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An early 19th century Jersey mahogany longcase clock by Louis Poignand, the eight day movement striking the hours on a bell, fronted by an arched brass dial with silvered Roman chapter ring and centre with engraved foliage and subsidiary seconds dial and date aperture, signed 'Louis Poignand Jersey', silvered strike/silent dial to arch and gilt foliate scroll spandrels, the case with swan neck top with turned finials over a boxwood strung and reeded roundel decorated frieze, on turned pillars, the trunk with lancet arched door flanked by reel turned pilasters, the plain base with short bracket feet and shaped apron, 88½in. (224.75cm.) high.

A mahogany longcase clock with painted face (Shedden Perth, Burns and his Highland Mary and the four seasons) Condition Report: Available upon request

GEORGE I MAHOGANY CHIMING LONGCASE CLOCK, BY JOSHUA WILSON, LONDON EARLY 18TH CENTURY with pagoda top, brass ball finials, arched brass dial, silvered chapter with subsidiary second and date dials, signed, stop fluted pilasters, brass inlay, moulded arched trunk door, brass stop fluted quarter columns, moulded base and plinth, chimes on four bells(50cm wide, 245cm high, 26cm deep)

An antique eight day longcase clock by Simon Dharme? of London - having 11 inch square dial, separate second hand and date aperture CONDITION REPORTBy our judgement, condition of lot is good.Notably, the door on the case is locked and no key is included.Height, 193cm.Our team of trusted experts are on hand to help and always endeavour to provide an accurate judgement. The ultimate responsibility lies with the buyer however, and we recommend that you make every effort to inspect the lot yourself.To that end, we have provided a number of additional images for your attention.

A 19th century longcase clock - for restoration - having painted arched dial

Tray of glass to include; an Edinburgh crystal mantel clock in the form of a longcase clock, globular vase and bowls etc. (5)(B.P. 21% + VAT)

AN IRISH GEORGE III MAHOGANY AND MARQUETRY LONGCASE CLOCK, the brass dial with calendar aperture and seconds dials, signed on a plaque, Chas. Smith, Dublin, the hood with blind fret frieze and triangular urn filled pediment, the trunk with seaweed marquetry panels above a crested door with half paterae centred by a draped urn and with quarter paterae, flanked by inlaid quarter engaged columns, on a plinth base centred by an urn, with ogee bracket feet. 227cm high

A LATE GEORGE III MAHOGANY LONGCASE CLOCK, the hood with broken swan neck pediment and central urn above an arch top door enclosing a brass and painted phases of the moon dial by Knox of Belfast, the case decorated with blind fretwork, corner pilasters and raised on platform base and ogee bracket feet. 225cm high

A GEORGE III INLAID MAHOGANY LONGCASE CLOCK, the hood with flat moulded cornice and blind fret frieze and enclosing a brass dial with date aperture and seconds dial by Alex Morton of Armagh, raised on square bracket feet. 221.5cm high

14" SQUARE PAINTED DIAL LONGCASE CLOCK, Roman numerals with subsidiary seconds and date aperture to the dial with cottage painted spandrels before a twin weight pendulum driven bell strike movement, the cast plate stamped 'Walker', (pendulum in part, no weights), the oak and crossbanded mahogany case with broken swan neck pediment over a single glazed door with flanking turned pillars, short trunk door with turned pillar side decoration on a long stepped base (requiring restoration, lower trunk parts loose and lacking), 217cms H, 54cms W

CIRCA 1840 OAK LONGCASE CLOCK, 13" square painted dial set with Roman numerals, subsidiary seconds dial and date aperture with bird decorated centre and shell painted spandrels before a twin weight pendulum driven bell strike movement, pendulum and one single weight included, the hood with broken swan neck pediment over a single glazed door with reeded and capped pillars, the short trunk door flanked by quarter cut reeded and capped pillars on a stepped trunk base, 217cms H, 51cms W

Reproduction longcase clock, with pendulum and three brass weights

John Juler of North Walsham longcase clock (pendulum, winding key and two weights present)

19th century 30 hour longcase clock with painted circular dial decorated with a bird in oak case 191cm highCondition report: Sound mostly original condition ,not running ,pendulum present but weight missing

Joseph Wood, Scarborough a faux-tortoiseshell moon-phase lacquer longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch break-arch dial having a raised chapter ring engraved with black Roman numerals and Arabic five-minute markings to the outer aspect, the dial centre having a subsidiary seconds dial, date aperture and engraved with floral decoration and the maker's name Joseph Wood, Scarborough, the arch having a moonphase disc painted with a seascape and landscape, the break-arch faux-tortoiseshell lacquered case having raised Oriental chinoiserie decoration to the base, trunk and hood, with three-quarter columns to the hood, height 212cm.* Biography Joseph Wood is recorded as working in Scarborough from circa 1760 until at least 1790 and is noted for the quality of his longcase clocks which are of the 'London style'.Reference Brian Loomes Clockmakers of Northern England Pub. Mayfield Books 1997.

Thomas Leadbeater, Sandbach a mahogany moonphase longcase clock: the eight-day duration movement striking the hours on a bell, the thirteen-and-a-half-inch break-arch painted dial having black Roman hour numerals with the centre having subsidiary seconds and date dials and signed Thos. Leadbeater, Sandbach, with decorative painted corner spandrels and a moonphase disc to the arch showing the phases of the moon and date, with decorative brass hands, the mahogany case with various inlaid decoration and stringing, the trunk having a shaped door, fluted and inlaid corners and a panel set below, the hood having fluted and inlaid square columns and surmounted by a swan-neck pediment, the base with canted corners, a circular panel, inlaid decoration to each corner and standing on bracket feet, height 226cms. * Biography Thomas P. Leadbeater is recorded as working in Bridge Street, Sandbach, Cheshire prior to 1822 until at least 1855. Reference Keith Appleby Clockmakers of Cheshire Pub. Farmhouse Antiques 1999.

Mark Hawkins, Bury St Edmunds, a lacquer longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch brass break-arch dial having a raised chapter ring engraved with black Roman numerals and Arabic five-minute markings to the outer aspect, the matted dial centre having a subsidiary seconds dial, date aperture and an applied plaque engraved with the maker's name Mark Hawkins, St Edmunds, Bury, with cast-brass vase spandrels to the four corners, the arch having a round boss engraved with a ho-ho bird with dolphin spandrels either side, the pagoda-topped black lacquered case having raised Oriental chinoiserie decoration to the arched trunk door, base and hood, with the hood having quarter pillars, height 212cm. * Biography Mark Hawkins is recorded as both a watch and clockmaker in Bury St. Edmunds working in the early-to-mid 18th century with his father, also Mark, working from before 1670 until at least 1710.

James Ritchie, Edinburgh, a mahogany longcase clock: the eight-day duration movement striking the hours on a bell and having a thirteen-inch round silvered dial engraved with black Roman hour numerals, subsidiary seconds dial, date dial and signed James Ritchie, Edinburgh, with blued steel moon hands and a cast brass bezel, the mahogany drum-head case having a curved top to the trunk door, quartered columns with panel below, a panelled base and standing on bracket feet, height 205cm.* Biography James Ritchie was apprenticed to James Howden of Edinburgh in circa 1799. He married Sarah (Sally) Neil in December 1804 and began his business at 29, Leith Street in 1809 gaining a reputation for his honesty and sound work. He was admitted as a Burgess of the city on the 18th of April 1816. He had a son Frederick who was apprenticed to Ritchie and who became his partner in 1838 aged only 11 years old. James Ritchie died intestate on the 5th of April 1850.Reference Donald Whyte Clockmakers & Watchmakers of Scotland Pub. Mayfield Books 2005. An advertisement for James Ritchie is shown on page 248.Donald Whyte Letter to Antiquarian Horology Journal of the Antiquarian Horological Society Winter 1992.

D. Angelo & Cadenazzi, Winchester, a mahogany longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch break-arch painted dial having black Roman hour numerals and floral corner spandrels, the dial centre having subsidiary second, date dials and signed D. Angelo & Cadenazzi, Winchester, with floral decoration painted within the arch and blued steel spade hands, the mahogany case having ebonised crossbanding to the arched trunk door and base, the hood with inlaid stringing and fluted pillars with cast-brass capitals and surmounted with whales-tooth cresting, all standing on bracket feet, height 217cms.

Samuel Northcote, Plymouth a mahogany longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch silvered break-arch dial engraved with black Roman hour numerals and Arabic five-minute markings to the outer aspect, the dial centre engraved with subsidiary seconds and date dials along with the maker's name Saml. Northcote, Plymouth, the arch engraved with a Strike/Silent dial, the arch-topped mahogany case having boxwood crossbanding to the to the trunk and hood doors, with the quarter pillars to the trunk and hood having brass stops and capitals, the pediment surmounted by three brass ball-and-spire finials and with a raised panel to the base, height 212cm inc. finial.* Biography Samuel Northcote is recorded as working in Plymouth as a clockmaker and optician. He died in his eighty-third year on the 13th November 1791. His son, also Samuel, continued as a watch and clockmaker and died aged 71 in 1813. Samuel jnr's son James Northcote RA was apprenticed to Samuel but settled as an accomplished portrait painter becoming a Royal Academician.Reference Clive N. Ponsford Devon Clocks & Clockmakers Pub: David & Charles 1985.

A small and slim mahogany grandmother longcase clock: the eight-day, weight-driven movement striking the hours on a bell and having a brass cylindrical pendulum bob, the 6½-inch brass break-arch dial having a raised chapter ring engraved with black Roman numerals and Arabic five-minute numerals to the outer aspect, the dial centre engraved with floral decoration, with cast-brass c-scroll spandrels to the corners, the arch with an applied boss signed with the makers name J. Hughs, London and further c-scroll spandrels, the arched mahogany case having a shaped moulding to the trunk door, barley-twist columns to the hood and all standing on bracket feet, height 176cm.

J. Hudson, Nottingham, an oak longcase clock: the thirty-hour duration movement striking the hours on a bell and having a twelve-inch square painted dial with black Roman numerals, decorative corner spandrels, date aperture and decorative brass hands, the oak case with mahogany crossbanding, the hood having turned pillars with cast-brass capitals and surmounted by a swan-neck pediment with a cast-brass ball-and-spire centre finial, height 212cm.

Philip Avenell, Farnham, a lacquer longcase clock: the eight-day duration movement striking the hours on a bell with decorative steelwork to the bell stand and having a twelve-inch break-arch brass dial with a raised silvered chapter ring engraved with black Roman numerals and Arabic five-minute numerals to the outer aspect, the dial centre having a subsidiary seconds dial, date aperture and engraved with floral decoration and the maker's name within a cartouche Philp. Avenell, Farnham, with cast-brass c-scroll spandrels to the four corners and decorative blued steel hands, the arch having a Strike/Silent dial with matching spandrels, the black lacquered flat-top case having raised Oriental chinoiserie decoration to the arched trunk door, base and hood, with the hood having quarter pillars, height 204cm.* Biography Philip Avenell is recorded as working in Farnham, Surrey circa 1765 before moving to London in circa 1775 where he died in 1809.

Ainsworth Thwaites, London a slim oak longcase clock: the thirty-hour duration movement having a verge escapement and striking the hours on a bell with an outside countwheel with the six-inch break-arch brass dial having a raised chapter ring engraved with black Roman numerals and Arabic five-minute markings to the outer aspect, with c-scroll and rococo engraved decoration to the centre, corners and arch and blued steel hands, the arch having a round boss engraved with the maker's name Aynsworth Thwaites, London, the slim oak case having a shallow arch to the trunk door, a flat-top hood with wood pillars and a plain base standing on bracket feet, height 185cm.* Biography Aynsworth (sometimes Ainsworth) Thwaites is recorded as being apprenticed in 1735 and a member of the Clockmakers' Company from 1751 until 1880 working in Rosoman Row, Clerkenwell. His son John, apprenticed 1772, went into partnership with George Jeremiah Reed to form the well-known clockmaking firm Thwaites & Reed.

John Sweeby London, a mulberry, walnut and seaweed marquetry longcase clock: the eight-day duration movement having finned pillars and striking the hours on a bell with an inside countwheel, the twelve-inch square brass dial having a raised silvered chapter ring engraved with black Roman hour numerals, Arabic five-minute numerals and decorative half-hour markings, the matted dial centre having ringed winding holes, a raised silvered seconds dial and a date aperture with engraved surround, with blued steel hands and cherub-head cast-brass corner spandrels, engraved either side of VI o'clock with the maker's name John Sweeby Londini fecit, the flat-top walnut case inlaid having shaped marquetry panels to the trunk door and a round lenticle glass and inlaid marquetry to the trunk, base, hood and convex throat moulding, with the tapered hood pillars having cast brass capitals, with ebonised mouldings, complete with brass bund weights, height 211cm.*Biography John Sweeby (Sweby) is recorded as having been apprenticed to William Speakman in 1663 and a member of The Clockmakers' Company from 1671 until 1690.*Notes Reference Brian Loomes Watchmakers and Clockmakers of the World, Pub. NAG Press 1988.

George Ellis, Oaken Gates, an oak and mahogany longcase clock: the thirty-hour duration movement striking the hours on a bell and having a painted twelve-inch break-arch dial with black Roman numerals, date aperture, decorative gilded brass hands and decorated with rural buildings to the four corners and arch, the oak case with mahogany crossbanding and panels, the fluted quarter columns to the trunk having cast-brass capitals, the hood with a swan-neck pediment and fluted pillars, the panelled base standing on bracket feet, height 214cm.*NOTE The height of the clock is 214cm and not 124cm as described.* Biography George Ellis is recorded as working in Oaken Gates, Shropshire from circa 1842 until at least 1850.* Notes Reference. Douglas J. Elliott Shropshire Clock & Watchmakers Pub. Phillimore & Co Ltd 1979.

EARLY 20TH CENTURY OAK LONGCASE CLOCK, 205CM HIGH

MODERN REPRODUCTION LONGCASE CLOCK, 197CM HIGH

A George III figured mahogany 8 day longcase clock by John Hamilton, Glasgow. With brass arch top dial bearing a silvered name plate and chapter ring, ornamented with dolphins and scroll work spandrels. With swan neck pediment, twist supports and raised on slender splay bracket supports, 210cm. Exceptionally good clean condition. Running, tested overnight. With weights, pendulum and keys.

An early 19th century mahogany 8 day Scottish longcase clock, the silvered and brass dial marked William Man, Aberdeen, height 220cm

A George III mahogany 8 day longcase clock, brass and silvered dial-marked John May Southampton, height 207cm

Furnival Sheffield; a George III oak longcase clock, the moulded broken swan neck pediment with brass orb finials, brass mounted free standing fluted pilasters, the arched long trunk door flanked by fluted quarter columns, on a panelled base, the 12.5" circular brass dial with Roman and Arabic numerals, the twin train movement striking on a bell, 214cm high, with key (2).

A. Molinare Halesworth; a George III oak longcase clock, the square hood with brass orb finials and freestanding columns, panelled long trunk door, the 12" brass dial with subsidiary seconds, the twin train movement striking on a bell, 208cm high.

Scott Perth: a Regency mahogany satinwood crossbanded boxwood and ebony strung longcase clock, the arched hood with broken swan neck pediment and brass orb and spire finial, freestanding rope twist columns, the arched long trunk door between ropetwist quarter pilasters, the 13" painted dial with figure panels, subsidiary seconds and calendar dials, the twin train movement striking on a bell, the pendulum painted with a house in a highland landscape, 230cm high.

LONGCASE CLOCK, George III oak, with eight day movement and painted face inscribed 'Geo Travis, Thorne', 224cm H x 22cm. (slight faults)

A 30 hour Drury of Banbury longcase clock, with painted coquillage dial, now in a well made pine case, 188cm

An early 19th century mahogany longcase clock, the 32cm silvered chapter ring with Roman numerals, the silvered dial with foliate engraving and subsidiary dials and moon phase, the three train movement striking on eight bells and a gong with chime/chime letter, the case inlaid with satinwood and boxwood trophies and patera, the hood with swan neck pediment and gilt capped Corinthian columns, 227cm high

A 19th century eight day longcase clock, the painted dial enscribed Jas Rennie, Carlisle, with subsidiary seconds dial, date aperture and moon phase, the mahogany hood with scrolled pediment and gilt capped column, the case with cross banding and inlaid ebony decoration, 233cm high

A 30 hour oak longcase clock, the hood with swan neck pediment, face with stringing and quarter capitals, the painted dial enscribed Jacques, Waterfield, 235cm high

A longcase clock, the 30cm brass square arched dial with phase of the moon subsidiary seconds dial, silvered chapter ring with Arabic and Roman numerals and signed 'The Time is Worth The Use Out', fitted with a 8-day triple fusee movement striking on five gongs, in an oak case, 226cms (89ins) high.

A WELL MADE REPRODUCTION WALNUT FINISHED GRANDMOTHER SIZED LONGCASE CLOCK, by 'Comitti of London'

8 day round dial Longcase clock by James Glover of Manchester: This clock is a time piece only on gut. It has a Mahogany case with fruit wood stringing.

A 19th century mahogany and line inlaid eight day longcase clock, with 13in painted arched dial, 221cm high, with pendulum and one weight.

An oak thirty hour alarm longcase clock, signed Newman, Norwich, early 18th century (now on a later wall bracket)

An oak thirty hour white dial longcase clock, the dial inscribed C Dixon, Hexham

A GEORGE III MAHOGANY LONGCASE CLOCK the brass arched dial, with subsidiary seconds dial, and engraved floral center, the cartouch to the arch inscribed " Jn Troughton Plymouth Dock", the two train movement striking on a bell, in a mahogany case

A GEORGE III MAHOGANY LONGCASE CLOCK the painted arch dial with Roman numerals, three subsidiary dials for strike silent, seconds and date, inscribed " E. Beckwith Brightlingsea", the eight day movement striking on a bell, in a mahogany case, 220cm high

A GEORGE II OAK LONGCASE CLOCK the 27cm square brass dial, with silvered chapter ring, subsidiary seconds dial, date aperture, and corner cherub spandrels, inscribed on the chapter ring "Thomas Wentworth Sarum Fecit" (Salisbury), the five pillar eight day movement striking on a bell, in an oak case with stepped square hood, 206cm high 

A 19th century miniature longcase clock, mother of pearl, bone and abalone, swan neck pediment, dial fascia flanked by turned bone pillars, ebonised plinth, height 34cmCondition: some panels of mother of pearl missing 

A George III oak longcase clock, circa 1800, in a Jacobean manner, moulded pediment above a 30cm brass dial engraved with Henry Scott Maker, Roman numerals and Arabic minutes, 30 hour movement, monarchy carving on the panel door, trunk and sides, pendulum and weights. 193cm HCondition report: A split to the trunk front and the moulding, broken pendulum with general scuffs and scratches.

A George III period 30-hour longcase clock, circa 1780, moulded pediment above turned columns either side, 12inch brass dial inscribed with Edward Foster, Wakefield (1750-1813), roman numerals and Arabic seconds dial, above a panelled door with quarter column either side, raised on a plinth base. pendulum and weights 208cm HCondition report:Signs of split to the back, signs of dents to the pendulum, the dial is in need of cleaning, general scuffs to the body. Some pieces on back of the dial.

Samuel Ashton II of Tideswell (Derbyshire) longcase clock, single handed, second quarter of the 18th Century, walnut crossbanded, 11inch brass dial with 'four seasons' spandrels and silvered chapter ring/date dial. Height 199cmNote: this clock is identical to the Wright family longcase clock in Eyam Hall, Derbyshire.  The Ashtons were a well-known Derbyshire family of clockmakers working variously at Tideswell and Ashbourne from 1720 until around 1829.Condition Report:Generally good condition, signs of stain to the dial, general scuffs on case and scuff on base.

* Longcase Clock. An early 18th century longcase clock by William Grimes, Hatton Garden London, the 10 inch silvered chapter dial with black roman numerals, engraved brass dial with piereced cherub spandrels, subsidiary seconds dial, calender aperture, blued steel hands, two winding holes each with key, signed Wm Grimes in Hatton Garden fecit, 38 x 27cm, in a later pine case with pendulum and two weights, 188cm highQty: (1)

A 20th century oak longcase clock, the silvered dial with Arabic numerals on a plinth base together with a leather topped sofa table

A mid 20th Century Swiza onyx miniature longcase clock with mechanical movement, H. 27cm. Together with a 1950's travelling clock barometer.

A 19th century mahogany longcase clock, the 13" painted dial signed Skarratt, Worcester with automaton arch, painted spandrels and second subsidiary dial and date aperture, with pendulum, 222cm high overall.

A 19th century oak and mahogany veneered longcase clock, with a 14" painted dial, painted Arabic and Roman numerals, 227cm high, 51cm wide.

A 19th century mahogany longcase clock, the painted dial detailed with Cottars Saturday Night, with spandrels painted as figures from the four British Nations, 217 total height.

A Tobias Gilkes, Chipping Norton 18th century and later oak longcase clock, carved frieze above gilded dial set with Roman and Arabic numerals, inscribed to dial 'Tobias Gilkes, Chipping Norton', over a heavily carved central door to stepped square plinth base, height 190cm. CONDITION REPORT Clock untested

An early 19th century oak and mahogany crossbanded longcase clock, the swan neck pediment over a painted 12 inch square dial with floral spandrels and subsidiary seconds dial, inscribed H. Daniel Farringdon, the 30-hour movement striking on a bell, 198 cm high