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Click here to subscribe19th Century longcase clock, the hood with broken arch pediment and eagle surmount above an arched top dial with painted figure of a dog, having silvered chapter ring with Arabic numerals, subsidiary seconds and date aperture, inscribed Bagnall, Belfast, with two train weight driven movement striking on a bell with flush panel door flanked by quarter reeded pilasters on a conforming plinth base with bracket feet
George III oak and mahogany crossbanded longcase clock, the hood with swan neck pediment and flanking pilasters above shaped panelled door flanked by quarter pilasters on a plinth base, the circular painted dial with Arabic and Roman numerals, subsidiary seconds and date aperture, with a two train movement striking on a bell
19th Century mahogany and line inlaid longcase clock, the swan neck hood with fluted pilasters above Gothic arched door and plinth base raised on low splay feet, the painted dial inscribed William Peers, Chester with Roman and Arabic numerals, a moonphase and calendar aperture, with two train movement striking on a bell
Early 19th Century mahogany longcase clock, the square hood with arched pediment above a rectangular panel door, plinth base with bracket feet, the painted dial with Arabic and Roman numerals inscribed John Gullock, Rochford, with subsidiary seconds and date aperture, the two train movement striking on a bell
Samuel Hodges, London, George III mahogany longcase clock, the arched hood with open fretwork and three brass finials, flanked by fluted columns above an arched door, plinth base and later feet, the brass dial with silvered rings, subsidiary seconds and date aperture and silent strike dial, the two train movement striking on a bell
A George III Scottish oak longcase clock, the silvered dial signed Robert Welsh, Dalkeith in the arch, engraved with Roman and Arabic numerals, within a conforming hood with fret-carved swan-neck pediment, surmounted by an eagle sphere finial, the trunk with shaped door, on bracket feet, eight day movement. 216cm
A 19th century oak longcase clock, the 32cm painted square dial with Roman numerals subsidiary date and seconds aperture inscribed B Perry, Chester, with fanciful birds, berries and flowers to spandrels, eight day movement striking on a bell, square hood, freestanding pilasters, shaped door, 185cm high
A George III oak longcase clock, the 25cm brass square dial with Roman numerals, subsidiary seconds dial, inscribed Jn Fletcher, Barnsley, 30 hour movement striking on a bell, the hood with swan neck pediment centred with a brass eagle freestanding pilasters, quarter columns and shaped door to waist, plinth base, 212cm high, c.1790
A 19th century mahogany longcase clock, the 31cm white painted dial with Roman numerals, subsidiary seconds dial, twin winding holes eight day movement striking on a bell the hood with swan neck cresting freestanding pilasters arched door to waist flanked by fluted angles, bracket feet, 225cm high
A George III mahogany crossbanded oak longcase clock, 30.5cm painted dial inscribed Thomas Gilbert, Rugeley, Arabic numerals, flowers to spandrels, date aperture, thirty-hour movement striking on a bell, the hood with swan neck pediment centred by an eagle finial, brass-capped reeded columns, rectangular door to waist flanked by reeded quarter-columns, shaped bracket feet, 199cm high, c.1810
A RARE GEORGE II PERIOD WELSH LONGCASE CLOCK circa 1730, thirty-hour, brass and silvered dial with subsidiary, filigree spandrels, rich coloured elm (?) case of good patina, inscribed Evan James of Dolgelly (now spelt Dolgellau), 197cms high Auctioneer's Note very little known of this clockmaker but listed in Iorweth Peate's 'Clock & Watchmakers of Wales' where he is noted as being the father of Griffith James, musician, poet and harpist of Ty Mawr
A Regency mahogany longcase clock, the full length door cross banded in rosewood, the hood with spiral column supports enclosing a broken arch painted dial with rolling lunar phase and shell painted spandrels, with subsidiary calendar and secondary dials and eight day striking movement painted L.S. Blackford, Devonport
A Georgian oak longcase clock, the hood with simple column supports and applied cast brass detail, enclosing a broken arch painted dial with cherry and strawberry spandrels to the arch a man o war and full sail, the eight day movement with subsidiary calendar and secondary dials by James Stratton of Minchinhampton
A Georgian mahogany longcase clock, the case with reeded column supports with Corinthian capitals, the door and lower panel with flamed mahogany veneers, the hood of arched outline with greek key and further corinthian column detail, enclosing 30 cm broken arch brass dial with silvered chapter ring, with applied cast spandrels and engraved detail, the arch enclosing a rocking ship, with further detail showing whaling, with eight day striking movement by George Wood of Bath.
A 19TH CENTURY LONGCASE CLOCK FACE. Arched dial with moon phases and shipping scenes, above circular dial with Roman numerals. Painted with castles and large houses to the spandrels. AND another similar by Armstrong of Manchester, with silver moon phases to the arch and river landscapes, Roman numerals, subsidiary dial for seconds and date aperture. Both 20in (51cm)h x 14in (34cm)w. (2)
EARLY NINETEENTH CENTURY OAK AND MAHOGANY LONGCASE CLOCK SIGNED Jn, FARNHAM, BRIDPORT, the 12" painted Roman dial with subsidiary seconds dial and date aperture to the centre, powered by an eight day movement striking on a bell, ad housed in a case with swan neck pediment brass eagle and ball finial and free standing, turned fore columns, over a crossbanded long trunk door, and raised on a crossbanded base, lacking feet, 83" (210.8cm) high
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