We found 41749 price guide item(s) matching your search

A mid-18th century Japanned longcase clock, 30.5cm arched brass dial inscribed Willm Valentine, Royston, Roman and subsidiary Arabic numerals, Strike/Silent to arch, subsidiary seconds dial, date aperture, eight day movement striking on a bell, the arched case decorated in the chinoiserie taste with Chinese figures and pagodas, 212cm high, c.1750

An 18th century oak longcase clock, 25cm square brass dial with Roman numerals, date aperture, 30 hour movement striking on a bell, the spandrels cast and applied with putti holding aloft a crown, the caddy top case with dentil cornice above a blind fretwork frieze, raised and fielded panel door to waist, skirted base, 208cm high, 47.5cm wide, 27cm deep

A William IV/early Victorian mahogany longcase clock, 30.5cm arched painted dial inscribed Thos Bullock, Bath, Roman numerals, subsidiary seconds dial, date aperture, the arch painted with a courting couple, the case with shaped arch pediment, outlined throughout with boxwood stringing, 208cm high

A mid-18th century oak longcase clock, 28cm square brass dial inscribed Jno Huggin, Ashwellthorpe, Roman and subsidiary Arabic numerals, date aperture, cast rococo spandrels, the posted birdcage countwheel striking on a bell, the case quite plain, 205cm high, c.1750

A mid-18th century oak longcase clock, 30cm square brass dial with silvered chapter ring inscribed Willm Wallen, Henley Oxon, Roman and subsidiary Arabic numerals, subsidiary seconds dial, date aperture, twin winding holes, eight day movement striking on a bell, the case quite plain with dentil cornice, 211cm high

A George III oak longcase clock, 28cm square brass dial inscribed Hutchinson, Retford, Roman and subsidiary Arabic numerals, subsidiary calendar dial, thirty hour movement striking on a bell, the case quite plain, 216cm high, 50.5cm wide, 25.5cm deep

A 19th century yew longcase clock, 36cm arched brass dial inscribed Tempus Fugit, silvered chapter ring with Roman and subsidiary Arabic numerals, subsidiary seconds dial, eight day movement striking on a bell, the case with three urnular finials, 236cm high, 51.5cm wide, 26cm deep

A George I/II oak Derbyshire longcase clock, 27cm square brass dial with silvered chapter ring inscribed Tantum, Loscoe, Roman and subsidiary Arabic numerals, date aperture, 30 hour movement striking on a bell, the case quite plain, 200cm high, c.1730

A George II Derbyshire oak longcase clock, 30.5cm square brass dial with silvered chapter ring inscribed Phillips, Loscoe, Roman and subsidiary Arabic numerals, subsidiary seconds dial, date aperture, twin winding holes, eight day movement striking on a bell, the case quite plain, shaped arched door to waist inlaid a seven-pointed star, 208cm high, c.1750

A George II oak longcase clock, 30cm square brass dial inscribed J Shepard, Sheffield, Roman and subsidiary Arabic numerals, subsidiary seconds dial, date aperture, twin winding holes, eight day movement striking on a bell, the domed case quite plain, long rectangular door to waist, 207cm high, c.1740

A George III Irish mahogany longcase clock, 33cm arched painted dial inscribed Robt.Young, Ballymena, Roman numerals, painted to the arch with a young girl sleeping, the spandrels with flowers, subsidiary seconds dial, date aperture, twin winding holes, eight-day movement striking on a bell, the hood with swan neck pediment and brass ball and spire finial, Doric columns, rectangular door to waist flanked by spirally fluted canted angles, shaped plinth base, 221cm high, c.1820

A George III longcase clock movement, 28.5cm square brass dial inscribed G Hallifax, Doncaster, Roman and subsidiary Arabic numerals, date aperture, 30 hour mechanism striking on a bell, c.1770

A George III mahogany longcase clock, 30.5cm arched enamel dial inscribed Jno Branson, Hull, rocking ship automaton to arch, Roman and subsidiary Arabic numerals, date aperture, eight day movement, the arched case quite plain, 211cm high

A George III mahogany longcase clock, 31cm arched silvered dial inscribed P Vigne, Bath, Roman numerals, Strike/Silent to arch, subsidiary seconds and calendar dial, eight day movement striking on a bell, the arched case with brass mounted stop-fluted pillars, arched rectangular door to waist, the base applied with reentrant angles, bracket-form base, 218cm high, c.1780

A George III mahogany longcase clock, 34cm arched brass dial inscribed Thos Ogden, Halifax, silvered chapter ring, Roman and subsidiary Arabic numerals, subsidiary seconds dial, date aperture, rolling moon phases to arch divided by HMS Victory and a ruin landscape, eight day movement striking on a bell, the pagoda top case with shaped rectangular door to waist flanked by inset fluted quarter-columns, skirted base, ogee bracket feet, 219cm high, 54.5cm wide, 27.5cm deep

A George III oak and mahogany longcase clock, 28cm square dial inscribed Jacob Jacobs, Totness, Roman numerals, 30 hour movement striking on a bell, the case quite plain, 204cm high, c.1810

A George III oak longcase clock, 30cm arched silvered dial inscribed Sampson, Penzance, Roman and subsidiary Arabic numerals, date aperture, subsidiary seconds dial, eight day movement striking on bell, the case with swan neck pediment, arched rectangular door to waist, plinth base, 210cm high

A George III oak longcase clock, 30cm square brass dial inscribed Robert Pell, Malling, Roman and subsidiary Arabic numerals, subsidiary seconds dial, date aperture, leafy scroll spandrels cast with putti raising aloft crowns, bright-cut border, eight day movement striking on a bell, the case quite plain with blind fretwork frieze, 199cm high, c.1790

A George III oak longcase clock, 31cm square brass dial inscribed R Ridley, Leigh, silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial, calendar aperture, gilt spandrels cast with urns and scrolling foliage, vacant winding holes, 30 hour movement striking on a bell, the pagoda top case quite plain, 208cm high

A George III Revival walnut dwarf longcase clock, 20cm arched brass dial, silvered chapter ring inscribed with Roman and subsidiary Arabic numerals, the arch inscribed Tempus Fugit, the case with swan neck pediment, shaped rectangular door to waist flanked by inset reeded quarter-columns, 172cm high, 34cm wide, 22cm deep, early 20th century

A George III Scottish mahogany longcase clock, 31cm arched brass dial inscribed Wm Gilles, St. Ninians, silver chapter ring with Roman and Arabic numerals, subsidiary seconds dial, date aperture, twin winding holes, eight day movement striking on a bell, the case with swan neck pediment and blind fretwork frieze, 224cm high, c.1780

A George III Scottish oak longcase clock, 30cm arched painted dial inscribed Geo Angus, Aberdeen, Roman and subsidiary Arabic numerals, seconds and calendar chapters, rolling moon phase to arch, twin winding holes, eight day movement striking on a bell, the case with swan neck pediment, 221cm high, c.1800

LENZKIRCH; a late 19th/early 20th century oak and gilt metal mounted miniature longcase clock, height 41cm.

SAMUEL CLARE (WARRINGTON); a good 19th century mahogany cased eight day longcase clock with rare Bermondsey arched enamel dial, height approx 218cm.

HENRY HIGGINBOTHAM, MACCLESFIELD; a late 18th century 30 hour longcase clock, the hood with broken swan neck pediment and with hand-painted gilt verse, enclosing the brass face with applied chapter ring bearing both Arabic and Roman numerals and with moon phase painted dial fitted in the oak case with carved and inlaid decoration and quarter Corinthian column corners, height 220cm, complete with pendulum and weight.The two winding apertures connect to dummy winding bars, therefore, this is an altered movement / none original 30 hour movement. The movement Is 30hour, not 8-day, the winding hols collect to dummy winding bars. The movement is not original to the case.

JOHN WHITEHURST, CONGLETON; an 18th century oak eight day longcase clock, the square brass dial with subsidiary seconds, height 200cm.Clocks are not guaranteed to be in full working order. Dial with general marks and some light tarnishing. Case a little tired with Bernal rubbing, some cracks to be base, thicker patches of varnish etc.

JAMES, WHITEHURST; an 18th century oak cased eight day longcase clock, the brass face with applied scrolling detail to the corners, with silvered chapter ring with Roman numerals and subsidiary wheel dial, in plain oak case with shaped door, height 188cm.

JOHN GARTLEY; a George III eight day longcase clock, the brass face set with silvered chapter ring bearing Arabic and Roman numerals, with two subsidiary dials and strike and silent dial, in inlaid mahogany case with arched door, on bracket feet, height 214cm.The glass is cracked in the hood, the columns and the hood are loose, losses to the veneer, splitting to the corners and case throughout, we offer no guarantee of working order, complete with pendulum.

SIM NISH SHERBORN; an 18th century eight day oak case longcase clock, the brass face set with applied scrolling decoration and the silvered chapter ring with Arabic and Roman numerals and subsidiary dial, fitted in a later oak case, height 203cm, complete with weights and key.The case is modern and the hinges are replaced. The movement may me made of different elements.

A late 19thC beech cased miniature longcase clock, circular brass dial with enamel chapter ring bearing Arabic numerals, eight day movement with bell strike, the case with a shaped hood, glass fronted door and base with painted paterae, raised on bracket feet, with pendulum and key, 46cm high.

A George III oak longcase clock, with moulded cornice and inset pillared hood, full length moulded arched trunk door, and plain base with added bracket foot, the 28cm square dial having applied figures to the spandrels depicting the Four Seasons, the silvered chapter ring with Roman numerals, the matted centre field marked Woolley Codnor, and having silvered date crescent, thirty hour movement striking a bell, 196cm high. NB. James Woolley (c. 1695 - 1786) produced turret and longcase clocks including one in the Nottingham Exchange.

Allan Gibson of Nelson. An early 20thC oak longcase clock, circular silvered dial bearing Arabic numerals, the case inset with nine bevelled rectangular and square glass panels, above a floral carved panel, raised on block feet, with pendulum and weights, 207cm high.

R Seaton. A Georgian oak longcase clock, circular brass dial with engraved floral and rococo scroll decoration, chapter ring bearing Roman and Arabic numerals, two train eight day movement with bell strike, the hood with swan neck pediment, raised on brass capped fluted columns, the trunk with fluted quarter pilasters, door with mahogany cross banding, raised on bracket feet, with pendulum and weights, 213cm high.

A late 19thC stained pine longcase clock, the arched top with a concave glass plate and a brass numeric dial, with two weights and pendulum.

Lambert (Jonathan) of Haxey, Lincolnshire.  A Georgian oak and mahogany longcase clock, the break arch dial painted with a vase and rose spandrels, dial bearing Roman and Arabic numerals, subsidiary seconds dial and date aperture, two train eight day movement with bell strike, the hood with swan neck pediment and floral inlay, with two brass capped turned columns, the trunk similarly inlaid with a cross banded door, raised on a plinth base, with pendulum and weights, 203cm high. (AF)

George III longcase clock by Thomas Lister Luddenden in a heavily carved oak case with damages, lacking hood. Not available for in-house P&P

A WALNUT LONGCASE CLOCK BY PETER ROGER, LONDON, LATE 17TH / EARLY 18TH CENTURY the brass eight day movement with five turned and finned pillars, the anchor escapement striking on a bell, the 12 inch brass dial with a silvered chapter ring with Roman and Arabic numerals, the matted centre with subsidiary seconds dial and date aperture, signed 'Peter Roger London', with crown and boys spandrels, the raised hood with columns, the trunk door with a lenticle, with two brass cased weights and pendulum 227.4cm high

A WALNUT LONGCASE CLOCK BY ASSELIN, LONDON, LATE 17TH / EARLY 18TH CENTURY the brass eight day movement with three turned pillars and an anchor escapement striking on a bell, the brass 12 inch arched dial with a silvered chapter ring with Roman and Arabic numerals, the matted centre with a subsidiary seconds dial and date aperture, with finely cast mask and foliage spandrels, the arch engraved with flowers and leaves with cast dolphins flanking Jupiter riding an eagle, the case with cross and feather banding, with two brass cased weights, pendulum, case and winding keys 225.2cm high

A FINE QUEEN ANNE EBONISED LONGCASE CLOCK BY JOHN KNIBB, OXFORD, EARLY 18TH CENTURY the brass eight day fully latched movement with five turned and finned pillars and inside countwheel, the anchor escapement striking on a bell, with a separate shaped cock for the pallet arbor and a cut-out on the backplate for the pallets, with a long crutch, the brass 11 3/4inch dial with a silvered chapter ring with Roman and Arabic numerals and fleur-de-lis half hour markers, the matted centre with subsidiary seconds dial and date aperture, with blued steel hands, signed 'John Knibb Oxon' with gilt brass crown and boys spandrels, the hood with a Knibb type button capped giltwood centre finial flanked by conforming brass finials to the domed caddy top above a blind fret friezes, with integral columns with gilt brass caps and plinths, the trunk with a concave moulding and a lenticle to the door, on a plinth base, with two brass cased weights, pendulum and case key 239cm high Catalogue Note John Knibb was born in 1650 and was apprenticed to his older brother, Joseph, in around 1664. When Joseph moved to London in 1670 to set up business (presumably in the workshop inherited from his uncle, Samuel) John, his younger brother, took-on the Oxford workshop gaining the Freedom of the city on payment of a fine in 1673. Throughout the latter three decades of the 17th century John and Joseph worked in parallel, however when the products from both workshops are examined, it is evident that they had a close working relationship. Joseph Knibb retired in 1697 selling-up most of his workshop before moving to Hanslop, Buckinghamshire where he made a few clocks prior to his death in 1711. John Knibb continued in business until his death in 1722. The movement of the current lot is fully latched and has the feature of separate cock for the pallet arbor (and cut-out for the pallets in the backplate) normally found on earlier clocks by Joseph with butterfly-nut pendulum regulation, however the casting for the pendulum hanging cock differs from those found on earlier clocks and the use of internal countwheel for striking the hours certainly dates it towards the end of the century. From these observations one could speculate that the movement of the current lot may well have been acquired by John from Joseph's stock when he retired in 1697 or even on his death in 1711 before finishing and fitting with a dial. The fine proportions of the case closely echoes London work of the period. Despite being provincially made (probably Oxford) the case does exhibit features such as the distinctive spherical finials with button-shaped caps (which are often seen on other longcase clocks by the Knibb family) which set it aside from other provincial examples of the period.

A GEORGE III JAPANNED LONGCASE CLOCK BY GEORGE JEFFERYS, CHATHAM the brass eight day movement with four turned pillars and an anchor escapement striking on a bell, the arched 12 inch brass dial with Roman and Arabic numerals, with a subsidiary seconds dial and date aperture, with gilt Rococo spandrels and strike / silent dial, signed 'George Jefferys Chatham', the faux tortoiseshell case decorated with gilt highlights with chinoiserie scenes 225cm high

A MAHOGANY CHIMING LONGCASE CLOCK 19TH CENTURY the substantial brass three train movement with an anchor escapement striking on five gongs, the brass 12inch arched dial with a silvered chapter ring with Roman and Arabic numerals, the matted centre with a subsidiary seconds dial, with cast spandrels, the arch with a moonphase, the hood with Corinthian columns and brass finials, the case with reeded quarter pilasters, with three large weights and a winding key 236cm high

A MAHOGANY LONGCASE CLOCK BY F. GUGERI, BLANDFORD, EARLY 19TH CENTURY the brass eight day movement with four turned pillars, the anchor escapement striking on a bell, the 13 inch painted arched dial with Roman numerals and subsidiary seconds and date dials, signed 'F. Gugeri Blandford', the arch with a moonphase, the hood with brass finials, the case with outline mouldings, with winding and hood keys 230cm high

A DUTCH MAHOGANY AND MARQUETRY LONGCASE CLOCK BY BARENT DIKHOFF, HAARLEM, LATE 18TH CENTURY the brass eight day movement with four turned pillars and an anchor escapement striking on two bells, the brass 13 1/4 inch arched dial with a silvered chapter ring with Roman and Arabic numerals, the matted centre with date and day of the week apertures and a subsidiary seconds dial, the arch with a moonphase, with the four seasons spandrels, signed 'Barent Dikhoff, Haarlem', the case inlaid with urns of flowers, with birds and a butterfly, the trunk door with a lenticle, with two brass cased weights and pendulum 215.5cm high

A MAHOGANY MUSICAL LONGCASE CLOCK BY ROBERT ALLAM, LONDON, 18TH CENTURY AND LATER the brass three train movement with five turned pillars, the anchor escapement striking on a bell and chiming on eight bells, the brass 12inch arched dial with a silvered chapter ring with Roman and Arabic numerals, the matted centre with subsidiary seconds dial and date aperture, a strike / silent dial to the arch, signed 'Robert Allam London' with scrolling foliate spandrels, the arched hood with a bird and orb finial, fluted and reeded columns and silk backed fretwork side panels, with three brass cased weights, pendulum, case and winding keys 237cm high

Three trays of crested ware souvenir items to include: pigs, urns, vases, top hat, miniature cheese dishes, figure of a gentleman with dog, harp, salt, miniature teapot, longcase clock, Arcadian china ferris wheel, suitcase, jugs etc. (3) (B.P. 21% + VAT)

A MODERN BRASS FACED LONGCASE CLOCK WITH ROLLING MOON, THREE WEIGHTS AND SWAN NECK PEDIMENT

AN 18TH CENTURY OAK CASED LONGCASE CLOCK WITH ARCHED BRASS DIAL (JN. HARRISON, NEWCASTLE) WITH SWAN NECK PEDIMENT AND DENTIL RIM

A VICTORIAN MAHOGANY EIGHT-DAY LONGCASE CLOCK WITH PAINTED ENAMEL DIAL, BY THOS. METCALFE, STOCKTON

ROBERT HALL, CHICHESTER: A GEORGE III AND LATER CHINOISERIE DECORATED LONGCASE CLOCKThe 12 inch dial, with twin-train 8-day movement and moon indicator in the arch, 213cm highCondition Report:2 weights, 1 pendulum 

An early 19th century oak longcase clock with swan neck pediment and reeded side columns to the hood, full length door, arched painted dial with moon phase to the arch, 8 day striking movement by A Chrisholm, Dumfries

Chas. Haines, Swindon, an oak longcase clock, the thirty-hour duration movement striking the hours on a bell with the square painted dial having black Roman numerals, floral corner decoration and signed to the centre Chas. Haines, Swindon, with decorative brass hands, the oak case having a swan-neck pediment with brass centre finial and patrae, the hood with cast-brass capitals to the pillars, all standing on bracket feet, height 206cm inc. finial.Biography Charles Haines, born Antage, Berkshire in 1798, is recorded as working as a clockmaker in Wood Street, Swindon by 1829 and still listed in 1861 as a widower living with his daughter Louise and a servant.Reference John Young Wiltshitre Watch and Clockmakers Pub. Sedghill Publishing 2004, with a longcase clock by Haines illustrated p.82.

Fletcher, Barnsley, an oak longcase clock, the thirty-hour duration movement striking the hours on a bell, with the thirteen-inch round painted dial having black Roman numerals, date aperture and signed Fletcher, Barnsley, with brass hands, the oak case having quartered columns, the hood with a swan-neck pediment and brass capitals to the pillars, the base with raised mouldings and standing on bracket feet, height 208cm.Biography There are three members of the well-known Fletcher family working in Barnsley, Yorkshire at this period with the maker of this clock quite probably one of the two clockmaking sons of Tobias Fletcher, either Charles born circa 1780 or Tobias II born 1782.Reference Brian Loomes Yorkshire Clockmakers Pub. Daleman Books 1972

Richard Longhurst, Steyning an oak longcase clock the thirty-hour duration movement striking the hours on a bell with an outside countwheel, the eleven-inch square painted dial having black Roman numerals, decorative corner spandrels and signed R. Longhurst, Steyning, with decorative blued steel hands, the flat-top oak case with cast-brass capitals to the hood pillars, height 190cm.Biography Richard Longhurst is recorded as working in Steyning, Sussex having married there in 1776/7 prior to his move to Seaford in 1784 until at least 1834 being no longer recorded by 1839.Reference Brian Loomes Watchmakers and Clockmakers of the World NAG Press 1988.

William Johnson, Evesham, an oak longcase clock, the thirty-hour duration full-plate movement striking the hours on a bell with an outside countwheel, the eleven-inch square painted dial having black Roman numerals, floral corner spandrels, blued steel hands and indistinctly signed to the centre W. Johnson, Evesham, the flat-top oak case having cast-brass capitals to the hood pillars, height: 190cm.Biography William Johnson is recorded as working in Bengworth, a locality adjoining Evesham, prior to 1801 when he took Ebenezer Fisher as an apprentice. Johnson died in 1804.Reference Joseph McKenna Clockmakers & Watchmakers of Central England Pub. Mayfield Books 2002.

Joseph Liddell, Oldswinsford, an oak longcase clock, the thirty-hour duration bird-cage movement striking the hours on a bell with an outside countwheel, the eleven-and-a-half-inch square brass dial having a raised silvered chapter ring engraved with black Roman numerals and decorative half-hour markings, with the matted centre having a subsidiary date aperture and silvered plaque engraved Jos. Liddell, Oldswinsford, with cast-brass cherub-head corner spandrels and blued steel hands, the oak case having an arched trunk door with the hood having a caddy-top, and turned quarter-columns, height 214cm.

Peirson, Stokesley, an unusual mahogany and oak longcase clock, the movement striking the hours on a gong and having an unusual layout with large barrel wheels and high-count pinions, with alterations, the twelve-inch round brass dial having a raised silvered chapter ring engraved with black Roman numerals, flame half-hour markings with the outer aspect having Equinox markings, signed either side of VI o'clock T. Peirson, Stokesley, A.D. 1724, the associated oak case with fluted quarter columns to the trunk, decorative inlaid stringing and decoration to the base, the hood with fluted columns and a swan-neck pediment, height 235cm.Biography Thomas Pierson was an interesting character who appears to have had many professions including whitesmith, watchmaker, schoolmaster, apothecary, customs officer and poet, with much written about his life, especially as regards his poetry. He published a number of stories and plays including The Treacherous Son-in-Law in 1786. Prone to wearing a substantial wig, a likeness of him doing so is illustrated in The History and Antiquities of Cleveland by John Walker Ord alongside a poem written by Ord which ended, '…for Pierson's wig, it was so big, it covered both his eyes!'. Pierson died in August 1791 and was buried at Stokesley.Reference David F. Severs Stokesley's Clockmakers Pub. 2008.

John Sampson, Penzance a Georgian oak longcase clock: the eight-day duration movement striking the hours on a bell with the twelve-inch brass break-arch dial having a raised silvered chapter ring engraved with black Roman hour numerals and Arabic five-minute markings, the matted dial centre having an inset subsidiary seconds dial and date aperture, with cast-brass c-scroll and female-head spandrels, the arch having a round silvered boss engraved with the maker's name John Sampson, Penzance, the oak case with cast-brass capitals to the fluted hood columns and surmounted by a caddy- top with fretwork panel and flanked by two brass ball-and-spire finials, height 226cm.Biography John Sampson is recorded as working in Penzance from at least 1752 when he advertised for 'any young man bred in the clock or watchmaking way wanting employment to apply to him'. He is also known to have been looking for an apprentice in 1762 and 1767.Reference Cornish Clocks and Clockmakers H. Miles Brown Pub. David & Charles 1980.

James Christie, Perth a mahogany Georgian longcase clock, the eight-day duration movement striking the hours on a bell with the fourteen-inch round painted dial having black Roman numerals, subsidiary seconds and date dials and signed J. Christie, Perth, with decorative blued-steel hands, the mahogany curved-top case with inlaid stringing and having decorative floral inlay to the trunk and cast-brass capitals to the ebonised fluted pillars, the hood with a heavy cast-brass bezel and canted corners, the base standing on bracket feet, height 210cm.Biography There are two makers named James Christie known working in Perth. James Sr. at 62 High Street, and the probable maker of this clock, who married in 1818 whilst still working with his father and who died in 1859, and his son James Jr. working from circa 1840 in the High Street before moving to 52 St. John Street where he died in 1856.Reference Clockmakers & Watchmakers of Scotland Donald Whyte Pub. Mayfield Books 2005.

Alexander Stewart, Dublin, an Inlaid mahogany longcase clock, the eight-day duration movement striking the hours on a bell with the thirteen-inch square brass dial having a raised chapter ring engraved with black Roman numerals and makers name Alexr. Stewart, Dublin, with subsidiary seconds dial and date aperture to the dial centre, cast-brass cherub-head spandrels to the four corners and decorative blued steel hands, the mahogany case having satinwood cross-banding to the trunk and base, with Sheraton-style inlaid decoration to the trunk, base and corners, surmounted by an architectural pediment and all standing on bracket feet, height 252cm.Alexander Stewart is recorded as working in Dublin from circa 1766 until at least 1774.

Two pairs of brass bound longcase clock weights.