A MID-19th CENTURY OAK AND MAHOGANY LONGCASE CLOCK, THOMAS HUMPHREYS BARNARD CASTLE, the 12" painted dial beneath an arch painted with a hunting scene, 30 hour movement, the hood with swan neck pediment, the glazed door between turned upright, the trunk with crossbanded door on a substantial plinth base. 2.27m
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A George III oak longcase clock, with broken scroll neck pediment, above an arch door, enclosing a 13 inch brass dial signed by Dent, the chapter ring with Roman and Arabic numerals beneath painted man and an eight day rack striking movement with anchor escapement, above a crossbanded trunk door flanked by quartered columns above panelled base, raised on bracket feet, including two weights and a pendulum, 212 cm high. CONDITION REPORT: Case: appears fairly original but has sustained knocks and bashes and has some veneer losses. the front of the plinth has split horizontally. The backboard does not appear to have been disturbed. Dial is original and appears unaltered. Movement- appears original and needs cleaning . The clock is fairly original overall and although there may be minor repairs that have occurred over time these are not substantial.
EARLY EIGHTEENTH CENTURY YEWWOOD AND STAINED BEECH LONGCASE CLOCK, signed Peter Stretch, Leek, the 12"" brass dial with silvered chapter ring, angelic mask spandrels and subsidiary seconds dial and date aperture to the matted centre, powered by an eight day movement striking on a bell, housed in a flat top case with scroll carved and part glazed frieze and barley twist fore columns, over a long trunk door with bulls eye glass and raised on a plain base with deep plinth, 82 1/4"" (209cm) high
EARLY NINETEENTH CENTURY FLAME CUT MAHOGANY LONGCASE CLOCK, signed Grant, Fleet Street, London, the 12"" silvered dial with subsidiary date and seconds dials to the centre and strike/silent dial to the arch, powered by and eight day movement striking on a bell, housed in a pagoda topped case, with scroll pierced panel and pair of flame finials, above stop fluted free standing columns and long trunk door with arch top, raised on a panelled base with shaped plinth, 92 1/2"" (235cm)
LATE EIGHTEENTH CENTURY FIGURED MAHOGANY LONGCASE CLOCK with rolling moonphase, signed Thomas Williams, Preston, the 13"" brass dial with subsidiary seconds dial and date aperture to the matted and floral engraved centre, angelic mask spandrels and rolling moonphase to the arch, signed, powered by an eight day movement striking on a bell, housed in a flat top case with swan neck pediment above a pair of red tinted glass panels and pair of brass capped free standing fluted fore columns, over a flame cut long trunk door with shaped top, flanked by fluted quarter columns and raised on a conforming panelled base with shallow plinth, 89"" (226cm) high
EARLY 19th CENTURY OAK AND MAHOGANY LONGCASE CLOCK SIGNED J. TOPHAM, NANTWICH, the 13 3/4"" painted Roman dial with shell spandrels and subsidiary seconds dial and date aperture to the centre, powered by an 8 day movement striking on a bell, housed in a case with swan neck pediment, eagle and ball brass finials and part-fluted free standing square section fore columns, over a long trunk door with shaped top flanked by fluted panels and raised on a conforming base with moulded plinth, 85 1/2"" (217.2cm) high
LATE EIGHTEENTH CENTURY OAK AND MAHOGANY LONGCASE CLOCK, with rolling moon phase, the 13"" square painted dial with fruit and flower spandrels and date aperture and rolling moon aperture to the floral painted centre, powered by a 30 hour movement striking on a bell and housed in a case with swan neck pediment, eagle and ball brass finials and brass capped free standing columns, over a long trunk door with shaped top, flanked by quarter columns and raised on a plain base with shaped plinth, 89"" (226cm) high (a.f.)
LATE EIGHTEENTH CENTURY OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, signed John Dumvile, Alderley, the 12"" silvered dial with brass angelic mask spandrels and subsidiary seconds and date dials to the centre, powered by an eight day movement striking on a bell, housed in a flat top case with three brass ball and spike finials and brass capped free standing, fluted fore columns, over a long trunk door with shaped top, flanked by fluted quarter columns and raised on a plain base with ogee bracket feet, 83 1/2"" (212.6cm) high
LATE EIGHTEENTH CENTURY OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, signed Holliwell, Derby, the 13"" painted circular dial with date aperture to the floral painted centre, powered by a thirty hour movement striking on a bell, hosed in a case with swan neck pediment, brass eagle and ball finial, circular glazed aperture to the door and brass capped freestanding fluted fore columns, over a long trunk door with shaped top, flanked by fluted quarter columns and raised on an associated stepped base, 85 1/2"" (217.2cm) high
AN 18TH CENTURY CHINOISERIE LACQUER LONGCASE CLOCK, the domed hood surmounted with spherical finials above an arched glazed panel door, enclosing a brass dial inscribed 'Eardley Norton London', with pierced spandrels around a silvered chapter ring with Roman numerals and seconds subsidiary dial, the trunk and plinth base covered with birds, prunus and pagodas, with weights, key and pendulum. 247cm high
An 18th Century Oak 30 Hour Longcase Clock. The 10¼ ins (26 cm) square brass dial with silvered chapter ring signed Harley Salops, encircling a matted centre with an arched calendar aperture , and having scrolling cherubs' head spandrels to the corners. The hood with moulded top and turned integral corners columns The long dome-topped trunk door having a glass bullseye lenticle, on a moulded base 83½ins (212 cms) in height.
An Oak and Elm cased 30 hour Longcase Clock, the 11'' square brass face having a polished brass chapter ring with Roman numerals and Arabic five minute digits, the centre of the face with engine turned patterning and with three cast brass spandrels and one beaten brass at the lower left of a differing design and probably made up of old lock plates, engraved to the base of the chapter ring is the name, ''Theophilus Jones, Aberg-avenny.'' The heavy brass plates of the movement are separated by two turned pillars and two rectangular section pillars and the movement striking the hours on a bell has an externally mounted count-wheel, the movement at one time having been cord driven is now driven by a chain. 75 3/4'' high x 17 3/8'' maximum width
An early Victorian Longcase Clock, the painted arch dial inscribed "I A Tilley, Bristol" and with seconds ring, date aperture and phases of the moon arch, painted with shipping scenes, with eight day movement, in a domed mahogany case with brass eagle finials, spiral turned pilasters and inlaid with boxwood stringing.
A Georgian eight day longcase clock, the slender mahogany trunk with canted reeded corners and squat ogee bracket supports beneath an arched hood with broken swan neck pediment, etc, enclosing a brass dial with etched masonic emblems/detail, calendar aperture and secondary dial by Solomon Lyon, Bideford
A 19th century eight day longcase clock, the mahogany trunk with inlaid chevron banding and further inlaid detail, the door flanked by rope twist columns with cast gilt capitals beneath an arched hood enclosing a painted dial with shepherdess and further detail and secondary dials, by Pass, Birmingham
AN OAK LONGCASE CLOCK signed John Lawson, Keighley, the thirty hour movement with anchor escapement and outside count wheel striking on a bell, the 12"" square brass dial with Roman and Arabic numerals, leaf chased centre with calendar aperture and half moonphase, the case with moulded inverted breakfront cornice on turned columns, frieze with black glass panels, arched door flanked by quarter columns, panel base, on plinth, 84 1/2"" high
AN OAK LONGCASE CLOCK by William Noke, Bridgnorth, the eight day movement with anchor escapement striking on a bell, 11 1/4"" square brass dial with Roman and Arabic numerals, mottled centre chased with birds, with seconds dial and calendar aperture, the case with moulded cornice on turned columns, arched door, panel base and bracket feet, later carving throughout, 82"" high (Illustrated)
A MAHOGANY LONGCASE CLOCK signed J Murry, Aberdeen, the eight day movement with anchor escapement striking on a bell, 12"" arched dial with Roman and Arabic numerals, painted with flowers and with a ship in the arch, the case with scrolled pediment on fluted Corinthian columns, arched banded door flanked by wrythen quarter columns, banded base and bracket feet, 86"" high (Illustrated)
A MAHOGANY LONGCASE CLOCK signed Thomas Crawshaw, Retford, the eight day movement with anchor escapement striking on a bell, 13"" arched dial with Arabic numerals, painted signature banner and spandrels, the arch with automaton depicting Adam and Eve in the Garden of Eden, the mahogany case with boxwood stringing, scrolled pediment with brass finials on fluted Corinthian columns, arched door with oval flame panel, similar canted base and bracket feet, 95 1/4"" high (Illustrated)
A MAHOGANY LONGCASE CLOCK, signed John Miller, Preston, 18th century, the eight day movement with anchor escapement rack striking on a bell, 13"" arched brass dial with Roman and Arabic numerals to silvered chapter ring, seconds dial and calendar aperture, the arch with silvered roundel engraved with an eagle and inscribed ""Tempus Fugit"", the case with arched moulded cornice and verre eglomise frieze on plain turned columns, quarter veneered arched door, flanked by quarter columns, canted base and bracket feet, 87 3/4"" high (Illustrated)
A late 18th century oak longcase clock, the square brass dial (w.11") signed G Burton of Tebay to the engraved centre, having rolling date dial, the chapter ring with Roman and Arabic numerals within cast brass mask corner spandrels, with twin dummy winding holes and thirty hour brass four pillar movement striking on a bell, the case with all-over blind carving and bearing date 1786, h.200cm
A late 18th century oak longcase clock, the distressed arched brass dial (w.12")signed Botley of Bletchingly to the arch and having silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, all within cast brass spandrels and having matted centre, twin winding holes for an day four pillar weight driven movement striking on a bell (requires complete overhaul), the case having arched panel door to the trunk, on a reduced boxbase, h.192cm
An 18th Century inlaid oak and mahogany crossbanded longcase clock by William Parkes Wolverhampton, engraved arch silvered dial with moonphase and date aperture enclosed by a blind fret panel carved hood and broken swan neck pediment over a long cockbeaded trunk door flanked by brass reeded capitals on a later converted plinth base, 221cm high
A George III period flame mahogany cased eight day Longcase Clock, the architectural style pediment above an 11.5" brushed steel dial engraved with foliate spandrels and having Roman numerals and date hand etc., flanked by Classical style fluted columns headed with gilt metal capitals, rectangular cross banded trunk door and on plinth base, four pillar brass movement, approx. 206cm high
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41749 item(s)/page