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A George III oak and mahogany crossbanded longcase eight day clock, WN Kirk, StockportHaving a painted break arch 12" rolling moon dial, the dial with painted Roman and Arabic numerals enclosed by spandrels painted with female figures and centred with subsidiary date and second dials, signed by the maker, with an eight day movement striking on a saucer bell, the case with a brass embellished twin swan neck pediment above a painted frieze over the break arch dial flanked by fluted tapering columns, the case with a shaped crossbanded door flanked by conforming quarter fluted columns above the lower panel with an inlaid crossbanded oval within reeded canted corners and raised upon ogee bracket feet, with two weights and pendulum, 230cm high. CONDITION REPORT: Lot 495 - working condition unknown

Ten assorted longcase clock weightsFrom 13cm to 123cm approximately.

A 19th Century eight day mahogany longcase clock by George Lewton, KingswoodHaving a painted 12" break arch dial with a subsidiary second dial and date aperture, the case with twin swan neck pediments over two fluted tapering columns and a rectangular door with inlaid ebonised stringing flanked by canted corners, the lower panel with crossbanding and raised on bracket feet, with two weights and pendulum, 216cm high.

A mahogany & inlaid longcase clock by S. Barton, Sheffield

Antique longcase grandfather clock with painted face by Reese of Aberayron

A Peter Rabbitman Heap of Wetwang adzed oak longcase clock, the plain oblong hood with half-penny style moulding and carved rabbit motif to the top, enclosing a German two-weight movement striking on three gongs, silvered chapter ring with Roman and Arabic numerals, adzed panels to the hood, trunk and base and three glazed panels to the door with wrought iron fittings and stile supports, 199cm high

ANTIQUE INLAID MAHOGANY LONGCASE CLOCK WITH ARCHED PEDIMENT SQUARE PAINTED DIALWORKING UNKNOWNCOMPLETE WITH PENDULUMHEIGHT: 86 INSWIDTH: 18 INSDEPTH: 9 INSDIAL DIAMETER: 13.5 INS

Victorian mahogany longcase clock, maker Edward Shepley of Manchester, the arched enamel dial with date dial and centre seconds, the case with Gothic arched doors and baluster columns, on ogee bracket feet, 240cm. CONDITION REPORT: Weights present. See images.

A Victorian carved oak longcase clock, the dial set with silvered chapter ring and date aperture housing a thirty hour movement within an ornately carved case set with Old Father Time to the door and raised on a moulded plinth, height 219cm.

An early Victorian mahogany and inlaid longcase clock, the broken swan neck pediment above a painted arch dial set with a rolling moon phase and inscribed 'Arighi & Bianchi, Macclesfield', short door and long plinth base, height 232cm. CONDITION REPORT: Areas of repaint to the dial. Old repairs to the case. Some veneer flaking. Tips of feet replaced. Pendulum and two weights present.

An early 20th century oak miniature longcase clock and thermometer, the cream circular dial set with Roman numerals and Arabic numeral minute markers with Fahrenheit and Centigrade mercury and ivorine thermometer to trunk, height 40cm, dial width 8.5cm. CONDITION REPORT: Chip to upper left corner of top, general surface wear to case, staining to ivorine, clock and thermometer appear to be in working order.

A Lladro figure of a man holding a large bunch of keys and lamp, a Lladro figure of a young boy and girl and a Lladro figure of a girl beside a longcase clock, tallest 34cm (3). CONDITION REPORT: Gent with keys now has a metal spear which is a replacement and is also misshaped, otherwise appears good with no further obvious faults, damage or restoration..

An early 20th century oak three weight longcase clock, the domed top above silvered circular dial set with Arabic numerals, with inset circular barometer above five section glass panel on plinth base and bracket feet, height 191cm, dial width 29.5cm, barometer width 9cm.

A late 18th century oak longcase clock, the broken swan neck with gilt metal detail above arched brass dial with circular chapter ring set with Roman numerals and with subsidiary date dial, inscribed Robert Powley of Appleby, flanked by two Corinthian columns above mould and dentil cornice and slender arched door, on plinth base with bracket feet, height 210cm.

An early 19th century longcase clock eight days movement and square brass dial set with Roman numerals, inscribed John Clements of Oxford, 28 x 28cm.

An early to mid-19th century mahogany and satinwood banded longcase clock, the broken swan neck pediment above painted dial inscribed 'N. Dumvile, Stockport', with date aperture and housing an eight day movement above a short door, fluted uprights and plinth base, height 225cm. CONDITION REPORT: The dial has been repainted and there are splits to the veneer, the door is warped and there is evidence of poor repair, the brass has been replaced and a crack to the glass, hence the estimate of £200 - £300, pendulum and two weight present.

An early 20th century oak longcase clock with silvered circular dial with Arabic numerals and three brass weights, height 194cm.

A 19th century pine cased eight day longcase clock, the arched hood with hand painted enamel dial set with Roman numerals, subsidiary second dial and date aperture illegibly inscribed with Exeter maker's name, above domed door and plinth base with bracket feet, height 210cm excluding brass finial.

A 19th century thirty hour longcase clock moon face dial and movement set with Roman numerals, height 47.5cm and a further similar floral decorated example with date aperture, 31 x 31cm (2).

A group of various longcase clock dials to include 19th century and some unused examples, also a small longcase clock oak hood with mould cornice and six mahogany clock fronts.

An early 19th century oak and mahogany crossbanded longcase clock, the broken swan neck pediment above circular silvered dial inscribed 'Willm Kirk, Stockport', with subsidiary seconds hand, date aperture and housing an eight day movement, with brass back plate and spandrels above long shaped door, quarter fluted pilasters and plinth base, height 214cm.

An early 19th century mahogany and oak longcase clock, the broken swan neck pediment above arched brass dial set with Roman numerals, subsidiary seconds dial and date aperture, inscribed Westlake of Plymouth, flanked by fluted columns above arch door and plinth base with bracket feet, height 214cm.

A 19th century oak longcase clock with broken swan neck pediment above arched repainted dial now inscribed 'Gill Bannaman Banff' and with eight day movement above a long door and plinth base, height 221cm.

A late 18th century longcase clock with flat mould cornice above square brass dial and silvered circular chapter ring set with Roman numerals and with date aperture, inscribed John Barlow of Oldham, above single slender door on plinth base, height 208cm.

A late 18th century oak longcase clock, the mould cornice above square brass dial with circular chapter ring set with Roman numerals and with date aperture, inscribed Daniel Redshaw of Newcastle under Lyme, above single narrow door on plinth base, height 203cm (af).

A group of dolls' house furniture including a wooden 'Pit-a-Pat' fire screen decorated with flowers, fireplace, bedroom furniture, longcase clock, mangle, etc. CONDITION REPORT: The items are in mixed condition, see further images. The postage cost to the UK for this item would be £27.00 including VAT.

An early 19th century oak longcase clock, the moulded cornice above 13" circular brass dial inscribed 'Upjohn, London' with eight day movement and long arched door and plinth base, height 99cm.

A 19th century longcase clock, the 12 inch painted metal dial with rose spandrels and Roman numerals, with subsidiary seconds dial, in mahogany case with swan neck pediment, with single weight, 216cm high

A 19th century mahogany longcase clock, the 14 inch circular dial with hand painted Roman numerals and two secondary dials, the eight day movement striking on a bell, the inlaid case with twin column support, the hood with gilt roundels, with two weights and pendulum, 222cm high

A 19th century Longcase grandfather clock by John Lampard of Leats ( Leeds ?) The oak case with painted face having subsidiary dial. Oak trunk with  inlaid detailing

An early 19th century enamel painted longcase / grandfather clock face with notation for Bristol, 1820, Jon.Flock. Painted spandrels with faceted hands having movement to the rear

A 20th century mahogany longcase chiming clock by William Widdop. H. 178cms.

A George III oak longcase clock, the hood having a swan neck pediment over an arched door and box base, on a plinth, the eight day bell strike movement with a painted Roman dial, with subsidiary seconds and date, 87 high

A 1930/40s oak triple weight driven longcase clock with circular silvered dial of Arabic numerals

An early 19thC mahogany cased musical longcase clock by Tritschler & Co, Carlisle, the break arch dial painted with a cavalier family and landscape spandrels, dial bearing Roman numerals, secondary tones dial 'The Bluebells of Scotland', eight day three train movement, the hood with break arch and brass eagle support, turned pillars, inlaid truck, raised on bun feet, with key, 53cm x 24cm x 245cm.

A HEAVILY CARVED CONTINENTAL OAK LONGCASE CLOCK IN THE 18TH CENTURY STYLE, PAINTED DIAL, H 240 CM

A FRENCH ANTIQUE RUSTIC LONGCASE CLOCK, THE ENAMEL DIAL WITH ROMAN NUMERALS, H 220 CM

An early 18th Century brass longcase clock dial by Richard Sill of Wigton, the 28cm square dial with punched corners, the chapter ring with Roman and Arabic numerals and with matted centre Good overall condition Note: Richard Sill of Wigton (1704-1729) recorded in Loomes [Brian], Clockmakers of Northern England. As described both in Penfold [John B.], The Clockmakers of Cumberland and by Brian Loomes on his website (brianloomes.com/collecting/hendrie), the first mention of Sill is in 1704 when he married Janeta White in Wigton. We do not know where Sill came from, but he is thought to have been working for a time under John Sanderson of Wigton, a Quaker and head of a clock-making company in Wigton.

A mid 18th Century longcase clock movement by Whitfield of Clifton, the 28cm lacquered brass dial with pierced spandrels, seconds aperture, the matted centre bearing plaque with initials and dated 1742, to the eight day movement striking on a bell Worn overall condition, appears mechanically complete John Whitfield of Clifton (1706-1789) recorded in Loomes [Brian], Clockmakers of Northern England. A Quaker, Whitfield was disowned by the Quaker movement in 1744, as mentioned in Penfold [John B.], The Clockmakers of Cumberland - '...in the Strickland Friends Minute Book on May 4th 1744.....We hereby testify that We do not acknowledge him as a member of our Society'. Penfold also records a Whitfield clock with a named plate on the dial, whilst Loomes records that Whitfield made both thirty hour and eight day clocks

A late 18th/early 19th Century oak longcase clock by Monkhouse of Carlise, the 30cm brass dial with leaf spandrels, chapter ring formerly silvered and with calendar aperture, to the 30 hour movement striking on a bell, contained in plain oak case, 210cm high Lacking silvering to dial, otherwise good overall Note: James Monkhouse and Son recorded working in Carlisle 1785-1810

A late 18th/ early 19th Century oak longcase clock by John Porthouse of Penrith, the 29cm brass dial with ornate spandrels, silvered chapter ring, calendar aperture and matted centre to the 30 hour movement striking on a bell contained in later carved case, with shaped trunk door on bracket feet, 210cm high Curved/warped backboard Note: John Porthouse recorded working in Penrith c. 1771

Oak longcase clock, of small proportions, the square dial with Arabic hours, long trunk case

Longcase clock, of small proportions, with an arched hood above a glazed trunk, brass arched dial and silvered chapter ring, Roman hours, together with three mirrors, (3)

A light oak longcase clock

A late 18th century mahogany and oak longcase clock having square and pillar hood containing painted dial and 8 day movement by Parkinson, Kendal, on shaped crossband trunk and square base

A late 18th century oak longcase clock having swan neck and pillar hood containing square brass and silvered face by William Shepherd, Millom, on shaped trunk, square base and shaped feet, (notes inside say made with son Anthony, circa 1773 and further family history notes)

An early 19th century mahogany and oak longcase clock having swan neck and pillar hood containing painted arch dial and 8 day movement by Scales, Kendal, on inlaid and crossband, square shaped trunk, square back and bracket feet

A late 18th century oak longcase clock containing painted arch dial and 30 hour movement by E Dixon, Hexham on Gothic trunk, square base and slender feet

A late 18th/early 19th century oak and mahogany longcase clock having square pillar hood containing painted dial and 8 day movement by Wm Scales, Kendal, on shaped crossband trunk and square base

A composite part 18th century mahogany longcase clock having square and pillar hood containing brass dial by Parkinson, Lancaster, containing modern battery movement, on shaped trunk, square base and bun feet

An early 19th century mahogany longcase clock having finial, swan neck and pillar hood with inlay, containing painted dial and 8 day movement, by Rob H, Ormskirk, on Gothic trunk, square base and bracket feet

A late 18th century oak and mahogany longcase clock having swan neck and pillar hood containing arch painted dial and 8 day movement by Woodward, South Shields, on arch trunk, square base and bracket feet

A late 18th century oak longcase clock having square and pillar hood with inlay decoration containing painted dial and 30 hour movement for Bellman Broughton on arch crossband and inlaid trunk, square base and bracket feet

A late 18th century oak longcase clock having swan neck and pillar hood containing painted arch decoration and 8 day movement reputed to be by John Blaylock, Carlisle, on mahogany crossband trunk and square base

GEORGE IV SCOTTISH OAK LONGCASE CLOCK with marquetry and mahogany veneer detail, the hood with swan-neck pediment above the arched glazed door, flanked by turned columns, the dial with black Roman numerals and subsidiary dials, painted surround depicting 'Kings Welcome to Scotland' and decorated with figures and images of Scotland, England, Ireland and Wales, marked 'Wm.Paterson Falkirk', over a central shaped door flanked by turned columns, with shaped base and raised on bracket feet, with key, weights and pendulum decorated with gilt thistle detail, 229cm high x 64cm wide Note: King George IV visited Scotland in August 1822.

A box of antique clock parts including brass and painted longcase dials, movements, pendulums etc.

An Edwardian oak longcase clock, marked W Greenwood Leeds Half hour chiming on a coiled gong Condition Report. To be used as a guide only. weights and pendulum intact

A George III oak longcase clock, with engraved brass face, signed Michael Todd, Hull, painted moon roller, date roller aperture and subsidiary seconds dial, floral engraving and applied spandrels, brass chapter ring with Roman numerals and minute band, 8 day twin train movement striking on a bell, the hood with arched top, glazed door carved 'Tempus Fugit, the trunk with single door, carved with armorial shield 'Per Secula Manens' under an oak tree (family crest for English) amongst foliate scrolls, scale border, plinth base carved with leaf decoration, with key, pendulum and two weights, 47 by 24 by 202cm high.

An oak cased longcase clock by Bravingtons Ltd Kings Cross & Ludgate Hill London Circa 1930's, the 8" silvered dial with Arabic numerals above glazed door enclosing pendulum and three metal cased weights, 193cm high

A GEORGE III LONGCASE CLOCK the painted enamel dial with seconds dial and date apperture and signed 'Jas Davis, Leominster' and with 8 day movement, contained in an oak case the hood flanked by two columns, height 213cm, width 49cm, depth 24cm