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18th century mahogany cased eight day longcase clock by Robert Coats, Hamilton the hood with swan neck pediment, brass dial with pierced spandrels, and silvered chapter ring, arched top with phases of the moon, shaped subsidiary seconds dial, date aperture, twin train movement striking on a bell h: 89.50 x w: 19 in.

19th century oak longcase clock, by I. Gilbert of Hythe, 30-hour weight driven movement, painted dial with Roman and Arabic numerals, and subsidiary date dial, h: 73 x w: 19 x d: 10 in.

18th century oak thirty hour longcase clock by a Carlisle maker the hood with swan neck pediment with column supports, painted arched dial with subsidiary seconds dial and date aperture, weight driven movement striking on bell, ( face and movement are a marriage) the movement is stamped Walker h: 87.50 x w: 19 in.

18th century eight-day twin-train mahogany longcase clock by Thomas Withers of Kentbury, the hood with brass ball and swan neck pediment, above a door flanked by columns, the silvered, brass and painted dial with arabic and Roman numerals, date dial and subsidiary day of the week, month and seconds dials, ( movement altered and not original to this case) h: 96 x w: 22.50 x d: 11.50 in.

An early 19th Century oak and mahogany longcase clock, the hood with swan neck and fluted tapered column to the sides, the trunk enclosed by a shaped arch top door, fitted a painted arch top dial, signed Payne, Ludlow and having an eight-day striking movement

An oak cased miniature longcase clock, the square dial with silvered chapter ring and Roman numerals fitted in a carved case the trunk flanked quarter columns raised on bracket feet, 47cm (18.5") high

A thirty hour longcase clock, Thos Hay, Shrewsbury, the broken swan neck pediment above a square painted dial with date aperture flanked two reeded column supports, the oak and mahogany crossbanded case with long door flanked quarter columns on a panelled base and low plinth, the dial, 30cm (11.5") wide

A late 18th Century oak and mahogany longcase clock, the hood with swan neck and fluted columns to the sides, the trunk enclosed by a shaped arch top door with canted columns to the sides, on splay feet, the arch top painted dial with second hand fitted an eight day striking movement

An early 19th Century Longcase Clock, the painted square dial inscribed James Probert, Wrexham, with seconds ring and date aperture in oak case with fluted half round pilasters on bracket feet. 6' 9" (207cms) high.

A miniature Longcase Clock in poker work case, 14" (36cms) high, another similar and an ebonised clock case. (3).

A miniature Longcase Clock with pocket watch movement in inlaid mahogany case, 10" (26cms) high, 2 others and another in ceramic case. (4).

A George III Longcase Clock, the brass arched dial inscribed "Joseph Wood, Scarborough" with date aperture and ormolu spandrels with 8 day striking movement in oak case with swan's neck pediment, arched trunk door and bracket feet. 7' 5" (226cms) high.

An 18th Century oak longcase clock movement by Francis Ransford of London, the 12ins square brass dial with wide silvered chapter ring with Arabic and Roman numerals and subsidiary seconds dial and date aperture to the eight day two train movement striking on a bell, contained in 19th Century oak case with shaped pediment and turned pillars to hood, panelled trunk door and astragal moulded panel to plinth, on bracket feet, 82ins high

An 18th Century oak longcase clock by Blencorve (?) Churchill, the 10ins square brass dial with wide chapter ring with Roman numerals and engraved dial centre and single hand to the thirty hour movement with outside locking plate striking on a bell, contained in plain oak case with moulded hood and blind fret frieze, with plain pillars to hood, shaped trunk door, 73ins high

A late 18th Century oak longcase clock by William Wilks of Wolverton, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, the silvered dial to centre with subsidiary seconds dial and date aperture to the eight day two train movement striking on a bell, contained in plain oak case with scroll pediment and turned and fluted pillars to hood, inlaid frieze above shaped door with fluted quarter columns, the plinth with astragal moulding, on single plinth base, 86ins high

An 18th Century oak longcase clock by John Johnson of Walton, the 12ins arched brass dial with silvered chapter ring with Roman and Arabic numerals, the engraved and matted dial centre with subsidiary seconds dial and date aperture to the eight day two train movement striking on a bell, contained in plain oak case with swept top and turned and fluted columns with Corinthian capitols to hood, plain trunk door, 86ins high

A 19th Century oak and mahogany longcase clock by Rhead of Rugeley, the 12ins square painted dial with Roman numerals and alarum dial to centre, the spandrels painted with shells to the eight day two train movement striking on a bell, contained in oak and mahogany case with moulded scroll pediment and turned and fluted pillars to hood, the crossbanded trunk door with fluted quarter columns, on bracket feet, 83ins high. Note : William Rhead recorded working Rugeley 1835

An 18th Century mahogany longcase clock by Hariman of Workington, the 12ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, with turned winding holes to the eight two train movement striking on a bell, contained in plain mahogany case with shaped pediment and turned and fluted pillars to hood, arched trunk door with raised panel to plinth, on bracket feet, 83ins high

An early 18th Century longcase clock movement by Mansell Bennett of Charing Cross, the 12ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial with turned winding holes and cast crown and cupid spandrels to the eight day two train five pillar movement striking on a bell, contained in later ebonised case with moulded cornice and arched trunk door, 82ins high

An early 19th Century mahogany longcase clock by Warry of Bristol, the 13ins arched painted dial with Arabic numerals, subsidiary seconds dial and date aperture and "Rocking Ship" automaton to arch to the eight day two train movement striking on a bell (missing), contained in figured mahogany case inlaid with chequered stringings and bandings, with moulded scroll pediment, and turned and spiral reeded columns with Corinthian capitols, and panelled plinth, 89ins high (not working - pendulum and weights present, but generally in need of restoration). Note : Thought to be John Warry Senior of Bristol, circa 1775-1830, or his on John Junior, 1830-1842

A late 18th Century oak longcase clock by William Cooper of Derby, the 13ins brass circular dial (formerly silvered) with Roman and Arabic numerals and date aperture to the eight day two train movement striking on a bell, contained in plain oak case with angled pediment and slender split turned columns to hood, shaped trunk door, on bracket feet, 85ins high. Note : William Cooper recorded working Derby 1760-1802

A 19th Century oak and mahogany longcase clock by R.H. Goodwin of Macclesfield, the 14ins arched painted dial with Roman numerals, and subsidiary seconds dial and calendar dial, the arch decorated with a view of Canterbury Cathedral and cottages to spandrels to the eight day two train movement striking on a bell, contained in oak and figured mahogany case with scroll pediment and turned pillars to hood, the shaped trunk door flanked by plain quartered columns, the plinth base on ogee bracket feet, 89ins high. Note : R.H. Goodwin recorded working Macclesfield 1857-1865

A George III mahogany longcase clock by Wickes of London, the 12ins arched silvered dial with Roman and Arabic numerals and with subsidiary seconds and calendar dials, Strike/ Silent dial to arch, to eight day two train five pillar movement striking on a bell, contained in figured mahogany case with arched top and moulded cornice and turned, fluted and brass stopped columns to hood, shaped figured mahogany veneered trunk door flanked by fluted and brass stopped quarter columns, plinth with raised astragal moulding, the double moulded plinth with bracket feet, 87ins high

A late 17th/early 18th Century walnut and floral marquetry longcase clock by Barnes of London, the 12ins square brass dial with silvered chapter ring and Roman and Arabic numerals, subsidiary seconds dial and date aperture and turned winding holes, the spandrels cast with cherubs holding a crown within wheat ear pattern engraved borders to the eight day two train five pillar movement striking on a bell, contained in case with narrow moulded cornice and fretted frieze, spiral turned pillars to hood, the door panel filled with marquetry depicting cherubs, masks, flowers and scroll work and crossgrained mouldings to edge of door within scroll work borders, with gilt framed lentical, and the plinth similarly inlaid with birds and floral ornament, and with moulded plinth, 87ins high (plinth with restoration and movement fully restored). Note : Thought to be by George Barnes, apprenticed London 1693

A late 17th Century walnut and marquetry longcase clock by Brounker Watts of London, the 10ins square brass dial with narrow chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture and with winged cherub's head spandrels and engraved borders to the eight day two train five pillar movement with outside locking plate striking on a bell, contained in walnut, ebonised and marquetry case with deep moulded cornice and spiral turned columns to hood, the trunk door inlaid with marquetry panel depicting birds, flower and leaves, and with circular lentical, confirming lower panel and moulded plinth, 79ins high (case partly reveneered and rebuilt). Note : Brouncker Watts recorded working Fleet Street, London, apprenticed 1684, clockmaker 1693 and died 1719

A Box of various Crested Ware including Carlton China Range “Keep The Home Fires Burning Til the Boys Come Home” with the Arms of Guildford; Old English Wexford Sundial; Helston Longcase Clock; Arcadian “Good Luck from Boscombe” Horse Shoe Box etc

A George III oak thirty hour longcase clock by James Goodyer Guildford with square and silvered dial

A George III oak longcase clock, the hood having a broken swan neck pediment, twin turned pilasters flanking square painted dial, width 12” , signed J Shortman? of Lewisham, having Roman numerals, subsidiary seconds dial and rolling date dial, thirty hour weight driven movement striking on a bell, the panelled door with ebony stringing on a box base with bracket feet, height 210cm

A Regency mahogany longcase clock, the hood having a broken scroll swan neck pediment, above twin fluted pilasters flanking a painted arch dial signed Steedman of Leith, width 13”, the arch dial having a rolling moon phase, painted Arabic and Roman numerals, subsidiary seconds and date dial, twin winding holes for a brass four pillar eight day weight driven movement striking on a bell, the trunk having a flame mahogany panel door flanked by quarter fluted pilasters to a panel box base on bracket feet, height 217cm

An early 19th century oak longcase clock, having an arched hood enclosing painted arch dial, signed to the centre J Pace, Bury (St Edmunds), the painted dial having Roman numerals, width 12” , subsidiary seconds dial and rolling date dial, twin winding holes for an eight day four pillar movement striking on a bell, the case having arched panel door to a boxbase on bracket feet, height 199cm. According to Haggar & Miller’s Suffolk Clocks & Clockmakers; John Pace was a watch and clockmaker and jeweller in Abbeygate Street from 1823-1855. He acquired a high reputation and was also an inventor of a night time-piece and created many elaborate skeleton clocks.

E. Williams, Trecastle, 19th Century 30-Hour Longcase Clock having painted arched dial depicting figure and ruins, with Roman numerals, in mahogany case having barleytwist supports with banded decoration, further barleytwist supports below, on ogee feet, 2m 27cm high

T. Harben, Lewes, 18th Century 30-Hour 10" Dial Longcase Clock with single hand, having square brass dial with pierced escutcheon, depicting figurehead, floral and scroll decoration, having Roman numerals, in oak case having Corinthian column supports, 1m 90cm high

Mitchell, Chard 8-Day Striking Longcase Clock having painted arched dial with seconds dial and calendar, with Arabic numerals, in oak case having swan neck top with all over inlaid shell motifs, having Corinthian column supports, with shaped door below, 2m 21cm high (no weights)

A 19th Century Oak Cased Miniature Longcase Clock having later movement with gilt chapter ring having Arabic and Roman numerals, oak case with all over carved acorn, floral leaf and scroll decoration, on bracket feet, 64cm high

An oak eight day longcase clock with a swan neck pediment above a painted 14" arch dial signed Beavington, Stourbridge height 92"

A thirty hour oak longcase clock circa 1830, the painted dial with brass hands PEARSON, Cambridge

Early 19thC oak case 30hr longcase clock by William Winch, Reading, painted face

Georgian oak longcase clock, eight-day movement by John Evans of Pwllheli, painted face

Oak longcase clock, painted dial, signed Bullen, Hatfield

19thC mahogany longcase clock by B.J. Holden, Witham, painted face, eight-day movement, date and secondary aperture.

Oak grandmother longcase clock with silver face, eight-day movement

Sixteen 19th Century longcase clock hands (16)

An early 19th Century longcase clock, by Baitson, Beverley, having eight day movement with painted arched dial depicting a figure in a river landscape to the arch and floral spandrels, subsidiary seconds and date dials, in oak case with mahogany cross banding, the caddy top with three brass ball finials, on reeded pillars, painted arched trunk door flanked by canted corners, on panelled base, 93 1/2" high

A 19th Century longcase clock, by Thomas Turnbull, Whitby, the eight day movement with painted and gilded arched dial having subsidiary seconds dial and date aperture, in mahogany cross banded case, with swan neck pediment and eagle finial on turned and ring turned pillars, canted trunk and moulded door with gadrooned crest, shaped base and bracket feet, 90 1/2" high

A late 18th Century longcase clock, the thirty hour movement with painted arched dial depicting Britannia sat beside the sea to the arch and floral spandrels, in oak case with swan neck pediment on turned pillars shaped arched door and panelled base, 82" high (illustrated

A 19th Century longcase clock, by Robert Potts, Patrington, the eight day movement with arched brass dial having subsidiary seconds dial and pierced scrolling spandrels, in oak case with caddy top flanked by brass finials, on reeded pillars, arched trunk door and panelled base, 91 1/2" high

An early 19th century mahogany longcase clock the inlaid mahogany case with broken scroll pediment, supported on fluted columns with gilt metal mounts, the trunk with ebony line inlaid canted corners and arched door, standing on bracket feet, the arched brass face with silvered chapter ring and dial with engraved decoration, subsidiary seconds and gilt metal mounted spandrels, surmounted by a moon phase roller to the arch above depictions of the eastern and western hemispheres, the dial signed 'CARTER Walthamstow', fitted with an eight day movement striking on a bell, 91in. (231cm.) high.

An 18th century oak and mahogany cross-banded longcase clock by William Upjohn, Exeter, circa 1752, the broken scroll pediment with brass floral roundels, supported on plain tapering pillars above a square glazed door, the square brass dial with silvered chapter ring, signed 'Wm Upjohn Exon', the 30 hour movement striking on a gong, 77.5in. (197cm.) high.

A 19th century oak longcase clock the enamelled 10in square dial with Roman numerals, together with the movement, pendulum and weight, 76in (193cm) high.

A 19th century longcase clock in mahogany and fruitwood case, the 12 inch square painted dial with Roman numerals and date and seconds indicators, the 30 hour movement striking on a bell, 185cm high

Oak longcase clock, the associated movement, late 17th century, with square brass face, 25cm, crown and cherub spandrels, silvered roman chapter ring, field engraved with lion masks and foliage, and inscribed John Burges fecit, date aperture, hour finger, single weight movement of four pillars and skeleton plates, anchor escapement, external countwheel striking the hour, in an old oak case of caddy top hood with fruitwood twist columns and glazed sides, cavetto shoulders, slender trunk with lenticle and incised initials, the base with applied mouldings. Height 210cm. (Weight and pendulum).

A George III oak longcase clock with eight day movement striking on a bell, the brass break arch dial with subsidiary seconds, date aperture and inscribed 'William Paine, Trowbridge', framed by a silvered chapter ring with Roman numerals, cornered by pierced gilt foliate scroll spandrels, beneath a circular boss engraved with Old Father Time, the hood with broken arch pediment above a glazed door flanked by turned pilasters, the trunk door with inlaid shell patera and crossbanded borders on a similarly decorated base and bracket feet, height approx 242cm.

A 20th Century reproduction mahogany longcase clock with eight day movement striking on a bell, the gilt moonphase dial with Roman numerals, the hood with ball finial and swan neck pediment above a glazed trunk door, on bracket feet, height approx 188cm.

A George III oak and mahogany longcase clock with eight day movement striking on a bell, the square painted dial with subsidiary seconds, date aperture and inscribed 'Fran Chambley Newcastle', flanked by two birds perched amongst flowers, cornered with floral spandrels, the case with flat top hood above a glazed door flanked by fluted columns, the crossbanded trunk with shaped door above a similarly decorated base on bracket feet, height approx 192cm (faults).

A George III mahogany longcase clock with eight day movement striking on a bell, the painted break arch dial with rolling moon to arch above subsidiary seconds and date dial, indistinctly inscribed, cornered with gilt oval medallions, the hood with broken arch pediment above a glazed door flanked by reeded Corinthian columns, the arched trunk door and base with crossbanding, on bracket feet, height approx 218cm.

A George III mahogany longcase clock with eight day movement striking on a bell, the painted break arch dial with subsidiary seconds, inscribed 'J. Himley, Skipton' beneath a hunting scene to arch, the hood with swan neck pediment above a glazed door flanked by turned pilasters, the arched trunk door flanked by a pair of spiral reeded quarter columns on a panelled base and outswept bracket feet, height approx 240cm.

Oak eight day longcase clock, the 12" painted arched dial signed Jonathan Saxton, St. Neots, with subsidiary seconds dial and calendar aperture, the case with long arched moulded door and surmounted by a moulded arched pediment, 84" high

A 1930's wood and gilt longcase clock, matching sideboard, a smaller sideboard, round dining table, two carvers and two side chairs. A set.

Oak and mahogany crossbanded thirty hour longcase clock, the 12" painted square dial signed Hardy, Newark, with calendar aperture, the case with long door and surmounted by a swan neck pediment, 79" high

Fine walnut eight day longcase clock, the 12" brass arched dial signed John Parkes, London, with subsidiary seconds dial and calendar aperture to the matted centre, with strike/silent dial to the arch, the five pillar movement with anchor escapement, within a highly figured burr walnut case with ebony and boxwood stringing, the arched moulded hood over a floral fretwork panel and ormolu mounted slender tapering pillars over an arched moulded door and stepped base, 92" high *This clock is in fine restored condition*