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A Dutch silver miniature longcase clock, 19th century, embossed with figures in landscapes, painted white enamel dial and English movement, signed, John Wilder, London 1782 No 21386, 21cm high, lacking glass.

"George III longcase clock with a silvered brass dial inscribed "Jno Parton, St. Neots", seconds dial, calendar aperture and a strike/silent dial in the arch above, enclosing an 8 day 2-train movement striking on a bell above, in an oak case, 217cm h"

An early 20thC small oak longcase clock.

A Victorian longcase clock, the 8 day movement with dead beat and striking on a bell, the circular silvered 12in dial with Roman Numerals and subsidiary second hand, inscribed Ex E Emanuel, Portsmouth, the case oak with pollarded veneer, the glazed hinged domed top door with foliage carving over a panelled base on a plinth. 194cm high.

Two longcase clock movements, one signed Jn. Wright, Linton to the dial, a postmans alarm, and an American wall clock

A flamed mahogany longcase clock with swan neck pillared hood, the square brass dial with silvered chapter ring, seconds ring and date aperture, inscribed Wm. Lee, Leicester, eight day movement striking a bell.

A 19thC carved oak longcase clock, the hood with turned pillars and swan neck pediment, with brass face and floral spandrels, with Arabic numerals, 239cm high.

A 19th century longcase clock dial and fusee movement by Richard Smith, Newport.

A George III oak longcase clock by David Murray, Edinburgh, the swan neck with brass ball finials over close fretwork panels, the arched brass face with Arabic and Roman numerals, floral spandrels and serpents, subsidiary second dial and date aperture anchor escapement, eight day movement, striking bell, flanked by fluted columns, shaped trunk door on plinth base raised on bracket feet, 171cm high

19th century Scottish Longcase clock, the circular brass dial with scene of Edinburgh castle with roman numerals and two sub dials with plaques `Ritchie Edinburgh`, the eight day movement with bell strike, the mahogany case distressed approx 207cm

Large slate table lamp in the form of a room setting with tables, chairs, dresser, gramophone, longcase clock & fireplace.

A 19th century mahogany longcase clock, the arch painted dial with subsidiary seconds and date dials and eight day movement, chiming on a bell

An early 19th century mahogany and oak longcase clock having swan neck, pillared hood containing painted arched dial for B Collinson, Kendal with 8 day movement, on arch trunk and square base

An early 19th century mahogany longcase clock, having swan neck and pillared hood with floral decoration containing painted arched dial J Spittall, Whitehaven, with 8 day movement on shape inlay trunk and square base

A late 20th century stained frame longcase clock having arch top containing brassed moonphase dial, with West German movement, glazed trunk, model number 14/22, 093B

A late 18th/early 19th century longcase clock having swan neck and pillared hood with brass finials containing arch top painted dial for Kelvey Gainsboro, on arch trunk and square base

A PART 18TH/19TH CENTURY LONGCASE CLOCK with many later alterations having period brass 11" dial, signed Sam Greaves, Bromsgrove, ornamented with spandrels and enumerated in Roman and Arabic, some parts of a period mechanism with modified frame and e lectric winding, made-up case fitted with a loud speaker, 1.98m high

ALEXANDER PATULLO A PART 18TH/19TH CENTURY LONGCASE CLOCK, having later oak case with arched hood, crossbanded waist door, and modern base, four-pillar mechanism with anchor escapement and rack bell strike faced by an arched brass dial with cast spa" ndrels, subsidiary seconds and calendar, 2.18m high

18th Century oak longcase clock by John Stokes of Bewdley, pagoda top hood with tapered split pillars, trunk with long door and standing on a plinth base, 10” brass dial with single hand and silvered chapter ring with Roman numerals, signed John Stokes, Bewdley, 30 hour striking movement, 211cm high

An 18th century brass faced 30 hour longcase clock, Brownley Staindrop (Co. Durham), the square brass dial in a grain-painted case

A Victorian mahogany longcase clock with painted arch dial

Ilbert Collection.- Gardner (Malcolm) Ilbert Horological Collection Probate Valuation, 3 vol. (Clocks; Watches; Watch Movements & Watches), carbon-duplicated manuscript, original cloth-backed wrappers, a little rubbed, folio, 1956 § Ilbert (C.A.) The Celebrated Collection of the English and Continental Clocks..., [2 copies], sale catalogue (never executed, see below), colour frontispiece, illustrations, original printed boards, slightly soiled, spines a little browned, Christie`s, Nov.1958, folio & 8vo (5) *** Possibly unique listing (?maybe a copy in the British Museum) of the entire Ilbert collection which in 1956 totalled £44,601 17s including £2500 for printed books; with correspondence between C.A.Ilbert`s nephew and Charles Allix concerning a proposed publication of the listing loosely inserted (never produced). Courtenay Adrian Ilbert (1888-1956) Òbecame one of the greatest horological collectors of the twentieth century and a recognized authority on the subject of antiquarian horology...Following his death in 1956, Ilbert`s extensive library of books was bequeathed to the British Horological Institute and a longcase clock, made by Tompion for the Royal Observatory at Greenwich, was left to the National Maritime Museum. When Ilbert`s estate was settled in 1958 his vast collection was destined for the London salerooms. There were approximately 2,300 watches and watch movements, 40 marine chronometers, 210 clocks, including the Drummond Robertson collection of Japanese clocks, and various prints, horological tools, watch papers and other items of horological interest. Following protracted negotiations with the government of the time, a private donation of £60,000 by Gilbert Edgar, chairman of the H. Samuel watch retailers and jewellers, and a public subscription organised by the Clockmakers` Company, the entire Ilbert collection was finally purchased for the nation in December 1958.Ó British Museum

Lee (Ronald A.) The Knibb Family: Clockmakers, number 16 of 1000 copies, list of subscribers (featuring Charles Allix), illustrations, some colour, with T.L.s. from the author to Allix tipped in at limitation, copy of Allix`s obituary notice of Charles Lee for the AHS loosely inserted, also 2 T.Ls.s. to Allix from Freddie Kung concerning a Knibb longcase clock, original cloth, gilt-stamped red roan label on upper cover and spine, dust-jacket a little rubbed, slightly frayed at spine ends but a very good copy, [Bromley 521], 4to, 1964.

Lloyd (H.Alan) Some Outstanding Clocks over Seven Hundred Years 1250-1950, 1958 § Darken (J.) and John Hooper. English 30 Hour Clocks...1600-1800, Woking, 1997 § Robinson (Tom) The Longcase Clock, Woodbridge, 1981 § Bruton (Eric) The History of Clocks and Watches, New York, 1979 § Thorpe (N.M.) The French Marble Clock, Colchester, 1990 § Sellink (J.L.) Dutch Antique Domestic Clocks ca.1670-1870..., Leiden, 1973 § Goodison (Nicholas) English Barometers 1680-1860, 1969, illustrations, many colour, original cloth or boards, all but the first with dust-jackets, the fourth also with slip-case; and c.20 others on clocks, barometers etc., 4to & 8vo (c.25)

A rare rack striking thirty-hour longcase clock movement and dial. James Webb, Bristol, circa 1710. The substantial five finned pillar two-handed movement rack striking on a bell mounted above the plates measuring 7 x 6 inches, with anchor escapement and 11 inch square brass dial with rose engraved matted centre within applied Roman numeral chapter ring with Arabic five minutes, stylised sword hilt half hour markers and signed James Webb, Bristoll Fecit to lower edge, the angles applied with cast twin cherub and crown pattern spandrels, (lacking pendulum and weight). Provenance: The estate of a respected Bristol based Horologist. James Webb is recorded in Moore, A.J. THE CLOCKMAKERS OF BRISTOL 1650-1900 as born in 1685 and married Martha Farmer at St. Stephen`s Church on 10th January 1717.

A George III mahogany eight-day longcase clock with moonphase. Joseph Smith, Bristol, circa 1760. The five pillar rack and bell striking movement with 12 inch brass break-arch dial with subsidiary seconds dial and calendar aperture to the matted centre within applied Roman numeral chapter ring with Arabic five minutes to outer track, the angles with fine cast female mask and scroll spandrels beneath rolling moonphase with foliate scroll engraved lunettes and signed JOSEPH SMITH, BRISTOL in a downward curve to upper margin, in a case with break-arch frieze to the box upstand and fluted pilasters to hood, shaped top caddy moulded door flanked by fluted canted angles to trunk, on conforming plinth base with raised panel to front and on bracket feet, (pediment lacking, other faults), 210cm (82.5ins) high. Joseph Smith is recorded in Moore, A.J. THE CLOCKMAKERS OF BRISTOL 1650-1900 as working from several addresses in Bristol 1725-75. He is generally considered to be a fine and diverse maker with examples ranging from eight-day longcase clocks with tidal dial to watches with champlevŽ dials. He was perhaps the most prolific maker of high quality bracket clocks in Bristol during the middle of the 18th century as several examples are known including a very rare miniature walnut model with 4 inch dial and a quarter chiming clock with moonphase (illustrated in Barder, R.C. Georgian Bracket Clocks on page 112). A mahogany table clock by Joseph Smith was sold in these rooms on 17th February 2010 (lot 41).

A George III inlaid mahogany eight-day longcase clock with moonphase. D. Collier, Eccles, early 19th century, The four pillar rack and bell striking movement with 14 inch square white painted Roman numeral dial with arched calendar and `axehead` moon apertures and signed D. Collier, Eccles to the seated lamb painted centre, the spandrels painted with female figures emblematic of the four seasons, the case with pierced swan neck crest above cavetto cornice, baton inlaid frieze and turned columns to hood, oval paterae inlaid frieze to throat over gothic ogee arch shaped trunk door flanked by reeded pilasters to angles, on crossbanded plinth base with canted angles and ogee bracket feet, 224cm (88ins) high.

A George III oak eight-day longcase clock. Benjamin Lockwood, Swaffham, late 18th century, The five pillar rack and bell striking movement with 12 inch brass break-arch dial with recessed subsidiary seconds dial, calendar aperture and signed Benj. Lockwood, Swaffham to the foliate scroll engraved silvered centre within applied silvered Roman numeral chapter ring with Arabic five minutes to outer track and rococo scroll cast spandrels to angles, the arch with conforming subsidiary STRIKE/SILENT selection dial flanked by scroll cast mounts, in a case of good colour with `whales tail` pieced fretwork crest above three-quarter columns to hood, caddy moulded break-arch door to trunk, on a reduced plinth base with moulded skirt, 215cm (84.5ins) high. Benjamin Lockwood is recorded in Loomes, Brian Watchmakers & Clockmakers of the World, Volume 2 as born in Swaffham 1737 and worked up to 1795. The `whales tail` crest to the hood is a regional characteristic often seen in clock cases made in East Anglia during the latter half of the 18th century.

A George II thirty-hour longcase clock movement and dial with penny moon. Richard Midgley, Halifax, circa 1740. The plated four pillar two handed outside countwheel bell striking movement with 12 inch square brass dial with arched calendar aperture, dummy ringed winding holes and penny moon with age of the moon aperture to the ring bordered matted centre within applied silvered Roman numeral chapter ring with Arabic five minutes to the outer track and signed Rich.d Midgley, Halifax to the lower edge and with cast female mask and scroll pattern spandrels to angles (lacking pendulum and weight). Richard Midgley is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Halifax circa 1720-40.

A George I eight-day longcase clock movement and dial. Thomas Lodge, London, circa 1725. The five finned pillar rack and bell striking movement with 12 inch square brass dial with cartouche engraved calendar aperture and subsidiary seconds dial to the matted centre within applied silvered Roman numeral chapter ring with stylised sword hilt half hour markers, Arabic five minutes to outer track and signed Tho. Lodge, London to lower edge, the angles applied with twin cherub and crown cast spandrels (with pendulum but no weights). Thomas Lodge is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in London before 1725.

A Queen Anne eight-day longcase clock movement and dial. William Moore, London, circa 1715. The five finned pillar rack and bell striking movement with 12 inch square brass dial with herringbone engraved calendar aperture, ringed winding holes subsidiary seconds dial, and oval signature cartouche Wm. Moore, London to the matted centre within applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers and Arabic five minutes to outer track, the angles applied with female mask and scroll cast spandrels, (with pendulum but lacking hands and weights). William Moore is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as being apprenticed in 1693, gaining his Freedom in 1701 and working in London up to 1719.

A fine George III mahogany longcase clock with dual Julian and Gregorian calendar indication and deadbeat escapement. George Lindsay with movement attributed to the workshop of George Graham, London, circa 1752. The substantial fully latched five pillar rack and bell striking movement with plates measuring 8.5 x 7.25 inches, deadbeat escapement and currently of month duration with five-wheel trains, the 12 inch brass break-arch dial with dual Julian and Gregorian date of the month apertures and subsidiary seconds dial to the matted centre within applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers and Arabic five minutes to outer track, the angles applied with fine female mask and scroll cast gilt spandrels beneath arch centred with a silvered boss signed George Lindsay, LONDON flanked by dolphin cast mounts, the case with convex sided upstand incorporating brass foliate engraved sound fret infill to frieze and mahogany ball finials above break-arch cavetto cornice and free-standing large diameter columns flanking the hood door, the trunk with break-arch one-piece mahogany door over plain plinth base with moulded double skirt and squab feet, the interior of the case inscribed in pencil 1752 KV, 241 (95ins) excluding top finial, 251cm (99ins) high overall; with a period copy of Thomas Baskett and the Assigns of Robert Basket An Act to amend an Act made in the last Seffion of Parliament (intituled, An Act for regulating the Commencement of the Year, and for correcting the calendar now in Ufe.) 1752. (2). George Lindsay is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in London from circa 1743 until his death in 1776, as well as being a watch and clockmaker Lindsay also produced scientific instruments. In 1743 he published an advertisement for a `Generally Portable` microscope, in another hand written trade pamphlet Lindsay refers to himself as `Watch & Clockmaker to his Royal highness ye Prince of Wales at ye Dial near Catherine Street in ye Strand`. He was later appointed watchmaker to George III, a position he held until his death in 1776. The movement of the current lot with its distinctive substantial bulbous knopped pillars, teardrop shaped pivot cocks for the under dial work and other more subtle details such as the elongated collet for the escape wheel and the suspension cheeks being screwed to the lower edge of the backcock nib, indicates that it originated from the workshop of George Graham. The overall arrangement of the strikework and the impressive nature of the snail/hour wheel assembly is typical of Graham`s work and can be directly compared with numerous examples of his work such as number 777 sold Christie`s King Street, June 1994 (lot 483). The presence of a deadbeat escapement and larger than normal plates is noteworthy suggesting that the current lot may have been devised with further refinements in mind. Originally the movement was made to run for eight-days only and was fitted with bolt and shutter maintaining power (dial has vacant slot at 3 o`clock for the shutter lever and movement has related vacant holes in the plates) however the duration has been increased with by inserting another wheel into each train and reversing the winding pulleys. The bolt-and-shutter maintaining power was removed at this time as it is would be no longer required in a long duration movement. These improvements were probably done early in the clock`s life perhaps even by Lindsay himself however there is no immediate evidence to confirm this. The provision of two date apertures (to give the date of the month according to both the Julian and Gregorian calendars) to the centre of the dial indicates that the current lot was made at the time when the `new` calendar was adopted by Act of Parliament in 1752. By this time the Julian calendar had become inaccurate (due to the error in the estimation of the length of the day) causing difficulties in respect to the synchronisation of the vernal equinox and subsequent calculation of Easter. In order to correct the error twelve days were added to the British calendar at midnight on September 2nd 1752 and the rules for calculating leap years were altered. The Roman Catholic Church had adopted the new calendar in 1582 with most of Continental Europe (under Catholic rule) following shortly afterwards, Great Britain was the last major Western European state to implement the new calendar.

A fine George I green japanned eight-day longcase clock with lunar calendar. Edward Cockey, Warminster, circa 1720. The five finned pillar movement rack striking the hours on a bell mounted vertically above the plates, the frontplate with extension to carry the motion work for the lunar calendar, the 12 inch brass break-arch dial with calendar aperture and subsidiary seconds dial to the basket of flowers and foliate scroll engraved and chased matted centre within applied Roman numeral chapter ring with stylised fleur-de-lys half hour markers, Arabic five minutes to outer track and signed ED. COCKEY, WARMINSTER to lower edge, the angles applied with fine urn-centred scroll cast gilt spandrels beneath arch with a central rotating foliate engraved disc with circular aperture to reveal a lunar disc representation of the age of the moon and blued steel pointer for the fixed silvered outer scale calibrated for the lunar month and flanked by dolphin and foliate cast gilt mounts, the case with wide break-arch pediment fronted by a deep foliate scroll pierced blind fret frieze above three-quarter columns attached to the gilt foliate spray decorated hood door, the trunk with rectangular door decorated in raised polychrome and gilt with pagodas and figures within an oriental landscape bordered by further gilt foliate scroll borders, the conforming plinth base adorned with Ho-Ho birds and foliage to front and with moulded double skirt, 229cm (90ins) high. Provenance: The property of a private collector. Born in 1669, Edward Cockey senior was the son of Lewis Cockey (a bellfounder and clockmaker working in Warminster) from whom it is believed that he subsequently learned the trade. Edward was clearly a talented and well-connected clockmaker who in 1707 made an extremely complicated astronomical clock for lord Weymouth for the Great Hall at Longleat. Weymouth is thought to have subsequently commissioned Cockey to make another example as a gift to Queen Anne for her drawing room at St. James`s Palace (now in the National Maritime Museum, Greenwich). Edward Cockey junior was born in 1701 and, although initially thought to have followed in his father`s footsteps, apparently chose to become a wine merchant instead. There is a record of the death of an Edward Cockey clockmaker in 1768 (which probably relates to Edward junior). The dial of the current lot, with decorated centre and lunar calendar to arch, coupled with the finely proportioned case (which has survived with the original finish intact) exhibits Edward Cockey`s individual and innovative approach to both function and aesthetic quality.

A George I green japanned eight-day longcase clock. James Stevens, London, circa 1720. The four pillar inside countwheel bell striking movement with 12 inch brass break-arch dial with border-engraved calendar aperture and star decorated subsidiary seconds to the matted centre within applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers and signed James Stevens, London to lower edge, the angles with twin cherub and crown cast spandrels beneath arch applied with a rococo scroll cast cartouche centred with a silvered boss decorated with a mask and flanked by winged cherubs and putti holding flaming torches beneath upper border engraved with a curved herringbone decorated band, in a green ground gilt decorated case with domed caddy surmount above cavetto cornice and three-quarter columns to hood door, the trunk with rectangular door decorated in raised polychrome and gilt with oriental figures and pagodas within gilt foliate trail decorated borders, on conforming plinth base with moulded double skirt (case with restoration), 236cm (93ins) high. James Stevens is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in London circa 1710.

A walnut and floral marquetry eight-day longcase clock. Christopher Gould, London, late 17th century and later. The five finned pillar inside countwheel bell striking movement with 11 inch rosette-centred square brass dial with ringed subsidiary seconds dial and winding holes and foliate engraved calendar aperture to the matted centre within applied silvered Roman numeral chapter ring with stylised sword hilt half hour markers and Arabic five minutes to outer track, the angles applied with winged cherub head and scroll cast spandrels with scroll engraved infill between and signed Chr: Gould Londini fecit to lower margin, in a case with moulded cornice and fretwork frieze above foliate trail inlaid dial surround applied with spiral twist three-quarter columns to front angles, the trunk with convex throat moulding and rectangular door centred with a glazed lenticle and inlaid with three shaped marquetry panels decorated with flowering foliage on an ebonised ground within triple ebony and box line borders and a walnut field, on conforming marquetry panel fronted base with applied ogee shallow skirt (case with faults), 203cm (80ins) high. Christopher Gould is generally regarded as one of the leading makers from the `Golden Period` of English clockmaking. He was made Free of the Clockmakers` Company in 1682 but by 1713 had become destitute and received charity from the Company until his death in 1718. His work tends to exhibit a distinctive character borne out of his particular attention to detail and design.

A George III mahogany eight-day longcase clock. Bonsall, Beaston, mid 18th century, The four pillar inside countwheel bell striking movement with 12 inch brass break-arch dial with subsidiary seconds and calendar dials and signed Bonsall, Beaston to the foliate engraved centre within applied silvered Roman numeral chapter ring with Arabic five minutes to outer track and female mask and scroll cast spandrels to angles beneath arch with silvered boss flanked by dolphin cast mounts, in a broken-arch pedimented case with dentil moulded frieze above Corinthian pilasters flanking dial aperture to hood, the trunk with shaped-top caddy moulded door above plinth base fronted with a conforming raised panel, on ogee bracket feet, 244cm (96ins) high.

An early 19th century North Country mahogany longcase clock, by W Sutton, Liverpool, with eight day movement, the painted dial with moon phase and painted figural spandrels

An oak longcase clock, the painted dial inscribed `J S Gregory, Basingstoke`

An 18th century longcase clock, with eight day movement, signed Ephraim Dyer, Bideford, 1752, the case 19th century

An Oak Longcase Clock with Enamelled 13" Square Painted Dial Inscribed Robt Grosvenor, Mkt Drayton. Quarter Reeded Pillasters and Swan Neck Hood with Ormolu Mounts, 30 Hour Movement.

A 19th century chain driven longcase clock face and movement with original hood, the dial inscribed W Weaver, Taunton (indistinct).

AN ENGLISH OAK LONGCASE CLOCK, W. BOTHAMLEY, SPALDING, CIRCA 1780 29cm brass dial with Arabic and Roman numerals, the moon phase in the arch with a date aperture, signed W. Bothamley Spalding, the four pillar anchor escapement movement striking the full hour on a bell, the arched glazed door flanked by columns, the hood surmounted by a later addition of a figure of Atlas flanked by winged nude figures, the trunk with an arched door, on a plinth base, on a shaped bracket, distress, restorations 241cm high 1

AN ENGLISH MAHOGANY LONGCASE CLOCK, ANDREW HENLY, TYME, CIRCA 1780 27,5cm brass dial with Arabic and Roman numerals, subsidiary seconds dial surrounded by brass spandrels, a sun in the arch surrounded by spandrels and dragons, the four pillar anchor movement striking the full hour on a bell, the hood surmounted by ball-and-spire finials above a pair of Doric columns, the sides with pierced fretwork panels, the trunk with an arched panelled door on a plinth base, on bracket feet, distress 234cm high 1

A reproduction Mahogany Longcase Clock, Tempus Fugit, Lincoln, made in China, swan pediment top, 31 day movement, glazed door, on plinth base, 76 1/2`` high.

A COLLECTION OF APPROX. 70 W H GOSS AND OTHER CRESTED CHINA SOUVENIRS, INCLUDING A PIG, SOFA, CHAIRS, BICYCLE LAMP, LONGCASE CLOCK, HOWITZER, SHELL AND VARIOUS VASES AND VESSELS, EARLY 20TH C

A VICTORIAN MAHOGANY AND CROSSBANDED LONGCASE CLOCK, SIGNED ON THE PAINTED BREAKARCHED DIAL WALTER CHEW MANSFIELD, WITH SUBSIDIARY SECONDS DIAL AND THIRTY HOUR MOVEMENT, WITH SWAN NECK PEDIMENT

A Longcase Clock Movement with square brass dial having silvered chapter ring and 30 hour movement, 11in

An early 19th Century oak 30 hour Longcase Clock, the brass face inscribed `John Wood, Stroud`, with subsidiary date dial

A Georgian mahogany Longcase Clock with circular brass dial, silvered chapter ring, subsidiary apertures engraved Thos. Lister, eight day movement, the hood with leafage inlays, the case having quarter round fluted pilasters, 6ft 10in H

A 19th Century Longcase Clock with square painted dial inscribed Skarratt, Worcester, subsidiary seconds dial and date aperture, 8-day movement in oak case cross-banded mahogany, the hood with fluted column and swan neck surmount

A 19th Century Longcase Clock with painted arched dial inscribed W. Herbert, Ludlow, 30-hour movement in oak case with mahogany cross-banding, the hood with turned columns and swan neck surmount( originally 8-day but converted)

I & F Mason of Worcester, an early 19thC longcase clock, the square dial with four spandrels with shells, with an eight day striking movement in an oak and mahogany cross-banded case, 211cm high.

Eighteenth century eight day longcase clock with break-arch brass dial, subsidiary moon roller movement and cast mask spandrels, brass break-arch surround, signed - John Smith, Chester, in a Northern-style oak and mahogany case, hood with turned columns, swan-neck pediment and central carved feather motif, 223cm overall heightFurther images and condition reports are available at www.reemandansie.com

George III eight day longcase clock with painted break-arch dial, subsidiary second dial and date aperture, by Samuel Buxton, Colchester, in an oak case with shaped top surmounted with three gold painted finials, 22.2cm overall heightFurther images and condition reports are available at www.reemandansie.com

George III eight day longcase clock with brass break-arch dial, cast foliate scroll spandrels and silvered chapter ring, by Thomas Budgen, Croydon, in a mahogany case with swan-neck pediment, reeded canted corners, on bracket feet, 213cm overall heightFurther images and condition reports are available at www.reemandansie.com

Eighteenth century longcase clock with eight day movement, twelve inch square brass dial with ornate cast spandrels, silvered chapter ring and subsidiary second dial and date aperture, signed Wasbro.h and Thomas, Bristol, in an oak case with blind fret frieze, full length door and stepped plinth, 223cm overall heightFurther images and condition reports are available at www.reemandansie.com

An oak longcase clock, with arched brass dial and Westminster chime.

A Victorian mahogany and oak eight day longcase clock, the 13 inch square painted dial signed `S A B Willman, Bangor` with centre date aperture and subsidiary seconds dial within a ring of Roman numerals and rose painted corner spandrels under a swan-neck pediment with square glazed hood door between baluster turned front corner hood pilasters over a short crossbanded trunk door between half turned trunk pilasters on a single panelled box base raised on ogee moulded bracket feet, 233cm high For details of the condition of this lot please contact the auctioneer.

A Victorian light oak and mahogany eight day longcase clock the 14 inch arched painted dial signed `Tho Will Hay, Shrewsbury` with centred subsidiary seconds dial and date aperture within a ring of Roman numerals and floral painted corner spandrels with matching decoration to the arch the hood with swan neck pediment over and arched glazed hood door between half turned reeded front corner hood pilasters over a short arched crossbanded trunk door between half turned front corner trunk pilasters on a crossbanded box base with canted front corners and short bracket feet, 225cm high NOTE Douglas J Elliott lists Thomas William Hay as clock and watchmaker, Shrewsbury, 1822-1856 in Shropshire Clock and Watchmakers For details of the condition of this lot please contact the auctioneer.

A late George III oak eight day longcase clock, the 14 inch painted dial signed W Rowlands, Pwllheli with centred subsidiary seconds dial and date aperture within tulip painted corner spandrels, the hood with swan neck pediment over a square glazed hood door over an ogee arched short trunk door and planked box base with canted front corners (at fault), 218cm high For details of the condition of this lot please contact the auctioneer.