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A carved oak dwarf longcase clock

A late 18th century 30-hour oak and mahogany longcase clock retailed by Henry Fisher, Preston, c1790, with a flat topped pediment and moulded cornice, square hood door flanked by two plain pillars with brass capitals, trunk with recessed quarter columns, three-quarter length trunk door with an ogee twin spire top and crossbanding, rectangular plinth with canted corners and a narrow applied moulding to the base, circular 13� painted dial with Roman numerals, minute markers and five minute Arabic�s, floral decoration to the centre and a semi-circular calendar aperture with date disc behind, original steel serpentine hands, dial inscribed �H Fisher, Preston�, dial pinned directly to a weight driven countwheel striking movement, striking the hours on a cast bell. With pendulum and weight.Henry Fisher is recorded as working in Preston (Lancs) from 1742-95.Dimensions: Height: 200cm  Length/Width: 51cm  Depth/Diameter: 22cm

An eight-day mahogany veneered longcase clock retailed by a member of the 19th century Hougton family of Ormskirk clockmakers, hood with a swans neck pediment and a Verre Eglomise panel beneath, square hood door flanked by two plain pillars with brass capitals, trunk with reeded cluster columns to the corners, half-length trunk door with a twin spire wavy top, plinth with canted corners and applied moulding to the front and base, square 14� painted dial with broad Roman numerals, minute markers and matching stamped hands, identically painted spandrels to the corners, subsidiary seconds and date dials with matching brass hands, dial inscribed �Houghton Ormskirk� pinned via a Wilson falseplate to a weight driven rack striking movement, striking the hours on a cast bell. With pendulum and flat weights.Stephen Houghton & Son are recorded as working in Moor Street, Ormskirk (Lancs) in 1824Dimensions: Height: 210cm  Length/Width: 59cm  Depth/Diameter: 26cm

A mid-19th century oak cased longcase clock with a swan’s neck pediment and wooden paterae, with a square hood door flanked by matching ring turned pillars, trunk with reeded cluster columns, short double pointed arch topped door with crossbanding, on a square plinth with inlaid crossbanding and bracket feet, with a 14” square painted dial with Roman numerals, minute track and matching painted spandrels, semi circular date aperture with date wheel behind, matching brass hands, dial inscribed “Scales, Kendal”, dial pinned directly to a 30hour weight driven countwheel movement striking the hours on a cast bell. With steel chain, weight and pendulum. The Scales were a prolific family of 19th century clockmakers in Kendal, Cumbria, they are also recorded in trade directories of the period as working as goldsmiths and dentists.Dimensions: Height: 210cm  Length/Width: 54cm  Depth/Diameter: 24cm

A John Peck of Wellingboro longcase clock, oak and mahogany case with shell marquetry inlaid door, bracket feet

James Berry, Pontefract, an early 19th century oak 30 hour longcase clock, the 12" dials with date aperture, the movement striking on a bell, plain hood and case, pendulum, weight, 203cm

A 19ct century granddaughter longcase clock, the Vienna style dial and movement striking on a gong, tapered case, pendulum, no weight, 115cmCondition report; Overall in need of TLC, case is tired and needs a polish, movement needs a service, no weight or key 

A good, early 19th century 8-day longcase clock, the mahogany case with inlaid stringing, reeded columns to the trunk and hood, surmounted by swan necked pediment and supported on bracket feet, 14" painted arched dial with rolling moon feature, corners painted with fans against a green background, birds to the centre, signed for Glover of St Helens (there are several Glovers listed around the Prescot, St Helens areas, also in Widnes), with weights, pendulum and winding key. Approx height 220 cmCondition Report: Does not appear to have been serviced for quite some time and would benefit from a clean, some damage to the mouldings and areas of veneer loss, not restored.

An early 19th century 8-day mahogany cased longcase clock, the case with ¾ length door, square reeded columns, swan-necked pediments, ogee bracket feet, inlaid stringing, 13 inch square dial with inset ‘hatchet’ rolling moon, Arabic numerals, date indication, paintings showing representative figures of the continents to the corner, signed for John Barry, Ratliff Bridge (Loomes lists John Barry at Bolton le Moor in 1824), matched brass hands, with weights and pendulum, 220cm tall.

A Victorian oak longcase clock with an associated painted arch dial and eight-day movement

Good Magneta electric longcase clock, the 8" silvered dial with centre seconds hand, the movement stamped no. 1301, the case with long glazed door over a moulded panelled base, surmounted by a moulded rounded stepped cornice, 90" high (pendulum, weight, winding key and pulley) *The case of this clock is fitted with an ivorine plaque beneath the dial window inscribed 'The Magneta Time Co Ltd, electric clock systems without batteries or contacts, installed in chief postal buildings, Chatham House Works, Chiswick, W. Patented in Great Britain and in chief countries throughout the world'

Thirty hour longcase clock movement, the 11" square painted dial signed R. Chastry, Slatherleigh; also another thirty hour movement with 11" square painted dial and two 12" square painted dials signed John Cuff, Sutton-Mallet & Owen Davies, Llanidloes (4)

Thirty hour longcase clock movement, the 11" square brass dial signed William Elford, Ivy Bridge in an oval cartouche to the foliate engraved centre with subsidiary calendar dial enclosed by a brass chapter ring; also another thirty hour movement, the 11" square painted dial signed Richard Weycott, Glastonbury (2)**The William Elford movement is by an unrecorded maker and was discovered by the vendor in Ivy Bridge, Devon

Thirty hour longcase clock movement, the 12" painted arch dial signed William Reynolds, Launceston, with subsidiary seconds dial; also another longcase clock movement, the 12" painted arched dial with calendar aperture (2)

Eight day longcase clock movement, the 13" painted arch dial signed W. Nicholas, Birmingham, with subsidiary seconds dial and calendar aperture; also another eight day longcase clock movement, the square painted dial signed Jonathan Hicks, Exmouth with subsidiary seconds dial and calendar aperture and another eight day longcase clock movement, the 14" painted arch dial with subsidiary seconds and calendar dials (3)

Early longcase clock birdcage movement, the 11" square brass dial signed Jonathan Bronson, Stow Market on a shaped arched plate to the matted centre; also another thirty hour longcase clock movement with 12" painted arch dial (2)

Small longcase clock regulator movement, the 8.5" silver arched dial signed Thomas Nurse, Lynn to the arch over a subsidiary seconds dial with missing hand (brass cased weight, no pendulum)

Thirty hour longcase clock movement, the 12" square painted dial signed Morse & James..., with calendar aperture (pendulum and weights); also an eight day longcase clock movement, the 12" painted arched dial signed Webb & Son..., with moon phase to the arch over a subsidiary seconds dial and calendar aperture (2)

Two consecutively numbered thirty hour longcase clock movements, both signed Rd. Fowle, Uckfield; the first with 10" square brass dial and silver chapter ring enclosing a matted centre with single iron hand and ring turned calendar aperture (no. 103) and the other with 9" square brass dial and silver chapter ring enclosing a matted centre with single iron hand (no. 104) (2)

Oak eight day longcase clock, the 14" painted arched dial signed Geo Moore, Cumnock, with subsidiary seconds and calendar dials, the case with long door and the hood surmounted by a flat stepped cornice, 82.5" high (pendulum, two weights and winding key)

Oak thirty hour longcase clock, the 10.75" square brass dial signed John Fry, Melksham on a shaped plate, the matted centre with calendar aperture, the case with long rounded arched door and the hood surmounted by a flat stepped pediment, 79" high (pendulum and weight)

Oak eight day longcase clock with five pillar movement, the 12" square brass dial signed Richard Grigg, Andover on the silvered chapter ring enclosing an engraved matted centre with subsidiary seconds dial and calendar aperture, the case with long beaded moulded edged door and the hood surmounted by a flat moulded stepped pediment, 84" high (pendulum and two weights)

Oak thirty hour longcase clock, the 11" square painted dial signed Jonathan Tucker, Tiverton on an oval foliate cartouche to the centre over a calendar aperture, the case with long door and the hood with a flat moulded stepped pediment, 77" high (no pendulum or weights)

Oak thirty hour longcase clock, the 13.5" silvered dial signed Donisthorpe, Loughborough, the case with long door and the hood surmounted by a rounded arched stepped moulded pediment, 85.5" high (pendulum and weight)

Oak thirty hour longcase clock, the 11" square brass dial signed Mark Hawkins, St. Edmunds Bury at six o'clock on the brass chapter ring enclosing a matted centre with calendar aperture, the case with long foliate carved lozenge door and the hood surmounted by a stylised foliate carved caddy top, 87" high (pendulum and decorative vase shaped brass weight)

Oak eight day longcase clock, the 12" brass arched dial signed John McDonald, Inverness on a silvered arched plate to the matted centre with subsidiary seconds dial and calendar aperture, with strike/silent dial to the arch, the case with long rounded arched door and the hood surmounted by a broken moulded stepped pediment, 84.5" high (pendulum, two weights and keys)

Mahogany eight day longcase clock, the 13" raised and painted arched dial with subsidiary seconds dial and calendar aperture, the case with ebony banding and short door, the hood surmounted by a wavy card cut cornice and brass urn finial flanked by two ball and eagle finials, 85" high (pendulum, two weights and winding key)

Oak eight day longcase clock, the 12" square brass dial signed Simon Thorne, Tiverton on an arched plate to the matted centre with subsidiary seconds dial and calendar aperture, the case with long foliate carved rounded arched door and the hood surmounted by a flat stepped moulded pediment over a blind foliate carved frieze, 79" high (no pendulum or weights)

Mahogany eight day longcase clock, the 12" painted arched dial signed Bradshaw, Canterbury under a subsidiary seconds dial and calendar aperture, the case with long rounded arched door and the hood surmounted by a raised pediment inlaid with an oval panel, 85" high (no pendulum or weights)

Oak eight day longcase clock, the 12" brass arched dial signed Johnathan Martin, Bristol on the brass chapter ring beneath six o'clock enclosing a matted centre with subsidiary seconds dial and calendar aperture, with missing strike/silent dial to the arch, the case with long wavy top door stylistically carved with birds amidst flowering foliage and the hood surmounted by a carved caddy top over a rounded moulded stepped cornice, 97" high (pendulum, two weights and winding key)

Oak and mahogany crossbanded thirty hour longcase clock, the 12" circular painted dial signed Benjamin Smith, Alfreton, with subsidiary seconds dial, the case with long pointed arched crossbanded door and the hood surmounted by a broken swan neck pediment with brass ball and spike finial, 82" high (pendulum and weight)**A clock by this maker appeared on the front of Clocks magazine dated November 1992 and a copy of this magazine is sold with the lot

Mahogany three train longcase clock, the 12.5" brass arched dial signed Henry Swaine of Hilperton on a flat silvered disc to the arch over a silvered chapter ring enclosing a subsidiary seconds dial (missing hand), calendar aperture and three ringed winding holes, the case with long beaded moulded rounded arched door inlaid with an oval conch shell to the centre within cabled banding, the hood surmounted by a caddy top inlaid with an oval satinwood panel and with three brass ball and spike finials, 96" high (pendulum, three weights and keys) (alterations)

Oak eight day longcase clock, the 12" painted arched dial signed P. Sharp, Coldstream to the centre with subsidiary seconds and calendar dials, the case with long wavy arched moulded door and the hood surmounted by a swan neck pediment, 81" high (pendulum and two weights)

Mahogany eight day longcase clock, with 13" painted arched dial, the raised chapter ring with subsidiary seconds dial and calendar aperture, the case in need of rebuilding with medium length inlaid door flanked by spiral columns and the hood surmounted by a rounded wavy cornice (pendulum) (at fault)

Oak and mahogany thirty hour longcase clock, the 12" painted arched dial indistinctly signed and with calendar aperture, the case with short mahogany crossbanded door inlaid to the centre with a conch shell and the hood surmounted by a swan neck pediment, 81" high (pendulum and weight)

Oak and inlaid thirty hour longcase clock, the 12" painted arched dial signed James Webb, Froome (sic), with subsidiary seconds dial and calendar aperture, the case with long door inlaid to the centre with an oval conch shell and the hood surmounted by a swan neck pediment, two rosettes and an acorn finial, 88" high (weight but no pendulum)

Oak and mahogany eight day longcase clock, the 12" painted arched dial with moon phase and marine scenes to the arch, over a subsidiary seconds dial and calendar aperture, the case with long mahogany crossbanded door flanked by quarter fluted columns and the hood surmounted by a moulded swan neck pediment, 83" high (pendulum and two weights)

Oak thirty hour longcase clock, the 12" square painted dial signed Samuel Collings, Down End, with subsidiary seconds dial and calendar aperture, the case with long door and the hood surmounted by a stepped flat pediment, 81.5" high (pendulum and weight)

Oak eight day longcase clock, the 12" square brass dial with subsidiary seconds dial and calendar aperture, the centre engraved with a rural scene and the spandrels with flowering foliage, the case with short crossbanded door and the hood surmounted by a swan neck pediment and eagle brass finial, 80" high (weight but no pendulum, winding key)

Mahogany thirty hour longcase clock, the 11" foliate engraved square silvered dial with calendar aperture, the case with short inlaid door and the hood surmounted by a swan neck pediment and brass ball and eagle finial, 83" high (pendulum and weight)

Mahogany eight day longcase clock, the 12" square brass dial with silvered chapter ring enclosing a matted centre with subsidiary seconds dial (missing), ringed winding holes and calendar aperture, the case with long beaded moulded door and the hood surmounted by a flat stepped moulded pediment, 75" high (pendulum and two weights)

Oak eight day longcase clock with five pillar movement, the 12" square brass dial signed J. Lownds, London on the brass chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, the case with long beaded moulded arched door and the hood surmounted by a flat stepped pediment, 81" high (pendulum, bob and two weights)

Mahogany three train chiming longcase clock, the 12" brass arched dial signed John Edgecumbe, Bristol to the foliate engraved centre with subsidiary seconds dial and calendar aperture, the movement chiming on a graduated set of eight bells, the arch with painted moon phase and high water at Bristol quay silvered scale, the case with long wavy arched door and the hood surmounted by a swan neck pediment and brass ball and eagle finial, 89" high (pendulum, three weights and winding key)

Good mahogany eight day longcase clock with five pillar movement, the 12" circular convex cream dial signed J. Trendell, Maidenhead, with subsidiary seconds and calendar dials, the case with long rounded arched moulded door and the hood surmounted by a rounded card cut cornice with three gunmetal pedestal ball finials, 87" high (pendulum, two weights and door key)

Oak and mahogany three train longcase clock, the 14" painted arched dial signed Henry Bright, Leamington to the centre with subsidiary days of the week dial and moon phase to the arch, the substantial movement playing 7 tunes every third hour (tunes change daily), including the national Anthem and Grand Old Duke of York on a nest of twelve bells, the case with long mahogany crossbanded pointed arched door flanked by quarter fluted columns and the hood surmounted by a swan neck pediment, 87" high (pendulum and three weights)**This clock has been in the same family by descent for approximately one hundred years**This clock is signed Henry Bridge of Leamington Spa, who lived from 1817 to 1904. His family owned successful watchmakers and retail jewellers in the most fashionable part of Leamington so it is likely he either retailed this clock or perhaps had it on display there. We believed the clock is somewhat earlier as the dial was made by Walker & Finnemore of Birmingham which dates it to between 1808 and 1811 when their partnership dissolved, we believe the movement may have been made by Samuel Deacon (1746-1816) of Barton in the Beans. The AHS published a small book called The Deacon Family of Leicestershire Clockmakers and it is clear from the book that the clock has many of Samuel Deacon's features such as the bell hammers, pin strike and baluster movement pillars. Although the movement is not numbered, Deacon's very detailed records are held by Leicestershire county records office and it may be possible to trace who it was made for and what tunes it plays. Deacon's workshop and tools survive in the custody of Leicester county museum

Good mahogany eight day longcase clock, the 12" brass arched dial signed Samuel Whitchurch, Kingswood on the silvered chapter ring enclosing a marine engraved centre with subsidiary seconds dial and calendar aperture, with high water at Bristol quay and moon phase to the arch, the case with long reeded moulded rounded arched door and the hood surmounted by a moulded rounded arched stepped pediment, 87" high (pendulum, two brass cased weights and winding key)

Good quality 20th century triple fusee chiming longcase clock, the substantial movement playing on a nest of eight graduated bells and five gongs, with deadbeat escapement and maintaining power, the 9.25" foliate engraved arched dial with 8" silvered chapter ring enclosing a painted marine battle engagement, with Westminster/eight bells and strike/silent selection levers at three and nine o'clock, also with a moon phase to the arch, the case with narrow beaded moulded rounded arched door and the hood surmounted by a caddy top with four turned wooden and one brass urn finial, 87" high (pendulum and keys)

Longcase clock dials; 13.25" square painted dial signed Tho. Houghton, Chorley, with subsidiary seconds dial; also a 12" square painted dial and two 11" square painted dials and four various small clock weights and some winding keys

Eleven longcase clock pendulums and rods; also some spare pendulum rods, eight longcase clock seat boards and a Scottish pendulum bob

Ten various longcase clock pendulums with flat metal rods (10)

Pair of copper cased longcase clock weights; also five single brass cased longcase clock weights (7)

Large quantity of various rounded arched, square and circular longcase clock dials (15)

Various incomplete clocks and clock movements in need of restoration and two electric longcase clock pendulums and bobs

Eight day longcase clock dial, the 12" brass arched dial with convex boss to the arch over a strike/silent aperture and silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture; also three various contemporary longcase clock weights weighing 8.5kg, 5kg and 4.5kg respectively

Thirty hour longcase clock movement, the 10" square brass dial signed Jos Conway, Sturminster to the foliate engraved centre enclosed by a brass chapter ring; also two other movements and a quantity of clock parts and other fittings including pendulums etc

Single fusee mantel clock movement signed T & R no. 9620, 6.5" high; also another single fusee clock movement with pendulum and a thirty hour longcase clock movement, incomplete and in need of assembly (3)

An 18th Century longcase clock, with black Roman numerals and subsidiary Arabic minutes to the 25cm diameter silvered chapter ring enclosing a seconds dial and calendar aperture, named "Thomas Harben, Cliff Lewes", the square brass face with ornate spandrels, the 30 hour movement with bird cage frame and count wheel strike on a bell; the honey oak case with stepped cornice, long rectangular door, paneled base and bracket feet. 194cm tall. With a weight and a pendulum.

An Edwardian longcase clock in the late 18th Century style, with black Roman numerals and subsidiary Arabic minutes to the 27cm diameter silvered chapter ring enclosing a seconds dial, bearing a plaque "D.H. Halford & Sons, 129, Fenchurch", the arched brass face with three strike/silent/chime dials and ornate spandrels, with 8-day three train movement; the mahogany and crossbanded satin wood case with broken swan neck pediment and fluted columns to the hood, long trunk door and plinth base inlaid with oval patere. 237.5cmm tall. with three weights and a pendulum.

A late 18th/ early 19th Century longcase clock, with black Arabic numerals and subsidiary quarter hour minutes to the 34cm diameter circular cream painted face, enclosing a seconds dial and calendar aperture, named "Thos. Bayfield, Melton Mowbray", the 8-day movement with rack and snail strike on a bell; the honey oak and mahogany case with brass-mounted broken swan neck pediment and plain turned columns to the hood, over a long trunk door with minaret-shaped top, on a paneled base and plinth. 225cm tall. With two weights, a pendulum and a winding key. Face restored.

An 18th century and later oak longcase clock with eight day movement striking hours on a bell, the 10-inch square brass dial with silvered chapter ring, the later oak case with carved decoration, height 230cm, with pendulum and two weights (alterations and faults).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.