We found 41749 price guide item(s) matching your search

A George III mahogany eight day longcase clock, the hood with a swan neck pediment and turned finials, brass dial with Roman numerals, swan neck pediment, Gothic shaped case door, projecting base, 222cm high

A 19th Century stained pine eight day longcase clock with arched painted dial and subsidiary dial (lacking weights and pendulum) 208cm high

A 19th Century French pine comtoise longcase clock with a brass and enamel dial (a/f) 230cm high

A GEORGE III MAHOGANY CASED LONGCASE CLOCK with 8-day movement, the brass dial with subsidiary seconds dial and calendar aperture, signed to the break arch 'Baker Hull, in figured mahogany case with broken swan neck pediment, 52cm wide 25cm deep 223cm high

A GEORGE III/WILLIAM IV 8-DAY LONGCASE CLOCK the enamel dial with Roman numerals and subsidiary seconds and date dials, inscribed 'Tight Reading', with convex glass cover, in figured mahogany case 47cm wide 23cm deep 216cm high

A 19th Century inlaid mahogany longcase clock by Edwin Fear of Pill St George, Bristol. The arch shaped hood with glazed door having painted face with roman numeral chapter ring with subsiduary dial and date aperture. Complete with lead weights and pendulum. Measures 200cm high x 48cm wide x 23cm deep.

A 19th century country oak painted face longcase clock. The oak hood and trunk with painted face and movement having illegible makers name. 196cm high x 40cm wide x 23cm deep

A 19th Century inlaid mahogany longcase clock. The arch shaped hood with glazed door having painted face with classical scene over roman numeral chapter ring with subsiduary dial and date aperture. Complete with lead weights and pendulum. Measures 219cm high x 46cm wide x 27cm deep.

A Georgian 19th century country oak longcase clock. The painted face with inset movement complete with weight and pendulum. Painted face with faceted hands set within rustic trunk and hood. Measures 202cm high x 48cm wide x 27cm deep.

A 19th Century inlaid country oak welsh longcase clock by J Foster of Aberystwyth. The arch shaped hood with glazed door having painted face with equestrian and cattle scene having roman numeral chapter ring with subsiduary dial and date aperture. Complete with lead weight and pendulum. Measures 214cm high x 43cm wide x 22cm deep.

A George III mahogany longcase clock by William Robb Montrose, with 12 inch arch brass dial with painted moon phases, hood with brass capped column uprights, 217cm high

A George III longcase clock, swan neck finials terminating in turned circular detail above turned pilasters enclosing hand painted spandrels of grapes on a vine and insects, the dome decorated with a young lady seated under a tree, inscribed Swinburn, Durham. Roman numerals; eight day movement, shaped central door inlaid with ebony, stepped plinth base (1)

A 19TH CENTURY MAHOGANY CASED LONGCASE CLOCK, 30hr movement, square painted face, marked 'Counsell & Son Ross', approximate height 212cm, sd, alterations, losses, etc (pendulum and one weight)

A GEORGIAN OAK AND MAHOGANY CASED LONGCASE CLOCK, 30 hour movement, square painted face, approximate height 208cm, (pendulum and one weight) (sd)

A GEORGIAN OAK CASED LONGCASE CLOCK, 30hr movement, square painted face unmarked, approximate height 196cm, (sd, losses, etc) (pendulum and one weight)

A fine George III mahogany musical automaton longcase clock by Samuel Smith of London, the eight day, six pillar three train movement with an anchor escapement and striking on a bell and playing six tunes from a 9.5cm pinned cylinder on a graduated set of eight bells, the arched brass dial with a silvered chapter ring with Roman and Arabic numerals, the matted centre signed 'Samuel Smith LONDON', with subsidiary seconds dial and date aperture, with foliate cast spandrels and strike / silent and chime dials, the arch painted with a Georgian interior with figures playing instruments with a lady at a harpsichord, inscribed 'FAL LA LA, HOME SWEET HOME, MARCH IN ROB ROY, BLUE BELLS OF SCOTLAND, MARINERS HYMN, 104th PSALM', the hood with fluted pilasters and glass side panels, the case with outline mouldings on bracket feet, 230.2cm high. Case and movement possibly associated.

A George III mahogany longcase clock by Thomas Hall of Romsey, the eight day four pillar movement with an anchor escapement striking on a bell, the arched dial with a silvered chapter ring with Roman and Arabic numerals, with cast brass spandrels, strike / silent dial and date aperture, the arch inscribed 'THOMAS HALL RUMSEY', above a moon phase, the hood with blind fret carving and giltwood finials, 237cm high.

An oak longcase clock by William Wilkins of Devizes, the thirty hour turned and posted frame movement with an anchor escapement and striking on a bell, with a brass dial, the chapter ring with Roman numerals and signed 'W Wilkins Devizes', with cast spandrels and matted centre with single hand and alarm dial, the bell top hood with a fabric backed pierced fret frieze and brass finials, the base later, 227cm high. William Wilkins (c.1693-1776) of St. Johns, Devizes, Clock and Watchmaker.

An oak longcase clock, the eight day five pillar movement with an inside countwheel striking on a bell, with a silvered chapter ring with Roman and Arabic numerals, signed 'Wm Speakman in Old Street', with an engraved matted centre with subsidiary seconds dial and date aperture, with cast cherub and crown spandrels and herringbone edging to the dial, the hood with a raised top and fluted columns, the later case has been long associated with the dial and is applied with an unusual bone dial indicating the days of the week, the inside of the trunk door with an interesting old label relating to a previous owner Harry Spencer Andrew Foy, 219.4cm high.  William Speakman was apprenticed to Peter Closon and was made Master of the Clockmaker's Company in 1701.

A George III mahogany longcase clock by Thomas Read of Manchester, the eight day four pillar movement with an anchor escapement and striking on a bell, the painted enamel arched dial decorated with figures and four season spandrels, the centre with a shepherd and a young lady, with subsidiary seconds and date dials, signed 'Thos Read MANCHESTER', the arch with a moon phase, the hood with a broken swan neck pediment, the case inlaid with stringing and marquetry with urns of flowers, scrolling leaves and oval paterae with a lancet arch door on bracket feet, 242cm high.

A George III mahogany musical automaton longcase clock by Joseph Miles of Shaftesbury, the eight day five pillar three train movement with an anchor escapement and striking on a bell and playing six tunes from a 9cm pinned cylinder on a graduated set of eight bells, the arched brass dial with a silvered chapter ring with Roman and Arabic numerals, the engraved centre with a castle and a boat, signed 'Joseph Miles, SHASTON', with subsidiary seconds dial, with rococo cast spandrels and with subsidiary date and tune dials, the arched top with a painted automaton rondel with chickens and a flying bird, the hood with a pagoda top and brass finials, with blind fret panels, the case with stop fluted quarter pilasters, with a panelled base and bracket feet, 265cm high. Case and movement possibly associated.  

A George III mahogany longcase clock by Guy of Shaftesbury, the eight day four pillar movement with an anchor escapement and striking on a bell, the silvered arched dial with engraved scrolls and swags, Roman numerals and signed 'GUY Shaftesbury', with subsidiary seconds dial and date aperture, with a moon phase and inscribed 'THE MOONS AGE', the case inlaid with stringing and with brass mounted fluted columns, 212.3cm long.

An early 20th Century gimbal mounted compass within a mahogany case, a set of late George III steel balance scales by J. Draper, a pair of opera glasses, a lacquered cabinet and a diminutive longcase clock.

A flame mahogany and bird's eye maple cased longcase clock, the dial set with Roman numerals, height 207cm.

A reproduction mahogany cased longcase clock, the moon dial set with gilt Arabic numerals, inscribed 'Slight', height 204cm.

A 19th century mahogany thirty hour longcase clock, the floral painted dial with Roman numerals, the case with three gilt painted finials above two columns.

A mahogany and inlaid eight day longcase clock, the dial plate with painted landscape scene and subsidiary dial detailed 'Thomas Fayrer Lancaster', with eagle surmount and broken arch pediment, over an inlaid hood and waisted trunk, 227cm high (two lead weights and a pendulum).

A Scottish eight day longcase clock, 19th century, the circular painted metal dial with two further subsidiary dials, detailed 'John Hislop Peebles', with urn finials over circular glass window and a waisted trunk, 208cm high (two cast iron weights and a pendulum).

An 18th century mahogany north country longcase clock, with eight day movement operating the rolling moon dial with subsidiary second and date chapters 230 cm H

A 1950s Enfield longcase clock, with eight day movement striking and chiming on rods, complete with presentation plaque marked 1953 195 cm H

Henry Yeomans, Nottingham, a mahogany longcase clock: the eight-day duration movement striking the hours on a bell, the thirteen-inch painted break-arch dial having black Roman hour numerals, five-minute Arabic outer numerals, a subsidiary seconds dial, date aperture, with a depiction of the four-seasons painted to each corner, a rural scene painted within the arch depicting a shepherd resting with his sheep and signed to the centre with the maker's name H. Yeomans, Nottingham, with decorative brass hands, the mahogany case with inlaid stringing and cross-banding to the base and trunk, canted corners and a shaped top to the trunk door, the hood with further inlaid stringing, turned columns with brass capitals and a swan-neck pediment with brass paterae and a ball-and-spire finial to the centre, standing on bracket feet, height 227cm, including finial. * Biography Henry Yeomans is recorded as a clock and watch maker, silversmith and jeweller working at various addresses in Clumber Street, Nottingham; number 19 in 1825, number 27 in 1853 and number 15 from 1864.

John Lee, London, a lacquered longcase clock: the eight-day duration, five-pillar movement (fifth pillar missing) striking the hours on a bell, the twelve-inch break-arch dial having a raised silvered chapter ring engraved with black Roman numerals and Arabic five-minute numerals to the outer aspect, the matted centre with a subsidiary seconds dial, date aperture and silvered plaque engraved with the maker's name John Lee, London, with cast-brass female and c-scroll spandrels to the four corners, and a strike/silent dial within the arch with cast-brass dolphin spandrels either side, with blued steel hands, the green lacquered case with raised chinoiserie decoration, the hood having a pagoda top with ball-and-spire finials to either side, a brass eagle-and-ball finial to the centre and three-quarter columns with cast brass capitals, the trunk with typical Oriental scenes to the break-arch door, the base with further decoration and standing on replaced bracket feet, height 243cm (not inc. finial) * Biography There were various makers named John Lee working in London at this time, with the most likely maker of this clock being either a John Lee who was apprenticed in 1719, becoming free of the Clockmakers Company in 1737 or another apprenticed in 1734 becoming free of the Clockmakers Company in 1745. * Provenance: Kingsnympton Park, Devon.

Peter Bower, Redlynch, an oak longcase clock: the associated thirty-hour birdcage movement striking on a bell, the ten-inch square brass dial having a raised chapter ring engraved with black Roman numerals, fleur-de-lys half-hour markings and signed either side of VI o'clock Peter Bower, Redlynch, with cast-brass c-scroll and shell corner spandrels, the dial centre engraved with a depiction of a castle flying a flag, with a steel single hand and date aperture, the oak flat-topped case having a long trunk door, plain base and tapered three-quarter columns to the hood with wood capitals, height 213cm. * Biography Peter Bower is recorded as a fine and prolific maker working in the West-country from circa 1710.

A 19th Century oak and mahogany longcase clock by Robert Joyce & Sons of Ruthin, the 13ins square painted dial with Roman numerals, subsidiary seconds dial and date aperture, the spandrels decorated with flowers to the eight day two train movement striking on a bell, contained, in oak and figured mahogany case with scroll pediment and triple cluster columns to hood, shaped and crossbanded trunk door flanked by moulded columns, the base with raised astragal panel and on bracket feet, 87ins high Note : Robert G. Joyce recorded working Ruthin 1856-1887

An 18th Century mahogany longcase clock by Thomas and John de la Houilliere of London, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, and with matted dial centre to the eight day two train five pillar movement striking on a bell, contained in mahogany case, the hood with deep moulded cornice above fretted frieze and with turned, fluted and brass stopped columns, shaped figured trunk door flanked by quarter fluted and brass stopped columns, the base with raise astragal centre panel with conforming columns, on double plinth base, 93ins high Note : Thomas de la Houilliere recorded working London before 1725

An 18th Century mahogany longcase clock by James Brogden of London, with 12ins arched brass dial, silver chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, matted centre dial engraved with birds and leaf scroll ornament, the eight day two train five pillar movement now striking on a gong, contained in mahogany case, with swept cresting, arched and moulded cornice and turned fluted and brass stopped columns to hood, shaped trunk door and plinth with raised centre panel and double plinth base, 94ins high Note: James Brogden recorded working in London, 1770-1799

An early George III mahogany longcase clock by Thomas Cackett of Cranbrook, the 12ins arched brass dial wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, and with matted dial centre to the eight day two train five pillar movement striking on a bell, contained in mahogany case, with shaped cresting, above arched and moulded cornice, turned and fluted pillars to hood, shaped trunk doors, and on bracket feet, 88ins high, (included brass finials) Note: Thomas Cackett recorded working in Cranbrook in 1748, retired 1774

A late 18th Century oak and mahogany longcase clock by S. Ellis of Church Stretton, the 12ins square painted dial with Roman and Arabic numerals and subsidiary seconds dial, date aperture and dummy winding holes to the thirty hour movement striking on a bell, contained in oak case banded in mahogany with narrow moulded cornice and plain turned pillars to hood, crossbanded trunk door and conforming plinth, 77ins high

A late 18th Century oak and mahogany longcase clock, the movement inscribed "Robert Cornish of Dartford", the 13ins arched brass dial with wide chapter ring with Roman and Arabic numerals, subsidiary seconds dial with date aperture to the eight day two train movement striking on a bell, contained in associated oak and mahogany case, with scroll pediment and slender turned pillars to hood, shaped trunk door flanked by fluted quarter columns and on bracket feet, 88ins high, (movement and case associated and in need of restoration)

A 19th century mahogany longcase clock, by Cooper & Hedge of Colchester, with a thirty hour movement striking on a bell, the brass dial with a silvered 11in chapter ring, inscribed, with a birdcage movement in later mahogany case, 219cm high

A George III oak eight day longcase clock, by Edward Hunsdon, Chelmsford, the square dial with a silvered chapter ring, seconds dial and calendar aperture supporting a five pillar striking movement, dial 11¼in (29cm), case 202cm high

An early 19th century mahogany longcase clock having swan neck hood comprising, painted arch dial of huntsman scene with 8 day movement possibly James Scott, Kendal on a pillar trunk and square base

A late 20th century Emperor mahogany longcase clock having swan neck hood with moon phase dial and chiming movement on glass trunk and square base

A Victorian eight day mahogany longcase clock by W. Illingworth Holbeck with painted arch top dial and subsidiary seconds.

A Swarovski and gilt metal miniature champagne bottle together with a Classic Timepieces gilt metal longcase clock (2)

A painted longcase clock dial

A 19th century mahogany inlaid eight day longcase clock, the hood with broken swan pediment terminating in gilt scrolls, above glazed door enclosing painted dial with floral panels, Roman numerals and two subsidiary dials, name rubbed, with pendulum and two lead weights, dial 47.5cm high x 33cm wide, clock 235cm high

A 19th century mahogany cased eight day longcase clock by Robt Currer Falkirk, the hood with broken swan pediment above glazed door enclosing painted dial depicting spandrels of commerce and albion, the dial with Roman numerals and two subsidiary dials with pendulum and two lead weights, dial 51cm high x 36cm wide, clock 224cm high

A quantity of crested wares, to include miniature longcase clock, cups, animal figures, teapot, jugs (a lot)

A 19th century mahogany cased eight day longcase clock by Alex Collison Stonehaven, the hood with broken swan pediment terminating in gilt scrolls, above glazed door enclosing painted dial depicting spandrels of famous figures to include Robert the Bruce, the dial with Roman numerals and two subsidiary dials, name rubbed, with pendulum and two lead weights, dial 47cm high x 33cm wide, clock 213cm high

A 19th century mahogany inlaid longcase clock by John Pringle, the painted dial with floral panels and panel of church, the dial with Roman numerals and two subsidiary dials (lacking hood and weights), pendulum a/f, dial 49cm high x 34.5cm wide, clock 207cm high

A 19th century mahogany inlaid eight day longcase clock, the hood with broken swan pediment, terminating in gilt scrolls with glazed door enclosing brass celestial moon phase dial with gilt mask spandrels, Roman numerals and subsidiary seconds dial, with pendulum and two lead weights, dial 49cm high x 35cm wide, clock 230cm high

A Georgian Oak country Longcase Clock, moulded cornice to the hood with single pane (a/f) door, flanked by turned columns, having painted face, with bird and floral designs, marked Watkins, Abergavenny, 30 hour movement, long door case with plinth base, 74 1/2'' high x 17 3/4'' wide x 8 1/2'' deep

A mid 19th Century oak and mahogany crossbanded longcase clock, the painted arch dial with eight day movement currently detached, A/F.

An 18th Century and later oak longcase clock with 30-hour movement, the hood with twin swan neck pediment enclosing a 10 inch square brass dial with single hour hand and corner spandrels, the chapter ring signed 'W. Morgan, Hereford', later alterations and repairs, height 207cm.

Victorian carved oak longcase clock case, swan neck pediment with brass plate mounts, H218 Condition Report Click here for further images, condition, auction times & delivery costs

John Rowlands of Berwick early 19th century oak longcase clock, having swan neck pediment and two 3/4 turned pilasters flanking silvered arched dial, w.12", signed to the arch, the main dial with Roman and Arabic numerals, inner date dial and subsidiary seconds dial, twin winding holes for an eight day brass four pillar weight driven movement striking on a bell, the case with arched panelled door to boxbase, h.227cm

Robert Johnson of Ballymoney early 19th century mahogany longcase clock, the painted arch dial (w.12.5") signed to the centre and having rolling moondial, subsidiary seconds dial over rolling date dial, twin winding holes for a brass eight day four pillar weight driven movement, the case with panelled door within quarter turned diagonal reeded pilasters to a boxbase with canted corners, h.237cm

James Blair of Kilwinning early 19th century mahogany longcase clock, the signed and painted arched dial with Roman and Arabic numerals, subsidiary seconds and date dial, twin winding holes for a brass eight day weight driven four pillar movement striking on a bell, the case with specimen marquetry feather banding and boxwood stringing to a boxbase, h.222cm

An 18th century mahogany and rosewood crossbanded longcase clock, the enamelled face with Roman numerals second dial and eight day movement signed by H Palmer, Monmouth, h. 223 cm, w. 51 cm, d. 24 cm CONDITION REPORT: Some rosewood banding missing. Back feet missing, Crazing to enamel. Finial loose. Column loose with chips General wear and tear