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Eight day longcase clock movement, the 13" painted arched dial with moon phase over subsidiary seconds and calendar dials; also another 13" painted arched dial with subsidiary seconds dial and calendar aperture (2)

Eight day longcase clock movement, the 11" square brass dial signed Edward Barlow, Oldham on a shaped plate to the foliate engraved matted centre with calendar aperture

Mahogany three train longcase clock, the 12" brass arched dial signed Matson Robson, Whitby on a silvered boss to the arch, over a silvered chapter ring enclosing a matted centre with subsidiary seconds dial, the substantial movement chiming on eight rods, the case with long moulded rounded arched door flanked by quarter fluted Corinthian capital columns and the hood surmounted by a rounded moulded arched pediment with three turned brass ball and spike finials over pierced foliate fretwork carved panels, 102" high (pendulum, eight graduated tubes, but no weights)

Oak eight day longcase clock, the 13" painted arched dial signed Jonathan Phillips, Bromfield, with subsidiary seconds dial and calendar aperture, the case with long door flanked by quarter fluted columns and the hood surmounted by a swan neck pediment, 85.5" high (no pendulum and weights)

Oak eight day longcase clock, the 12" painted arch dial signed Coppgram Hailsham, with subsidiary seconds and calendar dials, the case with medium length door and the hood surmounted by a swan neck pediment, 84" high (pendulum and two weights)

Good mahogany Scottish eight day domestic regulator longcase clock, the 13" circular brass dial signed Jas Lunan, Aberdeen with strike/silent lever, subsidiary seconds dial and calendar aperture, the five pillar movement with pull repeat, the case with long rounded arched door crossbanded in rosewood, inlaid with brass lines and flanked by quarter fluted columns, the hood with moulded rounded arched cornice surmounted by a brass ball and spike finial, 90" high (pendulum, two weights and winding key)

Rare and Interesting oak musical longcase clock in need of restoration, the 12" square brass dial signed Edward Cockey, Warminster on the brass chapter ring enclosing a foliate engraved centre with subsidiary seconds dial and calendar aperture, the movement striking on a nest of eight bells, the associated case with long door and surmounted by a flat stepped moulded cornice, 83" high (pendulum and two weights)

Mahogany three train musical longcase clock, the 13.25" brass dial with silvered chapter ring enclosing a scrolling foliate applied centre with subsidiary seconds dial, surmounted by a painted moon phase to the arch, the movement striking on seven chrome tubes, the case with medium length bevel glazed door and the hood surmounted by a rounded arch with floral and scrolling carved cornice, 92" high (pendulum, three weights and seven tubes) (in need of restoration)

Oak eight day longcase clock, the 13" square brass dial signed R. Greaves, Macclesfield, with subsidiary seconds and calendar dials, the case with long crossbanded door flanked by quarter fluted pillars and the hood surmounted by a pierced fretwork swan neck pediment, 82.5" high (pendulum, two weights and winding key)

Oak and mahogany crossbanded three train longcase clock, the 13" brass arched dial signed Thomas Watson, Haslingden to the foliate engraved matted centre with calendar aperture, enclosed by a silvered chapter ring and surmounted by a star engraved boss, the movement striking the quarters on a nest of eight bells and the hours on another bell, the case with medium length rounded arched crossbanded door and the hood surmounted by a swan neck pediment with brass floral mounts, 88" high (pendulum and three weights) *This movement has been converted to a three train musical movement

Good mahogany eight day longcase clock, the 13" brass arched dial signed T. Radford & Sons, Leeds to the foliate engraved centre with subsidiary seconds dial, with rolling moon farmyard scene to the arch, the case with long wavy door flanked by quarter fluted columns and the hood surmounted by a moulded swan neck pediment, 92" high (pendulum, two weights and door key)

French fruitwood and pine eight day comptoise longcase clock, the 8.5" convex white dial signed Laforcade, á Lembeye within a repousse brass surround and foliate pierced cornice, the case with long panelled door fitted with a lozenge lenticle (glass missing), the hood surmounted by a flat stepped cornice, 95" high (pendulum, two weights and winding key)

Mahogany three train musical longcase clock playing on tubular bells, the 12" brass arched dial with silvered chapter ring enclosing a matted centre with subsidiary seconds dial and with chime/silent dial to the arch, the case with long foliate etched glazed door and the hood surmounted by a moulded swan neck pediment, inlaid overall with ferns and stylised foliage, 94" high (pendulum and three weights)

Art Deco style oak three train longcase clock, the 10.5" cream dial within a glazed carved case, 73" high (pendulum and three weights)

Mahogany eight day longcase clock, the 12" painted arched dial signed Trendell, the case with long rounded arched door and the hood surmounted by a rounded arched moulded cornice, 88" high (no pendulum or weights)

Oak thirty hour longcase clock, the 12" painted arched dial signed C. Tyte, Wells, the case with medium length door and the hood surmounted by a swan neck pediment and brass ball and eagle finial, 81.5" high (pendulum and weight)

Oak thirty hour longcase clock, the 12" square painted dial signed John Matthews, Leighton, the case with long door and the hood surmounted by a flat stepped moulded cornice, 82" high (pendulum and weight)

Mahogany eight day longcase clock, the 12" square brass dial signed John Cuthbertson, Keynsham on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, the case with long door and the hood surmounted by a shaped pediment with three brass ball and eagle finials, 87" high (pendulum, weights and winding key)

Good mahogany eight day automata longcase clock, the 12" silvered arched dial with a painted automata scene depicting badminton being played before a country house and windmill, signed Jonathan Morse, Southampton to the centre of the dial with subsidiary seconds and calendar dials, the case with long rounded arched reeded door and the hood surmounted by a rounded arched moulded pediment, 81" high (pendulum, two weights and keys) *This clock is sold with a valuation undertaken for insurance purposes by Quiet Street Antiques on the 9th December 1986 for £4800

Oak thirty hour longcase clock, the 11" square brass dial signed Simcock, Daintree on the silvered chapter ring enclosing a matted centre, the case with long boxwood inlaid door and the hood surmounted by a flat stepped moulded cornice, 75" high (pendulum and weight)

English walnut eight day longcase clock with five pillar movement, the 10" square brass dial signed Richard Ayres, London on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, the case with long door fitted with an oval lenticle and inlaid with two geometric stars, the hood surmounted by a flat moulded cornice over an open foliate carved fretwork frieze, 76" high (pendulum and weights)

Oak thirty hour longcase clock, the 10" square brass dial signed William Collier on the brass chapter ring enclosing a matted centre, the case with long door fitted with a circular lenticle and the hood surmounted by a flat stepped moulded cornice, 78" high

French kingwood eight day comptoise longcase clock, the 9.5" convex dial signed Encley á Toulouse, the pedestal case fitted with a long door with circular glass lenticle and the hood with a rounded moulded arched cornice, 110" high (folding pendulum and two weights)

Miniature ivory longcase clock, with watch movement and onyx applied decoration, 8.25" high

A Victorian oak and mahogany longcase clock, 35cm arched painted dial inscribed S. Tranter, West Bromwich, the arched spandrels painted with a shepherdess and flock, subsidiary seconds dial, date aperture, twin winding holes, 8-day movement striking on a bell, shaped door to waist, flanked by turned pilasters, 225cm high, c.1850

A Victorian Welsh mahogany longcase clock, 32cm arched painted dial inscribed Meredith, Merthyr Tydvil, Roman numerals, the arch and spandrels painted with a bay and rustic buildings, subsidiary seconds dial, date aperture, twin winding hole, 8-day movement striking on a bell, the case with arched hood, rectangular door to waist, 218cm high, c.1860William Meredith was working at Merthyr Tydvil from 1852 to 1899; in his earlier years he also signed clocks from Tredegar.

A William IV oak and mahogany crossbanded longcase clock, 30cm arched painted dial inscribed Brownsword, Nottingham, date aperture, thirty-hour movement striking on a bell, case with swan neck pediment, rectangular door to waist, flanked by canted angles, plinth base, 216cm high, c. 1835 Condition Report: Generall good

A George I/II oak longcase clock, 30cm arched brass dial inscribed Samuel Harris, London, Roman and Arabic numerals, subsidiary seconds dial, date aperture, twin winding holes, 8-day movement striking on a bell, arched hood, rectangular door to waist, bracket feet, 198cm high, c.1730Samuel Harris was born around 1659 and was free of the clockmakers' Company in 1680, and took apprentices until 1730, dying before the end of the decade.

A George II mahogany longcase clock, 27cm brass dial, inscribed Hindley, York, Roman and Arabic numerals, subsidiary seconds dial, date aperture, twin winding holes, 8-day movement striking on a bell, the arch applied with a lotus boss on a moss velvet ground, the hood with dentil cornice and brass capped reeded Corinthian columns, arched rectangular door to waist, plinth base, 218cm high, c.1740Henry Hindley (1701-1771) was born at Wigan, apprenticed to his father 1715-1721 before setting up in Wigan where he worked until 1731, when he moved to York to take over his father's practice there. An important clock and watchmaker, he was a friend of John Whitehurst FRS, the inventor of an improved wheel-cutting engine and made the clock for the Minster at York in 1750. He also made a regulator with pin wheel escapement. A number of apprentices are recorded as having been articled to him. He was succeeded by his son, Joseph (1728-1774).Loomes, B. Clockmakers of the Northern Counties of England (Mayfield 1997) 143-146.

A George III mahogany longcase clock, 29.5cm arched brass and silvered dial inscribed Robert Frattle, Newport, Isle Of Wight, Roman and Arabic numerals, date aperture, subsidiary seconds dial, 8 day movement striking on a bell, shaped arched hood with brass capped reeded columns, arched rectangular door to waist, bracket feet, 223cm high, c.1770

A George III oak and mahogany longcase clock, 30.5cm arched painted dial inscribed Towlson, Chilwell, rolling moon phase to arch, painted with a ship, Roman and subsidiary Arabic numerals, date aperture, twin winding holes, 8-day movement striking on a bell, the case with swan neck pediment, shaped arched rectangular door to waist, 212cm high, c.1810 (for restoration)John Towlson (1775-1841) was born at Attenborough, Notts., apprenticed in Nottingham 1789-96 and worked from then until c. 1840 at Chilwell. By his wife Mary, he had a son Thomas (1805-1873) an engineer of note in Norwich. A round dial example by this maker was sold in these rooms in Sept. 2017 Lot 1361.

A George III oak and mahogany longcase clock, the 28cm brass dial with silvered chapter ring inscribed Ashton, Ashburn (sic) Roman numerals, date aperture, 30-hour movement striking on a bell, the case with swan neck pediment, shaped rectangular door to waist centred by an oval shell patera, bracket feet, 207cm high, c.1800The signature is that of Samuel Ashton the younger born at Macclesfield 1828, apprentivced to father at Tideswell 1742-49, and moved to Ashbourne c. 1750, leaving his brother Aaron to succeed to their fathrer's business at Tideswell. HHe two son,s Thomas and Martin, the former working from Tideswell and the latter in partnership with his father freom 1791 and his successor until his own death in 1829 [Craven, M & Hughes, R G 'Clockmakers & Watchmakers of Derbyshire' (Mayfield 1998) 57-58.] Condition Report: Generally good. Dial and movement associated with case.

A George III oak longcase clock, 31cm square brass dial inscribed John Wyld, Nottingham, Roman and Arabic numerals, calendar dial, 30 hour movement striking on a bell, the hood with dentil cornice, shaped rectangular door to waist inlaid with an eight pointed star, plinth base, 208cm high, c.1775

AN ART DECO OAK CASED LONGCASE CLOCK - TRIPLE CHROME WEIGHTS - PENDULUM, H 191 cm

MOSCROP'S PATENT ARUNDEL AND CO, STOCKPORT LONGCASE CLOCK 197CM X 47CM X 40CM

A George III oak longcase clock, signed Yeates, Penrith, height 220cm

An early 19th century oak longcase clock with walnut crossbanding, the hood with turned column supports and swan neck frieze enclosing a painted broken arch dial with rural landscape detail and a thirty hour striking movement by John Harrison of Darlington

A substantial 19th century oak mahogany inlaid longcase clock, the hood with spiral column supports and swan neck frieze enclosing a broken arch brass dial, silvered chapter ring and applied cast spandrels, to the arch a revolving lunar phase with subsidiary calendar and secondary dials marked J Brown

Mid 19th century oak and mahogany longcase clock with turned column supports and swan neck frieze, broken arch painted dial with rural character and floral spandrels with eight day movement with subsidiary calendar and secondary dial marked Terry Bedale

Cottage size longcase clock the panelled and ebonised case, the square brass dial with silvered chapter ring and cast brass spandrels enclosing an eight day striking movement with subsidiary calendar dial, John Curtis of Chichester

A substantial Regency mahogany longcase clock, the short door with lancet shaped outline, the hood with turned columns and swan neck frieze, enclosing a broken arched painted dial showing spandrels with the four seasons, with painted lunar phase, subsidiary and calendar dials and eight day striking movement, John Etches of Nottingham

A bright cottage longcase clock, the square painted dial with exotic pheasant and shell spandrels with calendar aperture and thirty hour striking movement by H Rickard, High Street, Exeter

A Regency oak and mahogany cross banded longcase clock, the hood with swan neck cornice, broken arch painted dial with floral spandrels and seascape to the arch (now lacking rocking ship action) with eight day striking movement, subsidiary calendar and secondary dials by E Chambler, Newcastle

A Regency oak longcase clock, the trunk with reeded columns, the hood with further columns and swan neck frieze enclosing a square painted dial with exotic bird detail and floral spandrels, subsidiary calendar and secondary dials, eight day striking movement by John Winstanley of Holywell

19th century oak longcase clock with eight-day movement, broken swan neck pediment with brass central finial and hood flanked by two pilasters, door opening to reveal painted dial, Arabic numerals, date aperture and seconds subsidiary dial, trunk with tunbridgeware style stringing, crossbanded door to box base, 202cm high 

18th century oak and mahogany banded longcase clock case, 12" square dial aperture, 212cm high

18th Century oak longcase clock, the square hood with blind fretted decoration above a rectangular panel door on plinth base, the gilt brass dial inscribed Phillips, Bromyard, with subsidiary seconds and calendar, the two train movement striking on a bell CONDITION REPORT Dial is 11.5ins square. Appears to be original. Has an eight day movement. There have been some small fillets of wood put in around the seat boards and the case does not stand straight. There is definitely a slight lean to the left as you look at it, this is partly because the joints are loose on the plinth base (one is solid, other has gaps and is slightly dropping because of this). A good furniture restorer could sort out this problem quite easily. Weights look like replacements.

George III oak longcase clock, the square hood with flanking pilasters above a rectangular panel door and moulded plinth base, the brass dial with Arabic and Roman numerals and subsidiary date aperture, signed Whitehurst, Derby, with a two train movement striking on a bell CONDITION REPORT One weight only present.This and the pendulum appear modified.Case and movement are most likely marriedBack plate is blank - no serial number.11in door, dial

Antique oak longcase clock having all-over later carved decoration, the brass arch top dial with silvered chapter ring, seconds and date aperture, inscribed Sam Burton, with two train weight driven movement above heavily carved flush panel door and conforming plinth base

20th Century mahogany veneered longcase clock with brass movement and dial (at fault, for restoration or parts)

George III mahogany longcase clock, the broken arch dial with flanking pilasters above an arched moulded figured panelled door and conforming plinth base, the trunk with canted corners inlaid with key pattern, the painted dial with ship automaton to the arch, subsidiary seconds and date dials, Arabic and Roman numerals, signed W. Stanford, Yarmouth, the dial corners painted with anchors, the two train movement with anchor escapement striking on a bell CONDITION REPORT 87ins high excluding finials.The clock is working currently, but we give no guarantees it will remain so.

An 1930s walnut cased longcase clock, brass face named Haller

A Victorian mahogany eight day longcase clock R Murray Lauder W.55cm

A Samuel Roberts, Llansair, oak longcase clock W.54cm

A George III Caygill of Askrigg oak longcase clock, stepped cornice, brass capped columns, square brass dial, floral spandrels, Roman numerals, 30 hour movement, shaped door flanked by turned quadrant pilsters to waist, ogee feet.

A George III oak longcase clock Ault & Son, Belper with weights

A 19th century oak and mahogany crossbanded longcase clock, the arched white painted dial with Roman numerals, floral spandrels, inscribed R Jennison, Chesterfield, 30 hour movement, the hood with swan neck pediment, turned pilasters, fluted quarter columns, shaped door to waist, plinth base, 212cm high, c.1780

An unusual 19th century vernacular oak model or pocket watch stand, possibly Welsh, as a miniature longcase clock, within a glazed cabinet, hinged cover, the projecting base with a drawer, inlaid with lozenges and stringing, 48cm high

A 19th century mahogany longcase clock, the 35cm painted arched dial with Roman numerals, subsidiary seconds dials, twin winding holes, with day movement striking on a ball, the arch with lunar phase, floral spandrels, the hood with swan neck pediment, free standing turned pilasters, shape door to waist, bracket feet, 211cm high

A reproduction oak cased longcase clock, 188cm high