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AN OAK AND MAHOGANY LONGCASE CLOCK dial: cream painted, subsidiary seconds ring and calendar crescent, signed Jno. Thristle, Stogursey, 80in. (203cm.) high

A MAHOGANY LONGCASE CLOCK dial: cream painted, subsidiary seconds ring, calendar crescent and phases to the moon arch, case: the hood flanked by turned pillars with gilt metal Corinthian capitals, 86 1/2in. (220cm.) high

A DUTCH BURR-WALNUT LONGCASE CLOCK dial: 12inch silvered, signed Duchusnes, Amsterdam, sweep calendar ring and seconds ring, case: waisted waist door with a gilt metal framed aperture, the cresting carved in low relief with a ribbon pendant, the bombe plinth with ribbon suspended swags, on paw feet, 100in. (254cm.) high

A LONGCASE CLOCK MOVEMENT 11 1/2inch silvered chapter ring with subsidiary seconds dial and calendar aperture, signed on a tablet Thos. Locock, London, strike/silent ring to the arch

A LONGCASE CLOCK MOVEMENT 11inch silvered chapter ring, signed Thos. Jackeman, on London Bridge, subsidiary seconds ring and calendar aperture

AN OAK LONGCASE CLOCK dial: cream painted, signed Webb, Frome, subsidiary seconds dial and calendar crescent, the arch painted and set with a semi-articulated figures of the Temptation of Adam and Eve, case: hood flanked by reeded ormolu capped Corinthian pillars beneath a swan neck pediment, 88in. (223cm.) high

18th Century oak longcase clock, hood with boxwood banded pediment and turned rosewood pillars flanking the glazed door enclosing 32.5cm painted enamelled dial with subsiduary seconds dial and date arch, marked Watkin Owen, Llanrwst, the trunk with quartered reeded columns flanking the door, 207cm high.

18th Century oak longcase clock by W Musgrave of Leeds, bonnet top hood with brass ball finial and turned columns flanking the glazed door enclosing 30cm arched brass dial with pierced spandrels, marked on the chapter ring Mary Ambler 27 with subsiduary seconds dial within, circular name plaque to the arch, the trunk with long shaped crossbanded door, 236cm high.

A LATE 19TH CENTURY MAHOGANY LONGCASE CLOCK having an arched brass dial with silvered chapter ring and engraved Father Time, strikiing mechanism, the case with boxwood marquetry decoration and breakarch pediment, 82" high.

A CORNISH 19TH CENTURY STAINED PINE COTTAGE LONGCASE CLOCK, having 8 day movement with circular painted face, Roman numerals and seconds dial. (St Ives maker & retailer, name indistinct).

A CORNISH 19TH CENTURY RED PAINTED PINE COTTAGE LONGCASE CLOCK, having 8 day movement with arch painted face, date aperture and seconds dial. (Williams ST Ives maker or retailer, name indistinct). (Please see lot 243 for image)

AN EDWARDIAN MAHOGANY LONGCASE CLOCK, in 18th Century style, the hood with broken swan neck pediment above strapwork freize and arched apeture, the waist having arch moulded door flanked by quarier reesed pillasters above a panelled base on ogee bracket feet. Arched brass face with silvered chapter rings, eight day movement striking on various quarter gongs, reeded strike/ silent, seconds dial, marked "Pearce & Sons Ltd Leicester. C1900, 94" high.

AN EDWARDIAN MINIATURE MAHOGANY LONGCASE CLOCK, with Georgian style case and simple movement. 11.5" high.

Victorian mahogany longcase clock, the painted dial inscribed "Jas Summers, Hamilton", over a bowed trunk door, 88in (223.5cm) high

A George III faux mahogany longcase clock, the arched hood with three quarter columns above an arched trunk door and a box base with plinth, the twelve inch silvered dial signed 'Chalklen Canterbury', with subsidiary seconds dial and date aperture, the arch with moonphase, the twin train movement with anchor escapement striking on a bell, 211cm high

A George III oak and mahogany banded longcase clock, the flat dentil moulded cornice above an arched glazed door flanked by three quarter columns, above a rectangular trunk door and a reduced box base, the 12 inch brass dial signed 'Samuel Etford Sherborne', with subsidiary seconds dial and date aperture, the arch engraved with the figure of Venus seated on a dolphin, the twin train movement with anchor escapement, striking on a bell, 206cm high

A George III oak longcase clock, the square hood above an ogee arched door between chamfered corners, on a box base, the 12inch square brass dial, with silvered chapter ring, subsidiary seconds dial and date aperture, signed 'Bradley Ilkiston', the twin train movement with anchor escapement, striking on a bell, 81 inches high

A 19th century longcase clock in veneered mahogany case, with eight day striking movement on bell and twelve inch arch dial having enamel painted floral spandrels and arch panel, The hood with turned side columns and swan neck pediment, canted sides to case with crossbanded arch door. 220cm high.

A 19TH CENTURY SCOTTISH LONGCASE CLOCK, the 34cm diameter circular brass dial, unsigned, with calendar and seconds dials, above a door flanked by quarter columns, on bracket feet, hood re-constructed, 80.5in (205cm) high.

A 19TH CENTURY OAK THIRTY HOUR LONGCASE CLOCK, with painted square dial, depicting a rural church setting, signed 'Quaife Battle', over a panelled door and plinth base, 12in square dial, 73.5in (187cm) high.

A REGENCY MAHOGANY LONGCASE CLOCK, the 13in (33cm) diameter circular silvered dial with calendar and seconds subsidiary and signed 'Brysons Edinburgh', above a waisted panel door, on plinth base, 77in (197cm) high.

A 19TH CENTURY CARVED OAK LONGCASE CLOCK, the 12in square brass dial signed 'T. Rider Fecit', with a calendar dial within a hood with a swan neck pediment and a panel door carved in the 'Jacobethan' taste, 89in (226cm).

A GEORGE III MAHOGANY CROSSBANDED AND INLAID LONGCASE CLOCK, the arched painted dial with a seconds and calendar subsidiary dial and phases of the moon and signed 'W. Goodwin, Nottingham', the hood with dentil turrets above inlaid columns and a panel door with scrolls, the inside of the door inscribed 'May 28 1806' on a plinth base, 86in (218cm), base re-veneered.

A GEORGE III OAK LONGCASE CLOCK, the arched painted dial with calendar and seconds subsidiary dials and signed 'Wright, Linton', above an arched panel door, on bracket feet, 77in (196cm) high.

A GEORGE III MAHOGANY LONGCASE CLOCK, the arched brass dial with calendar and seconds subsidiary and signed 'Sampson Wright, Watford', above a waisted panel door, 81in high (206cm).

An antique oak Longcase Clock by William Langford, Ludlow having dentil cornice above the square brass dial, 30 hour movement, with date aperture 6ft 3 1\2in

George III oak and mahogany Longcase Clock, with fruitwood and ebony banding and boxwood stringing, broken swan neck pediment with brass finials, short door with mahogany banding, fluted quarter columns, plinth base with canted corners, bracket feet, arched painted dial, inscribed, "High Water at Bristol Quay", surrounding moon phase lunette, with date aperture, the dial with a silvered chapter ring with cast rococo spandrels, subsidiary strike silent and date dials, with a segmented date chart, eight day movement, striking on a bell, 220cms overall.

A modern Georgian design oak 8 day longcase clock, with brass moonphase dial, signed Hutt & Holland, Essex, 7ft 6ins

An early 19th century mahogany 8-day longcase clock, with painted arched dial signed Jas.Boyd, Cupar Fife, movement with anchor escapement, (as viewed) 6ft 4ins

A George III 8-day longcase clock, signed W.Fenton, N.Castle, arched brass dial with subsidiary seconds and date aperture, movement with anchor escapement, in oak case with swan-neck pediment, 7ft

An early 19th century 8-day longcase clock, signed Thompson, Darlington, with painted arched dial, movement with anchor escapement, in oak and mahogany case with swan-neck pediment, 7ft 6ins

A late George III mahogany longcase clock, arched dial signed Lasseter, Stenning, the arch with painted marine scene and rocking ship motion, movement with anchor escapement, in flame-veneered mahogany case, 7ft 4ins

An early 18th century Dutch marquetry longcase clock, the brass dial (now with amorini arch), signed William Gib, Rotterdam, with subsidiary seconds, ringed winding arbours and date aperture, five-pillar movement with inside countwheel and anchor escapement, walnut case with fret-carved borders and brass pommel finials, trunk door with lenticle, bombe base on carved claw feet, 8ft. 6in.

An early 19th century 30-hour longcase clock, with painted arched dial signed Ed.Glasse, Bridgnorth, in oak case with mahogany cross-banding (in need of restoration) 6ft 9ins

A George III mahogany cased and inlaid longcase clock, the movement by John Seince, London, with seconds dial, date aperture, two train movement chiming on a bell.

A George III mahogany cased and fine inlaid longcase clock, the movement by Holdsworth, Halifax.

A George III oak 30 hour longcase clock, by William Mercer, Maidstone, the hood with dentil moulded cornice and quarter turned columns, the 11 inch brass dial with subsidiary second hand and date aperture, above a trunk with plain door and stepped plinth (197cms tall)

A Scottish mahogany longcase clock, circa 1820, by Joseph Lawson, Merry port, the swan neck pediment hood with rope twist pillars, enclosing painted dial with interior lovers scene in arch and seated lady spandrels, with eight day Birmingham movement, above a trunk with fret work shaped door within conforming columns, upon bold plinth, (246cm tall)

A LONGCASE CLOCK by Charles Craig, Dublin, the eight day movement with square brass dial, in carved mahogany case similar to previous lot, 90" high

A LONGCASE CLOCK by John Lawson, Bradford, the thirty hour movement with square brass dial chased with birds and scrolling foliage painted half penny moonphase and calendar dial, in oak and crossbanded case, the scrolled pediment with brass finial on turned columns, arched door with inlaid star motif, panel base, on plinth, 89" high

A LONGCASE CLOCK by Fabian Robins, the eight day movement with arched brass dial, secondary dial and calendar aperture, in later mahogany and marquetry case with classical figures and scrolling foliage, the scrolled pediment with brass finials on fluted columns, arched door flanked by wrythen pilasters, panel base and bracket feet, 90" high

A LONGCASE CLOCK MOVEMENT by Roberts, Otley, the thirty hour mechanism having brass dial with chased scrolling foliate centre, pierced spandrels and calendar aperture, 10" wide

A LONGCASE CLOCK by John Booth, Huddersfield, the thirty hour movement behind brass square dial, with pierced and moulded spandrels and calendar, in oak case with swan neck pediment, on tapering columns, arched door flanked by quarter columns, panel base and bracket feet, 84" high

A LONGCASE CLOCK, the eight day movement behind arched brass dial with moonphase, chased with foliate scrolling, secondary dial and calendar, in oak case, the scroll pediment with ball finial on gilt metal columns, scroll top door inlaid with sun paterae, fluted quarter columns, panel base and bracket feet, 19th century, 89" high

A LONGCASE CLOCK, by Roberts, Otley, dated 1782, with thirty hour movement, arched dial with calendar, painted with flowers and cottages, in oak cross-banded case, scroll pediment with brass ball finial on fluted columns, the door flanked by fluted quarter columns, plank base and bracket feet, 85" high

A LONGCASE CLOCK, by William Ball, Bicester, with thirty hour movement, square brass dial chased with horses by a river, in oak case, moulded pediment on tapering half columns, panel door, on panel base and plinth, 83" high

A LONGCASE CLOCK, by Lancaster, Bradford, the eight day movement with arched dial having fruit and floral painted spandrels, secondary dials, in mahogany cross-banded case with scrolled pediment and turned finials, supprted on tapering scroll topped columns, gothic arched door with ivory finial, flanked by turned columns, similar base with shaped apron and turned feet, 95" high

A LONGCASE CLOCK by Jo Batty, Halifax, the eight day movement with arched brass dial, painted moonphase and secondary dials, in oak case, the scrolled pediment with gilt metal finials and rosettes, on tapering columns, arched door flanked by quarter columns, panel base and bracket feet, 92" high

A LONGCASE CLOCK by Whitehurst, Derby, with eight day movement, arched brass dial with painted moonphase, pierced and moulded spandrels, in oak case, the moulded split pediment with roundels, tapered turned columns, arched door flanked by quarter columns and similar panelled base, 87 1/2" high

A SMALL LONGCASE CLOCK, the eight day movement with arched brass dial signed Jno Rigg, Gisbrough, in oak and mahogany crossbanded case, moulded and dentil cornice on turned columns, arched door flanked by fluted quarter columns, panel base and bracket feet, 72" high

A LONGCASE CLOCK, the eight day musical movement with chased square brass dial, secondary dial and calendar aperture, in oak case with inlaid paterae and parquetry banding, moulded cornice with carved surmount on turned columns, arched door, panel base and bracket feet, late 18th/19th century, with later carving, 91" high

A LONGCASE CLOCK by Nugent Booker, Dublin, the eight day movement with square brass dial, two secondary dials, in mahogany case, flower carved scroll pediment with brass finial, cushion frieze with carved mask and foliate scrolls on fluted columns, arched door, fluted quarter columns, panel base and bracket feet, 92" high

An 18th century eight day longcase clock with a brass arched dial signed "WILLIAM WHITBREAD LONDON" with a calender and seconds hand contained in a oak case with a long door. The base has been shortened.

A 1900's eight day three train longcase clock on bells with a brass arched dial and strike silent contained in a mahogany case 88" tall

A Georgian longcase clock by Jofn Glover, Leicester, oak cased, 30 hour, the circular enamel dial hand painted , with black arabic numerals, date aperture, pull mechanism with weights, the hood with pillar each side, the trunk door with pointed top and oval shell inlaid cartouche to centre.

A GEORGE III MAHOGANY LONGCASE CLOCK, the white painted dial signed Monks, Prescot with subsidiary seconds dial and date aperture with moon phase arch above, the eight-day movement striking on a bell. The arched hood with fluted pillars and applied half pillars, the case with tall shaped door flanked by quarter recessed columns, on a conforming foot, 83" high.

FROMANTELL & CLARK: A WALNUT MARQUETRY LONGCASE CLOCK, the brass dial with matted centre with date aperture and subsidiary seconds dial, and central alarm disc, the silver chapter ring with Roman numerals flanked by pierced spandrels and engraved border, the arch with name disc and dolphin spandrels, the eight-day five pillar movement with alarm mechanism striking on a bell, the hood with break arch pediment and lined fret panel, the arch topped door flanked by recessed gilt capped columns, the case with long rectangular door with floral and bird marquetry with central pierced gilt panel

18th Century walnut and banded longcase clock, the door with a round glass panel, brass dial, eight day striking movement (cut down and restored), 83" high

18th Century mahogany longcase clock, the hood with turned columns, the painted dial with castles in the spandrels, second hand and date indicator dials, 81" high

18th century oak longcase clock with thirty day movement, painted dial with country scenes in the four spandrels, D. Baker, Billingshurst, 77" high