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An oak cased thirty-hour longcase clock, circa 1750, the posted movement with outside countwheel bell strike and 10 inch square brass dial engraved with boat between cottage and tree adorned headlands beneath signature 'Benn't Edwards, Bungay' to centre within an applied Roman numeral chapter ring and bird and urn pattern spandrel decorated corners, the flat-top case of slender proportions with ogee dentil cornice and integral door pilasters to hood over long trunk door and plain plinth base with later skirt, 200cm high.

Andrew Hewlet, Bristol. A late 18th century walnut eight-day longcase clock, the square hood with moulded cornice and turned columns, having a boxwood strung waist panel door on a similar box base, the 31cm. arched brass dial signed 'Andrew Hewlet, Bristol', with subsidiary seconds and date aperture and regulation to the arch, the twin-train movement with anchor escapement striking to a bell, 217cm. high.

J. Skinner, Exeter. A late 18th century oak and crossbanded eight-day longcase clock, the square hood with swan-neck pediment and turned columns, having a crossbanded waist panel door and similar box base, the 30.5cm. square brass dial signed 'J. Skinner, Exeter', with subsidiary seconds and date dials, the twin train movement with anchor escapement striking to a bell, 214cm. high.

A George III mahogany longcase clock, the arched hood with shaped pediment and a pair of fluted columns, the trunk enclosed by a shaped and crossbanded waist panel door between fluted three-quarter pilasters, on ogee bracket feet, the 32.5cm. arched brass Roman dial with engraved scrolling foliate centre, having a subsidiary seconds dial, the twin train movement with anchor escapement and bell strike, 220cm. high.

Henry Lane, Bristol. A late 18th century oak and crossbanded eight-day longcase clock, the arched hood with swan-neck pediment and turned and fluted columns, having a crossbanded double-arched waist panel door enclosed by fluted quarter columns, on a box base, the 30.5cm. arched brass dial signed 'Henry Lane, Bristol', with date aperture, the twin train movement with anchor escapement striking to a bell, 208cm. high.

Jon Gutherie, Kelso. An early 19th century mahogany longcase clock, the arched hood with swan-neck pediment and turned columns, having an arched and cross-banded waist panel door on a moulded box base, the 30.5cm. arched painted dial signed 'Jon Gutherie, Kelso', the spandrels each depicting the four continents and with painted armorial to the arch, having subsidiary seconds and date dials, the twin train movement striking to a bell, 211cm. high.

LONGCASE CLOCK, early Victorian mahogany, the circular painted face inscribed R. Miller, Kilmarnock, with secondary dials, eight day movement, carved scroll hood and flared panelled trunk, with inlaid bird, 222cm high.

A George III Oak Longcase Clock, the broken pediment with brass finial above an arched glazed hood flanked by turned pilasters above a panel door and conforming plinth base, the painted dial with Roman numerals and seconds dial and painted with a shipping scene with moving galleon, the corners decorated with ruins by Thomas Lister, Lancaster

Early 19th Century mahogany longcase clock, the hood with swan neck pediment, inlaid oval panels and with turned pillars having gilt metal capitals, the trunk with crossbanded long door flanked by spiral turned pilasters, the arch shaped painted dial with moon phase movement, floral spandrels, seconds dial and fan shaped calendar aperture signed Jno. Warry, Bristol- eight day striking movement, 217cm high

George III oak longcase clock, the hood with carved frieze inscribed 'GHD 1752' and with tapered pillars, the trunk with arch shaped long door- painted 11" square dial indistinctly inscribed- 30 hour striking movement, 189cm high

18th Century crossbanded oak longcase clock having a long arch shaped door, the hood with tapered pilasters, the arch shaped brass dial with engraved seconds indicator and fan shaped calendar signed Jno. Murch, Honiton- eight day striking movement, 204cm high

18th Century oak longcase clock having a long arch shaped door and standing on bracket feet, the 10" brass dial with crown and cherub spandrels, matted centre and single hand, the chapter ring signed Rob. Browne, Botesdal- 30 hour striking movement, 215cm high

Early 18th Century oak longcase clock having a long door, the 10" brass dial with single hand and with engraved foliate scrolls signed Washbourne, Gloucester- 30 hour striking movement, 202cm high

An oak miniature longcase clock, the square brass 11cm dial with silvered Roman chapter ring and leaf engraved spandrels, eight day movement, the square hood with swan neck pediment and freestanding turned pillars, rectangular mahogany trunk door and base panel, on moulded feet, 103cm high

A mahogany longcase clock, the arched brass 30cm dial with dolphin and urn spandrels, Roman and Arabic chapter ring, the matted centre with subsidiary seconds dial and calendar aperture, the arch with Strike-Silent dial, eight day movement, striking on a bell, the hood with moulded barrel cornice beneath a bell shaped top with fretwork panel and brass finials, brass mounted fluted pillars, arched moulded door to trunk, shaped skirted base, 236cm high excluding finials

An oak and mahogany longcase clock, the square enamelled 35cm dial with Roman chapter ring and floral spandrels, subsidiary seconds and calendar dials, inscribed 'N. Dumvile, Wilmslow', eight day movement, striking on a bell, the square hood with brass mounted swan neck pediment and fluted freestanding pillars, shaped ovolo moulded trunk door flanked by reeded and strung pilasters, the canted moulded base with planted re-entrant panel, 213cm high .

An oak longcase clock, the square brass 30cm dial with Roman and Arabic chapter ring and pierced floral spandrels, the leaf engraved centre with subsidiary seconds dial and silvered calendar sector, inscribed 'Joseph Marshall, Leicester', eight day movement, striking on a bell, the square hood with blind fretwork frieze and flared cornice, brass mounted plain freestanding pillars, arched ovolo moulded trunk door, 200cm high

An oak longcase clock, the circular enamelled 32cm dial painted flower sprays, Roman and Arabic chapter ring, inscribed 'Mason, Chesterfield', thirty hour movement, striking on a bell, the hood with brass mounted swan neck pediment and tapering fluted keystone above brass mounted reeded pillars, arched door to trunk flanked by reeded quadrant pilasters, outlined with mahogany crossbands, skirted base, 214cm high

An oak longcase clock, the arched enamelled 32cm dial painted with Mediterranean lake scene and cottage spandrels, Roman chapter ring, calendar aperture, inscribed 'Sulley, Nottingham', thirty hour movement, striking on a bell, the arched hood with draught moulded swan neck pediment, arched door to trunk flanked by plain quadrant pilasters, the base with planted panel and chamfered angles, outlined with mahogany and rosewood crossbands, on bracket feet, 218cm high

An oak longcase clock, the square brass 28cm dial with mask spandrels, Roman and Arabic chapter ring, calendar aperture, inscribed 'James Cotton, Tamworth', thirty hour movement, striking on a bell, square hood with swan neck cresting and brass mounted plain pillars, arched door to trunk, outlined with mahogany crossbands, skirted base, 205cm (composite)

AN 18TH CENTURY THIRTY HOUR LONGCASE CLOCK MOVEMENT the 10" square brass dial with silvered chapter ring, Roman numerals and single hand, signed Richard Hardwick, Ashwick, with birdcage movement and oak wall bracket.

AN EDWARDIAN MAHOGANY AND INLAID LONGCASE CLOCK the hood with swan neck pediment, fluted pillars and fretwork sides above an arched door and panelled base, the triple train movement with arched brass dial and silvered chapter ring, signed Kemp Bros. Union Street Bristol (AF), 95" high.

AN 18TH CENTURY MAHOGANY EIGHT DAY LONGCASE CLOCK, the caddy top hood with gilt ball finials and plain pilasters above a moulded trunk door and panelled base, the brass dial with silvered chapter ring, signed 'John Johnson, Walton', having Roman and Arabic numerals, foliate engraved matted centre with subsidiary seconds dial and date aperture, 89" high.

An early 20th century walnut and mahogany dwarf longcase clock, 19th century eight day movement with brass dial, inscribed Hu.Campbell, Edinburgh, 166cm

A George III and later dark blue japanned musical longcase clock, the arched hood surmounted by three gilt ball finials above an arched glazed door flanked by three quarter columns, the chinoiserie decorated trunk with arched door and central coloured mezzotint panel, on a conforming panelled box base and stepped plinth, the later 12 inch brass dial with subsidiary seconds dial, silvered chapter ring and subsidiary chime/silent and Whittington/Westminster dials to the arch, the three train brass movement with anchor escapement playing chimes on eight bells, striking hourly on a separate bell, 230cm high

A George III oak and mahogany banded longcase clock, the hood with broken swan neck pediment above an arched glazed door flanked to each side by a turned column, the triple arched trunk door flanked by conforming columns, above a panelled box base with canted corners, the 14 inch white enamel dial with subsidiary seconds dial and date aperture, painted to the spandrels with flowers, the arch with moon phase, the twin train movement with anchor escapement, and 'Walker Hughes, Birmingham' false plate, striking on a bell, 220cm high

A George III oak longcase clock, the broken swan neck pediment above an arch glazed door flanked to each side by a column with gilt capitals, the shaped trunk drawer above a box base with moulded plinth, the 12 inch brass dial engraved with chinoiserie decoration around a subsidiary seconds dial and date aperture, with acanthus leaf flower and urn pattern spandrels, the arch applied with a convex roundel inscribed 'Thos. Sutton, Maidstone', the twin train movement with anchor escapement striking on a bell, 205cm high

A clear and smoked perspex Clepshydra longcase water clock

AN EDWARDIAN LONGCASE CLOCK, the eight day striking movement with arched brass dial chased with eagle and inscribed, secondary dial, the back plate stamped Salisbury, in mahogany case, the arched moulded cornice on fluted Corinthian columns, canted trunk with blind fret banding and wavy edged door, similar base, on plinth, presentation inscription plaque dated 1906

A LONGCASE CLOCK by G Patison, Halifax, the eight day movement with arched brass dial, the silvered centre chased with flowers, secondary dial, painted moonphase with sail ship, in oak and parquetry banded case, scrolled pediment on fluted corinthian columns, arched door flanked by fluted quarter columns, canted panel base with inlaid star and batwing paterae, on bracket feet, later Victorian carving, 91 1/2" high

A LONGCASE CLOCK, the eight day movement with arched brass dial painted with a river scene and flowers, secondary dial, in mahogany case with ebony and boxwood stringing and parquetry banding, scrolled pediment with finials on fluted columns, canted trunk with arched door, panelled base and shaped apron, on bracket feet, early 19th century, 73 1/2" high

A LONGCASE CLOCK, the thirty hour movement with square painted dial, oak case with shaped and moulded cornice on pillared supports, moulded edged door, on plinth, 19th century, 86" high

An early 19th Century mahogany longcase clock, the 12ins arched brass dial with Arabic numerals to the arch and spandrels decorated with fruit and gilt leaf scroll ornament, with subsidiary seconds dial to the eight day two train movement striking on a bell, contained in figured mahogany case, probably by Goulden of Canterbury, with shaped cresting above moulded cornice, with turned, fluted and Corinthian capped columns to hood, shaped and arched trunk door and plinth with applied astragal mouldings, on bracket feet, 8ins high (dial partly repainted and with second hand missing - case with twisted trunk door and split to cornice, and generally in need of restoration)

A 19th Century mahogany longcase clock by Pollard of Canterbury, the 12ins arched painted dial decorated with a romantic landscape to the arch and shells to the spandrels, with subsidiary seconds dial and date dial to the eight day two train movement striking on a bell, contained in mahogany case, probably by Goulden of Canterbury, with shaped cresting and turned and fluted columns to hood, arched trunk door, plain plinth and with shaped bracket feet, 81ins high (plinth altered and case generally in need of restoration - glass panel lacking to hood door)

An 18th Century walnut longcase clock by Samuel Holbin of Bitton, the 12ins arched brass dial with silvered chapter ring with Roman and Arabic numerals and subsidiary seconds dial, the arch showing phases of the moon and silvered scale worded "High Water at Bristol Key" to the eight day two train movement striking on a bell, contained in figured walnut case, the hood with later shaped and moulded pediment above moulded cornice and blind fret ornament, arched trunk door inlaid with chequered bandings and crossbanded, and with conforming plinth, on bracket feet, 95ins high (lacking pendulum and weights and in need of some restoration)

GEORGE III OAK EIGHT-DAY LONGCASE CLOCK, Peter Bernard, London, brass face with silvered dial and Roman numerals, the hood with gilt-decorated columns above an ogee arched door. 209cm

GEORGE III OAK LONGCASE CLOCK, William Davison, Eccleshall, with 10" brass dial, 30hr movement, the hood with dentilled cornice, raised on tapering columns over a plain trunk. 201cm

RARE GORDON RUSSELL ROSEWOOD AND BOGOAK LONGCASE CLOCK, 1928, the 10" silvered brass dial with Roman numerals inscribed "Russell Workshops, Broadway, Worcestershire", with subsidiary seconds dial, the spandrels cast with fretwork and exotic birds, 8 day movement, the hood surmounted by a pair of urn finials, supported on slender fluted baluster columns, the trunk with plain cock-beaded door flanked by ring-turned columns, on a plain plinth with faceted corner columns over conforming feet, with paper label, "Design Number 774, Designer Gordon Russell, Foreman Edgar Turner, Cabinet Maker indistinctly inscribed, Date 19/11/28". 216cm

An oak thirty hour striking longcase clock the 10" square brass dial having a single handle and signed HENRY LINTOTT FARNHAM having barleytwist columns over a long narrow crossbanded trunk door 6'10" tall"

A quantity of longcase clock movements and two painted dials

An early Victorian oak and mahogany longcase clock, the 12inch painted dial signed Windle Stockton with two subsidiary dials and painted with a girl at a tree to the arch having eight day movement, the hood with swan neck pediment and turned pillars, a short panelled door to the trunk and on conforming base, 226cm h Some losses of the paint to the dial and the veneers chipped in places. Much accretion of dust and grime

A Victorian oak longcase clock, the 12inch painted dial signed Saml Thorp Abberley, with pierced date sector and lunar work, painted spandrels and arabic chapters, the arch unusually painted with an auction sale, having eight day movement in crossbanded and inlaid case with brass mounted swan neck pediment and fluted pillars, shaped door and panelled base, 212cm h Minor losses and a little scuffed around the base, but in otherwise excellent and original condition, the dial/movement original to the case

An oak longcase clock, the 10.5 inch brass dial signed on the chapter ring John Boot Sutton Ashfield, with engraved centre, date sector and ringed winding holes, having masked spandrels and thirty hour movement in crossbanded case with swan neck pediment, fluted pillars and short door to the trunk, on panelled base and bracket feet, 220cm h The works and dial associated to the case, the case being early Victorian in date. In good condition externally, the movement in need of attention

A George III oak longcase clock, the 11inch brass dial signed on the chapter ring John Arnold CHILD OCKFORD, having matted centre with date aperture, mask spandrels and 30 hour movement, the case with stepped cornice, turned pilasters and plain full length door, 204cm h Dial and movement original but in need of restoration affected by verdigris/corrosion, minor scratch to the door to the trunk, the plinth repaired

A George II longcase clock movement, the 12inch brass dial signed on the silvered chapter ring Wm Camden London, having matted centre with subsidiary seconds dial, pierced square date aperture and ringed winding holes with crown and cherub supporters all in an engraved wheatear engraved border Dusty but in good original condition with what could be the original seat board

An oak longcase clock, with painted dial, signed Brindley Mansfield, having eight day movement, the trunk with fluted pillasters and an bracket feet, 215cm h

Thomas Martin, London, alate 17th century walnut and marquetry longcase clock, the hood with rebuilt stepped cornice and replacement fretwork frieze above turned pilasters, the rectangular trunk door with three panels of foliate marquetry (the top panel cracked across), the rectangular plinth similarly inlaid, the 11.25 inch square dial signed to the silvered chapter ring below, with silvered seconds dial and date aperture, matted centre, gilt winged mask spandrels, with five pillar eight day bell-striking movement, (case probably associated), 211cm high

Mark Jacob, London, an 18th century walnut longcase clock, the caddy top hood with fret frieze and turned pilasters above cross banded trunk and plinth with stepped skirting, the 12 inch dial signed on a silvered boss to the arch, with silvered chapter ring, seconds dial and date aperture, mask spandrels, and five pillar eight day movement, (possibly associated to case), restorations, 242cm high

A late George III oak longcase clock, the break-arch hood with shaped cresting, three gilt ball finials and fluted columns, the trunk with arched door, upon a rectangular plinth, the 12 inch painted dial with seconds dial and calendar aperture, and four pillar eight day movement having the original seatboard, 222cm high

A 19th century oak longcase clock, the break arch hood with swanneck pediment and turned columns, the trunk with quarter pilasters upon a rectangular plinth and bracket feet, the 12 inch dial painted with a shooting scene to the arch, seconds and calendar dials, eight day four pillar movement, with decorative cast slab weights marked 'R R 12' and transfer decorated pendulum bob, 225cm high

A late George III oak longcase clock, the break arch hood with shaped cresting and turned columns, above an arched trunk door upon a rectangular plinth, the 12 inch painted arched dial with seconds dial and calendar aperture, the eight day four pillar movement with replaced seatboard, 225cm high

A walnut chiming longcase clock, the break arch hood with barley-twist columns and pierced side panels above a rectangular quarter-veneered trunk door and plinth, upon a stepped base, the associated 12 inch arched dial signed Thomas Gregory to a silvered plaque, with silvered strike/silent to the arch, seconds dial, calendar aperture and chapter ring, having an adapted six pillar movement with extended plates to accommodate the added chiming train on eight bells, the case 20th century, movement and dial associated, 214cm high

A Longcase Clock with square brass dial having silvered chapter ring, date aperture, corner Spandrels, inscribed Stephen Miles, Kidderminster, eight-day movement in oak case with later floral and mask carving , the hood with swan neck surmount

Set of three brass longcase clock finials, each 13.5cm high

19th Century mahogany longcase clock, hood with scrolled pediment and twist turned columns flanking the glazed door enclosing 35cm arched painted enamelled dial with subsiduary seconds dial and date arch, trunk with short crossbanded triple arched door flanked by twist turned columns, 214cm high

Mid 19th Century oak and mahogany longcase clock, hood with swan neck pediment and turned columns flanking the 35cm arched painted enamelled dial with subsiduary seconds dial and date arch, marked Isaac Williams, Coedpoeth, trunk with short door flanked by half turned columns, 236cm high

Mid 19th Century mahogany longcase clock, the hood with swan neck pediment and twist turned columns, flanking the glazed door enclosing 35cm arched painted enamelled dial, with rolling moon, subsiduary seconds dial and date arch, Marked J Jones, Pwllheli, trunk with twist turned columns flanking the short door with arched fletched panel, 234cm high

An early 19th Century mahogany cased eight day longcase clock, by Zac Mountfort, St Albans, the architectural hood flanked by turned columns, the brass dial with Roman hours and pierced brass spandrels and a subsidiary seconds dial to the matt centre, with calendar niche below, the twin train, five pillar movement with an anchor escapement, striking on a bell, 208cm

An early 19th Century cased eight day longcase clock, by Burlinson, Ripon, the case surmounted by a swan neck pediment, the 14 inch painted dial with secondary minutes and calendar niche, the twin train movement with an anchor escapement striking on a bell, later base and associated movement, 234cm

An early 19th century mahogany longcase clock, the column mounted hood with broken swan neck pediment, the case string inlaid, the oval dial with moon phase, secondary and date dial with gilded flowers,, named 'James Shipley, Derby', the movement with anchor escapement, chiming on one bell, 217cm (85 1/2in) high