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Early nineteenth century eight day longcase clock with painted arched dial painted with castles and landscapes, subsidiary seconds and date aperture in mahogany case with shaped cornice, 207cm high

G. Williams, Merthyr, 8-Day Striking Longcase Clock having painted arched dial with calendar and seconds dial, having painted rose and leaf decoration, in mahogany case having inlaid boxing and stringing, on bracket feet, 2m 21cm high overall

Timmis, Alfreton, 30 Hour Longcase Clock having circular painted dial with bird motif, having Roman and Arabic numerals, with calendar, in stained pine case, 2m 12cm high overall

Jn and Geo Crane, Bromsgrove, 30 Hour Oak Longcase Clock having square painted dial with Arabic numerals and floral and leaf decoration, with all over inlaid marquetry panel with stringing and banding decoration, half round reeded column supports (case in need of restoration), 1m 94cm high

An 18thC brass dial 30 hour oak longcase clock, the dentil moulded cornice over square dial with silvered chapter ring & engraved silvered centre, elaborate gilt scroll hands, subsidiary seconds, rococo cast spandrels, the dial inscribed by John Wyld, Nottingham, the shaped case door with star inlay, the base also with star inlay on bracket feet, Height 85"

A 19th century mahogany longcase clock with a broken arch pediment and turned pilasters housing a 10 1/2 inch brass dial with Roman numerals and an eight day movement bearing a label for Carrington & Co. 130 Regent Street St. W., the trunk enclosed by a single door on a stepped plinth base

An impressive Dutch brass mounted and floral marquetry cased longcase clock, the associated square silvered dial with a calendar niche, signed John Broom, Castle Coomb, 195cm

A modern continental longcase clock, together with another smaller

A 19th century Continental longcase clock, the enamelled dial supporting an eight day twin train striking movement, within a gilt bezel under a closed hood, the painted and grained pine case with baluster shaped trunk and glazed door, 228cm high

BENBOW, NEWPORT A mid 18th century oak longcase clock, the brass dial with Arabic and Roman numerals, two secondary dials, moon phase, supporting a twin train movement, under a carved arched hood, the trunk with stop-fretwork, reeded pilasters on a plinth base, 220cm high

A Victorian 8 day longcase clock with associated brass dial, silvered chapter ring, secondary dial within a mahogany arched hood with reeded twist columns, the trunk with gothic arched door and plinth base, 241cm high

A large 19th century mahogany eight day longcase clock, the arched painted enamel dial with moon phase and rose painted spandrels, subsidiary seconds and date aperture, signed by Edward Jones of Holywell, the case with turned spiral fluted pilasters, with broken arch pediment and turned spiral fluted columns, height 240cm. (Illustrated)

A large 19th century mahogany eight day longcase clock, the arched painted enamel dial with moon phase and painted spandrels, with subsidiary seconds, dial indistinctly signed by a Wigan maker, with turned spiral fluted columns and short door, height 245cm, in need of some restoration. (Illustrated)

William Stumbles, Totnes, An oak cased longcase clock, the eight-day duration, five pillar movement striking the hours on a bell, the twelve inch arched brass dial having a raised silvered chapter ring engraved with black Roman numerals and five minute outer markings, the matted centre having an inset subsidiary seconds dial and date aperture and having rococo style cast brass spandrels, with a silvered boss to the arch engraved with the maker's name 'Wm. Stumbles, Totnes', the associated oak case having a panelled base, arched trunk door, barley twist columns to the hood and an arched top with blind fretwork set within, height 225cm. *William Stumbles was one of the finest of the Devon clockmakers originally working at Aveton Gifford, where he married Sarah Phillips in 1716, before moving to Totnes in 1729 where he died in 1769. He made clocks for some of Devon's oldest families including the Courtenays and Carews. There is one of his finest clocks still at Powderham Castle.

Thomas Hall Londini fecit, A walnut longcase clock, the ten inch square brass dial having a silvered chapter ring engraved with black Roman numerals, Arabic outer numerals and fleur-de-lys half hour markings, the matted centre having a subsidiary seconds dial and engraved centre with cherub head spandrels to the four corners and engraved below the chapter ring with the maker's name 'Thomas Hall Londini fecit', the later movement having adjustable pallets to the dead beat escapement and striking the hours on a bell, the backplate stamped 'Peerless, 325060', the later walnut case having a panelled base, crossbanding to the trunk door, applied columns to the hood and a pagoda top, height 220cm. *Thomas Hall is recorded as working in London from his apprenticeship in 1675 becoming free of the Clockmakers company in 1695.

J Watson, London, A Victorian 'Georgian style' mahogany longcase clock, the eight-day duration movement striking the hours on a bell, the twelve inch arched brass dial having a raised chapter ring engraved with black Roman numerals, the matted centre having a subsidiary seconds dial and a silvered arched name plate engraved with the maker's name 'J. Watson, London', and female head spandrels to the four corners, with a silvered 'strike/silent' dial with dolphin spandrels to the arch, the mahogany case having a double plinth, canted corners to the trunk, an arched door, fluted columns with cast brass capitals to the hood and a shallow pagoda top, height 280cm. *John Forrest Watson is recorded as working in the late 19th century.

Edward Clement, Exon, An early thirty hour longcase clock movement and dial striking the hours on a bell with an outside countwheel and decorative 'flat' pillars, the ten inch square brass dial having a raised chapter ring engraved with black Roman numerals and the maker's name 'Ed Clement, Exon', cherub head spandrels to the four corners, a matted centre and a single blued steel hand. *Edward Clement was one of Exeter's most celebrated clockmaker's having been originally apprenticed in London in 1662 and being free of the Clockmaker's Company in 1671. He moved to Exeter in 1674 and died in 1720 and was most probably the brother of the emminent maker William Clement who was the first to use the anchor escapement on a longcase movement and which became the standard.

Obediah Cluer, London, A lacquer longcase clock, the eight-day duration movement having five turned, finned pillars and striking the hours on a bell with an inside countwheel, the twelve inch arched brass dial having a raised silvered chapter ring engraved with black Roman numerals, Arabic outer five minute numerals and fleur-de-lys half hour markings, the matted centre having ringed winding holes with bird and floral engraving to the date aperture, with female head cast brass spandrels to the four corners and dolphin spandrels to the arch either side of a silvered boss engraved with the maker's name 'Obed. Cluer, London', the flat topped black lacquered case decorated with raised Oriental chinoiserie work to the door, base, with quartered columns to the hood and a pagoda top, height 198cm. *Obediah Cluer was apprenticed in 1682 becoming a Freeman of the Clockmakers Company in 1710 before moving from London to Lewisham, then in Kent, where he died in 1739.

Tim Stafford, Ironbridge, An oak moonphase longcase clock, the eight-day duration movement striking the hours on a bell with the thirteen inch painted arched dial having a moon phase disc to the arch, floral decoration to the four corners, seconds dial and date aperture to the centre, black Arabic numerals and signed by the maker 'Tim Stafford, Ironbridge', the falseplate embossed with the dial maker's name 'Finnemore, Birmingham', the oak case having mahogany crossbanding, a raised oval panel to the base, shell inlay to the trunk door, fluted pillars with brass capitals to the trunk and hood and a swan-neck pediment with a brass ball and eagle finial, height 227cm.

A George III mahogany longcase clock, with eight day movement striking on a bell, the painted break arch dial with rolling moon to the arch above subsidiary seconds, date dial, Roman numerals and inscribed 'Heny Kellitt, Bredbury', cornered by painted figures emblematic of the Continents, the hood with swan neck pediment surmounted by three brass ball and eagle finials above turned columns and a glazed door, the crossbanded case with triple arched trunk door flanked by turned columns on a canted corner base and bracket feet, height approx 238cm (faults).

A George III chinoiserie painted longcase clock with eight day movement striking on a bell, the brass break arch dial with strike/silent indicator above Roman numerals, subsidiary seconds, date aperture and inscribed 'John Hawting, Oxford', the arched hood with three gilt ball finials above a glazed door, the arched trunk door and base painted and gilt with Chinese figures and landscapes, on bracket feet united by a shaped apron, height approx 233cm (some faults).

A George III and later oak longcase clock with eight day movement striking on a bell, the brass break arch dial engraved with strike/silent indicator above Roman numerals, subsidiary seconds, date aperture and inscribed 'Willm Harvey, Brentwood', cornered with foliate scrolls, the pale oak case with arched pediment above a rectangular trunk door, plain base and bracket feet, height approx 208cm (faults).

A collection of longcase clock winders, various watchmaker's tools and other clock related items.

A George III mahogany longcase clock with eight day movement striking on a bell, the brass breakarch dial with subsidiary seconds and date aperture framed by a chapter ring with Roman numerals, cornered with coat of arms spandrels, beneath a circular boss to arch inscribed 'Smoult and Gilbertson, Newcastle', the arched hood with pierced fretwork pediment surmounted with three gilt metal ball finials, the trunk with crossbanded arched door flanked by canted corners above a crossbanded base cornered with leaf inlay, on bracket feet, height approx 227cm (some faults).

A 19th Century mahogany longcase clock case with arched trunk door flanked by fluted corner panels on a plain base and bracket feet (lacking hood and faults).

AN 18TH CENTURY OAK LONGCASE CLOCK having an arched brass dial with silvered chapter ring and engraved decoration, signed William Perkins, London, the case with shaped cornice, panel door and plain base, 51" high (see illustration).

A GEORGE III OAK AND MAHOGANY LONGCASE CLOCK having a breakarch pediment, verre eglomise type panel and fluted columns, the eight day movement with silvered dial, moon phase and secondhand, signed Wm Lawson Newton, with brass spandrels and engraved decoration, the case with fluted pilasters and arched panel door, 84" high (see illustration). Note: William Lawson is recorded as working in Newton the Willows, Lancashire circa. 1770.

A late Georgian oak cased striking eight day longcase clock by James Lomax of Blackburn, the 32cm square brass dial with silvered chapter ring, engraved decoration, and applied spandrels, the case flanked by quartered, fluted pilasters, raised on bracket feet, height 210cm (Illustrated)

A late Georgian oak cased striking 30 hour longcase clock, with square brass dial inscribed Thomas West of Reading (af)

A late Georgian oak cased striking 30 hour longcase clock, with painted square dial, inscribed A E Barlow of Northampton, (restored)

An early 19th century inlaid mahogany and oak cased striking 8 day longcase clock, with painted square dial inscribed John Callcott, Cotton (near Wen) (Illustrated)

An 18th century oak cased striking 30 hour longcase clock, with square brass dial inscribed Thomas Vernon of Ludlow (Illustrated)

A 19TH CENTURY OAK AND MAHOGANY THIRTY HOUR LONGCASE CLOCK, by J. Webb of Shrewsbury, the hood with broken swan neck pediment above arched apeture flanked by baluster turned columns, cross banded pointed arched waist door flanked by half turned pilasters on a panelled cross banded base on bracket feet. Painted arch face decorated with cottages and other buildings, roman numerals seconds dial and date apeture, 30 hour movement striking on one bell. 88" High.

AN 18TH CENTURY THIRTY HOUR LONGCASE CLOCK BY BAKER OF APPLEBY, now in later case, having moulded cornice over square apeture flanked by spirally turned pilasters, the waist with shaped crossbanded door having inlaid urn decoration, panelled base with similar cross banding on bracket feet. Brass 11" dial with pieced spandrels Roman numerals and date apeture. Thirty hour movement striking on one bell. 78" High,

AN 18TH CENTURY OAK THIRTY HOUR LONGCASE CLOCK, by John Adams of Halesowen, having brass face with pierced foliate spandrels, Roman numerals, seconds dial and date apeture, the case with mahogany crossbanding and having rectangular door on panelled base. Thirty hour three pillar movement striking on one bell. The face 12.5" Square. Case 80" High overall.

A 19TH CENTURY OAK EIGHT DAY LONGCASE CLOCK, having hood with broken swan neck pediment above arched apeture flanked by turned columns, the waist with crossbanded rectangular door flanked by quarter reeded pilasters on a panelled base standing on ogee bracket feet. Arch painted face coastal castle to the pediment, Roman numerals and shell painted spandrels, with seconds dial and date apeture. Eight day movement striking on one bell. By Pearce of Stratford. The face 20" x 14". 94" High overall.

AN EARLY 19TH CENTURY WELSH EIGHT DAY MAHOGANY LONGCASE CLOCK BY W.H HARRISON OF CHEPSTOW, having hood with broken swan neck above arched apeture flanked by two moulded columns, the waist with chequered banded inlaid decoration above moulded door flanked by canted angles, on a panelled base with bracket feet. The face with painted scenes of Chepstow Castle, Roman numerals seconds and date dials. 18.5" x 13", 89" High.

A 18TH CENTURY OAK THIRTY HOUR LONGCASE CLOCK BY WILLIAM CLARKE OF LONG BUCKBY, having flat hood with moulded cornice over square apeture flanked by turned pilasters, rectangular moulded waist door on panelled base. Painted 12" square dial with fan spandrels, thirty hour movement striking on one bell. 75" High. Provenance:- National Trust Llandeilo.

AN 18TH CENTURY WELSH EIGHT DAY LONGCASE CLOCK BY JOHN EVANS LAMPETER, having flat hood with arched apeture,above arch moulded waist door on panel base with bracket feet. The brass face 17" x 12" with foliate spandrels, seconds dial and date apeture marked John Evans Lampeter. Eight day two train movement striking on one bell. 86" High overall.

19th Century oak and mahogany Longcase Clock, with swan-neck pediment, short door and on bracket feet, square painted dial with Roman numerals and thirty-hour movement.

A George IV mahogany longcase clock the 12 inch painted arch dial with subsidiary seconds dial, date dial and twin winding apertures, the corners painted with ladies symbolizing the seasons and the upper arch with a country scene, the eight day twin train movement striking on a bell, the case inlaid with plain and chevron stringing 213cm high

A George III mahogany longcase clock with twin train movement, the painted arched dial with Roman numerals subsidiary date and second dials with floral spandrels, the hood with shaped arched pediment over pilasters, the arched trunk door, plinth base 210cm high

A George III oak cased longcase clock By Thomas Morgan, Edinburgh with twin train movement, the arched brass dial with Roman numerals, subsidiary seconds dial and silent/strike dial, date aperture, with cast spandrels, the hood with swan-neck pediment over fretwork panels, glazed arched door, flanked by turned columns, the case with serpentine trunk door, box base 207cm high

VICTORIAN MAHOGANY EIGHT DAY LONGCASE CLOCK, the painted dial with floral decoration and Roman numerals, set in glazed swan neck pediment case with waisted body, 57cm wide

A late 18th/early 19th Century oak longcase clock, the hood with swan neck and pillars to the sides, the plain rectangular trunk with door, fitted an arch top painted dial with oval central patera and Arabic numerals, signed Richard Prew, Tewksbury fitted an eight-day movement, the plate signed Owen

A 1930s oak cased longcase clock, fitted a striking and chiming eight-day movement, the trunk door fitted bevelled glass panes on a plank base with bracket feet, 181.5cm (71.5") high

An early 19th Century mahogany longcase clock, the arch top hood with fluted columns to the sides, the trunk with canted columns enclosed by a door inlaid a central pattera, the arch top brass dial with decorated spandrels, steel chapter ring, engraved centre and Tempus Fugit roundel to the arch, having an eight-day striking movement

A Longcase Clock, the 28 cm square brass dial signed Henry South, with Roman numerals and subsidiary calendar aperture, fitted a thirty hour movement, in an oak case, 212 cm high

An early 20th oak longcase clock, the circular dial with Arabic numerals and three-train movement, within a bevelled glass panel door, 180 cm high.

A Victorian mahogany cased eight day longcase clock, the painted arched dial with cottage scenes, inscribed 'A. Winter Glasgow', with an arched hood and ogee door, on a moulded panel base, 214 cm high.

An Early 20th Century Oak Longcase Clock, the arched hood with barleytwist columns and rectangular door with conforming plinth base, the brass dial with Roman and Arabic numerals and 30-hour movement

An early 19th century pine eight-day longcase clock, the twin train movement striking on a bell, the enamelled dial with Roman numerals and subsidiary seconds dial, painted with David playing before Saul to the arch and images of the four apostles to the spandrels, the hood with swan neck pediment above arched glazed door flanked by fluted angles, the case with moulded trunk door, on panelled base with turned feet, 212cm high

A George III mahogany eight day longcase clock, the twin train movement striking on a bell, the arched hood with moulded cornice centred by carved acanthus leaf, three brass ball finials, the arched glazed door enclosing brass dial with Roman chapter ring, subsidiary seconds dial and date aperture, strike/silent to the arch, cast spandrels, the case with arched moulded trunk door, on panelled base with bracket feet, 236cm high

A George III mahogany eight day longcase clock, by William Taylor, Whitehaven, the twin train movement striking on a bell, the hood with dentilled and rosette carved swan neck pediment centred by a brass ball finial, above arched glazed door, flanked by fluted columns, the brass dial with Roman chapter ring and additional seconds hand, moonphase dial to the arch, cast spandrels, the case with moulded trunk door flanked by fluted quarter column angles, on panelled base with blind fretwork canted angles, on ogee bracket feet, 240cm high

A Georgian mahogany and oak longcase clock, the swan neck hood with floral brass bosses above brass capped columns, the painted enamel arched dial with landscape scene, and calendar aperture, signed Jno Blades, Kirbymoorside, the thirty hour movement with anchor escapement, the trunk with quarter columns and crossbanded door, height 217 cm.

A 19th century oak longcase clock, the break arched hood with brass capped turned columns, the arched brass dial engraved with a phoenix in flight, Tempus Fugit, subsidiary calendar aperture, signed John Troke, Salisbury, eight day rack striking movement with anchor escapement, with arched trunk door, height 203 cm.

An early 19th century mahogany and oak cased longcase clock, with a swan neck pediment, the square painted dial with a date aperture and 30 hour movement by Herring of Newark

An oak and mahogany banded eight-day longcase clock, the 30.5cm gilt brass dial signed Snelling, Alton, the hood with swan neck pediment, and flanked by turned columns, the trunk on bracket feet, height 204cm (80 1/4in.).

An oak eight-day longcase clock, the 27cm brass dial with subsidiary seconds and date aperture, the hood flanked by turned columns, the case on bracket feet, height 198cm (78in.).

A French stained wood longcase clock, the white enamel dial signed Ferrand Michel, the case on bracket feet, height 234cm (92in.).