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AN OAK LONGCASE CLOCK dial: brass chapter ring with subisidiary seconds ring and calendar aperture, signed on a boss to the arch Richard Floyer, London, case: the hood flanked by turned pillasters, 89in. (226cm.) high

"Early 19th century 8-day longcase clock, painted square face with"gilt floral spandrels and provincial oak casing.

A mahogany three train longcase clock, North-West country provincial, circa 1840, the cream enamel arched face unsigned, depicting Jesus ascending to heaven with four apostles. Spandrels each decorated with an apostle : Matthew, Mark, Luke and John, the face painted with both Roman numerals and smaller arabic numeral

A George III oak longcase clock, the 12 inch painted dial with subsidiary seconds dial, date sector and brass ringed winding holes signed I&E Mason Worcester having floral spandrels and eight day striking movement in crossbanded case with swan neck pediment, turned pillars and incised pilasters, on bracket feet, 205cm h In fine condition, the movement and dial original to the case, the dial in good order and without repainting etc, the case of fine colour and patina. Attractive cottage longcase.

An oak longcase clock, the 12 inch painted dial with date sector, subsidiary seconds dial, ringed winding holes signed indistinctly H Bar..., having floral spandrels and a medallion of a girl to the arch, fitted eight day movement in crossbanded case with swan neck pediment and fruitwood pillars, a shaped door to the trunk, 214cm h Some old repainting to the dial. A couple of vertical splits in the base and later boarded plinth but in otherwise sound original condition. The dial, case and movement original.

RICHARD COLE, IPSWICH, A LATE 18TH CENTURY OAK LONGCASE CLOCK, the painted break arch dial with moon phase marked 'High Water at Ipswich, subsidiary seconds and date dials, the swan neck hood above a long arched top trunk door and stepped base, twin train movement, 85 1/2 ins high.

WM. EWBANK, ELLAND, AN EARLY 19TH CENTURY OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, with fan inlay corners, the break arch 'Wilson' rolling moon phase dial with subsidiary seconds and strawberry spandrel corners, the swan neck pediment hood above a shaped top trunk door flank by quarter columns, raised on a stepped base with bracket feet, twin train movement, 93 1/2 ins high.

A GEORGIAN MAHOGANY AND INLAID LONGCASE CLOCK, the arched pediment hood with a square glazed door flanked by boxwood inlaid pillars, crossbanded trunk door flanked by brass capped boxwood strung pillars, raised on a stepped panelled base with plinth, the associated 12 ins painted dial supporting a twin train movement, 86 1/2 ins high

A late 18th century oak Somerset longcase clock, the 30 hour movement with outside count wheel, the square brass 12in. dial engraved a scene of a ship and house above a calendar aperture, inscribed James Webb, Frome, cast pierced corner spandrels, the hood with gilt capped reeded pillars, the trunk with a sycamore banded door and base to a plinth. 6ft 2in. (219cm.)

A French provincial pine longcase clock, the movement striking on a bell, the circular white enamel convex dial with stamped brass surround with an angel of plenty surmount, the waisted trunk with a glass pendulum aperture, the base on a plinth. 6ft. 9.5in. (81.5cm.)

A late 18th Century pine longcase clock, the swan neck pediment above the glazed panelled door enclosing the 12in. brass dial, inscribed 'Thomas Morpeth, Hexham' and also 'Robert & Margaret Robinson, Hatton 1785', all within the roman numerals and outer minute scale, fitted 30 hour chain driven movement striking on a single bell, with arched panelled door to the trunk, raised on a plinth base, 18in. x 83in. high.

A fine late Georgian oak longcase clock, the broken arch pediment centred by a brass sphere, the arched hood with lined fret carved panels above the art glazed panelled door enclosing the 12in. brass dial, the silvered boss to the arch inscribed 'John Bates', with silvered chapter ring and roman numerals, fitted seconds dial and date aperture, fitted eight day striking movement, the trunk below with rectangular panelled door flanked by blind fret carved chamfered corners, raised on bracket feet, 19in. x 89in. high.

An early 19th Century mahogany longcase clock, the painted dial inscribed J. Sample, with painted roman numerals, the arch and sides painted with flowers and ruins on gilt background, the hood with swan neck pediment above the arched panelled door and turned pilasters, an arched and fielded panelled door below, the base under with octagonal panel, raised on bracket feet, 23 1/2in. x 91in. high.

A Georgian mahogany longcase clock, the cream painted dial with roman numerals, subsidiary seconds and date dials, the painted decoration now faded, fitted an eight day striking movement, the hood with swan neck pediment above a dentil cornice and inlaid foliate motifs above the arched panelled door, flanked by brass-mounted corinthian columns, the arched door to the trunk flanked by canted corners decorated with crossbanding, raised on bracket feet, 20in. x 88in. high.

White Friars style sculpture in the form of a longcase clock.

VICTORIAN MAHOGANY LONGCASE CLOCK, the arched painted dial decorated with a seated Britannia, the face painted with Roman numerals and the spandrels with classical urns, thirty hour movement, the hood with baluster columns, the trunk with arched door flanked by half columns, on bracket feet. 229cm

GEORGE III BRASS DIAL AND MOVEMENT FOR A LONGCASE CLOCK, engraved "Ranger, Chipstead", the face engraved with a basket of fruit amidst scrolls, the spandrels applied with brass c-scrolls

A mahogany eight day striking longcase clock with 10" square brass dial above a fine inlaid trunk door and base 6'7" tall

Victorian oak longcase clock, the hood with acanthus and shell carved pediment and stepped and carved cornice over brass face by Samuel Bycroft, the strike/silent ring over dial with Roman numerals in black and with seconds dial and date ring between floral carved details over trunk and door with deeply carved bows and floral swags, the base with carved grotesque and further ornament, 95 1/2in (242.6cm) tall

Victorian mahogany longcase clock, the rectangular hood with concave cornice over painted face with upper scene of Burns at the plough and the four seasons to each spandrel, the white dial with Roman numerals in black and with seconds dial and thirty one day date ring, the bow front door with upper and lower carved crests, 81in (205.8cm) tall

Mahogany longcase clock, the brass finial and swan neck pediment over arched hood with painted dial showing Berwick Castle (possibly) and other architecture to each spandrel, the face with Roman numerals and with seconds hand and thirty one day dial, flanked by columns over trunk with side pilasters and raised on bracket feet, 86in (218.5cm) tall

A late 18th early 19th century pine cased cottage longcase clock, the square dial painted with Roman numerals, and floral spandrels with date aperture, the flat hood with pillars to side, the 30 hour movement with outside countwheel and bell strike movement, 180cm high.

A 19th century Scottish mahogany longcase clock, the pillared trunk and domed hood enclosing arched dial painted with a ploughing scene and the spandrelswith. farm cottages, the dial with Roman numerals and subsidiary seconds and date dials, the ring turned four-pillar movement with 8-day bell-strike, by J. Adam & Son., Lanark, 222cm high.

An early 19th century oak cased longcase clock, the arched dial with moon phase, silver chapter ring, subsidiary seconds dial and date aperture, the hoodflanked by columns having 8-day bell strike movement, 228cm high.

AN OAK CASED LONGCASE CLOCK by maker Thomas Williams of Haver-ford-West, having an eight day mechanism, brass dial, with Roman and Arabic numerals, seconds dial and date aperture, the hood with broken scroll pediment, twin column supports, 84" high

A 30 HOUR LONGCASE CLOCK MOVEMENT, with painted face and mechanism (A/F), maker Tibbot of Newtown

A walnut longcase clock, the caddy top hood with glazed door flanked with quarter turned spiral columns enclosing an 11 inch square brass dial with secondary seconds dial, date and month apertures and silvered chapter ring signed below John Wrench in Chester fecit, the six pillar bell striking movement with outside count wheel, latched pillars, mask spandrels and brass capped weights, above a long trunk door with glazed lenticle, standing on a plinth base, 192cm high (the dial and movement circa 1700, the restored case 20th century)

An 18th century oak and mahogany longcase clock, the scrolling swan neck pediment above an arch glazed door flanked with columns enclosing a 14 inch arched painted dial with secondary seconds dial and date aperture within painted spandrels, with four pillar bell striking movement, above an arched long trunk door flanked with quarter columns, standing on a plinth base, 215cm high

An 18th century oak eight day longcase clock, the hood with moulded cornice above a glazed door flanked with three-quarter columns enclosing a 12 inch square brass dial with seconds dial, date aperture and silvered chapter ring signed Thomas Kefford, Royston, with five pillar bell striking movement, above long trunk door with inset lenticle, standing on a plinth base, 207cm high (the case with replaced plinth)

Mahogany and satinwood banded eight day longcase clock, early 19th Century, swan neck pediment over brass capped corinthian columns flanking an arched 13ins painted dial, with defunct rolling moon and decorated with four seasons personified to the spandrels, Arabic numerals, subsidiary seconds and date aperture, the movement striking on a gong, named on the back plate Hipky & Harrold, trunk with flame mahogany door within canted corners, crossbanded with boxwood stringing over a base with an inlaid circular panel raised on bracket feet, height 88.5ins.

Thomas Humphreys, Barnard Castle (Clockmaker 1810-40) a married mahogany cased 30 hour longcase clock (the case circa 1780, the hood with later alterations, the movement early 19th Century), cavetto cornice over brass capped corinthian columns flanking painted 13ins arched square dial, decorated with hunter and gun dogs, Roman numerals, signed at 12 o'clock, subsidiary seconds dial, crowned brass fingers, the trunk with flame mahogany door within brass capped quarter pilasters over a panelled trunk base with reeded canted corners, raised on ogee bracket feet, height 88ins.

James Coviller, Market Raisen (Clockmaker), oak and mahogany eight day longcase clock, early 19th Century, the hood surmounted with three winged eagles and ball finials, swan neck pediment over fluted pilasters flanking 13ins painted arched dial, decorated with harvest scene and legume spandrels, Roman numerals, subsidiary seconds dial, signed at 6 o'clock, the movement striking on a bell, the back plate signed Wilkes, the trunk by James Usher of Lincoln to a paper label and with door crossbanded in mahogany within reeded canted corners, the plain box base on a later moulded wooden stand, height 83ins.

Coats, Wigan (Clockmaker 1780-1800), mahogany cased eight day longcase clock, the hood surmounted with three brass ball finials and swan neck pediment with square columns flanking an arched 14.25ins painted square dial with rolling moon, floral spandrels and painted figural landscape centre, Roman numerals, signed at 6 o'clock, subsidiary date dial and seconds marked within a chapter ring, the movement striking on a bell with back plate marked Wilson, the trunk flame mahogany with keyed inlays in boxwood, box base with canted corners and bracket feet, height 97.5ins.

William Massey (Clockmaker, Nantwich, circa 1790), oak and mahogany cased eight day longcase clock, the hood with swan neck pediment in mahogany and boxwood inlays over cluster columns flanking painted arched dial and spandrels featuring Grecian philosophers/ astronomers, Arabic numerals, subsidiary seconds dial and date aperture, signed at 6 o'clock, eight day movement striking on a bell, the trunk with a shaped perpendicular door within cluster pilasters crossbanded throughout with mahogany, raised on a panelled base with quadrant inlays and canted corners, shaped bracket feet, height 88.5ins.

A Fine Georgian Eight Day Longcase Clock. The 13 inch (33 cm) round silvered dial signed Whitehurst Derby, with stylized flower-heads engraved around the winding holes, Roman numerals counting the hours and Arabic numerals counting the minutes. The moulded swan-neck pediment having concentrically reeded roundels to the terminals flanking a turned finial. The flame figured mahogany case with a lip-moulded door flanked by sunken quarter columns. Standing 89 ins (226 cms) in height on bracket feet.

A Fine 18th Ce ntury Flame Figured Mahogany Eight Day Longcase Clock. The 11 3/4 (30 cm) brass dial having a silvered chapter ring encircling a matted centre with subsidiary seconds ring and silvered name plaque engraved Daniel Stephens London. The corners ornamented with ornately scrolling spandrels incorporating face masks, the arch with scrolling dolphin mounts flanking a silvered calendar ring. The hood surmounted by three spire-globe finials with fluted columns flanking the dial. The case with a dome-topped lip-moulded door and a cruciform panel to the moulded base outlined in astrigal beading and raised on bracket feet 92 ins (234 cms) in height.

A Royal Doulton Kingsware model of a longcase clock 'The Night Watchman', replacement clock dial and movement, height 29cm

A George III oak longcase clock, the hood having an ogee moulded cornice above twin fluted pilasters flanking square brass dial, width 113/4 ins., the silver chapter ring with Roman and Arabic numerals, corner cast brass mask spandrels, matted centre, subsidiary seconds dial, twin pierced blue steel hands, twin ringed winding holes for an eight day weight driven twin train four pillar movement, anchor escapement and striking on a bell, the case having a mahogany crossbanded panelled door to a box base on bracket feet, height 188cm

An early 19th Century oak longcase clock, having an arched hood, painted dial, width 12ins., the arch painted with birds, the dial with Roman and Arabic numerals, subsidiary seconds dial and indistinctly 'Richard Wright?', pierced blue steel hands, the twin train weight driven eight day movement striking on a bell, the case having an arched panelled door to the trunk on a box base raised on bracket feet, height 207cm

A circa 1800 mahogany longcase clock, the arched hood with ball finials and fluted columns flanking painted arched dial, width 12ins., having Arabic numerals, subsidiary seconds dial, rolling date dial (unsigned), twin winding holes for a five pillar twin train weight driven eight day movement striking on a bell, the case with arched panelled door to a box base on bracket feet, height 213cm

A late George III oak longcase clock, the hood having turned pilasters flanking painted square dial, width 12ins., with Roman numerals, subsidiary seconds dial, rolling date aperture and signed 'John Gregory, Basingstoke', painted corner floral spandrels, pierced blue steel hands, twin winding holes for an eight day four pillar two train weight driven movement striking on a bell, the case with plain panelled door to a box base, height 207cm

A George III North Country oak and mahogany longcase clock, the hood having a broken swan neck pediment and twin pilasters flanking painted arched dial, width 13ins., the dial with subsidiary seconds dial, pierced blue steel hands, Roman numerals, twin winding holes for a four pillar twin train weight driven eight day movement striking on a bell, the trunk with mahogany banding, reeded canted corners and all raised on a box base with bracket feet, height 230cm (movement requires overhaul)

An early 19th Century mahogany longcase clock, the domed hood with fluted pilasters flanking painted arched dial, signed 'Samuel Hart, Devizes', the dial painted with castles and a coaching scene to the arch, dial width 13ins., the dial having Roman numerals, subsidiary seconds dial, rolling date dial, twin winding holes for a four pillar twin train weight driven eight day movement striking on a bell, the case having ebony stringing, canted corners and a box base, height 203cm

19th Century oak longcase clock decorated with brown stained 19th Century anaglypta paper - painted arch shaped dial with foliate decoration and with calendar aperture - 30 hour striking movement, 197cm high

19th Century crossbanded mahogany longcase clock having swan neck pediment, rope twist and turned pillars, the moon phase arch shaped painted dial with seconds indicator and fans shaped calendar aperture signed G.E. Evans, Oswestry - eight day striking movement, 232cm high

Early 19th Century oak longcase clock having an arch shaped long door, the arch shaped painted dial with seconds indicator and fan shaped calendar aperture, painted rose and strawberry spandrels, inscribed Tickle, Newcastle - eight day striking movement, 201cm high

Early 19th Century mahogany crossbanded oak longcase clock with swan neck pediment and reeded pillars, the painted arch shaped dial decorated with flowers, shells and a bird, fan shaped aperture and inscribed J.P. Gilkes, Weeden Bec - 30 hour striking movement, 215cm high

Early 19th Century mahogany longcase clock, the West Country case with reeded and brass mounted pillars to the hood, the trunk with reeded canted corners and with oval panel to the door - the arch shaped silvered dial with engraved spandrels of figures depicting the four seasons and engraved 'High Water at Bristol Key', signed William Green, Bristol with engraved seconds indicator and calendar aperture and with painted moon phase dial - eight day striking movement, 217cm high

George III mahogany longcase clock with boxwood string inlay, the hood with swan neck pediment and reeded Corinthian columns, the circular dial with calendar aperture signed T. Gerrans, Wortley - eight day striking movement, 215cm high

An antique oak Longcase Clock, by Skarratt, Kington having swan neck pediment, painted dial, 30 hour movement, 6ft 10in H

An early Victorian Longcase Clock with 8-day movement, white enamelled dial painted floral spandrels and moon movement to arch, in wide mahogany case inlaid Tunbridgeware banding, with cluster column corner pilasters, and break arch to hood, by Robert Wigan-Colne, Lancashire c.1842

A late 18th Century mahogany longcase clock by John Wyke of Liverpool, the thirteen arched brass dial showing phases of the moon to the arch, with subsidiary seconds dial and date aperture, the wide chapter ring with Roman and Arabic numerals to the eight day two train movement striking on a bell, contained in case with moulded scroll pediment and inset with three gilt decorated glass frieze panels, turned and fluted columns to hood, blind fret frieze above shaped and figured trunk door, flanked by fluted quarter columns, plinth base with raised astragal centre panel and blind fret ornament to the cant corners, on ogee bracket feet, 93ins high (dial now painted in copper finish paint, with repairs, the case with restoration and repolished). Note: John Wyke of Liverpool recorded working 1766-1781, and later in partnership as Wyke & Green at Liverpool 1781-1805

A minature mahogany & inlaid longcase clock timepiece, the dial signed 'Westerton - Hyde Park Corner', 32cm height, also a regency painted papier mache desk stand, fitted with moulded glass inkwell, 21cm width, (2).

A George I walnut and parcel gilt longcase clock by Johnathon Lowndes, London, circa 1705, the guilloche decorated caddy top hood with acanthus clasped urn finials and three quarter columns, enclosing 12 inch square brass dial, with date aperture subsidiary second ring and signed silvered chapter ring, within pierced cherub and crown spandrels, the eight day five pillar count wheel movement, over trunk with leaf scrolling brackets, rectangular door with D-mouled edge and on plinth base, 257cm tall.

A George III oak and mahogany longcase clock, by Henry Gamble, Bramley, the arched hood with brass cupped columns enclosing brass break arch dial, the eight day rack striking movement with anchor escapement, the trunk with shaped door and panelled plinth, (later weights), 220cm tall.

A George III mahogany longcase clock,by John Russell, Costessey, the 11" square silvered dial with open frame, 30 hour counter wheel movement, the trunk with arch door, upon plinth base, 210cm tall.

A George IV mahogany longcase clock, circa 1825, the swan neck hood with reeded columns, above conforming trunk columns flanking an inlaid gothic door, and panelled veneered plinth, the painted dial signed E Radford, Hanley, with spandrels emblematic of four continents, a military scene in the arch, eight day Birmingham movement, 225cm tall.

AN OAK AND MAHOGANY LONGCASE CLOCK, having a brass dial 12in. (30. 5cms), Arabic and Roman numerals to the chapter ring, moonphase and calendar aperture to the dial centre, engraved 'George Womersley', two covered winding holes, foliate spandrels, thirty hour movement striking on a bell, the case having a swan neck pediment with later finials, the trunk having a short door with scalloped top, square cluster columns, on bracket feet, 89.5in. (227.5cms)

AN OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, having a 12in. (30. 5cms) white dial painted with a bird to the arch and rose spandrels, the Arabic and Roman numerals now faded, of thirty hour movement striking on a bell, the case having a swan neck pediment with pressed brass roundels, the trunk door with ogee canted sides, on bracket foot, 76in. (193cms) high

An early 19th century mahogany 8-day longcase clock, the 14inch arched painted Roman dial, with moonphase and subsidiary seconds and date dials, 7ft 9ins