We found 41749 price guide item(s) matching your search

AN OAK THIRTY HOUR LONGCASE CLOCK, SAMUEL HILL, SHEFFIELD, the 33cm (13in) dia silvered dial signed "S.Hill, Sheffield" with Roman numerals and Arabic five minute intervals, the four pillar movement with anchor escapement and outside countwheel, striking on a bell, the case with swans neck pediment on fluted columns, long trunk door flanked by fluted pilasters, fielded panelled plinth and bracket feet, 216cms high (with pendulum, weight and case key)

A MAHOGANY LONGCASE CLOCK the 35.5cm (14in) painted broken arch dial with Roman numerals, Arabic five minute intervals, seconds dial, arch with Phase of the Moon, and spandrels in the form of crossed cornucopia , the four pillar movement with anchor escapement, rack striking on a bell, the case with swans neck pediment on part gadrooned pillars, short trunk door flanked by conforming pillars, cross banded plinth with canted corners, shaped apron and bracket feet, 230cms high (with pendulum, weights and key)

A MAHOGANY LONGCASE CLOCK, WILLIAM BAWDEN, WESTON ZOYLAND, the 33cm (13in) broken arch painted dial signed in the centre "Wm Bawden, Weston Zoyland" with Roman numerals, foliage and flowerhead spandrels, seconds dial, the arch painted with fruit, the four pillar movement with anchor escapement, rack striking on a bell, the case with broken arch pediment, fluted pillars, short trunk door, panelled plinth and bracket feet, 218cms high (with weights, bell and 3 eagle and ball finials) (defects)

Antique Oak Eight Day Longcase Clock having Painted Arched Dial, Swan Neck Pediment and Spiral Columns

A George III oak 8-day longcase clock, the arched painted dial decorated with Adam and Eve scene above a Roman/Arabic numeral chapter and subsidiary seconds dial and crescent date aperture, the hood with swan neck pediment above the trunk with arched door and pedestal base on bracket feet, 201cm high.

Bartley and Eggert of Bristol, A George III oak longcase clock, the dial with silvered chapter ring, secondary dial and date aperture within cast brass spandrels supporting a twin train striking movement under a square hood with swans neck pediment, the trunk with arched door and plain base, on a plinth foot

GEORGE III MAHOGANY LONGCASE CLOCK CIRCA 1800 the arched brass dial inscribed James Howden, Edinburgh, with a subsidiary second dial and pierced scroll spandrels, the eight-day twin train movement striking on a bell, the hood with a dentil cornice and blind fret carved frieze above the chequer banded case with spiral turned quarter columns 61cm wide, 206cm high, 28cm deep

GEORGE III MAHOGANY LONGCASE CLOCK BY JAMES MCGREGOR, EDINBURGH, CIRCA 1810 the swan neck pediment with brass Ho Ho bird finial, over an arched enamelled dial, painted with shells, Roman numerals, subsiduary second and date dials, the twin train eight-day movement striking on a bell, the boxwood strung trunk door flanked by fluted quarter columns, on a plinth base with bracket feet 205cm high

An oak and mahogany eight day longcase clock, early 19th century, the 13 inch square painted dial signed `Robert Fletcher, Chester`, restored face with subsidiary seconds dial and centred date aperture, within a ring of Roman numerals and floral corner spandrels, the restored eight day movement striking on a single bell with replaced seat board, the hood with swan-neck pediment over a shaped short trunk door over a cross banded box base on short bracket feet, 226cm high

A Victorian mahogany rosewood crossbanded eight day longcase clock, the 14 inch arched painted dial signed `Bradley, Shelton`, with centred subsidiary seconds dial, ring of Arabic numerals, the painted spandrels depicting rural life under a rolling moon, the hood with swan-neck pediment over an arched hood door, flanked by octagonal front corner hood pilasters, over a short Gothic arched trunk door, on a box base and splay bracket feet, 238cm high

An oak crossbanded mahogany eight day longcase clock, the 14 inch square painted dial signed `Samuel Maddox, Winsford`, with centred phases of the moon and date aperture within a ring of Roman numerals and florally painted corner spandrels, the hood with swan-neck pediment over a square glazed hood door, flanked by half reeded square front corner hood pilasters, over a short ogee arched trunk door, on a crossbanded box base and ogee moulded short bracket feet, 218cm high

A 30 hour longcase clock, with a birdcage frame and anchor escapement striking on a bell with a 10 inch square brass dial, the scroll engraved centre signed Thos. Dicker, READING, with a single hand, part missing, in a plain oak case, 73.75in (187.5cm) h.

An 8 day mahogany longcase clock, the 11 inch brass dial signed Wm Rusfell, Wooton, in the floral engraved centre, the 8 day movement in a slender mahogany case flanked by canted corners, 76in (194cm) h.

An 8 day mahogany longcase clock, the 12 inch silvered dial signed Wm Bennett, Sarum, subsidiary seconds, concentric date, the arch containing strike/silent, the dial engraved with most unusual four seasons spandrels, the four pillar rack striking movement now in a case with dentil cornice to the break arch hood, ball and spire finials, 7ft 4in (223cm) h. The seatboard is carved BID LAKE.

An 8 day oak longcase clock, striking on a bell with a 14 inch painted arch dial, with subsidiary seconds dial and pierced crescent date aperture, signed JNO. CHAMBLEY, W.HAMPTON, the arch with a rural landscape, the case mahogany banded with stringing and a swan neck pediment, the shaped top trunk door with a marquetry shell, flanked by quarter pilasters, to a panelled base on bracket plinth base, 87.5in (222cm) h.

An 8 day oak longcase clock, striking on a bell with a painted 12 inch square dial, with pierced crescent date aperture, signed Wainwright NOTTINGHAM (repainted), in an oak and mahogany banded case, 84.5in (214.5cm) h.

An 8 day oak longcase clock, 11 3/4 inch brass dial signed Zecheriah Harwell, London, subsidiary seconds and date aperture, ringed winding holes, wheatear engraved border, movement with locking plate striking and 4 ringed pillars; in a later associated case, movement circa 1700, 81.5in (207cm) h.

An 8 day mahogany longcase clock, with moon phase and tidal dial, the 13 inch brass dial signed on the silvered chapter ring Benson, Whitehaven, the silvered centre engraved with dolphins containing an ebbing and flowing tidal aperture painted with boats, the arch containing a rolling moon, the four pillar movement in a substantial case, panelled plinth flanked by brick effect carving, the trunk with quarter veneered door and canted corners, the hood with swan neck pediment, 7ft 10in (239cm) h.

An 8 day walnut longcase clock, the 12 inch brass dial signed Chr. Gould London, on the silvered chapter ring, the matted centre with subsidiary seconds and date aperture, ringed winding holes, the spandrels divided by engraved foliage, the 5 ringed pillar movement with locking plate mounted on the barrel in a case of warm colour, the flat hood flanked by ebonised columns and sound fret, 81in (206cm) h.

An 8 day longcase clock movement, the 11 inch brass dial signed James Delance, Downton, on the silvered chapter ring matter centre with subsidiary seconds and date aperture, ringed winding holes, 5 ringed pillar movement, circa 1730.

An early 19th century 8-day longcase clock movement, striking on a bell with a 12 inch painted dial having subsidiary seconds dial and pierced date aperture signed Jno. Cleak, Bridport, the spandrels painted the four seasons, the arch with a rocking galleon. Pendulum and two weights.

A 12 inch brass longcase clock dial, signed on a cartouche in the matted centre Josha Appleby, London.

A three train longcase clock, striking on 8 bells and a gong with a 12 inch arch brass dial with silvered chapter ring signed John Clark, with subsidiary seconds dial and moonphase with date disconnected, with 8/4 lever below the name plaque signed John Clark, Frome, in an oak case with a carved trunk door and recessed panel base, 88.5in (225cm) h.

An 8 day oak longcase clock with moonphase, the 12 inch brass dial signed Thomas Moore, Hindon on the chapter ring, subsidiary seconds and date aperture, the arch with rolling lunarwork, the 4 pillar movement in a break arch case, 84.5in (215cm) h.

An 8 day carved oak longcase clock, 12 inch brass dial signed Thos. Kefford, Royston on a plaque, arch with boss, break arch hood with pagoda top, the whole with heavily carved rosettes and foliage, 86in (219cm) h.

An 8 day walnut marquetry longcase clock, the 11 inch brass dial signed beneath silvered chapter ring John Farwell, London, subsidiary seconds and date aperture in the matted centre, the spandrels divided by engraved foliage, the five pillar movement with latched plates and dial feet, in an arabesque marquetry case, the trunk door inhabited by birds, glass lenticle, panelled sides, the flat hood flanked by barley twist pilsters, 7ft (213cm).

An 8 day mahogany longcase clock, the 12 inch brass dial signed on a boss in the arch Tho Brown, Portsmouth, subsidiary seconds and date aperture, the five pillar movement now in a break arch case, 6ft 11in (200cm).

An 8 day mahogany longcase clock, 14 inch painted dial signed A. Wilson, Kilmarnock; subsidiary seconds and calendar, spandrels decorated with Scottish heroes, the 4 pillar movement in a break arch case with canted corners and panelled plinth, the whole crossbanded, turned wood finials, 87in (221cm) h.

An 8 day longcase clock, striking on a bell with a 12 inch painted square dial with subsidiary seconds dial and pierced date crescent, signed Thos. Saunders, Dorchester, in an oak and mahogany banded case, 83.5in (212cm) h.

A black Japanned longcase clock of month duration, the 12 inch arched brass dial signed Thos. Quick, London, on a plaque in the matted centre with subsidiary seconds and date aperture, the arch containing Strike/Silent, the 6 pillar movement with 2 centre pillars latched, rack striking, in a distressed case with gilt chinoiserie designs against a black ground, caddy top, 7ft 8in (234cm) h.

An 8 day mahogany Scottish longcase clock, 15 inch circular dial with silvered chapter ring and subsidiaries for seconds and calendar, 4 pillar movement in a break arch case, the trunk and hood flanked by bands of fluting, 82in (208cm) h.

An 8 day mahogany longcase clock, the 12 inch painted dial signed Alex Proctor Tarland, subsidiary seconds and date dials, the arch and spandrels decorated with provincial scenes, the four pillar movement in an associated case with swan neck pediment, 6ft 5in (196cm) h.

An 8 day mahogany longcase clock, quarter striking on two bells with a 14 inch painted arch dial with subsidiary seconds dial and pierced crescent date aperture, signed Ifaac Court HENLEY, with a painted fly between IIII and V, the arch painted a rondel of Father Time, the hood with stop fluted columns with gilt brass corinthian capitols, the trunk door crossbanded and with chevron stringing, canted corners to a marquetry base on ogee bracket feet, 88.5in (225cm) h.

CROSS BANDED OAK LONGCASE CLOCK, swan neck pediment above arched dial with date aperture, by DEACON BARTON with waisted trunk on plinth base, 215cms high

19th Century mahogany Longcase Clock, the hood with an architectural pediment above a gilt glass frieze, turned supports, long door with three-quarter columns, on ogee bracket feet, square brass dial, with cast spandrels, silvered chapter ring, with Roman numerals, inscribed, Jno. Yates, Liverpool, subsidiary seconds dial and date aperture, eight-day movement, striking on a bell, 230cms, (7`6").

Late 18th Century Longcase Clock, the painted square dial inscribed, "Deacon Barton", with secondary date dial, painted with an exotic pheasant and fruits and flowers in the spandrels, thirty-hour movement, contained within an oak inlaid case, with break-arch pediment, with dentil cornice, the hood with inverted turned columns, crossbanded door with central inlay and bracket feet, 214cms, (7`).

Late 18th Century Longcase Clock, the brass square dial inscribed, "Tho. Corrall - Lutterworth" and engraved with flowers, thirty-hour movement, contained within an associated carved oak case, plain hood, the door carved with floral decoration, plain base, 198cms,m (6`6").

18th Century and later Longcase Clock, with painted arched dial inscribed, "Wm. Clarke - Long Buckby", with secondary seconds dial and date aperture and rolling moon phase in the arch, eight-day movement, chiming on a bell, contained within an oak case, the hood with swan-neck pediment, with turned columns, above a crossbanded door and flanked by fluted quarter columns and on plain base, 224cms, (7`4").

Longcase Clock, the brass arched dial inscribed, "Wm.Coulton - York", silvered chapter ring, secondary seconds dial and date aperture, eight-day movement, striking on a bell and contained within a Dutch marquetry case, the hood with arched glazed door and turned pilasters, above an arched door fitted with a lenticle, the whole decorated with birds, vases, flowers and scrolls, in various stained woods, with a bombé base and bun feet, 224cms, (7`4").

18th Century Longcase Clock, the square brass dial inscribed, "William Stratford - London", with secondary seconds dial and date aperture, eight-day movement, contained within an oak case, breakfront hood, plain door and plain base, 214cms, (7`).

Early eighteenth century eight day longcase clock by Ratcliff, Wrexham No 203 with gilt and silvered square dial, mask spandrels, date aperture in country elm case, 198cm high

Late eighteenth century thirty hour longcase clock by Barker of Framlingham with painted square dial, floral spandrels, subsidiary seconds in oak case, 206cm high

Mid eighteenth century eight day longcase clock by Giffin Rayment, Bury St Edmunds with brass arched dial with automaton Old Father Time in arch `Tempus edax Revum`, ornate dolphin and rococo spandrels, engraved and fielded dial with subsidiary seconds and date aperture in oak case with spine top and brass ball and eagle mounts, 236cm high

George III Scottish eight day longcase clock by Ritchie, Edinburgh with circular painted dial with subsidiary seconds and date dials in domed top flame mahogany case with circular brass bezel to dial, reeded pilasters and panelled decoration, 218cm high

George III eight day longcase clock by Jackson Barrow with painted arched dial with church decoration and shell spandrels, subsidiary seconds and date aperture in inlaid oak case with broken swan neck pediment and fluted pilasters, 227cm high

Early nineteenth century thirty hour wall clock / longcase clock movement by W Lister, Halifax with painted arched dial, subsidiary seconds and date dials mounted on wall bracket

1930`s chiming longcase clock with gilt and silvered dial, oak panelled case, three brass weights and pendulum

An Early XIX Century Oak and Mahogany Longcase Clock, with 30 hour movement by Wainwright of Nottingham, having square painted dial, swan neck pediment and reeded supports, with shaped door and plinth base with inlaid stringing.

CLOCKS - "RICH: CLINTON ECCLESHALL A 19TH CENTURY OAK AND MAHOGANY LONGCASE CLOCK having hood with swan neck pediment and flank fluted pilasters, having eight day mechanism with arched painted dial with subsidiary seconds and calendar with shell spandrels, 2" - .1m high

CLOCKS - "(JOHN) GARTLY, ABERDEEN A PART 18TH/19TH CENTURY MAHOGANY LONGCASE CLOCK having period mechanism with anchor escapement and count wheel strike, faced by an arched brass dial with strike silent, subsidiary seconds and calendar, with silvered enumerat" - ed Roman and Arabic calibrated chaptering, in a probably later mahogany case with swan neck pediment, flank pilasters with cast gilded capitals, figured waist panel door, on box base with later bracket feet, 2.25m high

CLOCKS - "THOMAS WARNER, LONDON AN EARLY 19TH CENTURY OAK AND MAHOGANY LONGCASE CLOCK having swan neck pediment, flank columns, arched painted dial with moon phase subsidiary seconds and calendar spandrels, painted with roses, 8-day four pillar mechanism with" - anchor escapement and rack bell strike, fancy shaped trunk door with quarter pilasters and chamfered fronted box base on later feet, 2.25m high

A DWARF LONGCASE CLOCK, the 18.5 cm square brass dial with Roman numerals, in an oak case, 160 cm high

A DWARF LONGCASE CLOCK, in an oak case, 123 cm high

A LONGCASE CLOCK, the 30 cm square painted dial signed Addison, Guildford, fitted a 30 hour movement, in an oak case, 202 cm high See illustration

A LONGCASE CLOCK, the 25 cm arched square brass dial with a silvered chapter ring having Roman numerals, the matt centre with subsidiary seconds dial, and with silent / strike to IX and chime / silent to III, the arch with St Michael / Whittington and Westminster dial, fitted an eight day movement striking on nine gongs, in a mahogany case, the trunk door having a bar glazed panel, 206 cm high See illustration

A DWARF LONGCASE CLOCK, the 19 cm arched square brass dial with Roman numerals, fitted an eight day movement striking on gongs, in a mahogany case, 173 cm high See illustration

A LONGCASE CLOCK, the 28 cm square brass dial with Roman numerals, signed T N Frankling Cranborn, fitted a converted lantern clock movement, striking on a bell, in a mahogany case, 226 cm high See illustration

AN OAK CASE FOR A LONGCASE CLOCK, the arched trunk door to receive a 30 cm wide dial, and inlaid with urns and a star, 215 cm high

Lanson, Newton, a circa 1800 oak longcase clock having scrolled florally applied pediment over arched moonphase dial supporting an eight day movement, the three quarter length cross banded door within quarter turned reeded pilasters over a box base on bracket feet. 203cms.

Addison, Liverpool, an early 19th Century mahogany longcase clock having arched hood with phoenix and ball finials over painted frieze containing moonphase and subsidiary dials, supporting an eight day movement, the three quarter length cross banded door within quarter turned pilasters on box base and bracket feet. 240cms.