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A GEORGE II WALNUT LONGCASE CLOCK, the dial signed "James Gould, London", with silvered chapter ring, Roman numerals, subsidiary date aperture and seconds dial, beneath a strike/silent dial to the arch, with a five pillar two train movement striking on a bell, the case with a flat top hood above blind fret panels and arch top door, the trunk with conforming arch top door with moulded border and crossbanding, the base and sides similarly decorated, 89" high. See illustration

A GEORGE III MAHOGANY LONGCASE CLOCK, the arched dial with tablet inscribed "Andrew Gray. Aberdeen", the dial with silvered chapter ring, seconds sweep, date aperture and slow/fast adjuster in the form of a seconds dial, with an eight day two train movement striking on a bell, the case with arched hood and conforming trunk door with brass stringing, 86" high. See illustration

AN OAK LONGCASE CLOCK, the brass dial signed "CHR. Gould, London" with silvered dial, subsidiary seconds dial and date aperture, with an eight day two train movement striking on a bell, the oak case with a flat top hood above a tall trunk door, 83" high

A GEORGE III OAK LONGCASE CLOCK, the brass dial signed "Josah. Bartholomew of Sherborne", with subsidiary seconds dial and date aperture, with a two train movement striking on a bell, the oak case surmounted by an eagle with wings outstretched and two ball and pinnacle finials, 92" high

A George III oak and mahogany banded longcase clock, 30 hour movement with brass dial, signed Rich Street, Bridgnorth, in a swan neck pediment hood, complete with key

A early 19th century mahogany eight day longcase clock, circa 1820, originally inscribed 'Halls of Newcastle', the white enamelled painted dial depicting Canterbury Cathedral, the case door opening to reveal two weights and pendulum, 225cm high, complete with key

A carved oak clock pedestal stand cupboard. Formed from a longcase clock with trunk cupboard and plinth atop. H124 x W36 x D20cm

Two boxes containing clock accessories including longcase and other keys; pendulums; weights; etc.

A reproduction mahogany chiming longcase clock

Horology - a longcase clock dial, an inlaid drop dial wall clock, clock parts, mantel clocks, cases, etc

FINE GEORGE III MAHOGANY LONGCASE CLOCK by Richard Marsh, Ipswich, the unsigned eight day two train movement with anchor escapement striking on a bell, the signed 12 inch silvered brass dial with Roman numerals and outer Arabic seconds, subsidiary seconds dial at twelve, brass spandrels, pierced brass hands, encased in an architectural dentil hood with doric columns, contained in a waisted mahogany case, on plinth base with bracket feet, 237cm

EBONISED CARVED OAK LONGCASE CLOCK the unsigned weight driven movement striking on a gong, the 10.5 inch gilt dial with Roman numerals, painted steel hands, the hood with carved floral decoration, the ebonised carved oak case with single glazed door, on plinth base with ball feet, 205cm high

EDWARDIAN LONGCASE CLOCK OF GEORGE III DESIGN by R. Andrew, Denny, the unsigned eight day two train movement with anchor escapement striking on a bell, the signed arched 12 inch silvered brass dial with Roman numerals and outer Arabic seconds, subsidiary seconds and calendar dials at twelve and six respectively, painted pierced steel hands, encased in an arched hood with doric columns, contained in a waisted mahogany case outlined with boxwood stringing, on plinth base with bracket feet, 210cm high

GEORGE III CARVED MAHOGANY PROVINCIAL LONGCASE CLOCK of small proportions, by James Holms, Kilmacolm, the unsigned eight day two train movement with anchor escapement striking on a bell, the signed 7.5 inch arched brass dial with Roman numerals, calender aperture at twelve, pierced steel hands, brass spandrels, encased in a pierced architectural hood with doric columns, contained in a waisted mahogany case, on stepped plinth base, 178cm

GEORGE III OAK COUNTRY MADE LONGCASE CLOCK by Pike, Barnstable, the unsigned weight driven thirty hour movement with anchor escapement striking on a bell, the signed 12 inch painted dial with Roman numerals, calender aperture at six, pierced steel hands, contained in a waisted oak case, on plinth base with bracket feet, 192cm high

EARLY NINETEENTH CENTURY OAK LONGCASE CLOCK the unsigned eight day two train movement with anchor escapement striking on a bell, the arched 12 inch painted dial with Roman numerals and outer Arabic seconds, subsidiary seconds dial and calendar aperture at twelve and six respectively, painted pierced steel hands, the arched hood with swan neck pediment and doric columns, contained in a waisted oak case, on plinth base with bracket feet, 227cm high

GEORGE III CHINOISERIE LONGCASE CLOCK by John Peat, Darlington, the unsigned eight day two train movement with anchor escapement striking on a bell, the signed 11 inch engraved silvered dial with Roman numerals and outer Arabic seconds, subsidiary seconds and calendar dials at twelve and six respectively, pierced hands, contained in a lacquered chinoiserie case, on plinth base, 230cm

A walnut striking longcase clock, the movement by Joseph Davis, London, mid 18th century (the case late 18th century), the broken arch dial with silvered Romand and Arabic ring, subsidiary seconds dial and date ring, the two train associated movement with five knopped and turned pillars, recoil anchor escapement and internal count wheel strike to bell, 220cm high (winding key, two case keys, pendulum and two brass cased weights).

A George III mahogany eight day longcase clock, the arch top twelve inch dial with subsidiary day of month and seconds aperture, silver chapter ring and gilt corner spandrels, signed 'Henry Goddard', 226cm high (two weights and pendulum).

An 18th century flame mahogany cased longcase clock with brass dial and movement and painted moon phase, inscribed "Thomas Lister Luddinden" (Halifax).

An early 19th century oak 8-day longcase clock, arched enamelled dial with subsidiary seconds, case with fluted quarter columns to trunk, swan-neck pediment, with pendulum, weights and winding crank, 6ft. 8in.

A George III oak 8-day longcase clock, 12in. square brass dial with engraved centre, anchor escapement, hood with side columns, with pendulum, weights and winding crank, circa 1800, 6ft. 8in. high

Oak longcase clock, the hood with a swan neck pediment, turned and fluted columns, short door with reeded outlines, plinth base, 11" square painted dial, with floral spandrels, Roman numerals, indistinctly signed, possibly Banbury, thirty hour movement.

Mahogany longcase clock, hood with swan neck pediment, turned supports, short door flanked by quarter columns, box base with rosewood inlay, boxwood and ebony stringing throughout, 14" arch painted dial with Roman numerals, subsidiary seconds and date dials, eight day movement striking on a bell, height 229cms.

Mahogany longcase clock, swan neck pediment, hood with turned baluster columns, short arched door flanked by quarter columns, box base, 13" arched painted dial, moon face to the lunette, painted landscape spandrels, Roman numerals, subsidiary seconds and date dial, signed A Allen, Thrapstone, eight day movement, striking on a bell, height 224cm.

Early 19th century longcase clock with eight day movement, with 13 inch white painted circular dial, with subsidiary calendar dial and seconds dial and ringed winding holes, signed - Edw. Nickolds Brewood, in a oak and inlaid mahogany case with fluted columns, short door with marquetry centre and deep plinth, hood with mahogany door with circular glass, turned pillars and swan-neck pediment, 211cm overall height (pendulum and weights present)

Early 18th century longcase clock with thirty hour movement, 10 inch square brass dial with scrolling spandrels and centre with engraved chinoiserie landscape, silvered chapter ring, signed - Obah. Body, Battle, in an oak case with tiger-stripe door and hood with turned columns and dentil frieze, 187cm overall height (pendulum and weight present)

George III longcase clock with thirty hour movement striking on a bell, white enamel 13 inch diameter circular dial with painted rose decoration, calendar aperture, signed - Jno. Wainwright, Nottingham, in an oak case with shaped door, hood with circular glass door, turned pillars and swan-neck pediment with Greek key border and carved rosettes and central finial, 220cm overall height (weight and pendulum present)

An early 19th Century mahogany longcase clock by Lepine of Canterbury, the 12ins arched painted dial with Roman and Arabic numerals and subsidiary seconds and calendar dial, the spandrels decorated in gilt with urn, floral and leaf scroll ornament to the eight day two train movement striking on a bell, contained in figured mahogany case probably by Goulden of Canterbury, the hood with shaped cresting above arched and moulded cornice, turned and fluted columns to hood, arched front door, the plinth with raised astragal moulded panel, on double plinth base, 90ins high. Note : Henry Lepine (brother of Charles Lepine, Clock Case Maker), recorded working in Canterbury 1823-1838

An 18th Century oak longcase clock by John Brice of Sandwich, the 12ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals, the matted dial centre with subsidiary seconds dial and date aperture and with cast urn, bird and scroll work spandrels to the eight day five pillar movement striking on a bell, contained in plain oak case, the moulded cornice with fretted frieze above plain turned pillars to hood, the trunk door inset with circular glass lentical, on plinth base, 78.5ins high. Note : John Brice recorded as Apprentice 1723, died 1755

A late 18th Century "North Country" oak longcase clock, the 12ins square brass dial with replacement silvered chapter ring with Roman and Arabic numerals and silvered dial centre engraved with leaf scroll ornament to the eight day two train movement striking on a bell, contained in plain oak case with moulded cornice and plain turned pillars to hood, plain trunk door, on plinth base, 78ins high

An 18th Century longcase clock movement by William Dowell Swan of Margate, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, textured inner dial engraved with cornucopia and birds, urn, eagle and leaf scroll pattern spandrels to the eight day two train five pillar movement striking on a bell. Note : William Dowell Swan recorded working in Margate before 1754

An 18th Century oak longcase clock by John Rigg of Gisbrough (Guisborough, North Yorkshire), the 11ins square brass dial with added arch, with silvered circular plaque worded "Phillp. Pickring" and dated 1749, the silvered chapter ring with Roman and Arabic numerals and with date aperture and matted dial centre to the thirty hour brass framed movement striking on a bell, contained in 19th Century dark oak case with moulded and fluted cornice and plain turned pillars to hood, the trunk door carved with the head of a king, flower and leaf ornament and conforming leaf carved borders and plinth, on bracket feet, 85ins high. Note : John Rigg recorded working Guisborough circa 1750

An oak longcase clock of small proportions by Daniel Fowler of London, the 8ins arched brass dial with silvered chapter ring with Roman and Arabic numerals, matted dial centre and strike/silent dial to arch to the eight two train movement striking on a bell, contained in oak case of 18th Century design, with swept top and fluted cant corners to hood, the case later carved with lozenge shaped panels and leaf borders, 76ins high. Note : A Daniel Fowler recorded working London circa 1770

A early George III Scottish mahogany longcase clock by Robert Clidsdale of Edinburgh, the 14ins arched brass dial with silvered chapter ring with Roman numerals, matted dial centre with subsidiary seconds dial and cast mask, urn and leaf scroll pattern spandrels to the eight day three train movement striking and quarter chiming on nine bells, contained in mahogany case with moulded scroll pediment, cast brass circular paterae and later fretted panels and with slender turned and fluted pillars to the hood, the shaped trunk door veneered in figured mahogany and crossbanded, flanked by fluted quarter columns, the plinth inlaid with bandings and with reeded cant corners, on bracket feet, 93ins high. Note : Robert Clidsdale (Clydesdale) recorded working Edinburgh, Apprenticed 1738, working until 1786

A walnut cased "Granddaughter" longcase clock, the 7ins square brass dial with chapter ring with Roman numerals and matted dial centre inscribed "David Hall, K. Lynn" to the eight day two train movement with brass plates and heavy ringed pillars striking on a bell, the movement complete with full length pendulum and two heavy weights, contained in walnut case of 18th Century design, the moulded top with twin pineapple finials, twin fretted frieze panels and turned and fluted pillars with Corinthian capitols to hood, shaped trunk door flanked by fluted quarter columns with Corinthian capitols, on ogee bracket feet, 54ins high

An Edwardian inlaid mantel clock, in the form of a longcase clock (with later battery movement).

LONGCASE CLOCK, George IV mahogany and oak string inlaid with a painted dial having sheep decoration and bearing the name J. Davies, Wakefield and with a presentation plaque below, 55cm W x 231cm H. (with faults)

A 19th century mahogany longcase clock hood only (a/f)

A circa 1900 Dutch embossed brass pendulum for a longcase clock; and one other similar (2)

A Victorian mahogany and boxwood strung, cased eight day longcase clock, with a silvered dial, by William Vincent, London, 220cm tall

A modern mahogany cased longcase clock, with Westminster chimes, 180cm tall

A cream painted dwarf longcase clock, with an eight day movement, 178cm tall

An 18th century walnut longcase clock, with canopied hood, brass dial with silvered chapter ring, and chased spandrels with moonphase and high tide indicator at Bristol Key, second hand and calendar window, longcase door to a box base on bracket feet, eight-day striking movement by Joshua Hewlett, Bristol, height 225cm

A mid/late 18thC oak and crossbanded mahogany longcase clock, the hood having a swan neck pediment, over a glazed window and turned pilasters, on a straight trunk and a box base; the 8 day movement faced by a silvered Roman & Arabic dial with subsidiary seconds and a date aperture, inscribed Watson 76''h overall RSB

An early 19thC figured, crossbanded and satinwood string inlaid mahogany longcase clock, the hood having a swan neck pediment and wrythen carved pillars, the trunk with a pendulum door, on a box base and bracket feet; the 8 day bell strike movement faced by a painted Roman dial with fox hunting scenes, subsidiary seconds and a date aperture inscribed 'Thos Owen, Haverfordwest' 88''h RSB

A George III oak and crossbanded mahogany longcase clock, the hood having a swan neck pediment, over fluted and turned columns, above a panelled door, between canted flanks, on a box base and bracket feet; the bell strike movement faced by a Roman dial 88''h LSM

An early/mid 19thC oak and mahogany longcase clock with marquetry, crossbanded and other ornament, the hood having a swan neck pediment and cluster pillars, over a pendulum door, on a box base; the 8 day bell strike movement faced by a painted steel dial with a moonphase and date aperture 85''h RSB

An oak thirty hour longcase clock, 189cm high

An oak cased longcase clock

A George III style reproduction mahogany cased longcase clock, the 11 inch domed brass dial with cherub spandrels and Roman numerals on silverised face 212cm high

John Alker, Wigan, (fl.c.1790-1820) A Late Georgian Mahogany Longcase Clock, Painted Dial With Roman Numerals,

A VICTORIAN INLAID OAK THIRTY HOUR LONGCASE CLOCK WITH PAINTED DIAL, 208CM H

VINTAGE MOTORING. TWO 1930'S SMITH'S DASHBOARD CAR CLOCKS IN ASSOCIATED OAK CASES, LARGEST 20CM H, A LATE 18TH CENTURY BRASS THIRTY HOUR LONGCASE CLOCK MOVEMENT AND LATER PAINTED DIAL, ETC

A LATE 18TH CENTURY BRASS THIRTY HOUR LONGCASE CLOCK MOVEMENT AND ASSOCIATED PAINTED METAL DIAL, 28CM W, ON TIMBER STAND, AN ANOTHER EARLIER MOVEMENT AND A 18TH CENTURY BRASS CLOCK DIAL

A VICTORIAN OAK AND INLAID THIRTY HOUR LONGCASE CLOCK WITH PAINTED DIAL

An 19th century carved longcase clock, eight day movement, gilt brass break arch dial with subsidiary seconds dial and date aperture, 225cm

A 19th century longcase clock, with square painted dial and eight day movement

A 19th Century Mahogany Longcase Clock by James Sykes of Huddersfield; with a typical large North Country case, the hood with swan neck pediment, arch shaped door flanked by turned pillars, the trunk with short door, arch shaped painted dial with figural and landscape decoration, Roman and Arabic numerals, subsidiary seconds and calendar dials, eight day movement.

A 19th Century 30 hour longcase clock dial with later movement and later oak cased