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18th century oak longcase clock with painted dial by James Sparke, Milldenhall, thirty hour movement, 79" high

18th century oak longcase clock with brass dial with second hand, eight day striking movement, William Chesterton, Downham Market

An oak cased eight-day longcase clock the four-pillar movement with 12. inch white painted Roman numeral break-arch dial in pagoda-top case with fluted pilasters to hood over shaped-top trunk door and rebuilt plinth base strike train lacking composite 210cm high.

Eight various modern longcase clock crank keys; two others 19th century; a four-part star key and a collection of watch keys.

A small thirty-hour posted longcase/hooded wall clock movement and dial circa 1700 with anchor escapement and outside countwheel strike on a bell the 8. inch square brass dial with original steel hand matted centre and applied Roman numeral chapter ring with cruciform half hour markers the angles with applied cherub head cast spandrels (one lacking) 25cm high overall. The style of the chapter ring and overall finish of the movement would suggest London work of the period.

An early 19th century oak cased thirty-hour longcase clock with four-pillar outside countwheel bell-striking movement and 11. inch square white Roman numeral dial with arched calendar aperture polychrome bird perched on branch decoration and signed Bedford Hingham to centre the angles with rose painted spandrels in a flat-top case with ogee moulded pediment and turned pilasters to hood over rectangular trunk door and plinth base with bracket feet movement and dial probably associated to case 196cm high.

A quarter chiming eight-day longcase clock in a Continental carved oak case the substantial 19th century English four-pillar three-train movement quarter chiming on a nest of eight bells and striking the hour on a gong the brass break-arch dial with subsidiary seconds dial to the matted centre within an applied Roman numeral silvered chapter ring with cruciform half hour markers and Arabic five minutes the angles with applied Four Seasons spandrels beneath arch with subsidiary chime selection dial Chime on Eight Bells/Cambridge Chimes between dolphin cast mounts the North European probably Belgian carved oak case circa 1800. with caddy and shallow break-arch pediment over foliate pierced infill frieze and canted glazed angles to hood with rosette and scroll carved corbel applied throat and long trunk door centred with a lenticle within musical trophy relief decoration on swollen plinth base with conforming panel decoration to front 235cm high.

A red lacquer eight-day longcase clock with four finned pillar outside countwheel bell-striking movement and 12. inch square brass dial with ringed winding holes border engraved calendar aperture and subsidiary seconds dial to the matted centre within an applied Roman numeral chapter ring with sword hilt half hour markers Arabic five minutes and signed Edw Symonds London to lower edge the angles with twin cherub and crown pattern cast spandrels within herringbone engraved borders the later rectangular-top case with box upstand and gilt ball finials over integral pilasters to hood and long trunk door with oval lenticle and raised Hoho bird gilt decoration within shaped panel and foliate borders on a red ground the plinth similarly decorated with a lion on plinth base movement and dial early 18th century case later 228cm high.

An oak eight-day longcase clock circa 1772 the five-pillar rack and bell striking movement with 11.75. inch brass break-arch dial with recessed seconds dial calendar aperture and applied plaque signed E. Harvey Brentwood to the matted centre within applied Roman numeral chapter ring with Arabic five minutes and scroll cast spandrel applied angles the arch with subsidiary Strike/Silent dial and conforming scroll cast mounts in a case with swan neck pediment and reeded pilasters to hood over break-arch trunk door and plinth base with bracket feet probably associated 218cm high. Probably Eleanor Harvey who is recorded in Baillie G H Watchmakers & Clockmakers of the World as working in Brentwood after the death of her husband John in 1772.

A walnut eight-day longcase clock with five finned pillar inside countwheel bell-striking movement and 12. inch square brass dial with ringed winding holes foliate border engraved calendar aperture and subsidiary seconds dial to the matted centre within an applied Roman numeral chapter ring with stylised sword hilt half hour markers Arabic five minutes and signed Jos Buckingham London to lower edge the angles with twin cherub and crown pattern cast spandrels the later case with ogee moulded cornice and pierced fret over integral pilasters to hood the long trunk door with oval lenticle on crossbanded plinth base with moulded skirt movement and dial early 18th century case later 220cm high. Joseph Buckingham is recorded in Britten F J Old Clocks and Watches & their Makers as working at the Black-Moors Head & Dial Minories 1690-1725.

A George III figured mahogany eight-day longcase clock with moonphase circa 1780 with five-pillar rack and bell striking movement and 12. inch brass break-arch dial with calendar aperture recessed subsidiary seconds dial and an applied arched plaque signed Heny Jenkins Cheapside No 769. to the matted centre within an applied Roman numeral chapter ring with Arabic five minutes and foliate scroll cast spandrel mounted angles the arch with moonphase calibrated for the lunar month within foliate engraved top border the pagoda pedimented case with brass stop-fluted pilasters to hood over flame figured shaped-top door flanked by conforming quarter columns to trunk on raised panel fronted plinth base with moulded skirt 235cm high. Henry Jenkins is recorded in Britten F J Old Clocks and Watches & their Makers as working from 68. Aldergate St Cheapside 1756-83 maker of curious astronomical and other clocks.

Joseph Quarman Temple Cloud. A posted thirty-hour longcase clock movement and dial circa 1770 with countwheel strike and 12. inch square brass dial with calendar disc beneath Hoho bird and basket of fruit engraved decoration and signature Joseph Quarman Temple Cloud to centre within an applied Roman numeral chapter ring with Arabic five minutes and foliate scroll cast spandrel applied angles hands and bell lacking. See footnote to Lot 434.

A mahogany thirty-hour longcase clock the posted movement with outside countwheel strike on a bell and 11. inch square brass dial with applied silvered signature plaque Thos Cox Thornbury to the matted centre within applied silvered Roman numeral chapter ring with foliate half hour markers the angles with bird and urn pattern spandrels in a swan neck pedimented case with reeded pilasters to hood over line border inlaid rectangular trunk door and plinth base with shallow skirt dial and movement circa 1740. associated to early 19th century case 187cm high. Thomas Cox (I) is recorded in Dowler Graham Gloucestershire Clock & Watchmakers as working in Thornbury circa 1740.

A metal drawer cabinet containing a quantity of mainly horological brass castings modern and old including dial spandrels and lantern clock frets as well as a quantity of assorted wheelwork mainly from 19th century longcase clocks cabinet 28cm wide.

A figured mahogany eight-day longcase clock with rocking ship to arch West Country circa 1820 the four-pillar rack and bell striking movement with white painted 12. inch Arabic numeral dial with subsidiary seconds dial and arched calendar aperture to centre and rose painted spandrels the arch with rocking man of war between a fortress and rocky outcrop the case with swan neck pediment and ring-turned pilasters to hood over short ebony line panel inlaid trunk door and conforming plinth base with bracket feet 215cm high.

A mahogany thirty-hour longcase clock circa 1770 with four-pillar outside countwheel gong-striking movement the 12. inch square brass dial with arched calendar aperture subsidiary seconds dial and signed Joseph Quarman Temple Cloud to the foliate engraved centre within an applied Roman numeral chapter ring with fleur de lys half hour markers and Arabic five minutes the angles with applied foliate scroll cast spandrels in a swan neck pedimented case with turned pilasters to hood over rectangular trunk door flanked by fluted canted angles on plinth base with moulded skirt movement and dial possibly associated to case some damage 209cm high. A Joseph Quarman is recorded in Moore A J The Clockmakers of Somerset 1650-1900. as working 1729-46 however as this clock dates to a later period it is probably by a later maker of the same name whose exact dates appear to be unknown.

A Bristol area oak thirty-hour longcase clock circa 1770 the four-pillar rack and bell striking movement with outside countwheel bell strike the 12. inch square brass dial with calendar aperture and subsidiary seconds dial to the foliate trail inlaid centre within an applied Roman numeral chapter ring with fleur de lys half hour markers Arabic five minutes and signed Samuel Whitchurch Kingswood to lower edge the angles applied with female mask and scroll cast spandrels the caddy-top case with blind fret infill to pediment and integral door pilasters to hood over rectangular line bordered trunk door and plinth base with moulded skirt 213cm high.

Early 19th century 8-day longcase clock, painted break arch face with harvest detail and floral spandrels, painted pine casing extensively damaged and requiring restoration.

Georgian design 8-day longcase clock, break-arch gilded brass face with silvered chapter ring, mask spandrels and sea fish embellishments in provincial oak casing.

Mid-18th century 8-day West Country longcase clock by William Dyer, Barnstaple, brass square face with rococo applied spandrels, boat and fort engraved centre in Renaissance-revival carved oak casing,.

WAGITT, RICHMOND; an oak longcase clock the eight day striking movement with square brass 11 1/4 inch dial silvered chapter ring with cast gilt spandrels the hood with square top turned pilasters, plain case raised on ogee bracket feet, 86 inches high overall

OWEN, HAVERFORDWEST; an oak longcase clock the eight day striking movement with 14 inch painted dial the arch and spandrels painted with floral bouquets, the hood with bead and fret carved bell flower decoration and fluted pilasters the case enclosed by a rectangular door with bobbin turned quarter column corners on a panelled base with bracket feet, 91 inches high overall

RICHARD SAINSBURY, BRIDGWATER; an 18th Century oak longcase clock the eight day striking movement with 12 inch square painted dial with Arabic numerals and subsidiary seconds dial the hood with broken pediment scroll pediment and turned pilasters the case with reeded and banded decoration on bracket feet, 83 inches high

R STEVENSON, FOLKESTONE; an 18th Century oak longcase clock, the thirty hour striking movement with painted arched 11 3/4 inch dial painted with flowers, the square top hood with turned pilasters, the trunk enclosed by an arched panelled door, 7 ft high

Taylor Dumfries An early 19th century mahogany 8-day longcase clock with arched lacquered dial with subsidiary seconds and date dials the hood with swan neck pediment above rope twist columns the ogee arched trunk door flanked by rope twist quarter columns above a plain base with turned feet 227cm high

Green Edinburgh A Regency mahogany 8-day longcase clock the twin train movement with anchor escapement the circular dial with subsidiary strike/silent lever seconds and date dials the arched hood over an arched trunk door flanked by fluted quarter columns on panelled base with a plinth 199cm high

A Regency mahogany 8-day longcase clock the twin train movement with anchor escapement the circular painted dial with subsidiary seconds and date dials the drum hood above arched trunk door on plain base with bracket feet 208cm high

Thomas Phillips Ludlow A George III oak 30 hour longcase clock the single train movement striking on a bell the painted square dial with Roman chapters and fan spandrels corniced hood with fluted columns the trunk and panel base with mahogany banding bracket feet 198cm high

Walker Louth A George III oak 8-day longcase clock the twin train movement with anchor escapement the arched painted dial painted with galleons to the arch and poles to the spandrels with subsidiary seconds and date dials the hood with swan neck pediment and turned column above arched trunk door on plain base on a plinth 216cm high

John Gibson Edinburgh A George III mahogany 8-day longcase clock the twin train movement with anchor escapement the brass arched dial with strike/silent dial to the arch and subsidiary seconds dial and date aperture the hood with swan neck pediment and fluted columns above trunk with fluted columns on panelled base with bracket feet 209cm high

Matthew Lyon Lanark A George III mahogany 8-day longcase clock the twin train movement with anchor escapement the arched brass dial with silvered chapter ring and cast spandrels with subsidiary seconds dial and date aperture the hood with blind fretwork decoration above spirally fluted columns the trunk with spirally fluted quarter columns with Corinthian capitals above plain base on plinth 210cm high

Wm Scott A George III mahogany 8-day longcase clock the twin train movement with anchor escapement the arched and painted dial with subsidiary seconds and date aperture the arch with moonphase painted with ploughing scene the spandrels painted with allegories of the Seasons the hood with turned and fluted columns the case with reeded quarter columns on plain base 223cm high

Jas. Davidson Coatbridge An early 19th century mahogany 8-day longcase clock the twin train movement with anchor escapement with circular gilt and white painted dial with subsidiary seconds and date dials the drum hood with carved thistle cresting above a tapering trunk with bowed door on a panelled base with bun feet 223cm high

John Beechard? Newcastle A George III mahogany and oak 8-day longcase clock the twin train movement with anchor escapement the arched painted dial with moonphase to the arch and subsidiary seconds dial and date aperture the wood with swan neck pediment above turned columns the trunk with quarter columns and inlaid door raised above panelled base with bracket feet 211cm high

A 19th century French provincial 8-day oak longcase clock the twin train movement with anchor escapement striking on a bell the arched brass dial with silvered chapter ring cast spandrels arched hood with moulded cornice and canted angles similar panelled case carved with C-scrolls and ribbon tied floral sprays and husk drops turned feet 226cm high

An oak crossbanded mahogany 30-hour longcase clock, early 19th century, the 13" painted arched dial signed 'J N Hordern, Leamington' with ring of arabic numerals, centre date aperture, florally painted spandrels depicting a cottage to the arch, the hood with swan neck pediment over fluted tapering front corner hood pilasters flanking an arch glazed hood door over a conche shell inlaid trunk door on a crossbanded box base, (lacking feet), 79" high

A Victorian mahogany eight-day longcase clock, circa 1840, the 14" arched enamel dial signed 'J & R Rogers, Dudley' with outer ring of Roman numerals centred second and date dial under a rolling moon, the spandrels painted with figures in classical dress, the movement striking on a single bell, the hood with rosewood cross banding, swan neck pediment over turned and tapering leaf carved front corner pilasters above a Gothic arch trunk door flanked by matching pilasters over a crossbanded box base with canted corners, 89" high

A George III oak 30-hour longcase clock, the 11" square brass dial signed 'Plimer Ellardine' with urn moulded pierced corner spandrels, a chapter ring of roman numerals and centred date aperture striking on a single bell, the hood with swan neck pediment over fluted front corner hood pilasters flanking a square glazed hood door over a long crossbanded trunk door on a high box base and later plinth, 79" high

n oak crossbanded mahogany 30-hour longcase clock, early 19th century, the 12" painted dial signed Thomas Morris, Albrighton, with ring of roman numerals, centre date aperture, the spandrels painted with windmills and a cottage by a bridge, the movement striking on a single bell, the hood with swan neck pediment over barsda turned and tapering front corner hood pilasters flanking the square glazed door over a short arched trunk door on a box base with inlaid central lozenge motif on short bracket feet, 79" high

19th Century Longcase Clock Movement, eight-day, striking on a bell, fitted to an arched painted dial with Roman numerals, subsidiary seconds dial and date aperture, indistinctly signed, inscribed, Nottingham.

A LATE 18TH CENTURY 30 HOUR LONGCASE CLOCK the 28.5cms square painted dial with decorative floral spandrels and date aperture, in mahogany case the hood with moulded pilasters flanking the dial door, full length trunk door and on low bracket supports, 192cms high

A chinoserie lacquered eight day striking longcase clock. The brass arched 12" dial signed LINDLEY Leicester having a second dial and calender contained in a pagoda shaped hood over a shaped trunk door 8' tall

A good eight day striking oak longcase clock the brass arched 12" dial with calendar and second dial signed PETER SELBY, Wareham. The pagoda shaped hood having reeded columns above an arched trunk door and stepped plinth base 7'3. 1-2" tall

A George III Mahogany Longcase Clock, the rectangular hood with blind fretwork cornice, the arched door flanked by fluted pilasters above a shaped panel door and conforming plinth base, the painted dial with Roman numerals and subsidiary seconds dial and date dial, the eight day two train movement striking on a bell

AN 18TH CENTURY OAK LONGCASE CLOCK with square brass dial by W Finderby of Monmouth having a seconds dial and date aperture in a plain oak case with arched trunk door having inlaid star design, dial 11", case 83" high

A MAHOGANY LONGCASE CLOCK with arched brass and silvered dial by Johnathon Edwards of Alloa, with 8-day movement, engraved dial with date aperture and seconds dial, the case having a blind fret cornice, turned pillars and with arched trunk door, 12" dial, 86" high overall (see illustration)

George III oak longcase clock having an arch shaped cornice with turned urn shaped finial, tapered pillars, the trunk with arch shaped long door, the arch shaped brass and silvered dial with fan shaped calendar aperture, signed Foden, Congleton-eight day striking movement, 230cm high

Early 19th Century mahogany longcase clock, the hood having swan neck pediment and reeded pillars, the trunk with oval inlaid shell medallion, the painted dial with fan shaped calendar aperture and seconds subsidiary dial signed Jno. Warry, Bristol-eight day striking movement, 206cm high-

18trh Century oak longcase clock having a long door with lenticle, the 10" brass dial having single hand signed Woodley, Kington-30 hour striking movement, 20cm high

19th Century oak longcase clock having a painted arch dial decorated with Britannia, birds and roses signed Wakefield, Ayton Banks-eight day striking movement, 216cm high

A Late 18th Century Oak Longcase Clock in Oak crossbanded in mahogany with sunburst inlay to pendulum door and brass escutcheon, brass circular dial, 32 cm diameter, signed John Lanley, Rudgley, 8 day movement, turned pilasters and blind carved panel to hood, 207 cm high

A 19th Century oak and mahogany cased eight day longcase clock, by Richard Howard, New Brentford, the chased arched silvered dial with a subsidiary seconds dial and a calendar niche and pierced brass spandrels, the twin train movement with an anchor escapement, striking on a bell, 226cm overall

Thomas Church, Norwich, An 18th Century black lacquered longcase clock, the hood with a pagoda top, the trunk with an arched door with two pictures of George III standing and on horse back, and makers label to the inside of door, the arched brass dial, with cast and pierced spandrels, and a circular name plate in the arch, with subsidiary seconds dial and date aperture, the five pillar eight day movement striking on a bell, dial 12Ó, 216cm

A George III mahogany cased thirty hour longcase clock, the painted arched dial with Roman hours and Arabic minutes, with calendar niche to the centre, the single train movement striking on a bell, 212cm

D. Field, Hitchin, A George III mahogany longcase clock, the arched painted dial with enamelled scroll work, the hour striking eight day movement with subsidiary seconds dial and calendar aperture, above Haste For Nise and Gain of Me, 237cm

An 18th Century longcase clock, the eight day movement inscribed Thos. Moore, Ipswich Fecit, the dial with subsidiary seconds dial and date aperture within cherubic and crown spandrels beneath a pagoda top and lacquered case reduced in height

A MAHOGANY REGULATOR LONGCASE CLOCK dial silvered with subsidiary seconds and hour rings, signed R.l Middleton, Swansea, movement with a grid iron pendulum, case the hood with chamfered corners beneath a swan neck pediment, the waist with a glazed door, all inlaid with ebony moulded lines, 80in. (203cm.) high See illustration

VICTORIAN MAHOGANY LONGCASE CLOCK, by Humphreys of West Auckland, the swan-neck pediment above a pair of turned baluster columns flanking an arched painted dial with subsidiary seconds dial, decorated with foliate spandrels under a village scene, thirty hour movement, the trunk with small rectangular door, raised on bracket feet. 2.27m.

GEORGE III MAHOGANY LONGCASE CLOCK, the moulded cornice supported on turned columns flanking an engraved brass dial with Roman and Arabic numerals and subsidiary dial, the spandrels mounted with Classical figures, thirty hour movement, the slender trunk with ogee arched door above a plain moulded base, raised on shaped bracket feet. 2.13m

GEORGE III OAK LONGCASE CLOCK, early 19th century, by Scales of Kendal, the case attributed to Gillows, the projecting cornice supported on a pair of baluster columns flanking a painted dial with Roman numerals, thirty hour movement, the trunk crossbanded throughout, the door with cut-out corners flanked by quarter columns, on a rectangular plinth. 2.06m.