAILED BY MAPLE & CO., LONDON, EARLY 20TH CENTURYWith triple train movement and square brass dial applied with a silvered Roman numeral chapter ring and cast spandrels, in an architectural case surmounted by a triangular pediment230cm high, 58cm wide, 34cm deepProvenance:Barnwell Manor, NorthamptonshireWindsor House AntiquesCondition Report: The oak case with marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some chips and lossesNo reason to suggest the movement and case do not belong togetherThe movement and chiming elements havn't been set up whilst on view, the tubular bells are present, there are two weights present and a winding key, the pendulum also hasn't been inserted, this as brown tape wrapping it up - Dreweatts have not tested the movement and cannot make any guarantees or comments as to accuracy or if the movement is working we suggest getting the clock appraised by a professional clock restorer prior to use. Please refer to additional images for visual reference to conditionCondition Report Disclaimer

AN ART DECO WALNUT ODEON STLYE LONGCASE CLOCK the 38cm x 32cm metal dial, with a "Bakelite style" centre, the three-train movement with gong striking and pull repeat,192cm high x 73cm wide

A MODERN EMPORER MOONPHASE LONGCASE CLOCK WITH 3 WEIGHTS AND A PENDULUM H-210 CM

A longcase clock marked 'Blakeborough' painted with a countryside scene and flowers to the face, and heart shaped inlays to the case, 238 x 62 x 31cm

SAM BUTTERWORTH, ROCHDALE - a 19th century 30-hour longcase clock, mahogany-cased with weight and pendulum, H234cm

ORANGE LEMMON, BATTLE - an early 19th century 8-day longcase clock, with 12" arch-top painted dial and 2 subsidiary dials, with pendulum, 2 weights, case key and winding key, 218cm

HOWES, WYMOUNDHAM - 8-day longcase clock, with 12" arch-top painted dial and 2 subsidiary dials, in oak case, with pendulum and weights, 51cm x 212cm x 24cm

A GEORGE III TORTOISESHELL JAPANNED EIGHT-DAY LONGCASE CLOCK WITH MOONPHASETHE MOVEMENT BY SAMUEL FLETCHER, DEWSBURY, SECOND HALF OF THE 18TH CENTURYWith scroll engraved silvered centre to the break-arch dial and pagoda-shaped pediment to the case242cm high, 49.5cm wide, 25cm deepProvenance:Barnwell Manor, NorthamptonshireWindsor House AntiquesCondition Report: The case with Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some chips and losses,The chinoiserie is worn and has been later varnished, there is a shininess to the surface. Dreweatts have not tested the movement and cannot make any guarantees or comments as to accuracy or if the movement is working we suggest getting the clock appraised by a professional clock restorer prior to use. The movement does appear to have been cleaned/overhauled and fully restored fairly recently. There is a pendulum and two weights, there is no winding key presentThe movement and the case are almost certainly associated, the cheeks have been raised to accommodate the dial, the arch is obscured by the hood and the maker's name is not visible when the hood is in place. The dial with some old splits and cracksThe back boards with the usual splits, cracks, and old holesPlease refer to additional images for visual reference to conditionCondition Report Disclaimer

An early 19th century brass-mounted mahogany single pad top table clock with trip repeatthe dial and movement signed Thomas Pacethe arched case surmounted by a cast brass handle on a brass-bound pad, over a finely moulded cornice, the sides with fish scale frets to a moulded base on brass ogee bracket feet, the front with brass uprights framing the cast bezel over fish scale quadrants, the 8.5' signed painted Roman dial with matching fancy spade hands, the gut (now wire) twin fusee movement with shouldered and footed plates united by five knopped pillars, signed within a formal border, the anchor escapement with engraved adjustable pendulum rod terminating in a large decorated bob, with rack striking on a bell, ticking, repeating and striking, together with a crank key, 41cms (16ins) high.Footnotes:Thomas Pace was a member of the Pace dynasty of horologists who began working in the second quarter of the 18th century and who continued working for over a century. There are two Thomas Paces recorded; Thomas Pace Snr. (1753-1819) and his son, Thomas Pace Jnr. (1777-1829). Both made bracket clocks, with Pace Snr. also making longcase clocks, while Pace Jnr. also pursued watchmaking and silversmithing in addition to clocks. The Pace family collection of clocks was sold in these rooms 15 July 2020.For further history, see Pace, D. (2013) 'The Pace family of Quaker clockmakers', Antiquarian Horology, Volume 34 (1), pgs. 60-71 (Accessed: 27 April 2022).This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A George III and later gilt and black japanned longcase clockthe dial signed Thomas Utting, Yarmouththe rectangular arched hood with caddy top and onion spire finials above a pair of plain columns, the trunk with moulded door on panelled plinth base, the door and lower panel with flowering tree, figural and pavilion landscape landscape decoration, the whole with floral scroll decoration, the brass dial with applied dolphin and floral urn spandrels, the 11' silvered Roman chapter ring with outer Arabic five minute track, the matted centre with matching silvered Arabic subsidiary seconds below XII, the arch with Strike/Silent subsidiary, the brass twin train movement with anchor escapement striking on a bell, with pendulum, winder and a pair of lead weights, 245.5cm high overallThis lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A good early 19th Century mahogany longcase clock with deadbeat escapementthe dial signed Ellicott & Taylor, Royal Exchange, the movement supplied by Thwaites, numbered 3598. the arched hood surmounted by a concave moulded plinth supporting a brass ball finial over fish-scale side frets, stop fluted canted front angles and a circular glazed aperture above quadrant frets, the long door with intricately moulded edge flanked by matching canted stop-fluted angles, on a base with applied shaped moulded panel and double stepped plinth, the 12' repainted convex circular Roman and Arabic dial with matching gilt serpentine hands, with strike/not strike lever at XII, the movement with shouldered plates united by five knopped pillars, stamped on the frontplate THWAITES 3598 and repeat numbered along the top edge of the plate, with deadbeat escapement to a pendulum terminating in a heavy lenticular bob, with rack strike on the shallow bell (the bell inscribed in ink for the one-time owner or repairer 'J. Pritchard, Southgate, 8 July 1840.') together with the pendulum, two lead weights, two crank keys, a hood key and trunk key, 216cm highFootnotes:Thwaites records suggest that movement number 3598 was sold by them in 1805. See Rose, E.D. (1978) English Dial Clocks. Suffolk: Antique Collectors' Club, Appendix III.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A George III mahogany longcase clockthe dial signed William Gaite, Shepton Malletthe hood with swept top with trellis pierced sound grill above a moulded arched cornice and pair of brass mounted reeded columns, the trunk with moulded arched door flanked by corresponding reeded quarter columns, the moulded panel plinth base on bracket feet with shaped apron, the 11.5' arched brass dial with Roman chapter ring with outer Arabic five minute track with scrolling vase spandrels, the matted centre with silvered subsidiary Arabic seconds below twelve and engraved arched silvered signature enclosing date aperture, the arch with 'Tempus Fugit' engraved silvered circular boss within scrolling dolphin spandrels, the brass twin train movement with anchor escapement striking on a bell, together with a pendulum, winder, case key and a pair of brass cased weights, 227cm high approximately This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A George III oak longcase clockthe dial signed Heywood, Northwichthe rectangular hood with moulded cornice above a later painted frieze and freestanding reeded columns, the trunk with quarter reeded column corners flanking a door with re-entrant cut corner top, the plinth base similarly with canted quarter reeded column corners on ogee bracket feet, the 13' square brass dial with maskhead and scrolling spandrels, the silvered Roman chapter ring with outer Arabic five minute track, the silvered and foliated engraved centre with subsidiaries for Arabic minutes below XII and date calendar above IV, the brass four pillar movement with anchor escapement striking on a bell with case key, winder, pendulum and twin lead weights, 205cm high approximately This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A Georgian mahogany longcase clock, by Andrew Padbery Bishops Waltham, the Tempus Fugit break arch dial with dolphin and mask spandrels, silver chapter ring bearing Roman and Arabic numerals, subsidiary seconds dial and date aperture, eight day movement with bell strike, the broken arch pediment above a hood with brass capped fluted columns, plain trunk, raised on bracket feet, with pendulum, weights, no key, 233cm high.

A Georgian and later longcase clock by MS Johnson of Lincoln, the break arch dial painted with dog's heads, dial bearing Roman numerals, subsidiary seconds dial, date aperture, eight day movement with bell strike, the hood with break arch pediment, raised on a pair of turned columns, brass capped, plain trunk, raised on bracket feet, with pendulum weights and key, 202cm high.

RICHARD CLARK OF BRADFORD; a 19th century longcase clock, with painted moon phase and rural scene above white dial set with Arabic numerals and Masonic symbols, hand painted British Empire scenes, height 128cm.

MONKS, PRESCOT; a George III mahogany longcase clock, broken swan neck pediment above painted dial with rolling moon phase, the dial set with Arabic numerals, subsidiary seconds hand and rolling date aperture above maker's details, short arched inlaid door above stepped lower section to plinth base, height 221cm.

WILLIAM LAWRENCE, CARK; a George III oak thirty-hour longcase clock with associated dial and movement, the 12" square painted dial inscribed 'Wm. Lawrence, Cark' and set with Arabic numerals and rolling date aperture above cross banded arched door, to stepped base and bracket feet, height 210cm.

WATKIN OWEN, LLANRWST; an early 19th century oak longcase clock, the hood with broken swan neck and brass ball and eagle pediment above a gilded and silvered dial set with Arabic and Roman numerals, date aperture, inscribed Watkin Owen, Llanwrst, all above single panel door to block supports,height 220cm.

An early 19th century mahogany longcase clock, with broken arch pediment above the arched painted dial with Roman numerals, the trunk door with Prince of Wales plume and all raised on bracket feet. NOTE: strike train and bell missing. Height 230 cm including finial.

A George III mahogany longcase clock, with two train striking movement by James Greig Perth, with swans neck pediment, long trunk door and fluted column corners. Height including brass finial 209 cm.

A George III oak longcase clock, with 30 hour movement by John Porthouse Penrith, with date aperture, dial 10 1/2" square, the case height 205 cm, sold with press cutting regarding another Porthouse clock.

An early 19th century oak longcase clock by Blaylock Longtown, with 30 hour movement, with long trunk door and raised on a plinth base. Height 209 cm. CONDITION REPORT: We have the weight and pendulum. We have not had the movement running as the movement does not sit correctly on the clock cheeks. The seatboard is a later replacement and does not fit correctly. The clock and case may well be a marriage. The case itself is in generally good order with no serious issues. The doors are not warped and there are no serious areas of damage. The base plank join is visible due to shrinkage. We can see no evidence of any woodworm.

An early 19th century mahogany longcase clock, with three train movement chiming on eight bells and by John Le Roux London, the case with arched hood above a silvered brass dial flanked by columns with long trunk door and raised on a plinth. Height 230 cm.

A Georgian mahogany musical longcase clock by Ferguson of Dundee, playing six tunes on nine bells, the three train movement also striking, the case with well figured trunk door flanked by canted angles and with conforming base. Height 220 cm (see illustration). CONDITION REPORT: The hand to select the tunes is missing. The tunes are - Masons Song, Balance a Straw, God Save The King, A Cotillion, Lovely Nancy and Corn Rigs. We have the weights and pendulum. The movement winds on all three trains. We have had the mechanism ticking but not striking or playing the tunes. The case is in reasonably good condition with no major issues. The hood is in good order all round with only minor stress fractures to the mahogany in places. The door is not warped. The long trunk door is well figured. It is very slightly warped when closed at the top left-hand corner. The lock plate is present as is the rear of the lock (which is detached). We have no key. There is a small piece of moulding to the left of the lock escutcheon which is detached. We have the piece. The sides of the trunk are in generally good condition. The base has stress fractures to the veneers on the front panel. The bracket feet are all present and in good order. The backboard has some minor traces of what appears to be old long gone woodworm. The seat board to the movement is not original and it is possible that the cheeks on which it rests have been cut down. With the door open it is possible to read the tune plate and the mask around the dial does fit fairly well. It is when the door is closed that the tune plate is not fully visible. The seat board to the movement is not original and it is possible that the cheeks on which it rests have been cut down. With the door open it is possible to read the tune plate and the mask around the dial does fit fairly well. It is when the door is closed that the tune plate is not fully visible.

A George III mahogany longcase clock by Samuel Jordan Chatham, eight day with striking movement, dial width 11 1/4", case height 198 cm. CONDITION REPORT: The case is in extremely good order with no issues. It looks to have been fairly recently clean and polished. All brasswork is present and original. The trunk door is not warped. There is a key and non-original lock. There is no evidence of any woodworm. The movement winds on both trains and seems to be ticking away and striking when advanced. The seatboard sits between the cheeks rather than on top so the case and movement may possibly be a marriage. The dial does however fit the mask correctly with no significant gaps. We have the winding key, both weights and pendulum.

A George III mahogany longcase clock, with arched painted dial decorated with figures emblematic of the four seasons and with eight day striking movement with long trunk door and raised on bracket feet. Height 231 cm.

An 18th century mahogany longcase clock by Gandy Cockermouth, with ship automaton to arch, with eight day striking movement the chapter ring with days of the month, the case with long well figured trunk door and panelled base. Height 218 cm, trunk width 38 cm (see illustration).

A late Georgian mahogany longcase clock, with fretwork pediment arched painted dial and two train striking movement with long trunk door flanked by quarter round columns. Height including finial 230 cm. CONDITION REPORT: Whilst we have not had the movement running as we do not have a pendulum, when weight is applied to the going train it does operate. When the hands are manually advanced the strike mechanism also operates when weight is applied. The movement is however very dirty. The bell is currently detached. The face condition should be visible from our images. We have all three metal finials. The left one is detached. The fretwork has some fractures but is all present. The hood is in generally good order and the glass original and not cracked. The door is not warped. The trunk door is also not warped and closes as it should. We have the key and lock. The sides of the case are in generally good condition. The base has some veneer losses to the extremities and around the legs and the bottom base narrow applied moulding is missing in places.

A George III oak and mahogany crossbanded longcase clock, by James Monkhouse of Carlisle, with 30 hour movement and moonphase, the case with long trunk door flanked by quarter column corners and raised on bracket feet. Height 218 cm. CONDITION REPORT: The 30 hour movement is complete with weight and pendulum. It appears to be ticking away and striking when advanced. The hood door glass is broken. The door is however not warped. There has been a repair to the left-hand swans neck. There are minor nibbles to the extremities of the hood and shrinkage to some joints. The main trunk door is not significantly warped and closes as it should. The sides of the trunk are in good condition. The base is all original. Again there is a stress fracture down the centre join. We can see no evidence of any woodworm.

A George III oak and inlaid longcase clock by Henry Wade London, with two train striking movement, the case with long arched trunk door flanked by fluted quarter column corners with brass capitals and all raised on bracket feet. Height including finial 224 cm, width across hood base 45 cm (see illustration). CONDITION REPORT: The clock winds on both trains and is currently ticking away and striking in the saleroom. The movement and dial have clearly been fairly recently restored and are in extremely good order. The case is in extremely good condition also with no issues of any note.

An early 19th century oak and mahogany longcase clock by John Blaylock of Carlisle, with two train striking movement. Interestingly the weights are both cast "Blaylock Carlisle". Height 212 cm. CONDITION REPORT: The movement winds on both trains and is complete with weights and pendulum. It is currently ticking away and striking when advanced. The polish to the case is a little dry in places, however the case is in generally good condition with no significant issues. Neither door is warped. The base has some minor edge nibbles to the crossbanded veneers but no real issues. We can see no evidence of any woodworm.

A George III oak cased 30 hour painted dial longcase clock, by Roper of Penrith, the swan neck pediment above a painted dial with floral and peacock decoration flanked by columns above a middle section with canted beaded inlaid corners on a square plinth. 214 cm high.

An 18th century mahogany and crossbanded longcase clock, with 30 hour movement by Jonas Barber of Winster, single pointer, the case with long arched trunk door flanked by quarter column corners and all raised on bracket feet. Height 197 cm, width 52.5 cm at cornice, width at trunk 31 cm (see illustration). CONDITION REPORT: The movement is complete with weight and pendulum and is currently ticking away in the saleroom. The case is in generally very good condition with no issues. The case is a very good colour. The doors are not warped. It is an attractive clock.

A George III oak and mahogany banded longcase clock, with two train striking movement by Kitchen and Lloyd Nantwich. Height 199 cm.

An oak shortcase hall clock or dwarf longcase clock, 20cm square brass dial, silvered chapter ring inscribed with Roman and subsidiary Arabic numerals, three winding holes, the case in the Jacobean taste, 160cm high, 36.5cm wide, 25.5cm deep

A brass longcase clock movement, William Clode, Camelford, 30 hour, Roman numerals on silvered chapter wheel

An 18th century oak and mahogany crossbanded longcase clock by William Bromley, Salop, the hood with a scotia cornice above a door flanked by a fluted pillar on each side, enclosing a brass dial with cherubim spandrels, Roman numerals, matted ground and signed, 'Wllm Bromley Salop', above a long trunk door, the 8 day movement with anchor escapement, striking on a bell, 194cm high, with 2 weights, pendulum and winder (7)There is a William Bromley listed as operating in the early 19th century in Shrewsbury. Looms, B, Watchmakers and Clockmakers of the World, 1st Published 2006, page 106.Not operational in home of deceased. general condition good. Above average colour and figuring, but lacking section beneath hood and on back edge lacking 5cm section. Base of hood lacking 7 cm back section of bead. Minor restoration, including old mahogany inlay on base. Dial- small chip top right, chapter ring- silvering totally worn.

A George III painted dial oak longcase clock by Griffith of Denbigh, the hood with swan-neck pediment and fluted full columns, the trunk with a shaped door between fluted corner quarter columns, the base box with a moulded panel front, raised on bracket feet, the 13in (33cm) dial painted with exotic birds to the centre and flower corner spandrels around a black chapter ring with Roman and Arabic numerals and a calendar aperture, the four-pillar eight-day movement striking on a bell, 51cm wide x 24cm deep x 212cm high.

THOMAS DICKER, SILCHESTER: A GEORGIAN OAK 30 HOUR LONGCASE CLOCKWith signed 10in square brass dial 193cm high 1 pendulum, 1 weight (bell loose)

EVAN EVANS, TOTNES: AN EARLY 19TH CENTURY OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCKWith 12in square painted dial and eight day striking movement210cm high1 pendulum, 1 key, 2 weightsCondition Report:We cannot guarantee this clock is working, currently the elements are separate for transportation and pendulum has been carefully packed to a board for packing.The pendulum, weights and chains appear all present. 

AN ANTIQUE WALNUT 30 HOUR LONGCASE CLOCKThe 7 1/4in square brass dial inscribed ‘RUSSELL LIVERPOOL’ , the 30 hour movement with count wheel strike on a bell 173 cm high

WILLIAM EVANS, SHREWSBURY: A LATE GEORGE III OAK, MAHOGANY AND CHEQUER INLAID LONGCASE CLOCKWith 12 1/2in. square painted dial, eight day twin train movement 218 cm high 1 pendulum, 1 key, 2 cast-iron weights

Mahogany longcase clock, pagoda top, the hood with three brass finials, fluted supports, long arched door flanked by quarter columns, plinth base, twelve inch arched brass dial with cast spandrels, the arch with a selector Sicilian Mariners Hymn and Home Sweet Home, silvered chapter ring with Roman numerals, subsidiary seconds dial, signed William Dick, Warminster, eight-day triple weight movement, striking on ten bells and a gong, height 240cm.Condition report:The total height including the finial on the hood is 245.5cm.

George III mahogany musical longcase clock, Isaac Sharratt, Burslem, the hood with swan neck pediment and urn finial, corinthian columns, carved frieze above a long door flanked by quarter fluted columns, ogee bracket feet, 13.5" silvered dial with moonphase lunette, playing on a three-hour cycle, God Save The King, Psalm 104 a Hymn, and another Hymn, three-chain movement striking on eleven bells, height 248cm.

A GEORGE III MAHOGANY EIGHT-DAY LONGCASE CLOCK WITH MOONPHASETHOMAS BULLOCK, BATH, CIRCA 1770The four pillar rack and bell striking movement with anchor escapement regulated by seconds pendulum, the 12 inch brass break-arch dial with subsidiary seconds dial and unusual shaped arched calendar aperture to the coastal view engraved centre depicting a square-rigged ship passing a lighthouse, within applied silvered Roman numeral chapter ring with Arabic five minutes beyond the outer minute track and signed Tho's, Bullock, BA,TH to lower margin, with scroll pierced blued steel hands and rococo scroll cast spandrels to angles beneath arch with rolling moonphase incorporating terrestrial and celestial globe decorated lunettes beneath leafy scroll engraved curved scale calibrated for THE, MOONS, AGE to the upper margin, the case with ogee geometric key moulded cornice over break-arch glazed hinged front applied with three-quarter columns to front angles, the sides with small rectangular windows and quarter columns applied against bargeboards at the rear, the trunk with concave throat moulding over caddy moulded shaped-top door, on plinth base with ogee upper moulding and conforming skirt incorporating integral bracket feet.216cm (85ins) high, 51cm (20ins) wide, 25.5cm (10ins) deep. Thomas Bullock is recorded in Moore, A.J. THE CLOCKMAKERS OF BRISTOL 1650-1900 as working in Bath 1764-1773.Condition Report: Movement is in relatively clean working condition although a precautionary gentle clean/service is advised if intending to put into long-term use. The mechanism appears all original with visible evidence of alteration or noticeable replacements. The dial is in clean condition with the plate showing light to moderate wear to the engraved decoration through previous repolishing; there are a few spots of discoloration to both the brass and the silvered finishes. The moon disc is in good condition having had some re-touching done in the past; it is connected to the movement hence is operational. The hour hand is a well-made replacement and the minute hand has been repaired. The movement retains its original seatboard which rests on the cheek uprights of the case at the correct level. This, coupled by the fact that the case is essentially a 'textbook' example of the Bristol/Bath type, would indicate that the movement and dial are original to the case. The case is generally in sound original condition. The top board to the hood has been replaced and the trunk door has a crack running from top to bottom (probably a repaired break in the panel). The trunk door retains its original hinges, the lock is a replacement. The front lower left hand corner of the plinth bas has a veneer patch repair and the sides have horizontal veneer cracks. Faults to the case are otherwise limited to minor bumps, scuffs, shrinkage and other age related blemishes.Clock has pendulum, two lead weights, a case key but no winder. Condition Report Disclaimer

A GEORGE II WALNUT EIGHT-DAY LONGCASE CLOCKTHOMAS JENKINSON, SANDWICH, CIRCA 1730The five-pillar rack and bell striking movement with anchor escapement regulated by seconds pendulum, the 12 inch square brass dial with subsidiary seconds dial and calendar aperture to the richly matted centre within applied silvered Roman numeral chapter ring with diamond lozenge half hour markers, Arabic five minutes beyond the outer minute track and signed Thomas, Jenkinson, Sand:,wich to lower edge, with pierced steel hands and mask and scroll cast spandrels to angles, in a case with architectural moulded cornice and plain frieze over hinged glazed front applied with Solomonic twist-turned three-quarter columns to front angles, the sides with rectangular windows and plain quarter columns applied to bargeboards at the rear, the trunk with concave throat moulding over caddy moulded rectangular door fronted with quartered veneers within crossbanded borders, on conforming plinth base with concave upper moulding and plain skirt.218cm (86ins) high, 49.5cm (19.5ins) wide, 26cm (10.25ins) deep at the cornice. Thomas Jenkinson is listed in Loomes, Brian Clockmakers of Britain 1286-1700 as being recorded by Michael Person as born around 1656 and apprenticed in 1711 to Joseph Booth of Sandwich, Kent. Jenkinson gained his freedom in 1719, was married to Sarah Bing in 1723 and worked in Sandwich until his death in 1755.  Condition Report: Movement is in relatively dirty condition but appears to be essentially all-original with no visible evidence of alteration or noticeable replacements. The dial again is a little dirty with some oxidation and discolouration to the finishes however appears to be all-original, except for the hands, and in good condition. The movement retains what is probably its original seatboard which rests on blocks around ¾ of an inch thick applied to the top of the cheek uprights. This would suggest that the movement and dial are probably not original to the case although they would appear to be well suited. The case is generally in sound condition. The hood appears to be free from significant faults. The trunk has some warping to the frame around the trunk door aperture otherwise is presentable albeit a bit dirty/neglected in appearance. The backboard is probably a replacement and the base has been restored/rebuilt with well-matched veneers. Overall a nice decorative example which would benefit from a clean/service and a freshening-up of the finish to the case. Clock has pendulum, case key, a pair of brass cased weights but no winding key. Condition Report Disclaimer

A QUEEN ANNE WALNUT EIGHT-DAY LONGCASE CLOCKCHARLES GRETTON, LONDON, CIRCA 1705The five finned pillar inside countweel bell-striking movement with anchor escapement regulated by seconds pendulum, the 12 inch square brass dial with subsidiary seconds dial, ringed winding holes and border-engraved calendar aperture to the matted centre within applied Roman numeral chapter ring with foliate half hour markers, Arabic five minutes beyond the minute track and signed Cha: Gretton, London to lower margin, with fine sculpted steel scroll hands and twin cherub and crown cast spandrels to angles within a continuous wheatear engraved outer border, the walnut veneered case with ogee moulded cornice and line-bordered frieze over hinged glazed front applied with Solomonic twist three-quarter columns to the front angles, the sides with rectangular windows and conforming quarter columns set against bargeboards at the rear, the trunk with cavetto throat moulding over door with re-worked break-arch top and inlaid with floral sprays above and below the central lenticle, with triple-line inlaid crossbanded border and cross grain half-round edge mouldings, the base with ogee top moulding and conforming triple-line inlay to front, on moulded skirt base incorporating shaped apron and integral bracket feet.126cm (85ins) high, 50cm (19.75ins) wide, 25.5cm (10ins) deep. The life and work of Charles Gretton is thoroughly documented in Radage, Dennis; Warner, Meinen and Radage, Laila CHARLES GRETTON, THROUGH THE GOLDEN AGE. Charles Gretton was born in Clayplole, Lincolnshire in 1648 and by 1662 he had moved to London entering into an eight year apprenticeship under Humphrey Downing on the 30th June of that year (turned over from Lionell Wythe). Humphrey Downing died in 1666 but it is thought that Gretton continued his apprenticeship under his widow, Cordelia, gaining his freedom of the Clockmakers Company in 1672 and se-up business in Fleet Street. In 1677 Charles Gretton married Mary Phillips and established himself at the sign of the 'The Ship' in Fleet Street (either number 174 or 175 next to Fetter Lane). Gretton was appointed an Assistant of the Clockmaker's Company in 1889 and then Warden in 1697; the same year he signed the 'oath of allegiance'. In 1700 Charles Gretton served as Master as well marrying his second wife Lucy Uffman (his first wife Mary died in 1694). In 1701 he put £50 forward to the Clockmakers' Company in order to establish a trust to assist the orphans of deceased members and was nominated to serve again as Master in 1705/06. Lucy, his second wife died before 1711 as this is the year that Charles Gretton married his third wife, Dorethea Wilson shortly after which he moved to his newly acquired second premises at two Chancery Lane. At this time his premises at 'The Ship', Fleet Street was passed onto the management of his nephew, Thomas Moore who paid taxes on the building until 1723. In 1716 Charles and Dorothea moved again to Chancery Lane where they remained until Dorothea's death in 1727. By this time Charles Gretton had retired from active clockmaking and went to go and live with his daughter, Ann, in Milk Street where he remained until his death in 1731.During his carreer Charles Gretton He took on many apprentices including Henry Sully (Freed April 1705) and Joseph Antram (Freed October 1706) both of whom went on to become famous clockmakers in their own right. By the time of his death and internment at St. Dunstan's in the West Gretton had become a wealthy and highly respected figure within the City of London as well as the clockmaking community. His Will mentions no less than nine properties as well as £1,300 deposited in the Bank of England contributing the £2,600 monetary component of his legacy. Despite the best efforts of the authors to track-down known examples of his work the current lot is not recorded in CHARLES GRETTON, THROUGH THE GOLDEN AGE however the dial can be closely compared to that of clock 'LC63' illustrated on pages 214-5.Condition Report: The movement has survived in its original form with no visible alteration however the collets and pinion lengths would suggest that the trains have been re-pinioned most likely at some point during the 19th century. Although the movement will run and strike the mechanism is in dirty/neglected condition hence a clean/service is required. The dial has survived in good original condition but has lost its silvering and has deposits of metal polish throughout. The matting and engraving show very slight wear/rubbing and the spandrel castings are of good quality. The hands appear original, are well-made and are in good condition having only a small loss to the stem of the hour hand within the looped section.The movement retains what appears to be its original seatboard (albeit with old losses along the rear edge) which rests on cheek uprights of the case at the correct level with no evidence of alteration or adjustment. From this it is most likely that the movement and dial are original to the case. The hood has old replacement top board and the front frieze fret has been substituted for veneer otherwise is in good original unrestored condition with faults limited to age related bumps, scuffs, shrinkage and relatively minor historic repairs. The trunk is structurally sound however strips have been let-in to the rear edges of each side suggesting at some point the backboard has become loose where it joins the sides causing damage to occur (this may have been due to localised worm damage in the sides although non is evident). The exterior of each side has banded veneers inserted over these strips. The backboard has a vertical crack necessitating a brace to be applied across the back. The backboard panel stops short around three inches below the plinth top mouldings with the section beneath backed with an additional panel.The trunk door has been modified by lowering and reshaping the top of the panel with a break-arch; the upper section of the surrounding frame has been infilled to fill the top of the rectangular aperture. The trunk door retains its lock but the hinges are replacements. The marquetry decoration to the door are 19th century additions; the base has been partly re-veneered and has some consolidation/replacements within the structure. The skirt is a later replacement. Trunk is otherwise is in sound unrestored condition but with age related shrinkage, bumps, scuffs and a few small historic repairs.Clock has pair of most likely original brass-cased weights (although one has been sleeve-repaired), pendulum, crank winder and a case key. Condition Report Disclaimer

A GEORGE II WALNUT EIGHT-DAY LONGCASE CLOCKWILLIAM CREAK, LONDON, CIRCA 1740The five pillar rack and bell striking movement with anchor escapement regulated by seconds pendulum, the 12 inch brass break-arch dial with calendar aperture and subsidiary seconds dial to the matted centre within applied Roman numeral chapter ring with Arabic five minutes beyond the minute track, with pierced steel hands and brass twin bird and urn cast spandrels to angles, the arch with circular herringbone border engraved silver signature boss inscribed William Creak, LONDON flanked by dolphin cast mounts, in a break-arch case with generous arched cavetto cornice and fretwork frieze over hinged glazed dial aperture with applied with three-quarter columns to front angles, the sides with break-arch windows and conforming quarter columns set against bargeboards at the rear, the trunk with concave throat moulding over book-matched burr-veneered and herringbone banded break-arch door with complex edge mouldings, the sides with twin crossbanded panels, the plinth base with cavetto top mouldings over burr panel veneered herringbone and crossbanded fascia and a moulded skirt.229cm (90ins) high, 54cm (21.25ins) wide, 26cm (10.25ins) deep. William Creak is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as a 'fine maker' who worked in London from 1754-63. Other sources indicate that he was working from 1740-75 and his workshop was located in the Royal exchange from 1754. Creak supplied musical and automaton clocks for export to the Middle East and China and often incorporated similar complications into examples made for the domestic market.Condition Report: The movement is complete and appears fundamentally all-original with no visible alteration or noticeable replacements. The mechanism is reasonably clean and working however a precautionary gentle clean/service is advised. The dial is also in good relatively clean unaltered condition with faults limited to some patchy discolouration to the silvering and mellowing of the finishes in general. The movement and dial retain what appears to be the original seatboard however there are packing slips (around ¾ inch thick) hence we cannot offer any assurances that the case is original to the movement and dial although they would seem to be perfectly suited.The hood is in good condition; the frets have been replaced otherwise faults are very much limited to minor historic bumps, scuffs, shrinkage and wear commensurate with age. There are two socket holes to the top suggesting that a pair of finials were fitted at some point. The trunk also is in fine condition with particularly nice figured veneers. The trunk door retains its original lock but the hinges are replacements. The front of the door has some shrinkage cracking to the veneers and there is some visible historic movement/bowing to the frame around the door (does not detract from the clock as is a evidence/result of the genuine age of the piece). The plinth has been restored with replacement veneers with the colour of the burr figured fascia panel being darker than the rest of the case; this probably be improved in the hands of a good restorer/finisher. The backboard has opening to the vertical joint between the two boards which form the panel; two horizontal batons have been applied across the back to further brace the panel.Clock is complete with two weights, pendulum, crank winder and two case keys. Condition Report Disclaimer

A QUEEN ANNE WALNUT AND ARABESQUE MARQUETRY EIGHT-DAY LONGCASE CLOCK CASEANONYMOUS, PROBABLY LONDON, CIRCA 1710With box upstand over ebonised ogee-moulded break-arch cornice fronted with a scroll-pierced sound fret over hinged break-arch glazed aperture for a dial measuring 12 inches wide by 15.5 inches high, within foliate Arabesque engraved border and applied with ebonised three-quarter columns to front angles, the sides with tall rectangular windows and conforming quarter columns set against bargeboards at the rear, the trunk with repeating leaf decorated arcade to the concave throat over 41 inch rectangular door veneered with marquetry foliate strapwork executed in the Barianesque manner centred with a brass oval lenticle and with ebonised half-round moulded edge, with conforming repeating leaf decoration to surround and the sides with twin burr-veneered panels within crossbanded borders, the plinth base with conforming marquetry veneers both to the concave top moulding and panel-outline fascia over cavetto moulded burr veneered double skirt, (unrestored with some losses mainly to the banded borders).226cm (89ins) high, 51cm (20ins) wide, 27cm (10.5ins) deep. 

AN UNUSUAL GEORGE III MAHOGANY LONGCASE CLOCK OF SMALL PROPORTIONSJ. WHITHAM, SHEFFIELD, LATE 18th CENTURYThe four pillar rack and bell striking movement with anchor escapement regulated by seconds pendulum, the 10 inch white painted Roman numeral break-arch dial signed J. Whitham, SHEFFIELD to centre, with scroll pierced steel hands and gilt-bordered polychrome rose spray painted decoration to spandrels, the arch centred with a painted roundel depicting Chronos within gilt bead surround and flanked by gilt leafy scroll decoration, the case with central concave upstand to the open swan neck pediment flanked by finial platforms and inset with gilt on black decorated verre eglomise panels, over complex moulded break-arch cornice centred with a keystone and ogee moulded glazed hinged dial aperture flanked by free-standing fluted Corinthian columns, the sides with bold baluster outline bargeboards applied to the rear edge, the tapered trunk with plain frieze over inswept throat and rectangular reeded door decorated with oval line panel to centre, the lower section swept outwards and resting on architectural mouldings onto a stepped plinth base with further moulded skirt.193cm (76 ins) high excluding finial, 48cm (19ins) wide, 25cm (9.75ins) deep. Jonathan Whitham is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Sheffield 1770-90.Condition Report: The movement is in good clean working condition with no visible evidence of alteration or noticeable replacements to the mechanism itself. The frontplate is drilled with two additional dial feet holes to the upper corners, these appear to have never been used hence are most likely to surplus drillings from the time the clock was made (maker decided to use one top pillar instead of two). The dial retains old slightly crazed surface with a filled hole inline with the seconds arbor which would appear to date from the time the dial was made (ie. we believe is not indicative of alteration). The dial has a well-executed patch of restoration between the XI and XII numerals as well as some noticeable scratching just below and to the right of the centre arbor. The lower dial feet fixing points have some slight stress marks/flaking Faults to dial are otherwise limited to slight rubbing, crazing, light scratching wear and other age-related blemishes.The movement retains its original seatboard however a section is missing from the rear left hand side of the panel. The cheeks of the case are applied to the inside of the trunk - this would appear to be an original feature; the movement is currently a little wonky when in the case (leans to the right) however we are the opinion that the case is most likely original to the movement and dial.The case is generally in good original condition however the finish is somewhat uneven and dull hence would benefit from the attention of a good finisher to revive it. The central glass insert to the hood is cracked and the gilt painting is a little rubbed; the painting itself is a little naive hence may have been re-done at some point in the past. The backboard has a horizontal crack which has been stabilised by securing a thin overlain panel behind the movement and baton across the back. The cornice mouldings have been trimmed to a 45-degree angle at the rear edge to allow clock to stand across a corner. Faults to the case are otherwise limited to age related bumps, scuffs, shrinkage and wear.Clock is complete with two weights, pendulum, case key and a winder. Condition Report Disclaimer