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A 19th Century mahogany longcase clock by Ballard of Cranbrook, the 12ins arched painted dial with subsidiary seconds dial and date dial and showing phases of the moon to the arch to the eight day two train movement striking on a bell, contained in figured mahogany case with shaped and moulded cresting and turned, fluted and brass stopped columns to hood, arched trunk door, and with fluted and brass stopped quartered columns with Corinthian capitols to trunk, the plinth with raised astragal mouldings, 81ins high (in need of repair and restoration) Illustrated. Note : William or Frederick Ballard recorded working Cranbrook 1826-1866

A George III oak longcase clock, by James Shiell, Earlston, the hood with swan neck pediment arch door and fluted columns, the arch top brass dial with second hands and roman numerals, above a trunk with ogee door, flanked by fluted columns, upon plinth with shaped apron, (220cm tall)

A Walnut longcase clock, circa 1930, the arch top hood with pierced fret work side panels, the brass dial signed Tempus Fugit, with silver chapter ring and pierced cherub spandrels, the trunk with arch top door and panelled plinth, (196cm tall)

Seventeen various crested china ornaments including two Gladstone bags [Birmingham and Barrow in Furness], suitcases [Wales and Llandudno], longcase clock [Accrington], anvil [Tipperary], etc

A collection of watch and clock repairing tools, etc. to include vice, tweezers, screwdrivers, etc. together with two longcase clock pendulums and a large quantity of leather and metal 'as new' wrist watch straps

An 18c mahogany longcase clock with swan neck pediment, fluted columns to the side of the hood and trunk, enclosing a shaped door with inlaid shell motif over a plain base on bracket feet; the brass dial inscribed 'And'r Dickie, Edinburgh' with brass chapter ring, seconds and date dials and eight-day movement, 221 cms

A tall 18c mahogany longcase clock with curving arched top and brass finials, fluted columns to the side of the hood over a plain trunk shaped door and panelled base, raised upon a platform support; the brass dial inscribed 'Nat'l Hedge, Colchester' with silvered chapter ring, seconds and date dials and eight-day five pillar movement, 251 cms.

A circa 1800 Oak Longcase Clock the caddy topped hood over a floral painted arched 30cm dial with seconds dial, date aperture and black Roman numerals. The 8-day movement striking on a bell, shaped top and crossbanded trunk door flanked by angled ebony inlaid corners on crossbanded panelled base, 256cm high.

An early 19th Century Oak and Mahogany crossbanded Longcase Clock, the hood with broken swanneck pediment over 30cm square painted dial with pheasants to the spandrels, date aperture, black Roman numerals and inscribed 'VORLEY THRAPSTONE'. The 30-hour movement striking on a bell. Short trunk door on a panelled base, 206cm high.

An assortment of 18th and 19th century clock parts, including two longcase square dials, a post-framed movement and a distressed dial clock - as viewed

A George III mahogany eight day longcase clock, the arched brass dial signed Jos. Sarjent, Jermyn St, St James, (altered and reconstructed), 7ft 3ins

A George III mahogany eight day longcase clock, the arched brass dial with strike / silent, subsidiary seconds and date aperture signed Sam'l Day, Saffron Walden, No. 214, 6ft 10ins

A George III mahogany eight day longcase clock, the arched brass dial with painted moonphase, silvered Roman chapter ring and inner date ring, signed Gibson, N'castle, (later Edwardian case), 8ft 4ins

A George III oak thirty hour longcase clock, the square brass dial with Roman chapter ring and date aperture, signed Thomas Harben, Cliff, Lewes, 6ft 3ins

A George III mahogany longcase clock, by E Drakeford, Congleton, the eight day movement running on anchor escapement and having arched 14ins painted Roman dial decorated with flowers at the angles and pastoral vignette to the arch with subsidiary seconds dial and crescent date aperture; the case having caved 'Chinese' cushion pediment above parcel gilded swan neck moulding and flanking reeded columns, the crossbanded shape flame veneered door flanked by quartered reeded columns, the panelled base raised on ogee feet, 8ft 3ins

A George III mahogany 30 hour longcase clock, the arched brass dial signed Rich Parry, Whitechapel, 6ft 8ins

A Victorian mahogany 8-day longcase clock, the arched Roman dial printed with a religious scene and ruins, 7ft 5ins

A Victorian mahogany and oak eight day longcase clock, the arched painted dial with moonphase, subsidiary seconds and date dials, signed J.Hunt, New Road, Oxford, 7ft 3ins

A George III lacquered eight day longcase clock, the arched brass dial with strike / silent, subsidiary seconds and date aperture, signed Hen'y Cooley, London, 7ft 6ins

A George III brass eight day longcase clock dial and movement, the square dial with subsidiary seconds and date aperture signed John Cannon, Marlborough, with incomplete carved oak case

A mid 18th century brass eight day longcase clock dial and movement, signed Sam'l Quarmar, Temple Cloud, with an associated distressed oak case

A George III inlaid mahogany eight day longcase clock, the arched brass dial with painted automaton eyes 'face' (inoperative), subsidiary seconds and date aperture, signed Jos'h Dashwood, Bridport, 7ft 4ins

Early 19th Century Longcase Clock, with arched painted dial, inscribed, "Stonehouse, Leeds", with a secondary seconds dial and date dials, the spandrels painted with fans, with rolling moon face in the arch, eight-day movement, contained within a mahogany case, with swan neck pediment, centred by an inlaid panel, decorated with a conch, with inverted tapered hoods, with inverted tapered hoods, with herringbone inlay and brass capitals, arched door with central oval panel, inlaid with Britannia, with a plain base, inlaid with a sunburst and on bracket feet, 234cms,(7'8").

Late 17th/early 18th Century Longcase Clock, with square brass dial, inscribed, "William Abbott Sarson Fecit", with secondary seconds dial and date aperture, cast and embossed spandrels, thirty-hour movement, striking on a bell and contained within an oak case, the hood with moulded cornice and turned column pilasters, above a panelled door, with glass circular panel and on a plain base and bun feet, 218cms, (7'2").

18th Century Longcase Clock, with square brass dial, inscribed, "J. Goddard, London", secondary seconds dial and date aperture, with Roman numerals, embossed and cast spandrels interspersed by engraved leafy scrolls, eight-day five pillar movement, contained within a mahogany case, the hood with moulded cornice above a blind fretwork frieze, turned column pilasters above a marquetry inlaid door, with two panels decorated with a bird a vase, a peony and other spring flowers and with tulip decorated spandrels, the sides with laburnum oyster veneers, on a plain base, 204cms, (6'8").

18th Century Longcase Clock, inscribed, "William Mordan, Nottingham", with secondary seconds dial and date aperture and rolling moon face in the arch, cast and embossed spandrels, eight-day movement contained within an oak case with swan-neck pediment, the hood with inverted tapered fluted columns, arched doors with mahogany crossbanding, fluted quartered column pilasters, plain base and bracket feet, 219cms, (7'2").

Early 19th Century Longcase Clock, with painted arched dial, inscribed, "Marris, Hull", with secondary seconds dial and date aperture, the arch and the spandrels painted with summer flowers and fruits, eight-day movement, contained within an oak case, with concaved hood, with fluted column pilasters, Gothic arched door and on plain base, 220cms, (7'2").

Early 19th Century Longcase Clock, painted arched dial, inscribed, "J.M. Thom, Bilston", secondary seconds dial and date aperture, the centre of the dial painted with an interior scene, the spandrels painted with seated ladies in an interior and garden scenes, with a rolling moon phase in the arch, eight-day movement, contained within a mahogany case, with swan neck pediment, the hood with inverted tapered supports, above an arched door with ebony and boxwood banding, with quarter column pilasters and on a plain base, 230cms, (7'7").

18th Century Longcase Clock, the square brass dial with Roman numerals and inscribed; "Baddely - Tong", secondary seconds dial and crescent date aperture, eight-day movement, contained within an oak case, with break arch pediment, fretwork cornice, the hood with turned supports above the door, the central oval panel inlaid with flowers and with floral arched spandrels and boxwood and ebony beading, quarter column pilasters and on a plain base, 280cms, (6'10"). Baddely is recorded working at Tong circa 1720.

18th Century Longcase Clock, painted arched dial inscribed, "Jas. Huston, Johnston", with secondary seconds dial and date dial, the spandrels decorated with female figures in the four seasons and the arch decorated with a scene entitled, "The Fortune Teller", eight-day movement, contained within a mahogany case, with moulded cornice on a plain hood, above a panelled door with quarter column pilasters carved with leaves, on plain base and bracket feet, 216cms, (7'1").

18th Century Longcase Clock, with painted dial, inscribed, "J & C Schwerer, Northampton", with secondary seconds dial and date aperture, the spandrels painted with deer and hounds, the arch painted with a huntsman and hound, eight-day movement and contained within an oak case with swan-neck pediment, the hood with baluster turned columns above a mahogany veneered frieze, arched door with central lozenge, canted corners and on a plain base, 188cms, (6'2").

AN 18TH CENTURY OAK 30 HOUR LONGCASE CLOCK, by Peter Selby of Wareham, having caddy top hood with arched apeture flanked by turned pillasters, moulded arched waist door and panelled base. Arched brass face with engraved decoration, seconds dial and date apeture, 30 hour movement striking on one bell. The face 12" Wide x 17" High, overall 83" High. (Peter Selby, Wareham, 1760- 1795).

EARLY 19TH CENTURY MAHOGANY LONGCASE CLOCK, by G. Barker of Leeds, having hood with broken arch pediment. Painted arch face flanked by twin columns painted arch door to the waist with quarter pilasters. Crucuform panelled base on splayed bracket feet. The case decorated overall reeded and bead moulding. The face decorated with scene entitled 'Lazarus and the Rich Man' and other classical figures. Eight day movement striking on one bell with seconds and date dials face 20. 5" x 14. 5". Clock 92" High.

EARLY 19TH CENTURY WELSH OAK LONGCASE CLOCK, by Joseph Kern of Swansea, having broken swan neck pediment above arched apeture flanked by turned columns, rectangular cross beaded waist door flanked by canted angles on panelled base with bracket feet. Eight day movement striking on one bell with painted face having rocking ship seconds dial and date attire face 12. 5" x 18", clock 84" high overall. (Joseph Kern Swansea recorded 1844-1850).

A 19TH CENTURY LONGCASE CLOCK, by William Hopkins of Llandeilo, having cross banded and inlaid case with arch painted dial decorated with hunting scenes. Eight day movement striking on one bell. (William Hopkins Rhosmaen Street, Llandeilo 1847-1941).

A 20TH CENTURY OAK LONGCASE CLOCK, having silvered circular face, glass door revealing pendulum and weights, on short cabriole legs. 78" High.

AN EDWARDIAN INLAID MAHOGANY LONGCASE CLOCK, having broken arch hood. Brass faced and silvered chapter ring. Pointed arch door panel bare on bracket feet. Eight day movement striking on four gongs. 88" High.

An oak eight day longcase clock with a dentil moulded cornice above a 12" enamel and decorated arched dial having calender and seconds dial, signed "Step" Jones Llandovery over a case with shaped trunk door and fluted, canted corners height 79

A mahogany cased eight day longcase clock with swanneck pediment and brass finials above a later 12" arched brass dial with silvered centre and chapter ring signed W. JACKSON, Yeovil Tempus Fugit all over a shaped trunk door height 90

An 18th century thirty hour longcase clock with a square 11" brass dial with a single hand, signed THO BAYLEY BURTON contained in an oak case with a long door 85" to finial

An eight day longcase clock with a painted arched dial with seconds hand and calender signed T BUNCE Wantage, contained in an oak case 89" high

An eight day longcase clock with a brass square dial signed "ROB DAVY AYLSHAM" contained in a red walnut case with a long door 7' tall to the final

An eight day longcase clock with a brass 12" brass dial with a seconds hand and calender signed STANLEY N SHIELDS contained in a mahogany case with a swan neck pediment 84" tall

A good mahogany eight day striking longcase clock, the 14" brass moonroller dial having a second dial and calender signed J Lees Bury. The swan neck pediment hood having reeded columns with brass caps above a shaped trunk door, flanked by reeded quarter columns above a stepped base and bracket feet 7'10" to finial

A George III stripped mahogany and inlaid longcase clock, the eight-day movement to white enamelled dial with roman numerals and rose painted spandrels beneath an exotic bird, contained within a glazed hood with swan neck pediment, flanked by reeded columns, over a long drawer to plinth base, later restored, 212cm high

A 19th century continental mahogany eight-day longcase clock, the twin tray movement with verge escapement striking on a bell (lacking), the enamelled impressed brass dial within arched hood and waisted bombe case, approximately 180 cm

19th Century mahogany longcase clock having an arch shaped painted dial with seconds indicator and calendar aperture, the crossbanded case with turned pillars and metal mounts - eight day striking movement, 230cm high

George III oak longcase clock, the square brass dial with silvered chapter ring, the engraved centre signed H. Holmes of Cheadle and with calendar aperture - 30 hour striking movement, 207cm high

18th Century oak longcase clock, the square brass dial having a single hand and signed Katterns of Thrapston - 30 hour striking movement, 188cm high

George III oak longcase clock, the square brass dial with silvered chapter ring, the centre with calendar hand and signed William Bird of Seagrave - eight day striking movement, 197cm high

George III oak longcase clock having a square brass dial engraved with a house and rococo scrolls, signed Thomas Honeybone of Wanboro - 30 hour striking movement, 182cm high

19th Century oak and mahogany longcase clock having a broken arch pediment and arch shaped door flanked by reeded pilasters, the square painted dial with seconds indicator and fan shaped calendar aperture inscribed Sam. Maddock of Winsford - eight day striking movement, 211cm high

19th Century mahogany longcase clock having rope twist pilasters and arch shaped long door, the painted arch shaped dial decorated with huntsmen and hounds and with seconds indicator and calendar aperture inscribed Woller and Strawb of Norwich - eight day striking movement, 218cm high

18th Century longcase clock 30 hour movement having an 11" brass dial signed Thos. Dicker of Reading

AN 18TH CENTURY 30 HOUR LONGCASE CLOCK with square brass dial by William Parslow of Stonehous (sic), in a plain ebonised case, with 10" dial (some later gilding)

A GEORGE III OAK LONGCASE CLOCK with arched painted seconds dial and date aperture, with 8-day movement, maker Broderick of Boston, the case with broken scroll pediment and fluted pillars, 88" high

An unusual C18th mahogany longcase clock, by Martin of Dover the plinth base with Flame Mahogany Panel with arched panelled trunk door, supported by Brass inlaid fluted columns with Brass capitals, the hood with a dentil frieze with 2 Brass inlaid columns with Corinthian capitals, the movement with Brass cased weights, Brass pendulum & Brass dial engraved with urns & flowers Signed Martin Dover with central sweep seconds hand, calendar dial to the top hour hand and minutes hand on secondary dials, the canopy with 2 spires, the central spire with Old Father Time bearing a scythe, lacking a bell

A George III oak and mahogany banded longcase clock, the twin train movement with anchor escapement striking on a bell, the twelve inch square brass dial signed 'J Green, Nantwich', with calendar and seconds subsidiary dial and silvered chapter ring, the caddy-topped hood with projecting columns above an ogee arched trunk door flanked by quarter columns, on a panelled box base, 210cm high

A George II walnut veneered longcase clock, the twin train movement with anchor escapement, striking on a bell, the twelve inch brass dial with matted centre and subsidiary seconds dial and date aperture, the silver chapter ring signed 'Thomas Jenkinson, Sandwich', within female mask shell and leaf scroll spandrels, the flat top hood with three quarter barley sugar twist turned columns, above a rectangular trunk door and a box base with reduced plinth, possibly associated, 204cm high

A George III inlaid mahogany longcase clock, the arched brass silvered dial with calendar and seconds subsidiary and 'strike/silent' in the arch, the 8-day movement now striking on gongs, the later inlaid case with an arched door, on a later plinth base, 221cm high