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Fearnly, Wigan. A George III mahogany and inlaid longcase clock, the hood with swan-neck pediment and verre eglomise panels, the door with turned fluted pilasters flanked by similar columns, the trunk enclosed by a shaped waist panel door between fluted quarter columns, the box base with inlaid fan spandrels and canted corners, the 33cm. arched brass and silvered Roman dial with moonphase mechanism to the arch, signed “Fearnly, Wigan”, having subsidiary seconds dial, the twin train movement with anchor escapement and bell strike, 234cm. high.

An 18th century 30 hour birdcage longcase clock movement for total restoration.

A Victorian carved oak longcase clock case fitted with 18th century 11in square brass dial silvered single hand chapter ring and cast queens head spandrels with modern electric movement fitted to reverse. 202cm high.

A Georgian mahogany eight-day longcase clock circa 1790 the four-pillar rack and bell striking movement with 12in enamel break-arch dial signed R Hewitt Fowey decorated with gilt floral sprays and roman numerals in a swan neck pedimented case over fluted hood pilasters blind fret panel with arch shaped long door to trunk. 238cm high. R Hewitt of Fowey recorded in G H Baillie ‘Watchmakers & Clockmakers of the World’ Volume 1. Late 18th century.

An 18th century longcase clock movement the 10in brass dial with cherub and crown spandrels silvered chapter ring with quarter and half hour divisions bearing maker’s name Wainwright Bunny. Single hand and date aperture. The 30 hour movement with outside locking plate is set in a new waxed pine case. 200cm high. Humphrey Wainwright of Bunny is recorded in G H Baillie ‘Watchmakers & Clockmakers of the World’ Volume 1. as working in the late 18th century.

An 18th century oak cased thirty-hour longcase clock the movement with outside countwheel strike on a bell the 11in square brass dial with matted centre field date aperture single hand chapter ring with roman numerals quarter hour and half hour divisions inscribed ‘Blackburn Oakham’ Maltese cross and cherub supporting spandrels the thirty hour movement with turned pillars and anchor escapement. 212cm high.

A circa 1930oak longcase clock the eight day three train chiming movement with circular silvered 29cm dial arabic numerals chiming quarterly on gongs and set in case having mouldings to top and flanked by barley twist columns. 222cm high.

A 19th century longcase clock set in mahogany veneered case with eight day rack striking movement anchor escapement the 13in arch dial decorated with floral painted spandrels and shipping scene to arch. Signed Long of Tiverton. 202cm high.

A late Georgian mahogany veneered longcase clock the eight day rack striking movement with arch dial painted with deer spandrels and lady picking roses in garden. Signed on dial R Coates Dudley. The mahogany veneered case decorated with boxwood string inlays Gothic style door to trunk swan-neck pediment to hood flanked by columns. 227cm high.

A 20th century miniature longcase clock with French eight day movement locking plate striking mechanism circular enamel dial with roman numerals and trefoil hands set in polished walnut case of 17th century influence with architectural pediment and hood flanked by spiral columns with brass capitals. 90cm high.

Oak longcase clock, the stepped cornice over a blind fretwork frieze above a square painted dial with central bird motif and Roman numerals in black and with a thirty one day aperture flanked by turned columns and over a plain case with bracket feet, 76 1/2in (194.3cm) high

Walnut drumhead longcase clock, the gilt and white enamel dial marked for D. Roberts, Airdrie with Roman numerals in black and seconds dial and thirty one day dial over a glazed door and sides on an ogee base section, 82 1/2in (209.5cm)

Mahogany drumhead longcase clock, the silvered dial with Roman numerals in black with seconds ring and thirty one day ring marked for Will Hislop, Biggar above a trunk with bow front door and raised on bracket feet

Victorian mahogany longcase clock, the dentil cornice above an arched and painted dial with upper scene entitled 'Lord of the Isles' above a face with Roman Numerals in black and figures representing the continents in the spandrels flanked by spiral twist columns over a trunk with corner spiral details, 76 1/4in (193.7cm) high

AN EDWARDIAN MAHOGANY LONGCASE CLOCK the eight day movement striking the hours on a gong, the 13 inch arched brass dial having a subsidiary seconds dial below XII o'clock , a date aperture above VI o'clock, raised chapter ring with engraved black Roman hour numerals, blued steel hands, an engraved boss within the arch, female head spandrels to the four corners and dolphin spandrels to the arch, the mahogany case having a shaped trunk door, oval inlay to the trunk and base, boxwood stringing to the trunk and base and having fluted pillars to the hood with brass Corinthian capitals and a swan neck pediment, height 213cm.

AN OAK LONGCASE CLOCK the thirty hour movement striking the hours on a bell with an outside countwheel, the 11 inch painted dial having a date aperture, Roman numerals and Arabic five minute markings, floral and rococo painted corner decoration, a cartouche with a river scene to the dial centre, and signed 'John Fry, Okehamton' (Okehampton), with decorative blued steel hands, the date wheel stamped with the dial maker's name 'Wilson, Birmingham', the oak case having a flat top with denticular moulding and oval blind fretwork to the frieze, tapered hood pillars, a long door to the trunk and plain base, height 222cm.

A WALNUT LONGCASE CLOCK the five pillar, eight day movement having ringed pillars and striking the hours on a bell, the 10½ inch brass dial with cast 'crown and cherub' spandrels to the corners, a matted centre with ringed winding holes, subsidiary seconds dial below XII o'clock, a raised chapter ring engraved with black Roman hour numerals, Arabic five minute numerals, decorative half hour engraving of the 'meeting arrow head' style and signed either side of VI o'clock 'John Sims, Alderbury', with decorative blued steel hands, the later walnut case having satinwood and ebonised crossbanding to the case and hood, the fluted columns to the hood surmounted by brass capitals and having blocks to the flat top with brass eagle and ball finials, height 225cm (inc. finial). * John Sims is recorded as working in Alderbury near Salisbury, Wiltshire prior to 1764.

JAMES FIELD, HEMPSTEAD AN OAK LONGCASE CLOCK the thirty hour bird cage movement striking the hours on a bell with an outside countwheel, the 11 inch brass dial having a matted centre, date aperture, cast 'female head' spandrels to the four corners, a silvered chapter ring engraved with Roman hour numerals, Arabic five minute markings and 'fleur-de-lys' half hour markings, having blued steel hands, signed below VI o'clock with the maker's name 'Jams. Field, Hempstead', the oak case having an arched trunk door and a carved swan neck pediment, height 203cm.

Wm MATTHEWS, PENRITH A LONGCASE CLOCK MOVEMENT AND DIAL the thirty hour plated movement striking the hours on a bell with an outside count wheel, the 12 inch painted arched dial having black Roman hour numerals, painted floral decoration to the four corners on a blue ground and a scene in the arch depicting a gentleman in a field loading a gun, with a subsidiary date aperture above VI o'clock and decorative steel hands.

AN EARLY 19TH CENTURY OAK LONGCASE CLOCK with mahogany crossbanding and boxwood and ebony inlay, the square painted dial with seconds hand and date aperture, painted gilt scrolling spandrels and signed Green of Tenbury, the hood with outset fluted columns, the trunk with canted corners, 81 1/2" high.

A reproduction mahogany longcase clock, the eight-day movement quarter Westminster chiming and striking on gongs, H 195cm

A George III oak longcase clock, Hanbury (?) West Haddon, having thirty-hour movement striking on bell, H 189cm W 52cm

An oak longcase clock, late 18th century, the movement striking on bell and having 12ins painted broken-arch dial, H 225cm W 46cm

A late 18th century oak longcase clock, J D Bright of Saxmundham, the 30-hour movement striking on bell (restored), H 182cm

A VICTORIAN MAHOGANY 8 DAY LONGCASE CLOCK by Sigismund Humel of Swansea having broken swan neck pediment arch painted face with rolling moon shaped waist door flanked by wrythen columns on panel base. Dial 19" High x 13.5" Wide. Overall 89" High (lacks feet). C1880.

An 18th Century oak longcase clock, the square hood having turned pillars, a long door with shaped top, a fine brass dial with thirty hour movement, 81 ins high

An 18th Century oak longcase clock, the square hood having turned pillars, a long door with shaped top, a brass dial with eight day movement inscribed Sam Brown, Matlock, 80 ins high

A tubular eight day longcase clock with a brass dial and three train movement with deadbeat escapement and maintaining power, striking on gongs in a mahogany case Height 82in.

An oak and mahogany eight day striking longcase clock with a 13 painted moonroller dial signed CROSS INN, the hood having turned columns above cluster columns to the trunk 7'5 tall to finial.

Oak and mahogany thirty hour longcase clock, the 13" arched painted dial signed John Blaydock, Carlisle, the case with cross banded door and surmounted by a swan neck pediment, 86.5" high

Oak and mahogany longcase clock, the 12" arched painted dial signed James Veal, St. Day, with subsidiary seconds dial and calendar aperture, the case with cross banded door and surmounted by a swan neck pediment, 89" high

Oak and mahogany thirty hour longcase clock, the 14" arched painted dial with the arms of the Ancient Order of Forresters (a.f)

OAK THIRTY HOUR LONGCASE CLOCK, the 11" square brass dial signed William Kemp Lewes, the matted centre with calendar aperture, the case with cross banded long door and surmounted by a square hood, 74" high

Oak eight day longcase clock, the 12" brass dial with applied Old Father Time to the arch, signed J. Worthington, Kirkby, subsidiary seconds dial and calendar aperture, the case with cross banded long door flanked by fluted quarter pilasters and surmounted by a swan neck pediment, 90" high

Scottish mahogany eight day longcase clock, the 13" flat engraved silvered dial signed Robert Dalgliesh, Falkirk, subsidiary seconds dial and calendar aperture, the case with shaped door and surmounted with a swan neck pediment with blind fret carving, 84" high

Mahogany eight day longcase clock, the 12" painted dial signed Mattias, Bulgin, Evercreech, with rocking ship to the arch, subsidiary seconds dial and calendar aperture, the case cross banded and inlaid with boxwood lines, the hood with waved door and surmounted by a swan neck pediment, 77.5" high

Oak eight day longcase clock, the 13" square brass dial signed Thomas Whipp, Rochdale, the engraved centre with internal penny moon and calendar aperture, the case with shaped door flanked by quarter pilasters and surmounted by a swan neck pediment, 85" high

Scottish eight day longcase clock the 13" painted dial with subsidiary seconds and calendar dials and moon phase to the arch, the case cross banded and inlaid with boxwood lines and surmounted by a square hood, 83.5" high

Scottish mahogany eight day longcase clock, the 14" dial signed William C. Muir, Falkirk, painted with a portrait of Robert Burns to the arch and spandrels with figures emblematic of the four Nations, the case with shaped bowed door and surmounted by a swan neck pediment, 88" high

Oak and mahogany eight day longcase clock, the painted dial with the locomotive "Rapid" to the arch and other railway engines to the spandrels, the inlaid case with short door and surmounted by a broken arched pediment, 89" high

Scottish mahogany eight day longcase clock, the 13.5" brass dial signed Alex Brand, Edinburgh to the arch, with subsidiary seconds dial to the centre, the inlaid case with long door and surmounted by a swan neck pediment, 87.25" high

Oak thirty hour longcase clock, the 11" square brass dial signed Zephaniah Bullock with engraved centre and calendar aperture, the associated case with short door and square hood, 84.5" high

Oak eight day longcase clock, the 12" square brass dial signed Samuel Ashton, Bredbury, with internal penny moon and calendar aperture, the cross banded case with long door flanked by quarter pilasters and surmounted by a square hood with blind fret carving, 81" high

Oak eight day longcase clock, the 12" square brass dial with engraved centre, subsidiary seconds dial and calendar aperture, the cross banded case with short door and surmounted by a swan neck pediment, 82.5" high

Unusual oak longcase clock, the two train movement striking on rods, the 15" circular white dial painted with fruiting branches and signed K. Wilson, S Mayer Ltd Walton-on-Thames, the case with drum head, lancet glazed door and carved with wreaths, 77.5" high

Scottish mahogany eight day longcase clock, the 14" arched painted dial signed George McGill, Paisley, the arch painted with dancing figures before an Inn, the spandrels with figures emblematic of the Continents, the inlaid case with long door and surmounted by a square hood, 83" high

BURR OAK EIGHT DAY LONGCASE CLOCK the 12" brass dial signed George Booth, Manchester, the matted centre with subsidiary seconds dial and calendar aperture, five pillar movement, the case with cross banded long shaped door, the hood with broken arch pediment (cut down), 89" high

Oak eight day longcase clock, the 12" arched painted dial signed Godfrey, Sudbury, the case with arched long door and surmounted by a pagoda hood, 85.5" high

Oak eight day longcase clock, the 13" square painted dial signed J. Winstanley, Holywell, the case with long door flanked by fluted quarter pilasters and surmounted by a square hood, 74" high

Elm 30. hour longcase clock, the 11" square brass dial signed James Leigh, the matted centre with calendar aperture, the case with long door inset with a lenticle and surmounted by a square hood (alterations) 76.75" high

Oak thirty hour longcase clock, the 10" square brass dial signed Edward Farmer, Monmouth, single hand and engraved centre, the case with long door and surmounted by a caddy top, 78.5" high

SCOTTISH THREE TRAIN MUSICAL LONGCASE CLOCK striking the quarters on eight bells and a gong, the 14" brass dial signed James Cowan, Edinburgh with subsidiary chime-silent and Whittington-Westminster subsidiary dials with moon phase to the arch, the cross banded figured case surmounted by a square hood, 86.5" high

Oak thirty hour longcase clock, the 12" square painted dial signed John Payne, Lenham, the case with long door and square hood, 75" high

Scottish mahogany eight day longcase clock, the 14" brass dial signed Andrew Robertson, Gorbals, Glasgow, the engraved centre with subsidiary seconds and calendar dials, the case with long door with barley twist columns to the trunk and hood and surmounted by a swan neck pediment, 90.5" high

Oak eight day longcase clock, the 13" square brass dial signed B. Barton, Oldham with internal moon phase and calendar aperture, the case with shaped doorflanked by quarter pillars, 84" high

EARLY 20TH CENTURY THREE TRAIN LONGCASE CLOCK with deadbeat escapement and maintaining power, striking the quarters on tubular bells, the 10" arched dial with engraved foliate masking, subsidiary chime-silent, Westminster-Whittington-St. Michael chime and seconds subsidiary dials, the mahogany case with an oval glazed bevelled door flanked by fluted canted corners, the hood surmounted by a pagoda top carved with acanthus and trellis, presentation plaque 1915, 88" high

AMERICAN EIGHT DAY LONGCASE CLOCK, the 12" arched painted dial signed Joshua Bill, Middletown and with subsidiary seconds dial and calendar aperture, the mahogany case inlaid with boxwood lines, the hood with broken arch and carved fretwork over a full width long door and supported upon slender curving bracket feet, 87" high

MARQUETRY EIGHT DAY LONGCASE CLOCK the 11" square brass dial signed Thomas Stubbs, London, the matted centre with subsidiary seconds dial and calendar aperture, five pillar movement, the case with long door inset with a lenticle and profusely inlaid with flowers, birds and an urn, panelled sides, the hood surmounted by a later caddy top, 87" high (repairs and alterations)

Smith - Old Scottish Clockmakers; Brooks Palmer - American Clocks; Bruton - The Longcase Clock; Schiffer - The Brass Book and various others

An important Charless II hooded wall clock with unique hours and minutes indication, by “William Clay, King”s Street, Westminster”, circa 1665, the substantial posted movement with square section pillars riveted to the bottom plate and pinned through the top plate, with four-wheel trains, restored balance wheel escapement and countwheel strike on a bell mounted above, the brass backplate mounted with alarm mechanism (now incomplete), the 9.75 inch x 9 inch square brass dial engraved with Roman numeral hour chapters with tulip half hour markers and finely executed differing floral spray spandrels, the overlaid rotating plate with rosette and Roman numeral hour chapters with well-cut steel hand for the alarm to centre within pointer denoting hours on the chapter ring behind, within outer band mounted with twelve further steel pointers, each in turn denoting the minutes via a finely engraved silvered sector at 12 o”clock, the lower edge with full signature, the later walnut hooded case with shallow arch pediment over rectangular glazed front to the rising cover over moulded apron and foliate scroll carved brackets, 54cm high, 33cm wide. Wetherfield Collection. William Clay is recorded in Britten, F J “Old Clocks & Watches and Their Makers” as working 1645-80. The dial is illustrated in figure 634 with an explanation of how the hours and minutes are denoted. Britten also cites that a watch by him was given by Cromwell to Col. Bagwell at the siege of Clonmel. Baillie records his dates as 1652-80 and adds that there is a watch by him in the Taunton Museum. The style of the engraving in the spandrels is reminiscent of some of the early longcase clock dials by Edward East, whilst the half hour markers and the rosette engraved centre are more typical of second period lantern clock work, suggesting a date of around 1665.